Part II: Section 13

Mikhail Lermontov (1814–1841), translated by Robert Burness · 1918

iambic tetrameter · 53 lines · from The Demon

Like peri fair that slumberethWhiter she lay than shroud that bound her,Purer than all the white around herUpon her brow the hues of death.Regardless now of joy and sorrowThose lovely eyes are closed alway—Oh God! who seeing them would sayThat lover's kiss or dawning dayWould not uplift those lids to-morrow?In vain the golden sunrise flashesIts beams on those fast closed lashes,In vain her ancient father's griefSeeks in sad kisses for relief:For where grim Death hath set his tokenNo mortal hand the seal hath broken.Never when guests were wont to rally,Had she shone forth so rich, so gayEven on happiest holiday.The blossoms culled from native valleyBy ancient custom decked her bed,And aromatic petals shedPerfumes on her, no more awakingTo greet the sun when day is breaking.And on that pallid, silent faceNo sign of passion left, no traceOf that last ecstasy of fear;Nay, every lineament expressesMarble's mysterious lovelinesses—So still she lay upon her bier,As she had changed her mortal breathTo learn the secret lore of Death.A smile, so passing strange, was curvingHer lips, as it had frozen cold,Which to attentive eyes observingA painful story might have told.Scornful it seemed, as if in dyingThe spirit spurned its mortal cell,Like some last thought of summer sighingTo earth a soundless, sad "Farewell."That smile, like phantom of her being,Appeared more dead, more void of hope,Than even the maiden's eyes unseeing—Eyes nevermore their lids to ope,Like afterglow of sunset mellow,When melts in hues of red and yellowDay's fiery car, and Caucas snowsShine for a moment's space, retainingThe dying crimson of the roseOn high Kazbek's proud top remaining—But that dead glow no light revealsUpon the desert's barren ways,And lonely traveller never feelsA comfort from those far off rays.

Words in this poem

peri n.
An imaginary being, male or female, like an elf or fairy, represented as a descendant of fallen angels, excluded from paradise till penance is accomplished. Moore. [Per. peri a female genus, a fairy.]
uplift v. t.
To lift or raise aloft; to raise; to elevate; as, to uplift the arm; to uplift a rock.
rally v. t.
To collect, and reduce to order, as troops dispersed or thrown into confusion; to gather again; to reunite. [OF. ralier, F. rallier, fr. L. pref. re- + ad + ligare to bind. See Ra-, and 1st Ally.]
lineament n.
One of the outlines, exterior features, or distinctive marks, of a body or figure, particularly of the face; feature; form; mark; - - usually in the plural. [L. lineamentum, fr. linea line: cf. F. linéament. See 3d Line.]
bier n.
A handbarrow or portable frame on which a corpse is placed or borne to the grave. [OE. bæe, beere, AS. b, b; akin to D. baar, OHG. bara, G. bahre, Icel barar, Dbaare, L. feretrum, Gr. , from the same bear to produce. See 1st Bear, and cf. Barr]
soundless a.
Not capable of being sounded or fathomed; unfathomable.
nevermore adv.
Never again; at no time hereafter. Testament of Love. Tyndale.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Part II: Section 13 is in the public domain. This text is taken from The Demon, translated from the Russian of Lermontoff by Robert Burness, B.A. (Oxon.), Edinburgh: Douglas & Foulis, 1918, Internet Archive, the Robert Burness translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Mikhail Lermontov, Part II: Section 13, in The Demon (1918), text of Internet Archive, Laurel, https://laurelpoetry.com/poem/lermontov-demon/2-13.html, id L28482.

Form and metre

Part II: Section 13 is 53 lines in a single stanza. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 A--AB-CCBDDEEFFGHHGIIJJKKL--LMMNONOPQPQPRPRSSTUTUVWVW slumberethA · her · her · deathA · sorrowB · alway · sayC · dayC · morrowB · flashesD · lashesD · griefE · reliefE · tokenF · brokenF · rallyG · gayH · holidayH · valleyG · bedI · shedI · awakingJ · breakingJ · faceK · traceK · fearL · expresses · lovelinesses · bierL · breathM · deathM · curvingN · coldO · observingN · toldO · dyingP · cellQ · sighingP · farewellQ · beingP · hopeR · unseeingP · opeR · mellowS · yellowS · snowsT · retainingU · roseT · remainingU · revealsV · waysW · feelsV · raysW
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Like peri fair that slumbereth8·/˘··/˘˘
Whiter she lay than shroud that bound her,8/·······
Purer than all the white around her9/˘·······
Upon her brow the hues of death.8········
Regardless now of joy and sorrow9˘/˘····/˘
Those lovely eyes are closed alway—8·/˘···/˘
Oh God! who seeing them would say8···/˘···
That lover's kiss or dawning day8·/˘··/˘·
Would not uplift those lids to-morrow?9··/˘···/˘
In vain the golden sunrise flashes9···/˘/·/˘
Its beams on those fast closed lashes,8······/˘
In vain her ancient father's grief8···/˘/˘·
Seeks in sad kisses for relief:8···/˘·˘/
For where grim Death hath set his token9·······/˘
No mortal hand the seal hath broken.9·/˘····/˘
Never when guests were wont to rally,9/˘·····/˘
Had she shone forth so rich, so gay8········
Even on happiest holiday.8/·/˘˘/˘·
The blossoms culled from native valley9·/˘··/˘/˘
By ancient custom decked her bed,8·/˘/˘···
And aromatic petals shed8··˘/˘/˘·
Perfumes on her, no more awaking9˘/····˘/˘
To greet the sun when day is breaking.9·······/˘
And on that pallid, silent face8···/˘/˘·
No sign of passion left, no trace8···/˘···
Of that last ecstasy of fear;8···/˘˘··
Nay, every lineament expresses10·/˘/˘˘˘˘/˘
Marble's mysterious lovelinesses—10/˘˘/˘·····
So still she lay upon her bier,8········
As she had changed her mortal breath8·····/˘·
To learn the secret lore of Death.8···/˘···
A smile, so passing strange, was curving9···/˘··/˘
Her lips, as it had frozen cold,8·····/˘·
Which to attentive eyes observing9··˘/˘·˘/˘
A painful story might have told.8·/˘/˘···
Scornful it seemed, as if in dying9/˘·····/˘
The spirit spurned its mortal cell,8·/˘··/˘·
Like some last thought of summer sighing9·····/˘/˘
To earth a soundless, sad "Farewell."8···/˘··/
That smile, like phantom of her being,9···/˘··/˘
Appeared more dead, more void of hope,8˘/······
Than even the maiden's eyes unseeing—8·/·/˘···
Eyes nevermore their lids to ope,8·/˘·····
Like afterglow of sunset mellow,9·/˘··/·/˘
When melts in hues of red and yellow9·······/˘
Day's fiery car, and Caucas snows8·/˘·····
Shine for a moment's space, retaining9···/˘·˘/˘
The dying crimson of the rose8·/˘/˘···
On high Kazbek's proud top remaining—9······˘/˘
But that dead glow no light reveals8······˘/
Upon the desert's barren ways,8···/˘/˘·
And lonely traveller never feels8·/˘/˘˘/·
A comfort from those far off rays.8·/˘·····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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