Part I, Section II
NOW had the season returned, when the nights grow colder and longer,And the retreating sun the sign of the Scorpion enters.Birds of passage sailed through the leaden air, from the ice-bound,Desolate northern bays to the shores of tropical islands.Harvests were gathered in; and wild with the winds of SeptemberWrestled the trees of the forest, as Jacob of old with the angel.All the signs foretold a winter long and inclement.Bees, with prophetic instinct of want, had hoarded their honeyTill the hives overflowed; and the Indian hunters assertedCold would the winter be, for thick was the fur of the foxes.Such was the advent of autumn. Then followed that beautiful season,Called by the pious Acadian peasants the Summer of All-Saints!Filled was the air with a dreamy and magical light; and the landscapeLay as if new-created in all the freshness of childhood.Peace seemed to reign upon earth, and the restless heart of the oceanWas for a moment consoled. All sounds were in harmony blended.Voices of children at play, the crowing of cocks in the farm-yards,Whir of wings in the drowsy air, and the cooing of pigeons,All were subdued and low as the murmurs of love, and the great sunLooked with the eye of love through the golden vapors around him;While arrayed in its robes of russet and scarlet and yellow,Bright with the sheen of the dew, each glittering tree of the forestFlashed like the plane-tree the Persian adorned with mantles and jewels.
Now recommenced the reign of rest and affection and stillness.Day with its burden and heat had departed, and twilight descendingBrought back the evening star to the sky, and the herds to the homestead.Pawing the ground they came, and resting their necks on each other,And with their nostrils distended inhaling the freshness of evening.Foremost, bearing the bell, Evangeline's beautiful heifer,Proud of her snow-white hide, and the ribbon that waved from her collar,Quietly paced and slow, as if conscious of human affection.Then came the shepherd back with his bleating flocks from the seaside,Where was their favorite pasture. Behind them followed the watch-dog,Patient, full of importance, and grand in the pride of his instinct,Walking from side to side with a lordly air, and superblyWaving his bushy tail, and urging forward the stragglers;Regent of flocks was he when the shepherd slept; their protector,When from the forest at night, through the starry silence, the wolves howled.Late, with the rising moon, returned the wains from the marshes,Laden with briny hay, that filled the air with its odor.Cheerily neighed the steeds, with dew on their manes and their fetlocks,While aloft on their shoulders the wooden and ponderous saddles,Painted with brilliant dyes, and adorned with tassels of crimson,Nodded in bright array, like hollyhocks heavy with blossoms.Patiently stood the cows meanwhile, and yielded their uddersUnto the milkmaid's hand; whilst loud and in regular cadenceInto the sounding pails the foaming streamlets descended.Lowing of cattle and peals of laughter were heard in the farm-yard,Echoed back by the barns. Anon they sank into stillness;Heavily closed, with a jarring sound, the valves of the barn-doors,Rattled the wooden bars, and all for a season was silent.
In-doors, warm by the wide-mouthed fireplace, idly the farmerSat in his elbow-chair; and watched how the flames and the smoke-wreathsStruggled together like foe in a burning city. Behind him,Nodding and mocking along the wall, with gestures fantastic,Darted his own huge shadow, and vanished away into darkness.Faces, clumsily carved in oak, on the back of his arm-chairLaughed in the flickering light, and the pewter plates on the dresserCaught and reflected the flame, as shields of armies the sunshine.Fragments of song the old man sang, and carols of Christmas,Such as at home, in the olden time, his fathers before himSang in their Norman orchards and bright Burgundian vineyards.Close at her father's side was the gentle Evangeline seated,Spinning flax for the loom, that stood in the corner behind her.Silent awhile were its treadles, at rest was its diligent shuttle,While the monotonous drone of the wheel, like the drone of a bagpipe,Followed the old man's song, and united the fragments together.As in a church, when the chant of the choir at intervals ceases,Footfalls are heard in the aisles, or words of the priest at the altar,So, in each pause of the song, with measured motion the clock clicked.
Thus as they sat, there were footsteps heard, and, suddenly lifted,Sounded the wooden latch, and the door swung back on its hinges.Benedict knew by the hob-nailed shoes it was Basil the blacksmith,And by her beating heart Evangeline knew who was with him."Welcome!" the farmer exclaimed, as their footsteps paused on the threshold,"Welcome, Basil, my friend! Come, take thy place on the settleClose by the chimney-side, which is always empty without thee;Take from the shelf overhead thy pipe and the box of tobacco;Never so much thyself art thou as when through the curlingSmoke of the pipe or the forge thy friendly and jovial face gleamsRound and red as the harvest moon through the mist of the marshes."Then, with a smile of content, thus answered Basil the blacksmith,Taking with easy air the accustomed seat by the fireside:--"Benedict Bellefontaine, thou hast ever thy jest and thy ballad!Ever in cheerfullest mood art thou, when others are filled withGloomy forebodings of ill, and see only ruin before them.Happy art thou, as if every day thou hadst picked up a horseshoe."Pausing a moment, to take the pipe that Evangeline brought him,And with a coal from the embers had lighted, he slowly continued:--"Four days now are passed since the English ships at their anchorsRide in the Gaspereau's mouth, with their cannon pointed against us,What their design may be is unknown; but all are commandedOn the morrow to meet in the church, where his Majesty's mandateWill be proclaimed as law in the land. Alas! in the mean timeMany surmises of evil alarm the hearts of the people."Then made answer the farmer:--"Perhaps some friendlier purposeBrings these ships to our shores. Perhaps the harvests in EnglandBy untimely rains or untimelier heat have been blighted,And from our bursting barns they would feed their cattle and children.""Not so thinketh the folk in the village," said, warmly, the blacksmith,Shaking his head, as in doubt; then, heaving a sigh, he continued:--"Louisburg is not forgotten, nor Beau Séjour, nor Port Royal.Many already have fled to the forest, and lurk on its outskirts,Waiting with anxious hearts the dubious fate of to-morrow.Arms have been taken from us, and warlike weapons of all kinds;Nothing is left but the blacksmith's sledge and the scythe of the mower."Then with a pleasant smile made answer the jovial farmer:--"Safer are we unarmed, in the midst of our flocks and our cornfields,Safer within these peaceful dikes, besieged by the ocean,Than our fathers in forts, besieged by the enemy's cannon.Fear no evil, my friend, and to-night may no shadow of sorrowFall on this house and hearth; for this is the night of the contract.Built are the house and the barn. The merry lads of the villageStrongly have built them and well; and, breaking the glebe round about them,Filled the barn with hay, and the house with food for a twelvemonth.René Leblanc will be here anon, with his papers and inkhorn.Shall we not then be glad, and rejoice in the joy of our children?"As apart by the window she stood, with her hand in her lover's,Blushing Evangeline heard the words that her father had spoken,And, as they died on his lips, the worthy notary entered.
Words in this poem 36
- inclement a.
- Not clement; destitute of a mild and kind temper; void of tenderness; unmerciful; severe; harsh. [L. inclemens; pref. in- not + clemens mild: cf. F. inclément. See Clement.]
- acadian a.
- Of or pertaining to Acadie, or Nova Scotia.
- dreamy a.
- Abounding in dreams or given to dreaming; appropriate to, or like, dreams; visionary.
- childhood n.
- The state of being a child; the time in which persons are children; the condition or time from infancy to puberty. [AS. cildhad; cild child + -had. See Child, and hood.]
- sheen v. i.
- To shine; to glisten.
- stillness n.
- The quality or state of being still; quietness; silence; calmness; inactivity.
- bleating a.
- Crying as a sheep does.
- seaside n.
- The land bordering on, or adjacent to, the sea; the seashore.
- starry a.
- Abounding with stars; adorned with stars.
- briny a.
- Of or pertaining to brine, or to the sea; partaking of the nature of brine; salt; as, a briny taste; the briny flood. [From Brine.]
- cheerily adv.
- In a cheery manner.
- patiently adv.
- In a patient manner.
- meanwhile n.
- The intervening time; as, in the meantime (or mean time).
- lowing n.
- The calling sound made by cows and other bovine animals.
- anon adv.
- Straightway; at once. [OE. anoon, anon, anan, lit., in one (moment), fr. AS. on in + an one. See On and One.]
- jarring a.
- Shaking; disturbing; discordant. [See Jar.]
- pewter n.
- A hard, tough, but easily fusible, alloy, originally consisting of tin with a little lead, but afterwards modified by the addition of copper, antimony, or bismuth. [OE. pewtyr, OF. peutre, peautre, piautre: cf. D. peauter, piauter, It. peltro, Sp. & Pg. peltre, LL. peutreum, pestrum. Cf. Spelter.]
- dresser n.
- One who dresses; one who put in order or makes ready for use; one who on clothes or ornaments.
- sunshine n.
- The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
- olden a.
- Old; ancient; as, the olden time.
- awhile adv.
- For a while; for some time; for a short time. [Adj. a + while time, interval.]
- latch v. t.
- To smear; to anoint. [Cf. F. lécher to lick (of German origin). Cf. Lick.]
- benedict a.
- Having mild and salubrious qualities. [L. benedictus, p. p. of benedicere to bless. See Benison, and cf. Bennet.]
- blacksmith n.
- A smith who works in iron with a forge, and makes iron utensils, horseshoes, etc. [Black (in allusion to the color of the metal) + smith. Cf. Whitesmith.]
- jovial a.
- Of or pertaining to the god, or the planet, Jupiter. [F., fr. L. Jovialis pertaining to Jove. The planet Jupiter was thought to make those born under it joyful or jovial. See Jove.]
- fireside n.
- A place near the fire or hearth; home; domestic life or retirement.
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- jest n.
- A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
- folk n.
- In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
- warmly adv.
- In a warm manner; ardently.
- dubious a.
- Doubtful or not settled in opinion; being in doubt; wavering or fluctuating; undetermined. [L. dubius, dubiosus, fr. duo two. See Two, and cf. Doubt.]
- mower n.
- One who, or that which, mows; a mowing machine; as, a lawn mower.
- unarmed a.
- Not armed or armored; having no arms or weapons. [Pref. un- not + armed.]
- twelvemonth n.
- A year which consists of twelve calendar months.
- inkhorn a.
- Learned; pedantic; affected.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Part I, Section II is in the public domain. This text is taken from Evangeline: A Tale of Acadie, Project Gutenberg ebook #2039; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Wadsworth Longfellow, Part I, Section II, in Evangeline (1847), text of Project Gutenberg ebook #2039, Laurel, https://laurelpoetry.com/poem/longfellow-evangeline/part-i-section-ii.html, id L04221.
Form and metre
Part I, Section II is 120 lines in 4 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. 71% of its stressed syllables fall where the metre puts the beat. The lines average 15.4 syllables. 76 lines end on an unstressed syllable, a feminine ending. 23% of the lines run on without a stop at the line end.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -------------ABA--B---- longer · enters · bound · islands · september · angel · inclement · honey · asserted · foxes · season · saints · landscape · childhoodA · oceanB · blendedA · yards · pigeons · sunB · him · yellow · forest · jewels
- 2 A------------------------A-- stillnessA · descending · homestead · other · evening · heifer · collar · affection · seaside · dog · instinct · superbly · stragglers · protector · howled · marshes · odor · fetlocks · saddles · crimson · blossoms · udders · cadence · descended · yard · stillnessA · doors · silent
- 3 --A------A--------- farmer · wreaths · himA · fantastic · darkness · chair · dresser · sunshine · christmas · himA · vineyards · seated · her · shuttle · bagpipe · together · ceases · altar · clicked
- 4 ------------AA------------------------------------ lifted · hinges · blacksmith · him · threshold · settle · thee · tobacco · curling · gleams · marshes · blacksmith · firesideA · balladA · with · them · horseshoe · him · continued · anchors · us · commanded · mandate · time · people · purpose · england · blighted · children · blacksmith · continued · royal · outskirts · morrow · kinds · mower · farmer · cornfields · ocean · cannon · sorrow · contract · village · them · twelvemonth · inkhorn · children · lover's · spoken · entered
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| NOW had the season returned, when the nights grow colder and longer, | 16 | ···/˘˘/····/˘·/˘ |
| And the retreating sun the sign of the Scorpion enters. | 15 | ··˘/˘·····/˘˘/˘ |
| Birds of passage sailed through the leaden air, from the ice-bound, | 15 | ··/˘·˘··/˘····· |
| Desolate northern bays to the shores of tropical islands. | 15 | /˘˘/˘·····/˘˘/˘ |
| Harvests were gathered in; and wild with the winds of September | 15 | /˘·/˘·······˘/˘ |
| Wrestled the trees of the forest, as Jacob of old with the angel. | 17 | /˘····/˘·/˘····/˘ |
| All the signs foretold a winter long and inclement. | 13 | ···˘/·/˘··/˘˘ |
| Bees, with prophetic instinct of want, had hoarded their honey | 15 | ··˘/˘/˘···/˘·/˘ |
| Till the hives overflowed; and the Indian hunters asserted | 16 | ····˘/··/˘˘/˘˘/˘ |
| Cold would the winter be, for thick was the fur of the foxes. | 15 | ···/˘········/˘ |
| Such was the advent of autumn. Then followed that beautiful season, | 16 | ···/··/˘·/˘·/˘/˘ |
| Called by the pious Acadian peasants the Summer of All-Saints! | 16 | ···/˘/˘˘/˘·/˘··· |
| Filled was the air with a dreamy and magical light; and the landscape | 16 | ······/˘·/˘···/· |
| Lay as if new-created in all the freshness of childhood. | 15 | ····˘/˘···/˘·/· |
| Peace seemed to reign upon earth, and the restless heart of the ocean | 16 | ·········/˘···/˘ |
| Was for a moment consoled. All sounds were in harmony blended. | 16 | ···/˘˘/····/˘˘/˘ |
| Voices of children at play, the crowing of cocks in the farm-yards, | 16 | /˘·/˘···/˘······ |
| Whir of wings in the drowsy air, and the cooing of pigeons, | 15 | ·····/˘···/˘·/˘ |
| All were subdued and low as the murmurs of love, and the great sun | 16 | ··˘/····/˘······ |
| Looked with the eye of love through the golden vapors around him; | 15 | ········/˘/˘··· |
| While arrayed in its robes of russet and scarlet and yellow, | 15 | ·˘/····/˘·/˘·/˘ |
| Bright with the sheen of the dew, each glittering tree of the forest | 16 | ········/˘˘···/˘ |
| Flashed like the plane-tree the Persian adorned with mantles and jewels. | 16 | ······/˘˘/·/˘·/˘ |
| Now recommenced the reign of rest and affection and stillness. | 15 | ·········˘/˘·/˘ |
| Day with its burden and heat had departed, and twilight descending | 17 | ···/˘···˘/˘·/·˘/˘ |
| Brought back the evening star to the sky, and the herds to the homestead. | 16 | ···/˘·········/· |
| Pawing the ground they came, and resting their necks on each other, | 15 | /˘·····/˘····/˘ |
| And with their nostrils distended inhaling the freshness of evening. | 17 | ···/˘˘/˘˘/˘·/˘·/˘ |
| Foremost, bearing the bell, Evangeline's beautiful heifer, | 15 | /·/˘··˘/˘·/˘˘/˘ |
| Proud of her snow-white hide, and the ribbon that waved from her collar, | 16 | ········/˘····/˘ |
| Quietly paced and slow, as if conscious of human affection. | 16 | /˘˘·····/˘·/˘˘/˘ |
| Then came the shepherd back with his bleating flocks from the seaside, | 15 | ···/˘···/˘···/· |
| Where was their favorite pasture. Behind them followed the watch-dog, | 15 | ···/˘/˘···/˘··· |
| Patient, full of importance, and grand in the pride of his instinct, | 16 | /˘··˘/˘·······/˘ |
| Walking from side to side with a lordly air, and superbly | 15 | /˘······/˘··/˘˘ |
| Waving his bushy tail, and urging forward the stragglers; | 14 | /˘·/˘··/˘/˘·/˘ |
| Regent of flocks was he when the shepherd slept; their protector, | 15 | /˘······/˘··˘/˘ |
| When from the forest at night, through the starry silence, the wolves howled. | 16 | ···/˘····/˘/˘··· |
| Late, with the rising moon, returned the wains from the marshes, | 15 | ···/˘·˘/˘····/˘ |
| Laden with briny hay, that filled the air with its odor. | 15 | /˘·/˘···˘····/˘ |
| Cheerily neighed the steeds, with dew on their manes and their fetlocks, | 15 | /˘˘············ |
| While aloft on their shoulders the wooden and ponderous saddles, | 16 | ·˘/··/˘·/˘·/˘˘/˘ |
| Painted with brilliant dyes, and adorned with tassels of crimson, | 15 | /˘·/˘··˘/·/˘·/˘ |
| Nodded in bright array, like hollyhocks heavy with blossoms. | 15 | /˘··˘/·/˘·/˘·/˘ |
| Patiently stood the cows meanwhile, and yielded their udders | 14 | /˘˘···/··/˘··· |
| Unto the milkmaid's hand; whilst loud and in regular cadence | 15 | ··········/˘˘/˘ |
| Into the sounding pails the foaming streamlets descended. | 14 | ···/˘··/˘··˘/˘ |
| Lowing of cattle and peals of laughter were heard in the farm-yard, | 16 | /˘·/˘···/˘······ |
| Echoed back by the barns. Anon they sank into stillness; | 15 | /˘˘····˘/····/˘ |
| Heavily closed, with a jarring sound, the valves of the barn-doors, | 15 | /˘˘···/˘······· |
| Rattled the wooden bars, and all for a season was silent. | 15 | /˘·/˘·····/˘·/˘ |
| In-doors, warm by the wide-mouthed fireplace, idly the farmer | 15 | ·······/˘·/˘·/˘ |
| Sat in his elbow-chair; and watched how the flames and the smoke-wreaths | 15 | ···/··········· |
| Struggled together like foe in a burning city. Behind him, | 16 | /˘˘/˘····/˘/˘··· |
| Nodding and mocking along the wall, with gestures fantastic, | 15 | /˘·/˘˘/···/˘˘/˘ |
| Darted his own huge shadow, and vanished away into darkness. | 16 | /˘···/··/˘˘/··/˘ |
| Faces, clumsily carved in oak, on the back of his arm-chair | 15 | /˘/˘˘·········· |
| Laughed in the flickering light, and the pewter plates on the dresser | 16 | ···/˘˘···/˘···/˘ |
| Caught and reflected the flame, as shields of armies the sunshine. | 15 | ··˘/˘·····/˘·/· |
| Fragments of song the old man sang, and carols of Christmas, | 14 | /˘·······/˘·/˘ |
| Such as at home, in the olden time, his fathers before him | 15 | ······/˘··/˘··· |
| Sang in their Norman orchards and bright Burgundian vineyards. | 15 | ···/˘/˘··˘/˘˘/˘ |
| Close at her father's side was the gentle Evangeline seated, | 16 | ···/˘···/˘˘/˘·/˘ |
| Spinning flax for the loom, that stood in the corner behind her. | 15 | /˘········/˘··· |
| Silent awhile were its treadles, at rest was its diligent shuttle, | 16 | /˘˘/·······/˘˘/˘ |
| While the monotonous drone of the wheel, like the drone of a bagpipe, | 16 | ··˘/˘·········/· |
| Followed the old man's song, and united the fragments together. | 16 | /˘·····˘/˘·/˘˘/˘ |
| As in a church, when the chant of the choir at intervals ceases, | 16 | ·········/·/˘˘/˘ |
| Footfalls are heard in the aisles, or words of the priest at the altar, | 16 | /·············/˘ |
| So, in each pause of the song, with measured motion the clock clicked. | 15 | ········/˘/˘··· |
| Thus as they sat, there were footsteps heard, and, suddenly lifted, | 15 | ······/···/˘˘/˘ |
| Sounded the wooden latch, and the door swung back on its hinges. | 15 | /˘·/˘········/˘ |
| Benedict knew by the hob-nailed shoes it was Basil the blacksmith, | 16 | /˘·········/˘·/· |
| And by her beating heart Evangeline knew who was with him. | 15 | ···/˘·˘/˘······ |
| "Welcome!" the farmer exclaimed, as their footsteps paused on the threshold, | 16 | /˘·/˘˘/··/····/· |
| "Welcome, Basil, my friend! Come, take thy place on the settle | 14 | /˘/˘········/˘ |
| Close by the chimney-side, which is always empty without thee; | 15 | ···/˘···/˘/˘··· |
| Take from the shelf overhead thy pipe and the box of tobacco; | 16 | ····/˘/······˘/· |
| Never so much thyself art thou as when through the curling | 14 | /˘··˘/······/˘ |
| Smoke of the pipe or the forge thy friendly and jovial face gleams | 15 | ········/˘·/˘·· |
| Round and red as the harvest moon through the mist of the marshes." | 15 | ·····/˘······/˘ |
| Then, with a smile of content, thus answered Basil the blacksmith, | 15 | ·····˘/·/˘/˘·/· |
| Taking with easy air the accustomed seat by the fireside:-- | 16 | /˘·/˘··˘/˘···/˘· |
| "Benedict Bellefontaine, thou hast ever thy jest and thy ballad! | 16 | /˘·······/····/˘ |
| Ever in cheerfullest mood art thou, when others are filled with | 15 | /˘·/˘˘····/˘··· |
| Gloomy forebodings of ill, and see only ruin before them. | 15 | /˘˘/˘····/˘/··· |
| Happy art thou, as if every day thou hadst picked up a horseshoe." | 16 | /˘····/˘······/· |
| Pausing a moment, to take the pipe that Evangeline brought him, | 16 | /˘·/˘·····˘/˘··· |
| And with a coal from the embers had lighted, he slowly continued:-- | 17 | ······/˘·/˘·/˘˘/˘ |
| "Four days now are passed since the English ships at their anchors | 15 | ·····˘··/˘···/˘ |
| Ride in the Gaspereau's mouth, with their cannon pointed against us, | 16 | ·········/˘/˘··· |
| What their design may be is unknown; but all are commanded | 15 | ··˘/···˘/···˘/˘ |
| On the morrow to meet in the church, where his Majesty's mandate | 15 | ··/˘·······/˘/· |
| Will be proclaimed as law in the land. Alas! in the mean time | 15 | ··˘/·····˘/···· |
| Many surmises of evil alarm the hearts of the people." | 16 | /˘˘/˘·/˘˘/····/˘ |
| Then made answer the farmer:--"Perhaps some friendlier purpose | 15 | ··/˘·/˘˘/·/˘˘/˘ |
| Brings these ships to our shores. Perhaps the harvests in England | 15 | ····/˘·˘/·/˘·/˘ |
| By untimely rains or untimelier heat have been blighted, | 15 | ·˘/˘·········/˘ |
| And from our bursting barns they would feed their cattle and children." | 16 | ··/˘/˘·····/˘·/˘ |
| "Not so thinketh the folk in the village," said, warmly, the blacksmith, | 16 | ··/˘····/˘·/˘·/· |
| Shaking his head, as in doubt; then, heaving a sigh, he continued:-- | 16 | /˘······/˘···˘/˘ |
| "Louisburg is not forgotten, nor Beau Séjour, nor Port Royal. | 15 | ····˘/˘······/˘ |
| Many already have fled to the forest, and lurk on its outskirts, | 15 | /˘/˘····/˘····/ |
| Waiting with anxious hearts the dubious fate of to-morrow. | 15 | /˘·/˘··/˘˘···/˘ |
| Arms have been taken from us, and warlike weapons of all kinds; | 15 | ···/˘···/·/˘··· |
| Nothing is left but the blacksmith's sledge and the scythe of the mower." | 16 | /˘····/·······/˘ |
| Then with a pleasant smile made answer the jovial farmer:-- | 15 | ···/˘··/˘·/˘˘/˘ |
| "Safer are we unarmed, in the midst of our flocks and our cornfields, | 16 | /˘··˘/····/··/// |
| Safer within these peaceful dikes, besieged by the ocean, | 15 | /˘···/˘·˘/˘··/˘ |
| Than our fathers in forts, besieged by the enemy's cannon. | 16 | ·/˘/˘··˘/··/˘˘/˘ |
| Fear no evil, my friend, and to-night may no shadow of sorrow | 16 | ··/˘·······/··/˘ |
| Fall on this house and hearth; for this is the night of the contract. | 15 | ·············/· |
| Built are the house and the barn. The merry lads of the village | 15 | ········/˘···/˘ |
| Strongly have built them and well; and, breaking the glebe round about them, | 16 | /˘······/˘······ |
| Filled the barn with hay, and the house with food for a twelvemonth. | 15 | ·˘···········/˘ |
| René Leblanc will be here anon, with his papers and inkhorn. | 15 | ·˘/···˘/··/˘·/˘ |
| Shall we not then be glad, and rejoice in the joy of our children?" | 16 | ·······˘/····//˘ |
| As apart by the window she stood, with her hand in her lover's, | 16 | ·˘/··/˘·······/˘ |
| Blushing Evangeline heard the words that her father had spoken, | 16 | /˘˘/˘······/˘·/˘ |
| And, as they died on his lips, the worthy notary entered. | 15 | ········/˘/˘˘/˘ |
On this poem
Notes from the edition 493
Notes from Evangeline, with Notes and Plan of Study (Project Gutenberg #15390).
- Stanza 1, line 1 primeval
- Stanza 1, line 1 incessant
- Stanza 1, line 1 stalworth
- Stanza 1, line 1 antique
- Stanza 1, line 1 instinct
- Stanza 1, line 1 untimely
- Stanza 1, line 1 floss
- Stanza 1, line 1 brazen
- Stanza 1, line 1 anon
- Stanza 1, line 1 clamorous
- Stanza 1, line 1 sonorous
- Stanza 1, line 1 chancel
- Stanza 1, line 1 mysterious
- Stanza 1, line 1 confusion
- Stanza 1, line 1 consoling
- Stanza 1, line 1 overwhelmed
- Stanza 1, line 1 freighted
- Stanza 1, line 1 voyageur
- Stanza 1, line 1 cumbrous
- Stanza 1, line 1 corridors
- Stanza 1, line 1 countenance
- Stanza 1, line 1 magician
- Stanza 1, line 1 garlands
- Stanza 1, line 1 mortals
- Stanza 1, line 1 entranced
- Stanza 1, line 1 perpetual
- Stanza 1, line 1 venison
- Stanza 1, line 1 towering
- Stanza 1, line 1 interlacing
- Stanza 1, line 1 sylvan
- Stanza 1, line 1 pestilence
- Stanza 1, line 1 flowerets
- Stanza 1, line 1 The poem has been compared with another version already on Gutenberg-- (vngln10). Where the two disagreed, this text was carefully re-checked to ensure the text and punctuation matched those on the scanned image.
- Stanza 1, line 2 Druids
- Stanza 1, line 2 floodgates
- Stanza 1, line 2 stately
- Stanza 1, line 2 penitent
- Stanza 1, line 2 superbly
- Stanza 1, line 2 blighted
- Stanza 1, line 2 wisdom
- Stanza 1, line 2 emblem
- Stanza 1, line 2 curfew
- Stanza 1, line 2 hamlets
- Stanza 1, line 2 garlands
- Stanza 1, line 2 mien
- Stanza 1, line 2 splendor
- Stanza 1, line 2 thither
- Stanza 1, line 2 haggard
- Stanza 1, line 2 terror
- Stanza 1, line 2 exile
- Stanza 1, line 2 loyal
- Stanza 1, line 2 kith
- Stanza 1, line 2 multitudinous
- Stanza 1, line 2 legibly
- Stanza 1, line 2 wand
- Stanza 1, line 2 mystic
- Stanza 1, line 2 renowned
- Stanza 1, line 2 irrepressible
- Stanza 1, line 2 jagged
- Stanza 1, line 2 companions
- Stanza 1, line 2 crucifix
- Stanza 1, line 2 mendicant
- Stanza 1, line 2 apostle
- Stanza 1, line 2 presaged
- Stanza 1, line 2 terrible
- Stanza 1, line 2 The following apparent errors in the source text were corrected: Poem Line 73 'bessings' changed to blessings. 346 'manoeuvre': the oe ligature was split. 668 'goods' changed to Gods. 692 full stop added to line end. 718 'father-confessor': hyphen added. 840 'their' changed to there. 850 'reverened' changed to reverend. 909 'spar' changed to spars. 909 'tropcis' changed to tropics. 1083 'rivre' changed to river. 1256 'reecho' changed to re-echo.
- Stanza 1, line 2 Line 713 has been copied and inserted from vgln10. This was missing in the book, but was referenced in the notes; the line numbering also showed a missing line between 710 and 715.
- Stanza 1, line 3 eld
- Stanza 1, line 3 reposed
- Stanza 1, line 3 gleamed
- Stanza 1, line 3 odorous
- Stanza 1, line 3 ponderous
- Stanza 1, line 3 bursting
- Stanza 1, line 3 supernal
- Stanza 1, line 3 presided
- Stanza 1, line 3 straightway
- Stanza 1, line 3 holiday
- Stanza 1, line 3 sacred
- Stanza 1, line 3 awed
- Stanza 1, line 3 emblazoned
- Stanza 1, line 3 thronged
- Stanza 1, line 3 caresses
- Stanza 1, line 3 wailed
- Stanza 1, line 3 asunder
- Stanza 1, line 3 tedious
- Stanza 1, line 3 kin
- Stanza 1, line 3 reverberant
- Stanza 1, line 3 oblivion
- Stanza 1, line 3 landscape
- Stanza 1, line 3 flaunted
- Stanza 1, line 3 triumphal
- Stanza 1, line 3 devious
- Stanza 1, line 3 gorge
- Stanza 1, line 3 swarthy
- Stanza 1, line 3 rural
- Stanza 1, line 3 granaries
- Stanza 1, line 3 balm
- Stanza 1, line 3 naught
- Stanza 1, line 3 anguish
- Stanza 1, line 3 No other (deliberate) changes have made to the poem. There remain a number of minor word and punctuation differences between this and vngln10.
- Stanza 1, line 4 peasants
- Stanza 1, line 4 tresses
- Stanza 1, line 4 meek
- Stanza 1, line 4 desolate
- Stanza 1, line 4 tropical
- Stanza 1, line 4 mantles
- Stanza 1, line 4 gestures
- Stanza 1, line 4 lurk
- Stanza 1, line 4 languished
- Stanza 1, line 4 corrupted
- Stanza 1, line 4 lingered
- Stanza 1, line 4 blithe
- Stanza 1, line 4 dissonant
- Stanza 1, line 4 clamorous
- Stanza 1, line 4 ambrosial
- Stanza 1, line 4 imprisoned
- Stanza 1, line 4 unperturbed
- Stanza 1, line 4 sultry
- Stanza 1, line 4 swoon
- Stanza 1, line 4 few-acred
- Stanza 1, line 4 mysterious
- Stanza 1, line 4 screen
- Stanza 1, line 4 mingled
- Stanza 1, line 4 Yule-tide
- Stanza 1, line 4 enraptured
- Stanza 1, line 4 manifold
- Stanza 1, line 4 emigrant
- Stanza 1, line 4 reverses
- Stanza 1, line 4 chapel
- Stanza 1, line 4 pillage
- Stanza 1, line 4 emblem
- Stanza 1, line 4 brackish
- Stanza 1, line 4 assume
- Stanza 1, line 4 Special characters. A number of characters used in the notes to describe pronunciation do not exist in ASCII. The following conventions have been used to represent them: [a] 'a' + Macron; ('a' with a horizontal line above). [o] 'o' + Macron; ('o' with a horizontal line above). [=e] 'e' + Macron; ('e' with a horizontal line above). [)a] 'a' with a curved line above - like horns. [)e] 'e' with a curved line above - like horns. [.a] 'a' with a single dot above End of Project Gutenberg's Evangeline, by Henry Wadsworth Longfellow
- Stanza 1, line 5 hoar
- Stanza 1, line 5 thatched
- Stanza 1, line 5 sooth
- Stanza 1, line 5 innocent
- Stanza 1, line 5 fantastic
- Stanza 1, line 5 outskirts
- Stanza 1, line 5 warier
- Stanza 1, line 5 oppressed
- Stanza 1, line 5 reigned
- Stanza 1, line 5 jocund
- Stanza 1, line 5 clangor
- Stanza 1, line 5 solemn
- Stanza 1, line 5 celestial
- Stanza 1, line 5 wayworn
- Stanza 1, line 5 mortals
- Stanza 1, line 5 bleak
- Stanza 1, line 5 oblivious
- Stanza 1, line 5 serenely
- Stanza 1, line 5 sombre
- Stanza 1, line 5 grim
- Stanza 1, line 5 trance
- Stanza 1, line 5 inexpressible
- Stanza 1, line 5 girded
- Stanza 1, line 5 hilarious
- Stanza 1, line 5 Carthusian
- Stanza 1, line 5 precipitate
- Stanza 1, line 5 compassion
- Stanza 1, line 5 intricate
- Stanza 1, line 5 vigorous
- Stanza 1, line 5 fain
- Stanza 1, line 5 margin
- Stanza 1, line 5 portals
- Stanza 1, line 6 caverns
- Stanza 1, line 6 tranquil
- Stanza 1, line 6 turret
- Stanza 1, line 6 variant
- Stanza 1, line 6 fragments
- Stanza 1, line 6 anxious
- Stanza 1, line 6 ripe
- Stanza 1, line 6 condemned
- Stanza 1, line 6 resounded
- Stanza 1, line 6 greensward
- Stanza 1, line 6 convened
- Stanza 1, line 6 accents
- Stanza 1, line 6 charity
- Stanza 1, line 6 foremost
- Stanza 1, line 6 Titan-like
- Stanza 1, line 6 despairing
- Stanza 1, line 6 trance
- Stanza 1, line 6 illumines
- Stanza 1, line 6 turbulent
- Stanza 1, line 6 myriads
- Stanza 1, line 6 vague
- Stanza 1, line 6 delirious
- Stanza 1, line 6 luxuriant
- Stanza 1, line 6 marvelled
- Stanza 1, line 6 inundate
- Stanza 1, line 6 ceaseless
- Stanza 1, line 6 mute
- Stanza 1, line 6 aerial
- Stanza 1, line 6 magnet
- Stanza 1, line 6 appease
- Stanza 1, line 6 oppressor
- Stanza 1, line 6 exhausted
- Stanza 1, line 7 disconsolate
- Stanza 1, line 7 vanes
- Stanza 1, line 7 hyssop
- Stanza 1, line 7 devotion
- Stanza 1, line 7 inclement
- Stanza 1, line 7 carols
- Stanza 1, line 7 dubious
- Stanza 1, line 7 unchristened
- Stanza 1, line 7 convinced
- Stanza 1, line 7 luminous
- Stanza 1, line 7 thronged
- Stanza 1, line 7 clement
- Stanza 1, line 7 vigils
- Stanza 1, line 7 emotion
- Stanza 1, line 7 inexhaustible
- Stanza 1, line 7 quivering
- Stanza 1, line 7 extended
- Stanza 1, line 7 multitude
- Stanza 1, line 7 confession
- Stanza 1, line 7 chutes
- Stanza 1, line 7 resplendent
- Stanza 1, line 7 superstition
- Stanza 1, line 7 plaintive
- Stanza 1, line 7 spacious
- Stanza 1, line 7 ci-devant
- Stanza 1, line 7 indefinable
- Stanza 1, line 7 vibrations
- Stanza 1, line 7 dissolving
- Stanza 1, line 7 vespers
- Stanza 1, line 7 suspended
- Stanza 1, line 7 haunts
- Stanza 1, line 7 scourge
- Stanza 1, line 7 infinite
- Stanza 1, line 8 prophetic
- Stanza 1, line 8 roe
- Stanza 1, line 8 distaffs
- Stanza 1, line 8 chaplet
- Stanza 1, line 8 craft
- Stanza 1, line 8 hoarded
- Stanza 1, line 8 treadles
- Stanza 1, line 8 scythe
- Stanza 1, line 8 doomed
- Stanza 1, line 8 congealed
- Stanza 1, line 8 ample
- Stanza 1, line 8 hospitality
- Stanza 1, line 8 grievous
- Stanza 1, line 8 profane
- Stanza 1, line 8 meekness
- Stanza 1, line 8 sacred
- Stanza 1, line 8 martyr
- Stanza 1, line 8 desert
- Stanza 1, line 8 pallid
- Stanza 1, line 8 enrich
- Stanza 1, line 8 emerged
- Stanza 1, line 8 sylvan
- Stanza 1, line 8 revealed
- Stanza 1, line 8 roaring
- Stanza 1, line 8 symbol
- Stanza 1, line 8 domains
- Stanza 1, line 8 measureless
- Stanza 1, line 8 amorphas
- Stanza 1, line 8 weird
- Stanza 1, line 8 swarded
- Stanza 1, line 8 fragile
- Stanza 1, line 8 molested
- Stanza 1, line 8 splendor
- Stanza 1, line 8 reverberations
- Stanza 1, line 9 glided
- Stanza 1, line 9 gossiping
- Stanza 1, line 9 missal
- Stanza 1, line 9 repute
- Stanza 1, line 9 diligent
- Stanza 1, line 9 besieged
- Stanza 1, line 9 haunt
- Stanza 1, line 9 tankard
- Stanza 1, line 9 spacious
- Stanza 1, line 9 betrothal
- Stanza 1, line 9 forfeited
- Stanza 1, line 9 compassion
- Stanza 1, line 9 gloomier
- Stanza 1, line 9 strength
- Stanza 1, line 9 dismay
- Stanza 1, line 9 extinguished
- Stanza 1, line 9 refreshments
- Stanza 1, line 9 lagoons
- Stanza 1, line 9 suspended
- Stanza 1, line 9 credulous
- Stanza 1, line 9 revel
- Stanza 1, line 9 limitless
- Stanza 1, line 9 patriarchal
- Stanza 1, line 9 marvel
- Stanza 1, line 9 blast
- Stanza 1, line 9 incantation
- Stanza 1, line 9 benignant
- Stanza 1, line 9 descendants
- Stanza 1, line 9 wending
- Stanza 1, line 9 sylvan
- Stanza 1, line 10 reflecting
- Stanza 1, line 10 reverend
- Stanza 1, line 10 generations
- Stanza 1, line 10 pedagogue
- Stanza 1, line 10 monotonous
- Stanza 1, line 10 contract (n.)
- Stanza 1, line 10 marvellous
- Stanza 1, line 10 dower
- Stanza 1, line 10 waistcoats
- Stanza 1, line 10 transported
- Stanza 1, line 10 assail
- Stanza 1, line 10 tenantless
- Stanza 1, line 10 submission
- Stanza 1, line 10 anguish
- Stanza 1, line 10 consumed
- Stanza 1, line 10 endurance
- Stanza 1, line 10 wimpling
- Stanza 1, line 10 moored
- Stanza 1, line 10 frenzied
- Stanza 1, line 10 cordage
- Stanza 1, line 10 dispensed
- Stanza 1, line 10 comet
- Stanza 1, line 10 blight
- Stanza 1, line 10 phantom
- Stanza 1, line 10 wigwam
- Stanza 1, line 10 luxuriant
- Stanza 1, line 10 hamlets
- Stanza 1, line 10 corridors
- Stanza 1, line 10 vanished
- Stanza 1, line 11 adopt
- Stanza 1, line 11 hailing
- Stanza 1, line 11 ethereal
- Stanza 1, line 11 autumnal
- Stanza 1, line 11 advent
- Stanza 1, line 11 jovial
- Stanza 1, line 11 glebe
- Stanza 1, line 11 lore
- Stanza 1, line 11 contention
- Stanza 1, line 11 mellow
- Stanza 1, line 11 alternately
- Stanza 1, line 11 wail
- Stanza 1, line 11 rebuke
- Stanza 1, line 11 haunted
- Stanza 1, line 11 affliction
- Stanza 1, line 11 dawned
- Stanza 1, line 11 incomplete
- Stanza 1, line 11 senses
- Stanza 1, line 11 perfected
- Stanza 1, line 11 luxuriant
- Stanza 1, line 11 travelers
- Stanza 1, line 11 idle
- Stanza 1, line 11 Bacchantes
- Stanza 1, line 11 arrayed
- Stanza 1, line 11 profusion
- Stanza 1, line 11 oracular
- Stanza 1, line 11 pinions
- Stanza 1, line 11 enchanted
- Stanza 1, line 11 mother-tongue
- Stanza 1, line 11 fragrance
- Stanza 1, line 11 illumined
- Stanza 1, line 11 intermingled
- Stanza 1, line 11 vainly
- Stanza 1, line 12 tradition
- Stanza 1, line 12 serenely
- Stanza 1, line 12 confession
- Stanza 1, line 12 expired
- Stanza 1, line 12 pious
- Stanza 1, line 12 subdued
- Stanza 1, line 12 content
- Stanza 1, line 12 inkhorn
- Stanza 1, line 12 demeanor
- Stanza 1, line 12 manoeuvre
- Stanza 1, line 12 tremulous
- Stanza 1, line 12 embers
- Stanza 1, line 12 imprecations
- Stanza 1, line 12 contrition
- Stanza 1, line 12 phantoms
- Stanza 1, line 12 procession
- Stanza 1, line 12 skirt (v.)
- Stanza 1, line 12 lingered
- Stanza 1, line 12 sacred
- Stanza 1, line 12 rendered
- Stanza 1, line 12 perpetual
- Stanza 1, line 12 extended
- Stanza 1, line 12 buoy
- Stanza 1, line 12 lamentation
- Stanza 1, line 12 adverse
- Stanza 1, line 12 congeals
- Stanza 1, line 12 annointed
- Stanza 1, line 12 implacable
- Stanza 1, line 12 enchantress
- Stanza 1, line 12 chase (n.)
- Stanza 1, line 12 hue
- Stanza 1, line 12 transfigured
- Stanza 1, line 12 assiduous
- Stanza 1, line 12 humble
- Stanza 1, line 13 affliction
- Stanza 1, line 13 belfry
- Stanza 1, line 13 benediction
- Stanza 1, line 13 populous
- Stanza 1, line 13 magical
- Stanza 1, line 13 landscape
- Stanza 1, line 13 arrayed
- Stanza 1, line 13 accustomed
- Stanza 1, line 13 rejoice
- Stanza 1, line 13 molest
- Stanza 1, line 13 pallid
- Stanza 1, line 13 serenely
- Stanza 1, line 13 vibrant
- Stanza 1, line 13 distorted
- Stanza 1, line 13 fervent
- Stanza 1, line 13 echoed
- Stanza 1, line 13 approached
- Stanza 1, line 13 aspect
- Stanza 1, line 13 rumor
- Stanza 1, line 13 glare
- Stanza 1, line 13 labored
- Stanza 1, line 13 citron
- Stanza 1, line 13 pendulous
- Stanza 1, line 13 betrays
- Stanza 1, line 13 derision
- Stanza 1, line 13 vent
- Stanza 1, line 13 ploughshare
- Stanza 1, line 13 delicious
- Stanza 1, line 13 scaling
- Stanza 1, line 13 sombre
- Stanza 1, line 13 submissive
- Stanza 1, line 13 perilous
- Stanza 1, line 13 abnegation
- Stanza 1, line 13 pallets
- Stanza 1, line 13 ebbing
- Stanza 1, line 14 endures
- Stanza 1, line 14 incense
- Stanza 1, line 14 exquisite
- Stanza 1, line 14 wondrous
- Stanza 1, line 14 adorned
- Stanza 1, line 14 forebodings
- Stanza 1, line 14 worthy
- Stanza 1, line 14 irascible
- Stanza 1, line 14 infinite
- Stanza 1, line 14 flitted
- Stanza 1, line 14 mingled
- Stanza 1, line 14 allegiance
- Stanza 1, line 14 translated
- Stanza 1, line 14 disconsolate
- Stanza 1, line 14 wayside
- Stanza 1, line 14 affrighted
- Stanza 1, line 14 hearsay
- Stanza 1, line 14 dirges
- Stanza 1, line 14 despair
- Stanza 1, line 14 bayou
- Stanza 1, line 14 illusions
- Stanza 1, line 14 prelude
- Stanza 1, line 14 misgivings
- Stanza 1, line 14 accordant
- Stanza 1, line 14 fasting
- Stanza 1, line 14 taciturn
- Stanza 1, line 14 audible
- Stanza 1, line 14 afflicted
- Stanza 1, line 14 divers
- Stanza 1, line 14 diffused
- Stanza 1, line 14 languid
- Stanza 1, line 14 throbbing
- Stanza 1, line 15 patient II
- Stanza 1, line 15 contentment III
- Stanza 1, line 15 envy IV
- Stanza 1, line 15 valiant V
- Stanza 1, line 15 surmises VI
- Stanza 1, line 15 mandate VII
- Stanza 1, line 15 notary VIII
- Stanza 1, line 15 triumphs IX
- Stanza 1, line 15 breach X
- Stanza 1, line 15 Abraham XI
- Stanza 1, line 15 noblest XII
- Stanza 1, line 15 merciless XIII
- Stanza 1, line 15 ardor XIV
- Stanza 1, line 15 keenly XV
- Stanza 1, line 15 mischances XVI
- Stanza 1, line 15 nethermost XVII
- Stanza 1, line 15 inarticulate XVIII
- Stanza 1, line 15 embarking XIX
- Stanza 1, line 15 essay (v.) XX
- Stanza 1, line 15 sluggish XXI
- Stanza 1, line 15 regions XXII
- Stanza 1, line 15 Eden XXIII
- Stanza 1, line 15 amber XXIV
- Stanza 1, line 15 embarrassed XXV
- Stanza 1, line 15 melodious XXVI
- Stanza 1, line 15 famine XXVII
- Stanza 1, line 15 anchorite XXIII
- Stanza 1, line 15 indefinite XXIX
- Stanza 1, line 15 betimes XXX
- Stanza 1, line 15 dawn XXXI
- Stanza 1, line 15 aroma XXXIII
- Stanza 1, line 15 consolor XXXIV
- Stanza 1, line 15 customs Transcriber's notes:
- Stanza 1, line 16 consoled
- Stanza 1, line 16 blended
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