Interlude

Henry Wadsworth Longfellow (1807–1882) · 1839–1882

iambic tetrameter · 58 lines · from The Complete Poetical Works

The Landlord ended thus his tale,Then rising took down from its nailThe sword that hung there, dim with dustAnd cleaving to its sheath with rust,And said, “This sword was in the fight.”The Poet seized it, and exclaimed,“It is the sword of a good knight,Though homespun was his coat-of-mail;What matter if it be not namedJoyeuse, Colada, Durindale,Excalibar, or Aroundight,Or other name the books record?Your ancestor, who bore this swordAs Colonel of the Volunteers,Mounted upon his old gray mare,Seen here and there and everywhere,To me a grander shape appearsThan old Sir William, or what not,Clinking about in foreign landsWith iron gauntlets on his hands,And on his head an iron pot!”

All laughed; the Landlord’s face grew redAs his escutcheon on the wall;He could not comprehend at allThe drift of what the Poet said;For those who had been longest deadWere always greatest in his eyes;And he was speechless with surpriseTo see Sir William’s plumed headBrought to a level with the rest,And made the subject of a jest.And this perceiving, to appeaseThe Landlord’s wrath, the others’ fears,The Student said, with careless ease,“The ladies and the cavaliers,The arms, the loves, the courtesies,The deeds of high emprise, I sing!Thus Ariosto says, in wordsThat have the stately stride and ringOf armed knights and clashing swords.Now listen to the tale I bringListen! though not to me belongThe flowing draperies of his song,The words that rouse, the voice that charms.The Landlord’s tale was one of arms,Only a tale of love is mine,Blending the human and divine,A tale of the Decameron, toldIn Palmieri’s garden old,By Fiametta, laurel-crowned,While her companions lay around,And heard the intermingled soundOf airs that on their errands sped,And wild birds gossiping overhead,And lisp of leaves, and fountain’s fall,And her own voice more sweet than all,Telling the tale, which, wanting these,Perchance may lose its power to please.”

Words in this poem

homespun a.
Spun or wrought at home; of domestic manufacture; coarse; plain.
speechless a.
Destitute or deprived of the faculty of speech.
jest n.
A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
emprise n.
An enterprise; endeavor; adventure. [OF. emprise, fr. emprendre to undertake; pref. em- (L. in) + F. prendre to take, L. prehendere, prendere; prae before + a verb akin to E. get. See Get, and cf. ]
stride v. t.
To walk with long steps, especially in a measured or pompous manner. [AS. stridan to stride, to strive; akin to LG. striden, OFries. strida to strive, D. strijden to strive, to contend, G. streiten, OHG. stritan; of uncertain orig]
blending n.
The act of mingling.
decameron n.
A celebrated collection of tales, supposed to be related in ten days; -- written in the 14th century, by Boccaccio, an Italian. [It. decamerone, fr. Gr. décaméron.]
lisp v. i.
To pronounce the sibilant letter s imperfectly; to give s and z the sound of th; -- a defect common among children. [OE. lispen, lipsen, AS. wlisp stammering, lisping; akin to D. & OHG. lispen to lisp, G. lispeln, Sw. läspa, Dan. lespe.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Interlude is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Henry Wadsworth Longfellow, Interlude, in The Complete Poetical Works (1839–1882), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-poems/interlude.html, id L17646.

Form and metre

Interlude is 58 lines in 2 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 8.1 syllables. 3 lines end on an unstressed syllable, a feminine ending. 31% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCDCADACEEFGGFHIIH taleA · nailA · dustB · rustB · fightC · exclaimedD · knightC · mailA · namedD · durindaleA · aroundightC · recordE · swordE · volunteersF · mareG · everywhereG · appearsF · notH · landsI · handsI · potH
  2. 2 ABBAACCADDEFEFEG-G-GHHIIJJKKLLLMMNNOO redA · wallB · allB · saidA · deadA · eyesC · surpriseC · headA · restD · jestD · appeaseE · fearsF · easeE · cavaliersF · courtesiesE · singG · words · ringG · swords · bringG · belongH · songH · charmsI · armsI · mineJ · divineJ · toldK · oldK · crownedL · aroundL · soundL · spedM · overheadM · fallN · allN · theseO · pleaseO
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
The Landlord ended thus his tale,8·/·/˘···
Then rising took down from its nail8·/˘·····
The sword that hung there, dim with dust8········
And cleaving to its sheath with rust,8·/˘·····
And said, “This sword was in the fight.”8········
The Poet seized it, and exclaimed,8·/˘···˘/
“It is the sword of a good knight,8········
Though homespun was his coat-of-mail;8·/······
What matter if it be not named8·/˘·····
Joyeuse, Colada, Durindale,8········
Excalibar, or Aroundight,8········
Or other name the books record?8·/˘···˘/
Your ancestor, who bore this sword8·/·˘····
As Colonel of the Volunteers,8·/˘···˘/
Mounted upon his old gray mare,8/˘······
Seen here and there and everywhere,8·····/˘·
To me a grander shape appears8···/˘·˘/
Than old Sir William, or what not,8···/˘···
Clinking about in foreign lands8/˘···/˘·
With iron gauntlets on his hands,8·/˘/˘···
And on his head an iron pot!”8·····/˘·
All laughed; the Landlord’s face grew red8···/····
As his escutcheon on the wall;8··˘/˘···
He could not comprehend at all8····˘/··
The drift of what the Poet said;8·····/˘·
For those who had been longest dead8·····/˘·
Were always greatest in his eyes;8·/·/˘···
And he was speechless with surprise8···/˘·˘/
To see Sir William’s plumed head8···/˘·˘·
Brought to a level with the rest,8···/˘···
And made the subject of a jest.8···˘/···
And this perceiving, to appease8··˘/˘·˘/
The Landlord’s wrath, the others’ fears,8·/···/˘·
The Student said, with careless ease,8·/˘··/˘·
“The ladies and the cavaliers,8·/˘···˘/
The arms, the loves, the courtesies,8·····/˘˘
The deeds of high emprise, I sing!8····˘/··
Thus Ariosto says, in words7·······
That have the stately stride and ring8···/˘···
Of armed knights and clashing swords.8··˘··/˘·
Now listen to the tale I bring8·/˘·····
Listen! though not to me belong8/˘····˘/
The flowing draperies of his song,8·//˘˘···
The words that rouse, the voice that charms.8········
The Landlord’s tale was one of arms,8·/······
Only a tale of love is mine,8/˘······
Blending the human and divine,8/˘·/˘·˘/
A tale of the Decameron, told9····˘/˘˘·
In Palmieri’s garden old,8··˘/˘/˘·
By Fiametta, laurel-crowned,8····/˘·˘
While her companions lay around,8··˘/˘···
And heard the intermingled sound8····˘/˘·
Of airs that on their errands sped,8·····/˘·
And wild birds gossiping overhead,8···/˘/˘/
And lisp of leaves, and fountain’s fall,8·····/˘·
And her own voice more sweet than all,8········
Telling the tale, which, wanting these,8/˘···/˘·
Perchance may lose its power to please.”8˘/···/··

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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