Part Third: Monologue

Henry Wadsworth Longfellow (1807–1882) · 1883

53 lines · from Michael Angelo: A Fragment

Macello de' Corvi. A room in MICHAEL ANGELO'S house. MICHAELANGELO, standing before a model of St. Peter's.

Better than thou I cannot, Brunelleschi,And less than thou I will not! If the thoughtCould, like a windlass, lift the ponderous stonesAnd swing them to their places; if a breathCould blow this rounded dome into the air,As if it were a bubble, and these statuesSpring at a signal to their sacred stations,As sentinels mount guard upon a wall.Then were my task completed. Now, alas!Naught am I but a Saint Sebaldus, holdingUpon his hand the model of a church,As German artists paint him; and what years,What weary years, must drag themselves along,Ere this be turned to stone! What hindrancesMust block the way; what idle interferencesOf Cardinals and Canons of St. Peter's,Who nothing know of art beyond the colorOf cloaks and stockings, nor of any buildingSave that of their own fortunes! And what then?I must then the short-coming of my meansPiece out by stepping forward, as the SpartanWas told to add a step to his short sword.

And is Fra Bastian dead? Is all that lightGone out, that sunshine darkened; all that musicAnd merriment, that used to make our livesLess melancholy, swallowed up in silenceLike madrigals sung in the street at nightBy passing revellers? It is strange indeedThat he should die before me. 'T is againstThe laws of nature that the young should die,And the old live; unless it be that someHave long been dead who think themselves alive,Because not buried. Well, what matters it,Since now that greater light, that was my sun,Is set, and all is darkness, all is darkness!Death's lightnings strike to right and left of me,And, like a ruined wall, the world around meCrumbles away, and I am left alone.I have no friends, and want none. My own thoughtsAre now my sole companions,--thoughts of her,That like a benediction from the skiesCome to me in my solitude and soothe me.When men are old, the incessant thought of DeathFollows them like their shadow; sits with themAt every meal; sleeps with them when they sleep;And when they wake already is awake,And standing by their bedside. Then, what follyIt is in us to make an enemyOf this importunate follower, not a friend!To me a friend, and not an enemy,Has he become since all my friends are dead.

Words in this poem

sunshine n.
The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
soothe v. t.
To assent to as true. Testament of Love. [Originally, to assent to as true; OE. so to verify, AS. ges to prove the truth of, to bear witness. See Sooth, a.]
bedside n.
The side of a bed.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Part Third: Monologue is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Henry Wadsworth Longfellow, Part Third: Monologue, in Michael Angelo: A Fragment (1883), Laurel, https://laurelpoetry.com/poem/longfellow-michael-angelo/part-third-monologue.html.

Form and metre

Part Third: Monologue is 53 lines in 3 stanzas.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 2 --A---A--B--B-----C-C- brunelleschi · thought · stonesA · breath · air · statues · stationsA · wall · alas · holdingB · church · years · alongB · hindrances · interferences · peter's · color · building · thenC · means · spartanC · sword
  2. 3 A---A---B----CC----C-B---D-D- lightA · music · lives · silence · nightA · indeed · against · die · someB · alive · it · sun · darkness · meC · meC · alone · thoughts · her · skies · meC · death · themB · sleep · awake · folly · enemyD · friend · enemyD · dead
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
Macello de' Corvi. A room in MICHAEL ANGELO'S house. MICHAEL17·········/˘/˘··/˘
ANGELO, standing before a model of St. Peter's.14/˘·/˘···/˘··/˘
Better than thou I cannot, Brunelleschi,11/˘···˘/····
And less than thou I will not! If the thought10··········
Could, like a windlass, lift the ponderous stones10···/˘··/˘·
And swing them to their places; if a breath10·····/˘···
Could blow this rounded dome into the air,10···/˘·····
As if it were a bubble, and these statues11·····/˘··/·
Spring at a signal to their sacred stations,11···/˘··/˘/˘
As sentinels mount guard upon a wall.10·/˘˘······
Then were my task completed. Now, alas!10····˘/˘·˘/
Naught am I but a Saint Sebaldus, holding11·········/˘
Upon his hand the model of a church,10·····/˘···
As German artists paint him; and what years,10·/˘/˘·····
What weary years, must drag themselves along,10·/˘···˘/˘/
Ere this be turned to stone! What hindrances10·······/˘˘
Must block the way; what idle interferences11·····/˘·˘/˘
Of Cardinals and Canons of St. Peter's,11·/˘˘·/˘··/˘
Who nothing know of art beyond the color11·/˘······/˘
Of cloaks and stockings, nor of any building11···/˘··/˘/˘
Save that of their own fortunes! And what then?10·····/˘···
I must then the short-coming of my means10·····/˘···
Piece out by stepping forward, as the Spartan11···/˘/˘··/˘
Was told to add a step to his short sword.10··········
And is Fra Bastian dead? Is all that light10···/˘·····
Gone out, that sunshine darkened; all that music11···/·/˘··/˘
And merriment, that used to make our lives10·/˘˘····/·
Less melancholy, swallowed up in silence11·/˘·˘/˘··/˘
Like madrigals sung in the street at night10·/˘˘······
By passing revellers? It is strange indeed10·/˘/˘···˘/
That he should die before me. 'T is against11···········
The laws of nature that the young should die,10···/˘·····
And the old live; unless it be that some10··········
Have long been dead who think themselves alive,10······˘/˘/
Because not buried. Well, what matters it,10···/˘··/˘·
Since now that greater light, that was my sun,10···/˘·····
Is set, and all is darkness, all is darkness!11·····/˘··/˘
Death's lightnings strike to right and left of me,10·/˘·······
And, like a ruined wall, the world around me11···/˘······
Crumbles away, and I am left alone.10/˘˘/····˘/
I have no friends, and want none. My own thoughts10··········
Are now my sole companions,--thoughts of her,10····˘/˘···
That like a benediction from the skies10····˘/˘···
Come to me in my solitude and soothe me.11·····/˘····
When men are old, the incessant thought of Death11·····˘/˘···
Follows them like their shadow; sits with them10/˘···/····
At every meal; sleeps with them when they sleep;10·/˘·······
And when they wake already is awake,10····˘/˘·˘/
And standing by their bedside. Then, what folly11·/˘··/···/˘
It is in us to make an enemy10·······/˘˘
Of this importunate follower, not a friend!11··˘/˘˘/˘···
To me a friend, and not an enemy,10·······/˘˘
Has he become since all my friends are dead.10··˘/······

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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