Palazzo Cesarini
JULIA.It grieves me that I find you still so weakAnd suffering.
VITTORIA.No, not suffering; only dying.Death is the chillness that precedes the dawn;We shudder for a moment, then awakeIn the broad sunshine of the other life.I am a shadow, merely, and these hands,These cheeks, these eyes, these tresses that my husbandOnce thought so beautiful, and I was proud ofBecause he thought them so, are faded quite,--All beauty gone from them.
JULIA.Ah, no, not that.Paler you are, but not less beautiful.
VITTORIA.Hand me the mirror. I would fain beholdWhat change comes o'er our features when we die.Thank you. And now sit down beside me hereHow glad I am that you have come to-day,Above all other days, and at the hourWhen most I need you!
JULIA.Do you ever need me?
Always, and most of all to-day and now.Do you remember, Julia, when we walked,One afternoon, upon the castle terraceAt Ischia, on the day before you left me?
JULIA.Well I remember; but it seems to meSomething unreal, that has never been,--Something that I have read of in a book,Or heard of some one else.
VITTORIA.Ten years and moreHave passed since then; and many things have happenedIn those ten years, and many friends have died:Marco Flaminio, whom we all admiredAnd loved as our Catullus; dear Valldesso,The noble champion of free thought and speech;And Cardinal Ippolito, your friend.
JULIA.Oh, do not speak of him! His sudden deathO'ercomes me now, as it o'ercame me then.Let me forget it; for my memoryServes me too often as an unkind friend,And I remember things I would forget,While I forget the things I would remember.
VITTORIA.Forgive me; I will speak of him no more,The good Fra Bernardino has departed,Has fled from Italy, and crossed the Alps,Fearing Caraffa's wrath, because he taughtThat He who made us all without our helpCould also save us without aid of ours.Renee of France, the Duchess of Ferrara,That Lily of the Loire, is bowed by windsThat blow from Rome; Olympia MorataBanished from court because of this new doctrine.Therefore be cautious. Keep your secret thoughtLocked in your breast.
JULIA.I will be very prudentBut speak no more, I pray; it wearies you.
VITTORIA.Yes, I am very weary. Read to me.
JULIA.Most willingly. What shall I read?
VITTORIA.Petrarca'sTriumph of Death. The book lies on the table;Beside the casket there. Read where you findThe leaf turned down. 'T was there I left off reading.
"Not as a flame that by some force is spent,But one that of itself consumeth quite,Departed hence in peace the soul content,In fashion of a soft and lucent lightWhose nutriment by slow gradation goes,Keeping until the end its lustre bright.Not pale, but whiter than the sheet of snowsThat without wind on some fair hill-top lies,Her weary body seemed to find repose.Like a sweet slumber in her lovely eyes,When now the spirit was no longer there,Was what is dying called by the unwise.E'en Death itself in her fair face seemed fair"--
Is it of Laura that he here is speaking?--She doth not answer, yet is not asleep;Her eyes are full of light and fixed on somethingAbove her in the air. I can see naughtExcept the painted angels on the ceiling.Vittoria! speak! What is it? Answer me!--She only smiles, and stretches out her hands.
VITTORIA.Not disobedient to the heavenly vision!Pescara! my Pescara! [Dies.
JULIA.Holy Virgin!Her body sinks together,--she is dead!
JULIA.Hush! make no noise.
How is she?
JULIA.Never better.
Then she is dead!
JULIA.Alas! yes, she is dead!Even death itself in her fair face seems fair.How wonderful! The light upon her faceShines from the windows of another world.Saint only have such faces. Holy Angels!Bear her like sainted Catherine to her rest!
Words in this poem 16
- chillness n.
- Coolness; coldness; a chill.
- sunshine n.
- The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
- fain v. t.
- To be glad ; to wish or desire.
- thank n.
- A expression of gratitude; an acknowledgment expressive of a sense of favor or kindness received; obligation, claim, or desert, or gratitude; -- now generally used in the plural. [AS. Þanc, Þonc, thanks, favor, thought; akin to OS. thank favor, pleasure, thanks, D. & G. dank thanks, Icel. Þ\'94kk, Dan. tak, Sw. tack, Goth. Þagks thanks; -]
- afternoon n.
- The part of the day which follows noon, between noon and evening.
- admired a.
- Regarded with wonder and delight; highly prized; as, an admired poem.
- unkind a.
- Having no race or kindred; childless. [See Kin kindred.]
- duchess n.
- The wife or widow of a duke; also, a lady who has the sovereignty of a duchy in her own right. [F. duchesse, fr. duc duke.]
- ferrara n.
- A sword bearing the mark of one of the Ferrara family of Italy.
- willingly adv.
- In a willing manner; with free will; without reluctance; cheerfully.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- casket v. t.
- To put into, or preserve in, a casket.
- lucent a.
- Shining; bright; resplendent. [L. lucens, p. pr. of lucere to shine, fr. lux, lucis, light.]
- lustre n.
- A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
- laura n.
- A number of hermitages or cells in the same neighborhood occupied by anchorites who were under the same superior. C. Kingsley.
- sainted a.
- Consecrated; sacred; holy; pious.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Palazzo Cesarini is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Wadsworth Longfellow, Palazzo Cesarini, in Michael Angelo: A Fragment (1883), Laurel, https://laurelpoetry.com/poem/longfellow-michael-angelo/palazzo-cesarini.html.
Form and metre
Palazzo Cesarini is 113 lines in 23 stanzas.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 8 ---AA--- vittoria · more · happened · diedA · admiredA · valldesso · speech · friend
- 10 ----A------A- vittoria · more · departed · alps · taughtA · help · ours · ferrara · winds · morata · doctrine · thoughtA · breast
- 15 ABABCBCDCDEDE spentA · quiteB · contentA · lightB · goesC · brightB · snowsC · liesD · reposeC · eyesD · thereE · unwiseD · fairE
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| JULIA. | 2 | ·· |
| It grieves me that I find you still so weak | 10 | ·········· |
| And suffering. | 4 | ·/˘˘ |
| VITTORIA. | 4 | ˘/˘˘ |
| No, not suffering; only dying. | 9 | ··/˘˘/˘/˘ |
| Death is the chillness that precedes the dawn; | 10 | ···/˘·˘/·· |
| We shudder for a moment, then awake | 10 | ·/˘··/˘·˘/ |
| In the broad sunshine of the other life. | 10 | ···/···/˘· |
| I am a shadow, merely, and these hands, | 10 | ···/·/˘··· |
| These cheeks, these eyes, these tresses that my husband | 11 | ·····/˘··/˘ |
| Once thought so beautiful, and I was proud of | 10 | ···/˘····· |
| Because he thought them so, are faded quite,-- | 10 | ·······/˘· |
| All beauty gone from them. | 6 | ·/˘··· |
| JULIA. | 2 | ·· |
| Ah, no, not that. | 4 | ···· |
| Paler you are, but not less beautiful. | 10 | ·······/˘˘ |
| VITTORIA. | 4 | ˘/˘˘ |
| Hand me the mirror. I would fain behold | 10 | ···/˘···˘/ |
| What change comes o'er our features when we die. | 10 | ····//˘··· |
| Thank you. And now sit down beside me here | 10 | ······˘/·· |
| How glad I am that you have come to-day, | 10 | ·········· |
| Above all other days, and at the hour | 11 | ···/˘····/˘ |
| When most I need you! | 5 | ····· |
| JULIA. | 2 | ·· |
| Do you ever need me? | 6 | ··/˘·· |
| Always, and most of all to-day and now. | 10 | /········· |
| Do you remember, Julia, when we walked, | 10 | ··˘/˘····· |
| One afternoon, upon the castle terrace | 11 | ··˘/···/˘/˘ |
| At Ischia, on the day before you left me? | 11 | ··········· |
| JULIA. | 2 | ·· |
| Well I remember; but it seems to me | 10 | ··˘/˘····· |
| Something unreal, that has never been,-- | 9 | /˘˘/··/˘· |
| Something that I have read of in a book, | 10 | /˘········ |
| Or heard of some one else. | 6 | ······ |
| VITTORIA. | 4 | ˘/˘˘ |
| Ten years and more | 4 | ···· |
| Have passed since then; and many things have happened | 11 | ·····/˘··/˘ |
| In those ten years, and many friends have died: | 10 | ·····/˘··· |
| Marco Flaminio, whom we all admired | 11 | /˘······˘/˘ |
| And loved as our Catullus; dear Valldesso, | 11 | ···/······· |
| The noble champion of free thought and speech; | 10 | ·/˘/˘····· |
| And Cardinal Ippolito, your friend. | 10 | ·/˘˘·˘/˘·· |
| JULIA. | 2 | ·· |
| Oh, do not speak of him! His sudden death | 10 | ·······/˘· |
| O'ercomes me now, as it o'ercame me then. | 10 | ·········· |
| Let me forget it; for my memory | 10 | ··˘/···/˘˘ |
| Serves me too often as an unkind friend, | 10 | ···/˘··˘/· |
| And I remember things I would forget, | 10 | ··˘/˘···˘/ |
| While I forget the things I would remember. | 11 | ··˘/····˘/˘ |
| VITTORIA. | 4 | ˘/˘˘ |
| Forgive me; I will speak of him no more, | 10 | ˘/········ |
| The good Fra Bernardino has departed, | 11 | ····˘/˘·˘/˘ |
| Has fled from Italy, and crossed the Alps, | 10 | ···/˘˘···· |
| Fearing Caraffa's wrath, because he taught | 10 | /˘········ |
| That He who made us all without our help | 10 | ········/· |
| Could also save us without aid of ours. | 11 | ·/˘······/˘ |
| Renee of France, the Duchess of Ferrara, | 11 | ˘/···/˘·˘/˘ |
| That Lily of the Loire, is bowed by winds | 10 | ·/˘······· |
| That blow from Rome; Olympia Morata | 10 | ····˘/˘··· |
| Banished from court because of this new doctrine. | 11 | /˘·······/˘ |
| Therefore be cautious. Keep your secret thought | 10 | ···/˘··/˘· |
| Locked in your breast. | 4 | ···· |
| JULIA. | 2 | ·· |
| I will be very prudent | 7 | ···/˘/˘ |
| But speak no more, I pray; it wearies you. | 10 | ·······/˘· |
| VITTORIA. | 4 | ˘/˘˘ |
| Yes, I am very weary. Read to me. | 10 | ···/˘/˘··· |
| JULIA. | 2 | ·· |
| Most willingly. What shall I read? | 8 | ·/˘˘···· |
| VITTORIA. | 4 | ˘/˘˘ |
| Petrarca's | 3 | ·/˘ |
| Triumph of Death. The book lies on the table; | 11 | /˘·······/˘ |
| Beside the casket there. Read where you find | 10 | ˘/·/˘····· |
| The leaf turned down. 'T was there I left off reading. | 12 | ··········/˘ |
| "Not as a flame that by some force is spent, | 10 | ·········· |
| But one that of itself consumeth quite, | 10 | ····˘/˘/˘· |
| Departed hence in peace the soul content, | 10 | ˘/˘·····˘/ |
| In fashion of a soft and lucent light | 10 | ·/˘····/˘· |
| Whose nutriment by slow gradation goes, | 10 | ·/˘˘··˘/˘· |
| Keeping until the end its lustre bright. | 10 | /˘·····/˘· |
| Not pale, but whiter than the sheet of snows | 10 | ···/˘····· |
| That without wind on some fair hill-top lies, | 10 | ·········· |
| Her weary body seemed to find repose. | 10 | ·/˘/˘···˘/ |
| Like a sweet slumber in her lovely eyes, | 10 | ···/˘··/˘· |
| When now the spirit was no longer there, | 10 | ···/˘··/˘· |
| Was what is dying called by the unwise. | 10 | ···/˘···˘/ |
| E'en Death itself in her fair face seemed fair"-- | 10 | ··˘/······ |
| Is it of Laura that he here is speaking?-- | 11 | ···/˘····/˘ |
| She doth not answer, yet is not asleep; | 10 | ···/˘···˘/ |
| Her eyes are full of light and fixed on something | 11 | ·········/˘ |
| Above her in the air. I can see naught | 10 | ·········· |
| Except the painted angels on the ceiling. | 11 | ···/˘/˘··/˘ |
| Vittoria! speak! What is it? Answer me!-- | 10 | ˘/˘····/˘· |
| She only smiles, and stretches out her hands. | 10 | ·/˘··/˘··· |
| VITTORIA. | 4 | ˘/˘˘ |
| Not disobedient to the heavenly vision! | 11 | ··˘/˘··/˘/˘ |
| Pescara! my Pescara! [Dies. | 8 | ········ |
| JULIA. | 2 | ·· |
| Holy Virgin! | 4 | /˘/˘ |
| Her body sinks together,--she is dead! | 10 | ·/˘·˘/˘··· |
| JULIA. | 2 | ·· |
| Hush! make no noise. | 4 | ···· |
| How is she? | 3 | ··· |
| JULIA. | 2 | ·· |
| Never better. | 4 | /˘/˘ |
| Then she is dead! | 4 | ···· |
| JULIA. | 2 | ·· |
| Alas! yes, she is dead! | 6 | ˘/···· |
| Even death itself in her fair face seems fair. | 10 | /·˘/······ |
| How wonderful! The light upon her face | 10 | ·/˘˘······ |
| Shines from the windows of another world. | 10 | ···/˘·˘/˘· |
| Saint only have such faces. Holy Angels! | 11 | ·/˘··/˘/˘/˘ |
| Bear her like sainted Catherine to her rest! | 10 | ···/˘/˘··· |
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