Act II: Scene I. — John Endicott's Room. Early Morning
"Why dost thou persecute me, Saul of Tarsus?"All night these words were ringing in mine ears!A sorrowful sweet face; a look that pierced meWith meek reproach; a voice of resignationThat had a life of suffering in its tone;And that was all! And yet I could not sleep,Or, when I slept, I dreamed that awful dream!I stood beneath the elm-tree on the Common,On which the Quakers have been hanged, and heardA voice, not hers, that cried amid the darkness,"This is Aceldama, the field of blood!I will have mercy, and not sacrifice!"
The sun is up already; and my heartSickens and sinks within me when I thinkHow many tragedies will be enactedBefore his setting. As the earth rolls round,It seems to me a huge Ixion's wheel,Upon whose whirling spokes we are bound fast,And must go with it! Ah, how bright the sunStrikes on the sea and on the masts of vessels,That are uplifted, in the morning air,Like crosses of some peaceable crusade!It makes me long to sail for lands unknown,No matter whither! Under me, in shadow,Gloomy and narrow, lies the little town,Still sleeping, but to wake and toil awhile,Then sleep again. How dismal looks the prison,How grim and sombre in the sunless street,--The prison where she sleeps, or wakes and waitsFor what I dare not think of,--death, perhaps!A word that has been said may be unsaid:It is but air. But when a deed is doneIt cannot be undone, nor can our thoughtsReach out to all the mischiefs that may follow.'T is time for morning prayers. I will go down.My father, though severe, is kind and just;And when his heart is tender with devotion,--When from his lips have fallen the words, "Forgive usAs we forgive,"--then will I intercedeFor these poor people, and perhaps may save them.
Words in this poem
- resignation n.
- The act of resigning or giving up, as a claim, possession, office, or the like; surrender; as, the resignation of a crown or comission. [F. résignation. See Resign.]
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- aceldama n.
- The potter's field, said to have lain south of Jerusalem, purchased with the bribe which Judas took for betraying his Master, and therefore called the field of blood. Fig.: A field of bloodshed. [Gr. okel damo the field of blood.]
- peaceable a.
- Begin in or at peace; tranquil; quiet; free from, or not disposed to, war, disorder, or excitement; not quarrelsome. [OE. peisible, F. paisible.]
- whither adv.
- To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
- awhile adv.
- For a while; for some time; for a short time. [Adj. a + while time, interval.]
- dismal a.
- Fatal; ill-omened; unlucky. [Formerly a noun; e. g., "I trow it was in the dismalle." Chaucer. Of uncertain origin; but perh. (as suggested by Skeat) from OF. disme, F. dîme, tithe, the phr]
- sombre n.
- Gloom; obscurity; duskiness; somberness.
- sunless a.
- Destitute or deprived of the sun or its rays; shaded; shadowed.
- undone a.
- Not done or performed; neglected. [Pref. un- not + done.]
- intercede v. i.
- To pass between; to intervene. [L. intercedere, intercessum; inter between + cedere to pass: cf. F. intercéder. See Cede.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Act II: Scene I. — John Endicott's Room. Early Morning is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Wadsworth Longfellow, Act II: Scene I. — John Endicott's Room. Early Morning, in Christus: A Mystery (1872), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-christus/act-ii-scene-i-john-endicott-s-room-early-morning.html, id L19220.
Form and metre
Act II: Scene I. — John Endicott's Room. Early Morning is 40 lines in 2 stanzas.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ---AA--A-B-B tarsus · ears · me · resignationA · toneA · sleep · dream · commonA · heard · darknessB · blood · sacrificeB
- 2 ------A---B-C-B----A--C-C--- heart · think · enacted · round · wheel · fast · sunA · vessels · air · crusade · unknownB · shadow · townC · awhile · prisonB · street · waits · perhaps · unsaid · doneA · thoughts · follow · downC · just · devotionC · us · intercede · them
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| "Why dost thou persecute me, Saul of Tarsus?" | 11 | ···/˘····/˘ |
| All night these words were ringing in mine ears! | 10 | ·····/˘··· |
| A sorrowful sweet face; a look that pierced me | 10 | ·/˘······· |
| With meek reproach; a voice of resignation | 11 | ··˘/····˘/˘ |
| That had a life of suffering in its tone; | 10 | ·····/˘··· |
| And that was all! And yet I could not sleep, | 10 | ·········· |
| Or, when I slept, I dreamed that awful dream! | 10 | ·······/˘· |
| I stood beneath the elm-tree on the Common, | 11 | ·········/˘ |
| On which the Quakers have been hanged, and heard | 10 | ···/˘····· |
| A voice, not hers, that cried amid the darkness, | 11 | ······˘/·/˘ |
| "This is Aceldama, the field of blood! | 10 | ··˘/˘˘···· |
| I will have mercy, and not sacrifice!" | 10 | ···/˘··/˘· |
| The sun is up already; and my heart | 10 | ····˘/˘··· |
| Sickens and sinks within me when I think | 10 | /˘········ |
| How many tragedies will be enacted | 11 | ·/˘/˘˘··˘/˘ |
| Before his setting. As the earth rolls round, | 10 | ···/˘····· |
| It seems to me a huge Ixion's wheel, | 10 | ······˘/˘· |
| Upon whose whirling spokes we are bound fast, | 10 | ···/˘····· |
| And must go with it! Ah, how bright the sun | 10 | ·········· |
| Strikes on the sea and on the masts of vessels, | 11 | ·········/˘ |
| That are uplifted, in the morning air, | 10 | ··/˘˘··/˘· |
| Like crosses of some peaceable crusade! | 10 | ·/˘··/˘˘˘/ |
| It makes me long to sail for lands unknown, | 10 | ········˘/ |
| No matter whither! Under me, in shadow, | 11 | ·/˘/˘····/· |
| Gloomy and narrow, lies the little town, | 10 | /˘·/˘··/˘· |
| Still sleeping, but to wake and toil awhile, | 10 | ·/˘·····˘/ |
| Then sleep again. How dismal looks the prison, | 11 | ··˘/·/˘··/˘ |
| How grim and sombre in the sunless street,-- | 10 | ···/˘··/˘· |
| The prison where she sleeps, or wakes and waits | 10 | ·/˘······· |
| For what I dare not think of,--death, perhaps! | 10 | ········˘/ |
| A word that has been said may be unsaid: | 10 | ········˘/ |
| It is but air. But when a deed is done | 10 | ·········· |
| It cannot be undone, nor can our thoughts | 10 | ·/˘·˘/··/· |
| Reach out to all the mischiefs that may follow. | 11 | ·····/˘··/˘ |
| 'T is time for morning prayers. I will go down. | 11 | ····/˘····· |
| My father, though severe, is kind and just; | 10 | ·/˘·˘/···· |
| And when his heart is tender with devotion,-- | 11 | ·····/˘·˘/˘ |
| When from his lips have fallen the words, "Forgive us | 12 | ·····/˘··˘/· |
| As we forgive,"--then will I intercede | 10 | ··˘/····˘/ |
| For these poor people, and perhaps may save them. | 11 | ···/˘·˘/··· |
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