Part II: Section 7

Mikhail Lermontov (1814–1841), translated by Robert Burness · 1918

iambic tetrameter · 39 lines · from The Demon

When eve with darkening pall had coveredThe peak of every Grusian hill,The Demon round the Convent hovered,As oft ere now—all was so still,So sacred, that his thoughts of illFaltered a while, nor for a spaceDared he draw nigh that holy place,But wandered aimless, sadly thinkingHow durst he break that peace divine,And fain would quit his fell design,While every leaf he trod on, shrinking,Seemed to cry out, as though affrighted.He raised his eyes and saw the beamsReflected from the lamp that lightedHer cell (she waits some guest it seems);Then in the silence that surroundedHe heard a tinkling lute that sounded,And, rhythmical as falling tears,The strain of lute and voice he hears:Soft cadence rising, flowing, falling,Music of song and lute so even,Melting melodious, as if HeavenFrom out her store one tune had given,As if an angel's voice were calling:"Come back, dear love, come back, for seeHow I have stolen down to thee,To sing of what was wont to beAnd charm a little of thy sadness."Then all love's torture and love's madnessPossessed his soul—what pain to hearThe long unspoken words of love!He strove to fly—he could not move—And from his eye there rolled a tear,As a memorial stands to prove:For still beside Tamàra's cellThere stands a rock all seared and brokenBy tear that scalded where it fell,No human tear, but who can tellWhat anguished eye left such a token.

Words in this poem

aimless a.
Without aim or purpose; as, an aimless life.
sadly adv.
Wearily; heavily; firmly.
fain v. t.
To be glad ; to wish or desire.
sadness n.
Heaviness; firmness.
seared a.
Scorched; cauterized; hence, figuratively, insensible; not susceptible to moral influences.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Part II: Section 7 is in the public domain. This text is taken from The Demon, translated from the Russian of Lermontoff by Robert Burness, B.A. (Oxon.), Edinburgh: Douglas & Foulis, 1918, Internet Archive, the Robert Burness translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Mikhail Lermontov, Part II: Section 7, in The Demon (1918), text of Internet Archive, Laurel, https://laurelpoetry.com/poem/lermontov-demon/2-7.html, id L28476.

Form and metre

Part II: Section 7 is 39 lines in a single stanza. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABBCCDEED-F-FGG-------HHHIIJKKJKLMLLM coveredA · hillB · hoveredA · stillB · illB · spaceC · placeC · thinkingD · divineE · designE · shrinkingD · affrighted · beamsF · lighted · seemsF · surroundedG · soundedG · tears · hears · falling · even · heaven · given · calling · seeH · theeH · beH · sadnessI · madnessI · hearJ · loveK · moveK · tearJ · proveK · cellL · brokenM · fellL · tellL · tokenM
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
When eve with darkening pall had covered9···/˘··/˘
The peak of every Grusian hill,8···/˘···
The Demon round the Convent hovered,9·/˘··/˘/˘
As oft ere now—all was so still,8········
So sacred, that his thoughts of ill8·/˘·····
Faltered a while, nor for a space8/˘······
Dared he draw nigh that holy place,8·····/˘·
But wandered aimless, sadly thinking9·/˘/˘/˘/˘
How durst he break that peace divine,8······˘/
And fain would quit his fell design,8······˘/
While every leaf he trod on, shrinking,9·/˘····/˘
Seemed to cry out, as though affrighted.9·········
He raised his eyes and saw the beams8········
Reflected from the lamp that lighted9˘/˘····/˘
Her cell (she waits some guest it seems);8········
Then in the silence that surrounded9···/˘·˘/˘
He heard a tinkling lute that sounded,9···/˘··/˘
And, rhythmical as falling tears,8·····/˘·
The strain of lute and voice he hears:8········
Soft cadence rising, flowing, falling,9·/˘/˘/˘/˘
Music of song and lute so even,9/˘·····/˘
Melting melodious, as if Heaven8/˘˘/˘··/
From out her store one tune had given,9·······/˘
As if an angel's voice were calling:9···/˘··/˘
"Come back, dear love, come back, for see8········
How I have stolen down to thee,8···/˘···
To sing of what was wont to be8········
And charm a little of thy sadness."9···/˘··/˘
Then all love's torture and love's madness9···/˘··/˘
Possessed his soul—what pain to hear8˘/······
The long unspoken words of love!8··˘/˘···
He strove to fly—he could not move—8········
And from his eye there rolled a tear,8········
As a memorial stands to prove:8··˘/˘···
For still beside Tamàra's cell8··˘/····
There stands a rock all seared and broken9·······/˘
By tear that scalded where it fell,8···/˘···
No human tear, but who can tell8·/˘·····
What anguished eye left such a token.9·/˘····/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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