The Holiday Night

Giacomo Leopardi (1798–1837), translated by Frederick Townsend · 1887

iambic pentameter · unrhymed · 49 lines · from The Poems of Leopardi

The night is fair, without a breath of wind,And on the roofs and gardens full of peaceThe moon reposes and reveals afarEach mountain all serene. O my beloved!The haunts of men are silent; in their homesRarely doth glimmer a nocturnal lamp.Thou art asleep, by gentle slumber wrappedWithin thy quiet room; no carking careDisturbs thy rest; nor dost thou know or thinkHow deep a wound thou openedst in my heart.Thou art asleep; I sally forth to greetThe firmament, to gaze on so benign,And Nature, mighty in her ancient ways,Who made me but for woe. "To thee be hopeDenied," she said, "even hope; and in thine eyesNo other light, save that of tears, may shine."This day was full of pleasure; from thy pastimeThou now dost take repose: perchance in dreamsThose who pleased thee and whom thyself did please,Thou seest; but not I, for all my hopes,Occur unto thy fancy. I, meanwhile,I ask myself how much of life remainsFor me to live, and here upon the earth,Moaning and shuddering, do I throw me downIn utter desolation. O ye daysSo full of horror for such early years!Ah, woe is me! Upon the road not farI hear a workman's solitary song;After his joyaunce, in late hours of nightHe is returning to his poor abode;And bitterly my heart is rent in twainWhen I consider all on earth doth passAnd leaveth not a trace. Behold! the dayOf joy is gone, and to its festive hoursThe day of toil succeeds, and time doth takeWhate'er belongs to man. Where, where is nowThe pride of ancient nations? Where the fameOf our renowned forefathers, and the vastDominion of old Rome, the clash of armsResounding o'er the ocean and the earth?All now is peace and silence, and the worldIs wrapped in rest, and speaks of them no more.In those beginning years, when eagerlyWe seek the festive day, I lay awakeWhen it was over, tossing full of griefUpon my bed; and in late hours of nightA song I heard upon the road without,Expiring in the distance by degrees,With equal sorrow rent my heart in twain.

Words in this poem

afar adv.
At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
carking a.
Distressing; worrying; perplexing; corroding; as, carking cares.
firmament n.
Fixed foundation; established basis. [L. firmamentum, fr. firmare to make firm: cf. F. firmament. See Firm, v. & a.]
pastime n.
That which amuses, and serves to make time pass agreeably; sport; amusement; diversion. [Pass + time: cf. F. passetemps.]
occur v. i.
To meet; to clash. [L. occurrere, occursum; ob (see Ob-) + currere to run. See Course.]
meanwhile n.
The intervening time; as, in the meantime (or mean time).
desolation n.
The act of desolating or laying waste; destruction of inhabitants; depopulation. [F. désolation, L. desolatio.]
abode n.
Act of waiting; delay. [OE. abad, abood, fr. abiden to abide. See Abide. For the change of vowel, cf. abode, imp. of abide.]
bitterly adv.
In a bitter manner.
twain a.
Two;- nearly obsolete in common discourse, but used in poetry and burlesque. [OE. twein, tweien, tweyne, AS. twegen, masc. See Two.]
expiring a.
Breathing out air from the lungs; emitting fluid or volatile matter; exhaling; breathing the last breath; dying; ending; terminating.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Holiday Night is in the public domain. This text is taken from The Poems of Leopardi, Project Gutenberg ebook #53020, the Frederick Townsend translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Giacomo Leopardi, The Holiday Night, in The Poems of Leopardi (1887), text of Project Gutenberg ebook #53020, Laurel, https://laurelpoetry.com/poem/leopardi-poems/the-holiday-night.html, id L15296.

Form and metre

The Holiday Night is 49 lines in a single verse paragraph. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 91%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 2 lines end on an unstressed syllable, a feminine ending. 61% of the lines run on without a stop at the line end.

See other poems in iambic pentameter, other poems in blank verse.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -----------A---A--------------------------------- wind · peace · afar · beloved · homes · lamp · wrapped · care · think · heart · greet · benignA · ways · hope · eyes · shineA · pastime · dreams · please · hopes · meanwhile · remains · earth · down · days · years · far · song · night · abode · twain · pass · day · hours · take · now · fame · vast · arms · earth · world · more · eagerly · awake · grief · night · without · degrees · twain
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
The night is fair, without a breath of wind,10··········
And on the roofs and gardens full of peace10·····/˘···
The moon reposes and reveals afar10··/·˘·˘/˘/
Each mountain all serene. O my beloved!10·/˘·˘/··˘/
The haunts of men are silent; in their homes10·····/˘···
Rarely doth glimmer a nocturnal lamp.10/˘·/˘·˘/˘·
Thou art asleep, by gentle slumber wrapped10··˘/·/˘/˘·
Within thy quiet room; no carking care10···/˘··/˘·
Disturbs thy rest; nor dost thou know or think10˘/········
How deep a wound thou openedst in my heart.11···········
Thou art asleep; I sally forth to greet10··˘/·/˘···
The firmament, to gaze on so benign,10·/˘˘····˘/
And Nature, mighty in her ancient ways,10·/˘/˘··/˘·
Who made me but for woe. "To thee be hope10··········
Denied," she said, "even hope; and in thine eyes10˘/··/·····
No other light, save that of tears, may shine."10·/˘·······
This day was full of pleasure; from thy pastime11·····/˘··/·
Thou now dost take repose: perchance in dreams10····˘/˘/··
Those who pleased thee and whom thyself did please,10······˘/··
Thou seest; but not I, for all my hopes,9·········
Occur unto thy fancy. I, meanwhile,10˘/···/˘·/·
I ask myself how much of life remains10···/····˘/
For me to live, and here upon the earth,10··········
Moaning and shuddering, do I throw me down10/˘·/˘·····
In utter desolation. O ye days10·/˘·˘/˘···
So full of horror for such early years!10···/˘··/˘·
Ah, woe is me! Upon the road not far10··········
I hear a workman's solitary song;10···/˘/˘·˘·
After his joyaunce, in late hours of night10······/˘··
He is returning to his poor abode;10··˘/˘···˘/
And bitterly my heart is rent in twain10·/˘˘······
When I consider all on earth doth pass10··˘/˘·····
And leaveth not a trace. Behold! the day10·/˘···˘/··
Of joy is gone, and to its festive hours11·······/˘/˘
The day of toil succeeds, and time doth take10····˘/····
Whate'er belongs to man. Where, where is now11˘˘/˘/······
The pride of ancient nations? Where the fame10···/˘/˘···
Of our renowned forefathers, and the vast10·/˘//·˘···
Dominion of old Rome, the clash of arms10˘/˘·······
Resounding o'er the ocean and the earth?10˘/˘··/˘···
All now is peace and silence, and the world10·····/˘···
Is wrapped in rest, and speaks of them no more.10··········
In those beginning years, when eagerly10··˘/˘··/˘˘
We seek the festive day, I lay awake10···/˘···˘/
When it was over, tossing full of grief10·····/˘···
Upon my bed; and in late hours of night10·······/··
A song I heard upon the road without,10··········
Expiring in the distance by degrees,10˘/˘··/˘·˘/
With equal sorrow rent my heart in twain.10·/˘/˘·····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Giacomo Leopardi