The Castle of Vautsberg on the Rhine

Henry Wadsworth Longfellow (1807–1882) · 1872

94 lines · from Christus: A Mystery

We are alone. The wedding guestsRide down the hill, with plumes and cloaks,And the descending dark investsThe Niederwald, and all the nestsAmong its hoar and haunted oaks.

ELSIE.What bells are those, that ring so slow,So mellow, musical, and low?

They are the bells of Geisenheim,That with their melancholy chimeRing out the curfew of the sun.

ELSIE.Listen, beloved.

They are done!Dear Elsie! many years agoThose same soft bells at eventideRang in the ears of Charlemagne,As, seated by Fastrada's sideAt Ingelheim, in all his prideHe heard their sound with secret pain.

ELSIE.Their voices only speak to meOf peace and deep tranquillity,And endless confidence in thee!

Thou knowest the story of her ring,How, when the court went back to Aix,Fastrada died; and how the kingSat watching by her night and day,Till into one of the blue lakes,Which water that delicious land,They cast the ring, drawn from her hand:And the great monarch sat sereneAnd sad beside the fated shore,Nor left the land forevermore.

ELSIE.That was true love.

For him the queenNe'er did what thou hast done for me.

ELSIE.Wilt thou as fond and faithful be?Wilt thou so love me after death?

In life's delight, in death's dismay,In storm and sunshine, night and day,In health, in sickness, in decay,Here and hereafter, I am thine!Thou hast Fastrada's ring. Beneaththe calm, blue waters of thine eyes,Deep in thy steadfast soul it lies,And, undisturbed by this world's breath,With magic light its jewels shine!This golden ring, which thou hast wornUpon thy finger since the morn,Is but a symbol and a semblance,An outward fashion, a remembrance,Of what thou wearest within unseen,O my Fastrada, O my queen!Behold! the hill-trips all aglowWith purple and with amethyst;While the whole valley deep belowIs filled, and seems to overflow,With a fast-rising tide of mist.The evening air grows damp and chill;Let us go in.

ELSIE.Ah, not so soon.See yonder fire! It is the moonSlow rising o'er the eastern hill.It glimmers on the forest tipsAnd through the dewy foliage dripsIn little rivulets of light,And makes the heart in love with night.

Oft on this terrace, when the dayWas closing, have I stood and gazed,And seen the landscape fade away,And the white vapors rise and drownHamlet and vineyard, tower and town,While far above the hill-tops blazed.But then another hand than thineWas gently held and clasped in mine;Another head upon my breastWas laid, as thine is now, at rest.Why dost thou lift those tender eyesWith so much sorrow and surprise?A minstrel's, not a maiden's hand,Was that which in my own was pressed,A manly form usurped thy place,A beautiful, but bearded face,That now is in the Holy Land,Yet in my memory from afarIs shining on us like a star.But linger not. For while I speak,A sheeted spectre white and tall,The cold mist climbs the castle wall,And lays his hand upon thy cheek!

Words in this poem 17
hoar v. t.
To become moldy or musty. [AS. harian to grow gray.]
haunted a.
Inhabited by, or subject to the visits of, apparitions; frequented by a ghost.
chime n.
The harmonious sound of bells, or of musical instruments. [OE. chimbe, prop., cymbal, OF. cymbe, cymble, in a dialectic form, chymble, F. cymbale, L. cymbalum, fr. Gr. Cymbal.]
curfew n.
The ringing of an evening bell, originally a signal to the inhabitants to cover fires, extinguish lights, and retire to rest, -- instituted by William the Conqueror; also, the bell itself. [OE. courfew, curfu, fr. OF. cuevrefu, covrefeu, F. couvre-feu; covrir to cover + feu fire, fr. L. focus fireplace, hearth. See Cover, and Focus.]
eventide n.
The time of evening; evening. [AS. æfentid. See Tide.]
went n.
Course; way; path; journey; direction.
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
sunshine n.
The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
hereafter adv.
In time to come; in some future time or state. [AS. hræfter.]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
unseen a.
Not seen or discovered.
aglow adv.
In a glow; glowing; as, cheeks aglow; the landscape all aglow. [Pref. a- + glow.]
amethyst
A variety of crystallized quartz, of a purple or bluish violet color, of different shades. It is much used as a jeweler's stone. [F. ametiste, amatiste, F. améthyste, L. amethystus, fr. Gr. Mead.]
yonder adv.
At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
vineyard n.
An inclosure or yard for grapevines; a plantation of vines producing grapes. [For OE. winyard, AS. wingeard; influenced by E. vine. See Wine, and Yard an inclosure.]
afar adv.
At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
spectre n.
Something preternaturally visible; an apparition; a ghost; a phantom. [F. spectre, fr. L. spectrum an appearance, image, specter, fr. specere to look. See Spy, and cf. Spectrum.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Castle of Vautsberg on the Rhine is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Henry Wadsworth Longfellow, The Castle of Vautsberg on the Rhine, in Christus: A Mystery (1872), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-christus/the-castle-of-vautsberg-on-the-rhine-2.html, id L19216.

Form and metre

The Castle of Vautsberg on the Rhine is 94 lines in 13 stanzas.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 A-AA- guestsA · cloaks · investsA · nestsA · oaks
  2. 2 -AA elsie · slowA · lowA
  3. 3 AA- geisenheimA · chimeA · sun
  4. 5 --ABAAB done · ago · eventideA · charlemagneB · sideA · prideA · painB
  5. 6 -A-A elsie · meA · tranquillity · theeA
  6. 7 ABA-BCC-DD ringA · aixB · kingA · day · lakesB · landC · handC · serene · shoreD · forevermoreD
  7. 11 AAAB-CC-BDD--EEFGFFG-- dismayA · dayA · decayA · thineB · beneath · eyesC · liesC · breath · shineB · wornD · mornD · semblance · remembrance · unseenE · queenE · aglowF · amethystG · belowF · overflowF · mistG · chill · in
  8. 12 -AA-BBCC elsie · soonA · moonA · hill · tipsB · dripsB · lightC · nightC
  9. 13 ABACCBDDEEFFGEHHGIIJKKJ dayA · gazedB · awayA · drownC · townC · blazedB · thineD · mineD · breastE · restE · eyesF · surpriseF · handG · pressedE · placeH · faceH · landG · afarI · starI · speakJ · tallK · wallK · cheekJ
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
We are alone. The wedding guests8··˘/·/˘·
Ride down the hill, with plumes and cloaks,8········
And the descending dark invests8··˘/˘·˘/
The Niederwald, and all the nests8········
Among its hoar and haunted oaks.8·····/˘·
ELSIE.2
What bells are those, that ring so slow,8········
So mellow, musical, and low?8·/˘/˘˘··
They are the bells of Geisenheim,8········
That with their melancholy chime8···/˘·˘·
Ring out the curfew of the sun.8···/˘···
ELSIE.2
Listen, beloved.4/˘˘/
They are done!3···
Dear Elsie! many years ago8·/˘/˘·˘/
Those same soft bells at eventide8·····/˘˘
Rang in the ears of Charlemagne,8·····/˘·
As, seated by Fastrada's side8·/˘·····
At Ingelheim, in all his pride8·/˘·····
He heard their sound with secret pain.8·····/˘·
ELSIE.2
Their voices only speak to me8·/˘/˘···
Of peace and deep tranquillity,8····˘/˘˘
And endless confidence in thee!8·/˘/˘˘··
Thou knowest the story of her ring,9·/˘·/˘···
How, when the court went back to Aix,8········
Fastrada died; and how the king8········
Sat watching by her night and day,8·/˘·····
Till into one of the blue lakes,8········
Which water that delicious land,8·/˘·˘/˘·
They cast the ring, drawn from her hand:8········
And the great monarch sat serene8···/··˘/
And sad beside the fated shore,8··˘/·/˘·
Nor left the land forevermore.8········
ELSIE.2
That was true love.4····
For him the queen4····
Ne'er did what thou hast done for me.8········
ELSIE.2
Wilt thou as fond and faithful be?8·····/˘·
Wilt thou so love me after death?8········
In life's delight, in death's dismay,8··˘/··˘/
In storm and sunshine, night and day,8···/····
In health, in sickness, in decay,8···/˘·˘/
Here and hereafter, I am thine!8··˘/˘···
Thou hast Fastrada's ring. Beneath8········
the calm, blue waters of thine eyes,8···/˘···
Deep in thy steadfast soul it lies,8···/····
And, undisturbed by this world's breath,9··˘/˘····
With magic light its jewels shine!8·/˘··/˘·
This golden ring, which thou hast worn8·/˘·····
Upon thy finger since the morn,8···/˘···
Is but a symbol and a semblance,9···/˘··/˘
An outward fashion, a remembrance,9·/˘/˘·˘/˘
Of what thou wearest within unseen,9···/˘··˘/
O my Fastrada, O my queen!8········
Behold! the hill-trips all aglow8˘/····˘/
With purple and with amethyst;8·/˘··/˘˘
While the whole valley deep below8···/˘···
Is filled, and seems to overflow,9··˘···/˘·
With a fast-rising tide of mist.8···/˘···
The evening air grows damp and chill;8·/˘·····
Let us go in.4····
ELSIE.2
Ah, not so soon.4····
See yonder fire! It is the moon9·/˘/˘····
Slow rising o'er the eastern hill.8·/˘··/˘·
It glimmers on the forest tips8·/˘··/˘·
And through the dewy foliage drips8···/˘/˘·
In little rivulets of light,8·/˘·····
And makes the heart in love with night.8········
Oft on this terrace, when the day8···/˘···
Was closing, have I stood and gazed,9·/˘·····˘
And seen the landscape fade away,8···/··˘/
And the white vapors rise and drown8···/˘···
Hamlet and vineyard, tower and town,9/˘·/˘/˘··
While far above the hill-tops blazed.9········˘
But then another hand than thine8··˘/˘···
Was gently held and clasped in mine;9·/˘···˘··
Another head upon my breast8˘/˘·····
Was laid, as thine is now, at rest.8········
Why dost thou lift those tender eyes8·····/˘·
With so much sorrow and surprise?8···/˘·˘/
A minstrel's, not a maiden's hand,8·/˘··/˘·
Was that which in my own was pressed,9········˘
A manly form usurped thy place,9·/˘··/˘··
A beautiful, but bearded face,8·/˘˘·/˘·
That now is in the Holy Land,8·····/˘·
Yet in my memory from afar9···/˘˘·˘/
Is shining on us like a star.8·/˘·····
But linger not. For while I speak,8·/˘·····
A sheeted spectre white and tall,8·/˘/˘···
The cold mist climbs the castle wall,8·····/˘·
And lays his hand upon thy cheek!8········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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