Part II, Section III
Near to the bank of the river, o'ershadowed by oaks, from whose branchesGarlands of Spanish moss and of mystic mistletoe flaunted,Such as the Druids cut down with golden hatchets at Yule-tide,Stood, secluded and still, the house of the herdsman. A gardenGirded it round about with a belt of luxuriant blossoms,Filling the air with fragrance. The house itself was of timbersHewn from the cypress-tree, and carefully fitted together.Large and low was the roof; and on slender columns supported,Rose-wreathed, vine-encircled, a broad and spacious veranda,Haunt of the humming-bird and the bee, extended around it.At each end of the house, amid the flowers of the garden,Stationed the dove-cots were, as love's perpetual symbol,Scenes of endless wooing, and endless contentions of rivals.Silence reigned o'er the place. The line of shadow and sunshineRan near the tops of the trees; but the house itself was in shadow,And from its chimney-top, ascending and slowly expandingInto the evening air, a thin blue column of smoke rose.In the rear of the house, from the garden gate, ran a pathwayThrough the great groves of oak to the skirts of the limitless prairie,Into whose sea of flowers the sun was slowly descending.Full in his track of light, like ships with shadowy canvasHanging loose from their spars in a motionless calm in the tropics,Stood a cluster of trees, with tangled cordage of grapevines.
Just where the woodlands met the flowery surf of the prairie,Mounted upon his horse, with Spanish saddle and stirrups,Sat a herdsman, arrayed in gaiters and doublet of deerskin.Broad and brown was the face that from under the Spanish sombreroGazed on the peaceful scene, with the lordly look of its master.Round about him were numberless herds of kine, that were grazingQuietly in the meadows, and breathing the vapory freshnessThat uprose from the river, and spread itself over the landscape.Slowly lifting the horn that hung at his side, and expandingFully his broad, deep chest, he blew a blast, that resoundedWildly and sweet and far, through the still damp air of the evening.Suddenly out of the grass the long white horns of the cattleRose like flakes of foam on the adverse currents of ocean.Silent a moment they gazed, then bellowing rushed o'er the prairie,And the whole mass became a cloud, a shade in the distance.Then, as the herdsman turned to the house, through the gate of the gardenSaw he the forms of the priest and the maiden advancing to meet him.Suddenly down from his horse he sprang in amazement, and forwardRushed with extended arms and exclamations of wonder;When they beheld his face, they recognized Basil the blacksmith.Hearty his welcome was, as he led his guests to the garden.There in an arbor of roses with endless question and answerGave they vent to their hearts, and renewed their friendly embraces,Laughing and weeping by turns, or sitting silent and thoughtful.Thoughtful, for Gabriel came not; and now dark doubts and misgivingsStole o'er the maiden's heart; and Basil, somewhat embarrassed,Broke the silence and said, "If you came by the Atchafalaya,How have you nowhere encountered my Gabriel's boat on the bayous?"Over Evangeline's face at the words of Basil a shade passed.Tears came into her eyes, and she said, with a tremulous accent,"Gone? is Gabriel gone?" and, concealing her face on his shoulder,All her o'erburdened heart gave way, and she wept and lamented.Then the good Basil said,--and his voice grew blithe as he said it,--"Be of good cheer, my child; it is only to-day he departed.Foolish boy! he has left me alone with my herds and my horses.Moody and restless grown, and tried and troubled, his spiritCould no longer endure the calm of this quiet existence.Thinking ever of thee, uncertain and sorrowful ever,Ever silent, or speaking only of thee and his troubles,He at length had become so tedious to men and to maidens,Tedious even to me, that at length I bethought me, and sent himUnto the town of Adayes to trade for mules with the Spaniards.Thence he will follow the Indian trails to the Ozark Mountains,Hunting for furs in the forests, on rivers trapping the beaver.Therefore be of good cheer; we will follow the fugitive lover;He is not far on his way, and the Fates and the streams are against him.Up and away to-morrow, and through the red dew of the morningWe will follow him fast, and bring him back to his prison."
Then glad voices were heard, and up from the banks of the river,Borne aloft on his comrades' arms, came Michael the fiddler.Long under Basil's roof had he lived like a god on Olympus,Having no other care than dispensing music to mortals.Far renowned was he for his silver locks and his fiddle."Long live Michael," they cried, "our brave Acadian minstrel!"As they bore him aloft in triumphal procession; and straightwayFather Felician advanced with Evangeline, greeting the old manKindly and oft, and recalling the past, while Basil, enraptured,Hailed with hilarious joy his old companions and gossips,Laughing loud and long, and embracing mothers and daughters.Much they marvelled to see the wealth of the cidevant blacksmith,All his domains and his herds, and his patriarchal demeanor;Much they marvelled to hear his tales of the soil and the climate,And of the prairie; whose numberless herds were his who would take them;Each one thought in his heart, that he, too, would go and do likewise.Thus they ascended the steps, and, crossing the breezy veranda,Entered the hall of the house, where already the supper of BasilWaited his late return; and they rested and feasted together.
Over the joyous feast the sudden darkness descended.All was silent without, and, illuming the landscape with silver,Fair rose the dewy moon and the myriad stars; but within doors,Brighter than these, shone the faces of friends in the glimmering lamplight.Then from his station aloft, at the head of the table, the herdsmanPoured forth his heart and his wine together in endless profusion.Lighting his pipe, that was filled with sweet Natchitoches tobacco,Thus he spake to his guests, who listened, and smiled as they listened:--"Welcome once more, my friends, who long have been friendless and homeless,Welcome once more to a home, that is better perchance than the old one!Here no hungry winter congeals our blood like the rivers;Here no stony ground provokes the wrath of the farmer.Smoothly the ploughshare runs through the soil, as a keel through the water.All the year round the orange-groves are in blossom; and grass growsMore in a single night than a whole Canadian summer.Here, too, numberless herds run wild and unclaimed in the prairies;Here, too, lands may be had for the asking, and forests of timberWith a few blows of the axe are hewn and framed into houses.After your houses are built, and your fields are yellow with harvests,No King George of England shall drive you away from your homesteads,Burning your dwellings and barns, and stealing your farms and your cattle."Speaking these words, he blew a wrathful cloud from his nostrils,While his huge, brown hand came thundering down on the table,So that the guests all started; and Father Felician, astounded,Suddenly paused, with a pinch of snuff half-way to his nostrils.But the brave Basil resumed, and his words were milder and gayer:--"Only beware of the fever, my friends, beware of the fever!For it is not like that of our cold Acadian climate,Cured by wearing a spider hung round one's neck in a nutshell!"Then there were voices heard at the door, and footsteps approachingSounded upon the stairs and the floor of the breezy veranda.It was the neighboring Creoles and small Acadian planters,Who had been summoned all to the house of Basil the Herdsman.Merry the meeting was of ancient comrades and neighbors:Friend clasped friend in his arms; and they who before were as strangers,Meeting in exile, became straightway as friends to each other,Drawn by the gentle bond of a common country together.But in the neighboring hall a strain of music, proceedingFrom the accordant strings of Michael's melodious fiddle,Broke up all further speech. Away, like children delighted,All things forgotten beside, they gave themselves to the maddeningWhirl of the dizzy dance, as it swept and swayed to the music,Dreamlike, with beaming eyes and the rush of fluttering garments.
Meanwhile, apart, at the head of the hall, the priest and the herdsmanSat, conversing together of past and present and future;While Evangeline stood like one entranced, for within herOlden memories rose, and loud in the midst of the musicHeard she the sound of the sea, and an irrepressible sadnessCame o'er her heart, and unseen she stole forth into the garden.Beautiful was the night. Behind the black wall of the forest,Tipping its summit with silver, arose the moon. On the riverFell here and there through the branches a tremulous gleam of the moonlight,Like the sweet thoughts of love on a darkened and devious spirit.Nearer and round about her, the manifold flowers of the gardenPoured out their souls in odors, that were their prayers and confessionsUnto the night, as it went its way, like a silent Carthusian.Fuller of fragrance than they, and as heavy with shadows and night-dews,Hung the heart of the maiden. The calm and the magical moonlightSeemed to inundate her soul with indefinable longing;As, through the garden gate, and beneath the shade of the oak-trees,Passed she along the path to the edge of the measureless prairie.Silent it lay, with a silvery haze upon it, and fire-fliesGleaming and floating away in mingled and infinite numbers.Over her head the stars, the thoughts of God in the heavens,Shone on the eyes of man who had ceased to marvel and worship,Save when a blazing comet was seen on the walls of that temple,As if a hand had appeared and written upon them, "Upharsin."And the soul of the maiden, between the stars and the fire-flies,Wandered alone, and she cried, "O Gabriel! O my beloved!Art thou so near unto me, and yet I cannot behold thee?Art thou so near unto me, and yet thy voice does not reach me?Ah! how often thy feet have trod this path to the prairie!Ah! how often thine eyes have looked on the woodlands around me!Ah! how often beneath this oak, returning from labor,Thou hast lain down to rest and to dream of me in thy slumbers!When shall these eyes behold, these arms be folded about thee?"Loud and sudden and near the note of a whippoorwill soundedLike a flute in the woods; and anon, through the neighboring thickets,Farther and farther away it floated and dropped into silence."Patience!" whispered the oaks from oracular caverns of darkness:And, from the moonlit meadow, a sigh responded, "To-morrow!"
Bright rose the sun next day; and all the flowers of the gardenBathed his shining feet with their tears, and anointed his tressesWith the delicious balm that they bore in their vases of crystal."Farewell!" said the priest, as he stood at the shadowy threshold;"See that you bring us the Prodigal Son from his fasting and famine,And, too, the Foolish Virgin, who slept when the bridegroom was coming.""Farewell!" answered the maiden, and, smiling, with Basil descendedDown to the river's brink, where the boatmen already were waiting.Thus beginning their journey with morning, and sunshine, and gladness,Swiftly they followed the flight of him who was speeding before them,Blown by the blast of fate like a dead leaf over the desert.Not that day, nor the next, nor yet the day that succeeded,Found they trace of his course, in lake or forest or river,Nor, after many days, had they found him; but vague and uncertainRumors alone were their guides through a wild and desolate Country;Till, at the little inn of the Spanish town of Adayes,Weary and worn, they alighted, and learned from the garrulous landlord,That on the day before, with horses and guides and companions,Gabriel left the village, and took the road of the prairies.
Words in this poem 59
- veranda n.
- An open, roofed gallery or portico, adjoining a dwelling house, forming an out-of-door sitting room. See Loggia. [A word brought by the English from India; of uncertain origin; cf. Skr. vara, Pg. varanda, Sp. baranda, Malay baranda.]
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- sunshine n.
- The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
- chimney n.
- A fireplace or hearth. Sir W. Raleigh.
- pathway n.
- A footpath; a beaten track; any path or course. Also used figuratively.
- limitless a.
- Having no limits; unbounded; boundless. Davies (Wit's Pilgr.).
- deerskin n.
- The skin of a deer, or the leather which is made from it.
- sombrero n.
- A kind of broad-brimmed hat, worn in Spain and in Spanish America. Marryat. [Sp., from sombra shade. See Sombre.]
- numberless a.
- Innumerable; countless.
- vapory a.
- Full of vapors; vaporous.
- rushed a.
- Abounding or covered with rushes.
- amazement n.
- The condition of being amazed; bewilderment ; overwhelming wonder, as from surprise, sudden fear, horror, or admiration.
- blacksmith n.
- A smith who works in iron with a forge, and makes iron utensils, horseshoes, etc. [Black (in allusion to the color of the metal) + smith. Cf. Whitesmith.]
- arbor n.
- A kind of latticework formed of, or covered with, vines, branches of trees, or other plants, for shade; a bower. Sir P. [OE. herber, herbere, properly a garden of herbs, F. herbier, fr. L. herbarium. See Herb, and cf. Herbarium.]
- stole n.
- A long, loose garment reaching to the feet. [AS. stole, L. stola, Gr. stall. See Stall.]
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- nowhere adv.
- Not anywhere; not in any place or state; as, the book is nowhere to be found. [AS. nahwær. See No, and Where.]
- lamented a.
- Mourned for; bewailed.
- blithe a.
- Gay; merry; sprightly; joyous; glad; cheerful; as, a blithe spirit. [AS. bli blithe, kind; akin to Goth. blei kind, Icel. bli mild, gentle, Dan. & Sw. blid gentle, D. blijd blithe, OHG. blidi kind, blithe.]
- fiddler n.
- One who plays on a fiddle or violin. [AS. fi.]
- acadian a.
- Of or pertaining to Acadie, or Nova Scotia.
- triumphal n.
- A token of victory.
- straightway adv.
- Immediately; without loss of time; without delay.
- hilarious a.
- Mirthful; noisy; merry.
- wealth n.
- Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
- demeanor n.
- Management; treatment; conduct. [For demeanure, fr. demean. See Demean, v. t.]
- breezy a.
- Characterized by, or having, breezes; airy.
- myriad n.
- The number of ten thousand; ten thousand persons or things. [Gr. myriade.]
- lamplight n.
- Light from a lamp.
- friendless a.
- Destitute of friends; forsaken. [AS. freóndleás.]
- homeless a.
- Destitute of a home. [AS.hamleas.]
- ploughshare n.
- The share of a plow, or that part which cuts the slice of earth or sod at the bottom of the furrow. Plowshare bone (Anat.), the pygostyle.
- canadian a.
- Of or pertaining to Canada.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- wrathful a.
- Full of wrath; very angry; greatly incensed; ireful; passionate; as, a wrathful man.
- thundering a.
- Emitting thunder.
- beware v. t.
- To avoid; to take care of; to have a care for.
- nutshell n.
- The shell or hard external covering in which the kernel of a nut is inclosed.
- delighted a.
- Endowed with delight.
- swayed a.
- Bent down, and hollow in the back; sway-backed; -- said of a horse.
- meanwhile n.
- The intervening time; as, in the meantime (or mean time).
- olden a.
- Old; ancient; as, the olden time.
- irrepressible a.
- Not capable of being repressed, restrained, or controlled; as, irrepressible joy; an irrepressible conflict. W. H. Steward.
- sadness n.
- Heaviness; firmness.
- unseen a.
- Not seen or discovered.
- tipping n.
- A distinct articulation given in playing quick notes on the flute, by striking the tongue against the roof of the mouth; double- tonguing.
- devious a.
- Out of a straight line; winding; varying from directness; as, a devious path or way. [L. devius; de + via way. See Viaduct.]
- went n.
- Course; way; path; journey; direction.
- carthusian n.
- A member of an exceeding austere religious order, founded at Chartreuse in France by St. Bruno, in the year 1086. [LL. Cartusianus, Cartusiensis, from the town of Chartreuse, in France.]
- indefinable a.
- Incapable of being defined or described; inexplicable. Bp.
- measureless a.
- Without measure; unlimited; immeasurable.
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- anon adv.
- Straightway; at once. [OE. anoon, anon, anan, lit., in one (moment), fr. AS. on in + an one. See On and One.]
- oracular a.
- Of or pertaining to an oracle; uttering oracles; forecasting the future; as, an oracular tongue. [L. oracularius. See Oracle.]
- moonlit a.
- Illumined by the moon.
- famine n.
- General scarcity of food; dearth; a want of provisions; destitution. [F. famine, fr. L. fames hunger; cf. Gr. hani loss, lack, ha to leave.]
- bridegroom n.
- A man newly married, or just about to be married. [OE. bridegome, brudgume, AS. br (akin to OS. br, D. bruidegom, bruigom, OHG. pr, MHG. briutegome, G. bräutigam); AS. br bride + guma man, akin to Goth. guma, Ic]
- brink n.
- The edge, margin, or border of a steep place, as of a precipice; a bank or edge, as of a river or pit; a verge; a border; as, the brink of a chasm. Also Fig. [Dan. brink edge, verge; akin to Sw. brink declivity, hill, Icel. brekka; cf. LG. brink a grassy hill, W. bryn hill, bryncyn hillock.]
- garrulous a.
- Talking much, especially about commonplace or trivial things; talkative; loquacious. [L. garrulus, fr. garrire to chatter, talk; cf. Gr. Call.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Part II, Section III is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Wadsworth Longfellow, Part II, Section III, in The Complete Poetical Works (1839–1882), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-poems/part-ii-section-iii.html, id L17555.
Form and metre
Part II, Section III is 190 lines in 6 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. 73% of its stressed syllables fall where the metre puts the beat. The lines average 14.9 syllables. 139 lines end on an unstressed syllable, a feminine ending. 23% of the lines run on without a stop at the line end.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -AAB------B--B--------- branches · flauntedA · tideA · gardenB · blossoms · timbers · together · supported · veranda · it · gardenB · symbol · rivals · sunshineB · shadow · expanding · rose · pathway · prairie · descending · canvas · tropics · grapevines
- 2 -------------------------A--A---B--B------------ prairie · stirrups · deerskin · sombrero · master · grazing · freshness · landscape · expanding · resounded · evening · cattle · ocean · prairie · distance · garden · him · forward · wonder · blacksmith · garden · answer · embraces · thoughtful · misgivings · embarrassedA · atchafalaya · bayous · passedA · accent · shoulder · lamented · itB · departed · horses · spiritB · existence · ever · troubles · maidens · him · spaniards · mountains · beaver · lover · him · morning · prison
- 4 -----A---AB--B-B-B------------------------- descended · silver · doors · lamplight · herdsman · profusionA · tobacco · listened · homeless · oneA · riversB · farmer · water · growsB · summer · prairiesB · timber · housesB · harvests · homesteads · cattle · nostrils · table · astounded · nostrils · gayer · fever · climate · nutshell · approaching · veranda · planters · herdsman · neighbors · strangers · other · together · proceeding · fiddle · delighted · maddening · music · garments
- 5 --------AA------B-BB------CC-C--C----- herdsman · future · her · music · sadness · garden · forest · river · moonlightA · spiritA · garden · confessions · carthusian · dews · moonlight · longing · treesB · prairie · fliesB · numbersB · heavens · worship · temple · upharsin · flies · beloved · theeC · meC · prairie · meC · labor · slumbers · theeC · sounded · thickets · silence · darkness · morrow
- 6 ---------------A--A garden · tresses · crystal · threshold · famine · coming · descended · waiting · gladness · them · desert · succeeded · river · uncertain · country · adayesA · landlord · companions · prairiesA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Near to the bank of the river, o'ershadowed by oaks, from whose branches | 17 | ······/˘·······/˘ |
| Garlands of Spanish moss and of mystic mistletoe flaunted, | 15 | /˘·/˘···/˘/˘·/˘ |
| Such as the Druids cut down with golden hatchets at Yule-tide, | 15 | ···/˘···/˘/˘··· |
| Stood, secluded and still, the house of the herdsman. A garden | 15 | ·˘/˘·········/˘ |
| Girded it round about with a belt of luxuriant blossoms, | 15 | /˘········˘/˘/˘ |
| Filling the air with fragrance. The house itself was of timbers | 15 | /˘···/˘··˘/··/˘ |
| Hewn from the cypress-tree, and carefully fitted together. | 14 | ···/˘··/˘/˘˘/˘ |
| Large and low was the roof; and on slender columns supported, | 15 | ········/˘/˘˘/˘ |
| Rose-wreathed, vine-encircled, a broad and spacious veranda, | 14 | ···˘/˘···/˘˘/˘ |
| Haunt of the humming-bird and the bee, extended around it. | 15 | ···/˘····˘/˘··· |
| At each end of the house, amid the flowers of the garden, | 14 | ······˘/·/··/˘ |
| Stationed the dove-cots were, as love's perpetual symbol, | 13 | /˘······˘/˘/˘ |
| Scenes of endless wooing, and endless contentions of rivals. | 15 | ··/˘/˘·/˘˘/˘·/˘ |
| Silence reigned o'er the place. The line of shadow and sunshine | 14 | /˘·······/··/· |
| Ran near the tops of the trees; but the house itself was in shadow, | 16 | ··········˘/··/· |
| And from its chimney-top, ascending and slowly expanding | 15 | ···/˘·˘/˘·/˘˘/˘ |
| Into the evening air, a thin blue column of smoke rose. | 14 | ···/˘····/˘··· |
| In the rear of the house, from the garden gate, ran a pathway | 15 | ········/˘···/· |
| Through the great groves of oak to the skirts of the limitless prairie, | 15 | ···········/˘/˘ |
| Into whose sea of flowers the sun was slowly descending. | 14 | ·····/···/˘˘/˘ |
| Full in his track of light, like ships with shadowy canvas | 13 | ·········/˘/˘ |
| Hanging loose from their spars in a motionless calm in the tropics, | 15 | /˘······/˘···/˘ |
| Stood a cluster of trees, with tangled cordage of grapevines. | 14 | ··/˘···/˘/˘·/· |
| Just where the woodlands met the flowery surf of the prairie, | 14 | ···/˘··/˘···/˘ |
| Mounted upon his horse, with Spanish saddle and stirrups, | 14 | /˘·····/˘/˘·/˘ |
| Sat a herdsman, arrayed in gaiters and doublet of deerskin. | 15 | ····˘/·/˘·/˘·/· |
| Broad and brown was the face that from under the Spanish sombrero | 16 | ···········/˘˘/˘ |
| Gazed on the peaceful scene, with the lordly look of its master. | 15 | ···/˘···/˘···/˘ |
| Round about him were numberless herds of kine, that were grazing | 15 | ·····/˘˘·····/˘ |
| Quietly in the meadows, and breathing the vapory freshness | 15 | /˘··/··/˘·/˘˘/˘ |
| That uprose from the river, and spread itself over the landscape. | 15 | ·····/˘··˘/··/· |
| Slowly lifting the horn that hung at his side, and expanding | 15 | /˘/˘········˘/˘ |
| Fully his broad, deep chest, he blew a blast, that resounded | 14 | /˘··········/˘ |
| Wildly and sweet and far, through the still damp air of the evening. | 15 | /˘···········/˘ |
| Suddenly out of the grass the long white horns of the cattle | 14 | /˘··········/˘ |
| Rose like flakes of foam on the adverse currents of ocean. | 13 | ·······/·/˘·/ |
| Silent a moment they gazed, then bellowing rushed o'er the prairie, | 15 | /˘·/˘···/˘···/˘ |
| And the whole mass became a cloud, a shade in the distance. | 14 | ····˘/······/˘ |
| Then, as the herdsman turned to the house, through the gate of the garden | 16 | ··············/˘ |
| Saw he the forms of the priest and the maiden advancing to meet him. | 17 | ·········/˘˘/˘··· |
| Suddenly down from his horse he sprang in amazement, and forward | 15 | /˘·······˘/˘·/˘ |
| Rushed with extended arms and exclamations of wonder; | 14 | ··˘/˘···˘/˘·/˘ |
| When they beheld his face, they recognized Basil the blacksmith. | 15 | ··˘/···/˘·/˘·/· |
| Hearty his welcome was, as he led his guests to the garden. | 15 | /˘·/˘········/˘ |
| There in an arbor of roses with endless question and answer | 16 | ···/˘·/˘·/˘/˘·/˘ |
| Gave they vent to their hearts, and renewed their friendly embraces, | 15 | ·······˘/·/˘˘/˘ |
| Laughing and weeping by turns, or sitting silent and thoughtful. | 15 | /˘·/˘···/˘/˘·/˘ |
| Thoughtful, for Gabriel came not; and now dark doubts and misgivings | 15 | /˘·/˘·······˘/˘ |
| Stole o'er the maiden's heart; and Basil, somewhat embarrassed, | 14 | ···/˘··/˘//˘/˘ |
| Broke the silence and said, "If you came by the Atchafalaya, | 15 | ··/˘··········· |
| How have you nowhere encountered my Gabriel's boat on the bayous?" | 15 | ···/·˘/·/˘···/˘ |
| Over Evangeline's face at the words of Basil a shade passed. | 15 | ·˘/˘······/˘··· |
| Tears came into her eyes, and she said, with a tremulous accent, | 15 | ···········/˘/· |
| "Gone? is Gabriel gone?" and, concealing her face on his shoulder, | 15 | ··/˘··˘/˘····/˘ |
| All her o'erburdened heart gave way, and she wept and lamented. | 15 | ············˘/˘ |
| Then the good Basil said,--and his voice grew blithe as he said it,-- | 15 | ···/˘·········· |
| "Be of good cheer, my child; it is only to-day he departed. | 16 | ········/˘···˘/˘ |
| Foolish boy! he has left me alone with my herds and my horses. | 16 | /˘·····˘/·····/˘ |
| Moody and restless grown, and tried and troubled, his spirit | 13 | /˘·/˘····/˘·/ |
| Could no longer endure the calm of this quiet existence. | 14 | ··/˘˘/····/˘/˘ |
| Thinking ever of thee, uncertain and sorrowful ever, | 12 | /˘/··˘/˘·/˘/ |
| Ever silent, or speaking only of thee and his troubles, | 14 | //˘·/˘/˘····/˘ |
| He at length had become so tedious to men and to maidens, | 15 | ····˘/·/˘····/˘ |
| Tedious even to me, that at length I bethought me, and sent him | 15 | /˘/······˘/···· |
| Unto the town of Adayes to trade for mules with the Spaniards. | 15 | ·····˘/······/˘ |
| Thence he will follow the Indian trails to the Ozark Mountains, | 15 | ···/˘·/˘···/·/˘ |
| Hunting for furs in the forests, on rivers trapping the beaver. | 16 | /˘····/˘·/˘/˘·/˘ |
| Therefore be of good cheer; we will follow the fugitive lover; | 15 | ········/˘·/˘/˘ |
| He is not far on his way, and the Fates and the streams are against him. | 17 | ················· |
| Up and away to-morrow, and through the red dew of the morning | 16 | ··˘/·/˘·······/˘ |
| We will follow him fast, and bring him back to his prison." | 14 | ··/˘········/˘ |
| Then glad voices were heard, and up from the banks of the river, | 15 | ··/˘·········/˘ |
| Borne aloft on his comrades' arms, came Michael the fiddler. | 14 | ·˘/··/···/˘·/˘ |
| Long under Basil's roof had he lived like a god on Olympus, | 16 | ···/˘········˘/˘ |
| Having no other care than dispensing music to mortals. | 15 | /˘·/˘··˘/˘/˘·/˘ |
| Far renowned was he for his silver locks and his fiddle. | 14 | ·˘/····/˘···/˘ |
| "Long live Michael," they cried, "our brave Acadian minstrel!" | 14 | ··/˘··/·˘/˘˘/˘ |
| As they bore him aloft in triumphal procession; and straightway | 16 | ····˘/·˘/˘˘/˘·/˘ |
| Father Felician advanced with Evangeline, greeting the old man | 17 | /˘···˘/·˘/˘·/˘··· |
| Kindly and oft, and recalling the past, while Basil, enraptured, | 16 | /˘···˘/˘···/˘˘/˘ |
| Hailed with hilarious joy his old companions and gossips, | 14 | ··˘/˘···˘/˘·/˘ |
| Laughing loud and long, and embracing mothers and daughters. | 14 | /˘····˘/˘/˘·/˘ |
| Much they marvelled to see the wealth of the cidevant blacksmith, | 15 | ··˘/·········/· |
| All his domains and his herds, and his patriarchal demeanor; | 16 | ··˘/······˘/˘˘/˘ |
| Much they marvelled to hear his tales of the soil and the climate, | 15 | ··˘/·········/˘ |
| And of the prairie; whose numberless herds were his who would take them; | 16 | ···/˘·/˘˘······· |
| Each one thought in his heart, that he, too, would go and do likewise. | 15 | ·············/· |
| Thus they ascended the steps, and, crossing the breezy veranda, | 16 | ··˘/˘···/˘·/˘˘/˘ |
| Entered the hall of the house, where already the supper of Basil | 17 | /˘······˘/˘·/˘·/˘ |
| Waited his late return; and they rested and feasted together. | 16 | /˘··˘/··/˘·/˘˘/˘ |
| Over the joyous feast the sudden darkness descended. | 13 | ··/˘··/˘/˘˘/˘ |
| All was silent without, and, illuming the landscape with silver, | 16 | ··/˘·······/··/˘ |
| Fair rose the dewy moon and the myriad stars; but within doors, | 15 | ···/˘···/˘····· |
| Brighter than these, shone the faces of friends in the glimmering lamplight. | 15 | /····/˘····/˘/˘ |
| Then from his station aloft, at the head of the table, the herdsman | 17 | ···/˘˘/·····/˘··· |
| Poured forth his heart and his wine together in endless profusion. | 16 | ·······˘/˘·/˘˘/˘ |
| Lighting his pipe, that was filled with sweet Natchitoches tobacco, | 14 | /˘·······˘/˘/· |
| Thus he spake to his guests, who listened, and smiled as they listened:-- | 15 | ·······/˘····/˘ |
| "Welcome once more, my friends, who long have been friendless and homeless, | 15 | /˘········/˘·/˘ |
| Welcome once more to a home, that is better perchance than the old one! | 17 | /˘·······/˘˘/···· |
| Here no hungry winter congeals our blood like the rivers; | 14 | ··/˘/˘˘//···/˘ |
| Here no stony ground provokes the wrath of the farmer. | 13 | ··/˘·˘/····/˘ |
| Smoothly the ploughshare runs through the soil, as a keel through the water. | 16 | /˘·/˘·········/˘ |
| All the year round the orange-groves are in blossom; and grass grows | 15 | ·····/˘···/˘··· |
| More in a single night than a whole Canadian summer. | 14 | ···/˘····˘/˘/˘ |
| Here, too, numberless herds run wild and unclaimed in the prairies; | 15 | ··/˘˘····˘/··/˘ |
| Here, too, lands may be had for the asking, and forests of timber | 16 | ········/˘·/˘·/˘ |
| With a few blows of the axe are hewn and framed into houses. | 15 | ·············/˘ |
| After your houses are built, and your fields are yellow with harvests, | 16 | ···/˘······/˘·/˘ |
| No King George of England shall drive you away from your homesteads, | 15 | ····/˘···˘/··/· |
| Burning your dwellings and barns, and stealing your farms and your cattle." | 16 | /˘·/˘···/˘····/˘ |
| Speaking these words, he blew a wrathful cloud from his nostrils, | 14 | /˘·····/˘···/˘ |
| While his huge, brown hand came thundering down on the table, | 13 | ······/˘···/˘ |
| So that the guests all started; and Father Felician, astounded, | 16 | ·····/˘·/˘···˘/˘ |
| Suddenly paused, with a pinch of snuff half-way to his nostrils. | 14 | /˘··········/˘ |
| But the brave Basil resumed, and his words were milder and gayer:-- | 15 | ···/˘˘/····/·/˘ |
| "Only beware of the fever, my friends, beware of the fever! | 16 | /˘˘/··/˘··˘/··/˘ |
| For it is not like that of our cold Acadian climate, | 15 | ·······/·˘/˘˘/˘ |
| Cured by wearing a spider hung round one's neck in a nutshell!" | 14 | ··/˘·/······/· |
| Then there were voices heard at the door, and footsteps approaching | 15 | ···/˘·····/·˘/˘ |
| Sounded upon the stairs and the floor of the breezy veranda. | 16 | /˘·········/˘˘/˘ |
| It was the neighboring Creoles and small Acadian planters, | 15 | ···/˘˘/··˘/˘˘/˘ |
| Who had been summoned all to the house of Basil the Herdsman. | 15 | ···/˘·····/˘··· |
| Merry the meeting was of ancient comrades and neighbors: | 14 | /˘·/˘··/˘/··/˘ |
| Friend clasped friend in his arms; and they who before were as strangers, | 15 | ·············/˘ |
| Meeting in exile, became straightway as friends to each other, | 15 | /˘·/·˘//˘····/˘ |
| Drawn by the gentle bond of a common country together. | 15 | ···/˘···/˘/˘˘/˘ |
| But in the neighboring hall a strain of music, proceeding | 14 | ···/˘····/˘˘/˘ |
| From the accordant strings of Michael's melodious fiddle, | 14 | ··˘/˘··/˘˘/˘/˘ |
| Broke up all further speech. Away, like children delighted, | 14 | ···/˘·˘/·/˘˘/˘ |
| All things forgotten beside, they gave themselves to the maddening | 15 | ··˘/˘·/··˘/··/˘ |
| Whirl of the dizzy dance, as it swept and swayed to the music, | 15 | ···/˘········/˘ |
| Dreamlike, with beaming eyes and the rush of fluttering garments. | 14 | /··/˘·····/˘/˘ |
| Meanwhile, apart, at the head of the hall, the priest and the herdsman | 16 | /·˘/············ |
| Sat, conversing together of past and present and future; | 15 | ·˘/˘˘/˘···˘/·/˘ |
| While Evangeline stood like one entranced, for within her | 14 | ·˘/˘····˘/···· |
| Olden memories rose, and loud in the midst of the music | 14 | /˘/˘········/˘ |
| Heard she the sound of the sea, and an irrepressible sadness | 14 | ·········˘/˘/˘ |
| Came o'er her heart, and unseen she stole forth into the garden. | 15 | ·····˘/······/˘ |
| Beautiful was the night. Behind the black wall of the forest, | 14 | /˘··········/˘ |
| Tipping its summit with silver, arose the moon. On the river | 16 | /˘·/˘·/˘˘/····/˘ |
| Fell here and there through the branches a tremulous gleam of the moonlight, | 16 | ······/˘·/˘···/· |
| Like the sweet thoughts of love on a darkened and devious spirit. | 14 | ········/˘·/˘/ |
| Nearer and round about her, the manifold flowers of the garden | 16 | /˘······/˘·/··/˘ |
| Poured out their souls in odors, that were their prayers and confessions | 15 | ·····/˘·····˘/˘ |
| Unto the night, as it went its way, like a silent Carthusian. | 16 | ···········/˘˘/˘ |
| Fuller of fragrance than they, and as heavy with shadows and night-dews, | 17 | /˘·/˘····/˘·/···· |
| Hung the heart of the maiden. The calm and the magical moonlight | 15 | ·····/˘····/˘/· |
| Seemed to inundate her soul with indefinable longing; | 13 | ··/˘····˘/˘/˘ |
| As, through the garden gate, and beneath the shade of the oak-trees, | 15 | ···/˘·········· |
| Passed she along the path to the edge of the measureless prairie. | 16 | ··˘/·······/˘˘/˘ |
| Silent it lay, with a silvery haze upon it, and fire-flies | 15 | /˘····/˘·····/· |
| Gleaming and floating away in mingled and infinite numbers. | 15 | /˘·/˘˘/·/˘·/˘/˘ |
| Over her head the stars, the thoughts of God in the heavens, | 13 | ···········/˘ |
| Shone on the eyes of man who had ceased to marvel and worship, | 15 | ··········/˘·/˘ |
| Save when a blazing comet was seen on the walls of that temple, | 16 | ···/˘/˘·······/˘ |
| As if a hand had appeared and written upon them, "Upharsin." | 16 | ·····˘/·/˘······ |
| And the soul of the maiden, between the stars and the fire-flies, | 15 | ·····/˘······/· |
| Wandered alone, and she cried, "O Gabriel! O my beloved! | 14 | /˘˘/····/˘··˘/ |
| Art thou so near unto me, and yet I cannot behold thee? | 15 | ··········˘/˘/· |
| Art thou so near unto me, and yet thy voice does not reach me? | 15 | ··············· |
| Ah! how often thy feet have trod this path to the prairie! | 14 | ··/˘········/˘ |
| Ah! how often thine eyes have looked on the woodlands around me! | 15 | ··/˘······/···· |
| Ah! how often beneath this oak, returning from labor, | 14 | ··/˘····˘/˘·/˘ |
| Thou hast lain down to rest and to dream of me in thy slumbers! | 15 | ·············/˘ |
| When shall these eyes behold, these arms be folded about thee?" | 14 | ····˘/···/˘··· |
| Loud and sudden and near the note of a whippoorwill sounded | 14 | ··/˘······/˘/˘ |
| Like a flute in the woods; and anon, through the neighboring thickets, | 15 | ·······˘/··/˘/˘ |
| Farther and farther away it floated and dropped into silence. | 16 | /˘·/˘˘/·/˘····/˘ |
| "Patience!" whispered the oaks from oracular caverns of darkness: | 16 | /˘/˘···˘/˘˘/˘·/˘ |
| And, from the moonlit meadow, a sigh responded, "To-morrow!" | 15 | ···/·/···˘/˘·/˘ |
| Bright rose the sun next day; and all the flowers of the garden | 14 | ·········/··/˘ |
| Bathed his shining feet with their tears, and anointed his tresses | 15 | ··/˘·····˘/˘·/˘ |
| With the delicious balm that they bore in their vases of crystal. | 16 | ··˘/˘······/˘·/˘ |
| "Farewell!" said the priest, as he stood at the shadowy threshold; | 14 | ·/········/˘/· |
| "See that you bring us the Prodigal Son from his fasting and famine, | 16 | ······/˘···/˘·/˘ |
| And, too, the Foolish Virgin, who slept when the bridegroom was coming." | 16 | ···/˘/˘····/··/˘ |
| "Farewell!" answered the maiden, and, smiling, with Basil descended | 16 | ·//˘·/˘·/˘·/˘˘/˘ |
| Down to the river's brink, where the boatmen already were waiting. | 16 | ···/˘·····˘/˘·/˘ |
| Thus beginning their journey with morning, and sunshine, and gladness, | 16 | ·˘/˘·/˘·/˘·/··/˘ |
| Swiftly they followed the flight of him who was speeding before them, | 16 | /˘·/˘······/˘··· |
| Blown by the blast of fate like a dead leaf over the desert. | 14 | ············/˘ |
| Not that day, nor the next, nor yet the day that succeeded, | 14 | ···········˘/˘ |
| Found they trace of his course, in lake or forest or river, | 14 | ·········/˘·/˘ |
| Nor, after many days, had they found him; but vague and uncertain | 15 | ···/········˘/˘ |
| Rumors alone were their guides through a wild and desolate Country; | 15 | /˘˘/·······/˘/˘ |
| Till, at the little inn of the Spanish town of Adayes, | 14 | ···/˘···/˘··˘/ |
| Weary and worn, they alighted, and learned from the garrulous landlord, | 16 | /˘···˘/˘····/˘/· |
| That on the day before, with horses and guides and companions, | 15 | ·······/˘···˘/˘ |
| Gabriel left the village, and took the road of the prairies. | 14 | /˘··/˘······/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.