Act I: Scene III. — A Room in Upsall's House. Night. Edith, Wharton,, and Other Quakers Seated at a Table. Upsall Seated Near Them,, Several Books on the Table
WHARTON.William and Marmaduke, our martyred brothers,Sleep in untimely graves, if aught untimelyCan find place in the providence of God,Where nothing comes too early or too late.I saw their noble death. They to the scaffoldWalked hand in hand. Two hundred armed menAnd many horsemen guarded them, for fearOf rescue by the crowd, whose hearts were stirred.
EDITH.O holy martyrs!
WHARTON.When they tried to speak,Their voices by the roll of drums were drowned.When they were dead they still looked fresh and fair,The terror of death was not upon their faces.Our sister Mary, likewise, the meek woman,Has passed through martyrdom to her reward;Exclaiming, as they led her to her death,"These many days I've been in Paradise."And, when she died, Priest Wilson threw the hangmanHis handkerchief, to cover the pale faceHe dared not look upon.
EDITH.As persecuted,Yet not forsaken; as unknown, yet known;As dying, and behold we are alive;As sorrowful, and yet rejoicing always;As having nothing, yet possessing all!
WHARTON.And Leddra, too, is dead. But from his prison,The day before his death, he sent these wordsUnto the little flock of Christ: "What everMay come upon the followers of the Light,--Distress, affliction, famine, nakedness,Or perils in the city or the sea,Or persecution, or even death itself,--I am persuaded that God's armor of Light,As it is loved and lived in, will preserve you.Yea, death itself; through which you will find entranceInto the pleasant pastures of the fold,Where you shall feed forever as the herdsThat roam at large in the low valleys of Achor.And as the flowing of the ocean fillsEach creek and branch thereof, and then retires,Leaving behind a sweet and wholesome savor;So doth the virtue and the life of GodFlow evermore into the hearts of thoseWhom He hath made partakers of His nature;And, when it but withdraws itself a little,Leaves a sweet savor after it, that manyCan say they are made clean by every wordThat He hath spoken to them in their silence."
EDITH (rising and breaking into a kind of chant).Truly we do but grope here in the dark,Near the partition-wall of Life and Death,At every moment dreading or desiringTo lay our hands upon the unseen door!Let us, then, labor for an inward stillness,--An inward stillness and an inward healing;That perfect silence where the lips and heartAre still, and we no longer entertainOur own imperfect thoughts and vain opinions,But God alone speaks in us, and we waitIn singleness of heart, that we may knowHis will, and in the silence of our spirits,That we may do His will, and do that only!
MARSHAL.Within there! Open the door!
MERRY.Will no one answer?
MARSHAL.In the King's name! Within there!
MERRY.Open the door!
UPSALL (from the window).It is not barred. Come in. Nothing prevents you.The poor man's door is ever on the latch.He needs no bolt nor bar to shut out thieves;He fears no enemies, and has no friendsImportunate enough to need a key.
Enter JOHN ENDICOTT, the MARSHAL, MERRY, and a crowd. Seeing theQuakers silent and unmoved, they pause, awe-struck. ENDICOTTopposite EDITH.
MARSHAL.In the King's name do I arrest you all!Away with them to prison. Master Upsall,You are again discovered harboring hereThese ranters and disturbers of the peace.You know the law.
UPSALL.I know it, and am readyTo suffer yet again its penalties.
EDITH (to ENDICOTT).Why dost thou persecute me, Saul of Tarsus?
Words in this poem
- aught n.
- Property; possession. [AS. , fr. agan to own, p. p. ahte.]
- martyrdom n.
- The condition of a martyr; the death of a martyr; the suffering of death on account of adherence to the Christian faith, or to any cause. [Martyr + -dom.]
- famine n.
- General scarcity of food; dearth; a want of provisions; destitution. [F. famine, fr. L. fames hunger; cf. Gr. hani loss, lack, ha to leave.]
- nakedness n.
- The condition of being naked.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- evermore adv.
- During eternity; always; forever; for an indefinite period; at all times; -- often used substantively with for.
- unseen a.
- Not seen or discovered.
- stillness n.
- The quality or state of being still; quietness; silence; calmness; inactivity.
- singleness n.
- The quality or state of being single, or separate from all others; the opposite of doubleness, complication, or multiplicity.
- latch v. t.
- To smear; to anoint. [Cf. F. lécher to lick (of German origin). Cf. Lick.]
- needs adv.
- Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
- unmoved a.
- Not moved; fixed; firm; unshaken; calm; apathetic.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Act I: Scene III. — A Room in Upsall's House. Night. Edith, Wharton,, and Other Quakers Seated at a Table. Upsall Seated Near Them,, Several Books on the Table is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Wadsworth Longfellow, Act I: Scene III. — A Room in Upsall's House. Night. Edith, Wharton,, and Other Quakers Seated at a Table. Upsall Seated Near Them,, Several Books on the Table, in Christus: A Mystery (1872), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-christus/act-i-scene-iii-a-room-in-upsall-s-house-night-edith-wharton.html, id L19219.
Form and metre
Act I: Scene III. — A Room in Upsall's House. Night. Edith, Wharton,, and Other Quakers Seated at a Table. Upsall Seated Near Them,, Several Books on the Table is 95 lines in 15 stanzas.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 3 ---------A-A wharton · speak · drowned · fair · faces · woman · reward · death · paradise · hangmanA · face · uponA
- 5 --A-B---B---A----------- wharton · prison · wordsA · ever · lightB · nakedness · sea · itself · lightB · you · entrance · fold · herdsA · achor · fills · retires · savor · god · those · nature · little · many · word · silence
- 13 AAA--- marshalA · allA · upsallA · here · peace · law
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| WHARTON. | 2 | /˘ |
| William and Marmaduke, our martyred brothers, | 11 | /˘·/˘·//˘/˘ |
| Sleep in untimely graves, if aught untimely | 11 | ··˘/˘···˘/˘ |
| Can find place in the providence of God, | 10 | ·····/˘˘·· |
| Where nothing comes too early or too late. | 10 | ·/˘··/˘··· |
| I saw their noble death. They to the scaffold | 11 | ···/˘····/˘ |
| Walked hand in hand. Two hundred armed men | 10 | ·˘····/˘·· |
| And many horsemen guarded them, for fear | 10 | ·/˘/˘/˘··· |
| Of rescue by the crowd, whose hearts were stirred. | 10 | ·/˘······· |
| EDITH. | 2 | /˘ |
| O holy martyrs! | 5 | ·/˘/˘ |
| WHARTON. | 2 | /˘ |
| When they tried to speak, | 5 | ····· |
| Their voices by the roll of drums were drowned. | 10 | ·/˘······· |
| When they were dead they still looked fresh and fair, | 10 | ·········· |
| The terror of death was not upon their faces. | 12 | ·/˘·······/˘ |
| Our sister Mary, likewise, the meek woman, | 11 | //˘/˘/···/˘ |
| Has passed through martyrdom to her reward; | 10 | ···/˘˘··˘/ |
| Exclaiming, as they led her to her death, | 10 | ˘/˘······· |
| "These many days I've been in Paradise." | 10 | ·/˘····/˘· |
| And, when she died, Priest Wilson threw the hangman | 11 | ·····/˘··/˘ |
| His handkerchief, to cover the pale face | 10 | ·/˘˘·/˘··· |
| He dared not look upon. | 6 | ······ |
| EDITH. | 2 | /˘ |
| As persecuted, | 5 | ·/˘·˘ |
| Yet not forsaken; as unknown, yet known; | 10 | ··˘/˘·˘/·· |
| As dying, and behold we are alive; | 10 | ·/˘·˘/··˘/ |
| As sorrowful, and yet rejoicing always; | 10 | ·/˘··˘/˘/˘ |
| As having nothing, yet possessing all! | 10 | ·/˘/˘·˘/˘· |
| WHARTON. | 2 | /˘ |
| And Leddra, too, is dead. But from his prison, | 11 | ·········/˘ |
| The day before his death, he sent these words | 10 | ·········· |
| Unto the little flock of Christ: "What ever | 11 | ···/˘····/˘ |
| May come upon the followers of the Light,-- | 10 | ·····/˘··· |
| Distress, affliction, famine, nakedness, | 10 | ˘/˘/˘/˘/˘˘ |
| Or perils in the city or the sea, | 10 | ·/˘··/˘··· |
| Or persecution, or even death itself,-- | 10 | ··˘/˘·/·˘/ |
| I am persuaded that God's armor of Light, | 11 | ··˘/˘··/˘·· |
| As it is loved and lived in, will preserve you. | 11 | ········˘/· |
| Yea, death itself; through which you will find entrance | 11 | ··˘/·····/˘ |
| Into the pleasant pastures of the fold, | 10 | ···/˘/˘··· |
| Where you shall feed forever as the herds | 10 | ····˘/˘··· |
| That roam at large in the low valleys of Achor. | 12 | ·······/˘·/˘ |
| And as the flowing of the ocean fills | 10 | ···/˘··/˘· |
| Each creek and branch thereof, and then retires, | 10 | ········˘/ |
| Leaving behind a sweet and wholesome savor; | 11 | /˘·····/˘/˘ |
| So doth the virtue and the life of God | 10 | ···/˘····· |
| Flow evermore into the hearts of those | 10 | ·/˘······· |
| Whom He hath made partakers of His nature; | 11 | ·········/˘ |
| And, when it but withdraws itself a little, | 11 | ····˘/˘/·/˘ |
| Leaves a sweet savor after it, that many | 11 | ···/˘····/˘ |
| Can say they are made clean by every word | 10 | ·······/˘· |
| That He hath spoken to them in their silence." | 11 | ···/˘····/˘ |
| EDITH (rising and breaking into a kind of chant). | 13 | /˘/˘·/˘······ |
| Truly we do but grope here in the dark, | 10 | /˘········ |
| Near the partition-wall of Life and Death, | 10 | ··˘/˘····· |
| At every moment dreading or desiring | 11 | ·/˘/˘/˘·˘/˘ |
| To lay our hands upon the unseen door! | 10 | ··/····˘/· |
| Let us, then, labor for an inward stillness,-- | 11 | ···/˘··/˘/˘ |
| An inward stillness and an inward healing; | 11 | ·/˘/˘··/˘/˘ |
| That perfect silence where the lips and heart | 10 | ·/·/˘····· |
| Are still, and we no longer entertain | 10 | ·····/˘·˘/ |
| Our own imperfect thoughts and vain opinions, | 11 | /·˘/˘···˘/˘ |
| But God alone speaks in us, and we wait | 10 | ··˘/······ |
| In singleness of heart, that we may know | 10 | ·/˘˘······ |
| His will, and in the silence of our spirits, | 11 | ·····/˘·//˘ |
| That we may do His will, and do that only! | 11 | ·········/˘ |
| MARSHAL. | 2 | /˘ |
| Within there! Open the door! | 7 | ···/˘·· |
| MERRY. | 2 | /˘ |
| Will no one answer? | 5 | ···/˘ |
| MARSHAL. | 2 | /˘ |
| In the King's name! Within there! | 7 | ······· |
| MERRY. | 2 | /˘ |
| Open the door! | 4 | /˘·· |
| UPSALL (from the window). | 6 | ····/˘ |
| It is not barred. Come in. Nothing prevents you. | 11 | ······/˘˘/· |
| The poor man's door is ever on the latch. | 10 | ·····/˘··· |
| He needs no bolt nor bar to shut out thieves; | 10 | ·········· |
| He fears no enemies, and has no friends | 10 | ···/˘˘···· |
| Importunate enough to need a key. | 10 | ˘/˘˘˘/···· |
| Enter JOHN ENDICOTT, the MARSHAL, MERRY, and a crowd. Seeing the | 16 | /˘·/˘··/˘/˘···/· |
| Quakers silent and unmoved, they pause, awe-struck. ENDICOTT | 14 | /˘/˘·˘/····/˘· |
| opposite EDITH. | 5 | /˘˘/˘ |
| MARSHAL. | 2 | /˘ |
| In the King's name do I arrest you all! | 10 | ······˘/·· |
| Away with them to prison. Master Upsall, | 11 | ˘/···/˘/˘·· |
| You are again discovered harboring here | 10 | ··˘/˘/˘/˘· |
| These ranters and disturbers of the peace. | 10 | ·········· |
| You know the law. | 4 | ···· |
| UPSALL. | 2 | ·· |
| I know it, and am ready | 7 | ·····/˘ |
| To suffer yet again its penalties. | 10 | ·/˘·˘/·/˘˘ |
| EDITH (to ENDICOTT). | 6 | /˘·/˘· |
| Why dost thou persecute me, Saul of Tarsus? | 11 | ···/˘····/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.