Act IV: Scene VI
ANNICCA.Father, you called me?
RIBERA.Aye, to bid good-night.Why do you kiss me? To betray to-morrow?
ANNICCA.Dear father, you are better; you have slept.Are you not rested?
RIBERA.Child, I was not weary.There was some cloud pressed here (pointing to his forehead) butthat is past,I have no pain nor any sense of ill.Now, while my brain is clear, I have a wordTo speak. I think not I have been to thee,Nor to that other one, an unkind father.I do not now remember any act,Or any word of mine, could cause thee grief.But I am old--perchance my memoryDeceives in this? Speak! Am I right, Annicca?
ANNICCA (weeping).Oh, father, father, why will you torture me?You were too good, too good.
RIBERA.Why, so I thought.Since it appears the guerdon of such goodnessIs treachery, abandonment, disgrace,I here renounce my fatherhood. No childWill I acknowledge mine. Thou art a wife;Thy duty is thy husband's. When AntonioReturns from Seville, tell him that his fatherIs long since dead. Henceforward I will ownNo kin, no home, no tie. I will away,To-morrow morn, and live an anchorite.One thing ye cannot rob me of--my work.My name shall still outsoar these low, mirk vapors--Not the Ribera, stained with sin and shame,As she hath left it, but the Spagnoletto.My glory is mine own. I have done with it,But I bequeath it to my country. NowI will make friends with beasts--they'll prove less savageThan she that was my daughter. I have spokenFor the last time that word. Thee I curse not;Thou hast not set thy heel upon my heart;But yet I will not bless thee. Go. Good-night.
ANNICCA (embracing him).What! will you spurn me thus? Nay, I will bide,And be to thee all that she should have been,Soothe thy declining years, and heal the woundOf this sharp sorrow. Thou shalt bless me still,Father--
RIBERA.Away! I know thee. Thou art oneWith her who duped me with like words last night.Then I believed; but now my sense is closed,My heart is dead as stone. I cast thee forth.By heaven, I own thee not! Thou dost forgetI am the Spagnoletto. Away, I say,Or ere I strike thee.
ANNICCA.Woe is me! Help, help!
RIBERA.So, the last link is snapt. Had I not steeledMy heart, I fain had kissed her farewell.'T is better so. I leave my work unfinished.Could I arise each day to face this spectre,Or sleep with it at night?--to yearn for herEven while I curse her? No! The dead remainSacred and sweet in our remembrance still;They seem not to have left us; they abideAnd linger nigh us in the viewless air.The fallen, the guilty, must be rooted outFrom heart and thought and memory. With themNo hope of blest reunion; they must beAs though they had not been; their spoken nameCuts like a knife. When I essay to thinkOf what hath passed to-day, my sick brain reels.The letter I remember, but all sinceFloats in a mist of horror, and I graspNo actual form. Did I not wander forth?A mob surrounded me. All Naples knewMy downfall, and the street was paved with eyesThat stared into my soul. Then friendly handsGuided me hither. When I woke, I feltAs though a stone had rolled from off my brain.But still this nightmare bides the truth. I knowThey watch me, they suspect me. I will waitTill the whole household sleep, and then steal forth,Nor unavenged return.
Words in this poem 21
- unkind a.
- Having no race or kindred; childless. [See Kin kindred.]
- guerdon n.
- A reward; requital; recompense; -- used in both a good and a bad sense. [OF. guerdon, guerredon, LL. widerdonum (influenced by L. donum gift, cf. Donation ), fr. OHG. widarl; widar again, against (G. wider wieder) + lon reward, G. lo]
- fatherhood n.
- The state of being a father; the character or authority of a father; paternity.
- henceforward adv.
- From this time forward; henceforth.
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- anchorite n.
- One who renounces the world and secludes himself, usually for religious reasons; a hermit; a recluse. [Written by some authors anachoret.] [F. anachorète, L. anachoreta, fr. Gr. ha to leave. Cf. Anchor a hermit.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- outsoar v. t.
- To soar beyond or above.
- mirk a.
- Dark; gloomy; murky. Spenser. Mrs. Browning. [See Murky.]
- bequeath v. t.
- To give or leave by will; to give by testament; -- said especially of personal property. [OE. biquethen, AS. becwe to say, affirm, bequeath; pref. be- + cwe to say, speak. See Quoth.]
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- spurn v. t.
- To drive back or away, as with the foot; to kick. [OE. spurnen to kick against, to stumble over, AS. spurnan to kick, offend; akin to spura spur, OS. & OHG. spurnan to kick, Icel. spyrna, L. spernere to despise,]
- bide v. i.
- To dwell; to inhabit; to abide; to stay. [OE. biden, AS. bidan; akin to OHG. bitan, Goth. beidan, Icel. bi; perh. orig., to wait with trust, and akin to bid. See Bid, v. t., and cf. Abide.]
- soothe v. t.
- To assent to as true. Testament of Love. [Originally, to assent to as true; OE. so to verify, AS. ges to prove the truth of, to bear witness. See Sooth, a.]
- shalt
- 2d per. sing. of Shall.
- fain v. t.
- To be glad ; to wish or desire.
- spectre n.
- Something preternaturally visible; an apparition; a ghost; a phantom. [F. spectre, fr. L. spectrum an appearance, image, specter, fr. specere to look. See Spy, and cf. Spectrum.]
- yearn v. t.
- To pain; to grieve; to vex. [Also earn, ern; probably a corruption of OE. ermen to grieve, AS. ierman, yrman, or geierman, geyrman, fr. earm wretched, poor; akin to D. & G. arm, Icel. armr,]
- viewless a.
- Not perceivable by the eye; invisible; unseen.
- reunion n.
- A second union; union formed anew after separation, secession, or discord; as, a reunion of parts or particles of matter; a reunion of parties or sects. [Pref. re- + union: cf. F. réunion.]
- downfall n.
- A sudden fall; a body of things falling.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Act IV: Scene VI is in the public domain. This text is taken from The Poems of Emma Lazarus, Volume 1, Project Gutenberg ebook #3295; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Emma Lazarus, Act IV: Scene VI, in The Spagnoletto (1876), text of Project Gutenberg ebook #3295, Laurel, https://laurelpoetry.com/poem/lazarus-spagnoletto/act-iv-scene-vi.html, id L19150.
Form and metre
Act IV: Scene VI is 89 lines in 10 stanzas.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 6 --AA------B----------B ribera · thought · goodnessA · disgraceA · child · wife · antonio · father · own · away · anchoriteB · work · vapors · shame · spagnoletto · it · now · savage · spoken · not · heart · nightB
- 10 ------A-----------B----A--B- ribera · steeled · farewell · unfinished · spectre · her · remainA · still · abide · air · out · them · be · name · think · reels · since · grasp · forthB · knew · eyes · hands · felt · brainA · know · wait · forthB · return
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| ANNICCA. | 3 | ··· |
| Father, you called me? | 5 | /˘··· |
| RIBERA. | 3 | ˘/˘ |
| Aye, to bid good-night. | 5 | ····· |
| Why do you kiss me? To betray to-morrow? | 11 | ······˘/·/˘ |
| ANNICCA. | 3 | ··· |
| Dear father, you are better; you have slept. | 10 | ·/˘··/˘··· |
| Are you not rested? | 5 | ···/˘ |
| RIBERA. | 3 | ˘/˘ |
| Child, I was not weary. | 6 | ····/˘ |
| There was some cloud pressed here (pointing to his forehead) but | 13 | ······/˘··/˘· |
| that is past, | 3 | ··· |
| I have no pain nor any sense of ill. | 10 | ·····/˘··· |
| Now, while my brain is clear, I have a word | 10 | ·········· |
| To speak. I think not I have been to thee, | 10 | ·········· |
| Nor to that other one, an unkind father. | 11 | ···/˘··˘//˘ |
| I do not now remember any act, | 10 | ····˘/˘/˘· |
| Or any word of mine, could cause thee grief. | 10 | ·/˘······· |
| But I am old--perchance my memory | 10 | ····˘/·/˘˘ |
| Deceives in this? Speak! Am I right, Annicca? | 11 | ˘/········· |
| ANNICCA (weeping). | 5 | ···/˘ |
| Oh, father, father, why will you torture me? | 11 | ·/˘/˘···/˘· |
| You were too good, too good. | 6 | ······ |
| RIBERA. | 3 | ˘/˘ |
| Why, so I thought. | 4 | ···· |
| Since it appears the guerdon of such goodness | 11 | ··˘/·/˘··/˘ |
| Is treachery, abandonment, disgrace, | 10 | ·/˘˘˘/˘˘˘/ |
| I here renounce my fatherhood. No child | 10 | ··˘/·/˘··· |
| Will I acknowledge mine. Thou art a wife; | 10 | ··˘/˘····· |
| Thy duty is thy husband's. When Antonio | 11 | ·/˘··/˘·˘/˘ |
| Returns from Seville, tell him that his father | 11 | ˘/·˘/····/˘ |
| Is long since dead. Henceforward I will own | 11 | ··········· |
| No kin, no home, no tie. I will away, | 10 | ········˘/ |
| To-morrow morn, and live an anchorite. | 10 | ·/˘····/˘˘ |
| One thing ye cannot rob me of--my work. | 10 | ···/˘····· |
| My name shall still outsoar these low, mirk vapors-- | 11 | ····˘/···/˘ |
| Not the Ribera, stained with sin and shame, | 10 | ··˘/˘····· |
| As she hath left it, but the Spagnoletto. | 11 | ··········· |
| My glory is mine own. I have done with it, | 11 | ·/˘········ |
| But I bequeath it to my country. Now | 10 | ··˘/···/˘· |
| I will make friends with beasts--they'll prove less savage | 11 | ·········/˘ |
| Than she that was my daughter. I have spoken | 11 | ·····/˘··/˘ |
| For the last time that word. Thee I curse not; | 10 | ·········· |
| Thou hast not set thy heel upon my heart; | 10 | ·········· |
| But yet I will not bless thee. Go. Good-night. | 10 | ·········· |
| ANNICCA (embracing him). | 7 | ···˘/˘· |
| What! will you spurn me thus? Nay, I will bide, | 10 | ·········· |
| And be to thee all that she should have been, | 10 | ·········· |
| Soothe thy declining years, and heal the wound | 10 | ··˘/˘····· |
| Of this sharp sorrow. Thou shalt bless me still, | 10 | ···/˘····· |
| Father-- | 2 | /˘ |
| RIBERA. | 3 | ˘/˘ |
| Away! I know thee. Thou art one | 8 | ˘/······ |
| With her who duped me with like words last night. | 10 | ·········· |
| Then I believed; but now my sense is closed, | 10 | ··˘/······ |
| My heart is dead as stone. I cast thee forth. | 10 | ·········· |
| By heaven, I own thee not! Thou dost forget | 10 | ·/······˘/ |
| I am the Spagnoletto. Away, I say, | 11 | ·······˘/·· |
| Or ere I strike thee. | 5 | ····· |
| ANNICCA. | 3 | ··· |
| Woe is me! Help, help! | 5 | ····· |
| RIBERA. | 3 | ˘/˘ |
| So, the last link is snapt. Had I not steeled | 10 | ·········· |
| My heart, I fain had kissed her farewell. | 10 | ······˘··/ |
| 'T is better so. I leave my work unfinished. | 12 | ··/˘·····˘/˘ |
| Could I arise each day to face this spectre, | 11 | ··˘/·····/˘ |
| Or sleep with it at night?--to yearn for her | 10 | ·········· |
| Even while I curse her? No! The dead remain | 10 | /·······˘/ |
| Sacred and sweet in our remembrance still; | 10 | /˘···/˘/˘· |
| They seem not to have left us; they abide | 10 | ········˘/ |
| And linger nigh us in the viewless air. | 10 | ·/˘····/˘· |
| The fallen, the guilty, must be rooted out | 11 | ·/˘·/˘··/˘· |
| From heart and thought and memory. With them | 10 | ·····/˘˘·· |
| No hope of blest reunion; they must be | 10 | ····˘/˘··· |
| As though they had not been; their spoken name | 10 | ·······/˘· |
| Cuts like a knife. When I essay to think | 10 | ······˘/·· |
| Of what hath passed to-day, my sick brain reels. | 10 | ·········· |
| The letter I remember, but all since | 10 | ·/˘·˘/˘··· |
| Floats in a mist of horror, and I grasp | 10 | ·····/˘··· |
| No actual form. Did I not wander forth? | 10 | ·/˘····/˘· |
| A mob surrounded me. All Naples knew | 10 | ··˘/˘··/˘· |
| My downfall, and the street was paved with eyes | 10 | ·/········ |
| That stared into my soul. Then friendly hands | 10 | ·······/˘· |
| Guided me hither. When I woke, I felt | 10 | /˘·/˘····· |
| As though a stone had rolled from off my brain. | 10 | ·········· |
| But still this nightmare bides the truth. I know | 10 | ···/······ |
| They watch me, they suspect me. I will wait | 10 | ····˘/···· |
| Till the whole household sleep, and then steal forth, | 10 | ···/······ |
| Nor unavenged return. | 6 | ····˘/ |
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