Act IV: Scene VI

Emma Lazarus (1849–1887) · 1876

89 lines · from The Spagnoletto

ANNICCA.Father, you called me?

RIBERA.Aye, to bid good-night.Why do you kiss me? To betray to-morrow?

ANNICCA.Dear father, you are better; you have slept.Are you not rested?

RIBERA.Child, I was not weary.There was some cloud pressed here (pointing to his forehead) butthat is past,I have no pain nor any sense of ill.Now, while my brain is clear, I have a wordTo speak. I think not I have been to thee,Nor to that other one, an unkind father.I do not now remember any act,Or any word of mine, could cause thee grief.But I am old--perchance my memoryDeceives in this? Speak! Am I right, Annicca?

ANNICCA (weeping).Oh, father, father, why will you torture me?You were too good, too good.

RIBERA.Why, so I thought.Since it appears the guerdon of such goodnessIs treachery, abandonment, disgrace,I here renounce my fatherhood. No childWill I acknowledge mine. Thou art a wife;Thy duty is thy husband's. When AntonioReturns from Seville, tell him that his fatherIs long since dead. Henceforward I will ownNo kin, no home, no tie. I will away,To-morrow morn, and live an anchorite.One thing ye cannot rob me of--my work.My name shall still outsoar these low, mirk vapors--Not the Ribera, stained with sin and shame,As she hath left it, but the Spagnoletto.My glory is mine own. I have done with it,But I bequeath it to my country. NowI will make friends with beasts--they'll prove less savageThan she that was my daughter. I have spokenFor the last time that word. Thee I curse not;Thou hast not set thy heel upon my heart;But yet I will not bless thee. Go. Good-night.

ANNICCA (embracing him).What! will you spurn me thus? Nay, I will bide,And be to thee all that she should have been,Soothe thy declining years, and heal the woundOf this sharp sorrow. Thou shalt bless me still,Father--

RIBERA.Away! I know thee. Thou art oneWith her who duped me with like words last night.Then I believed; but now my sense is closed,My heart is dead as stone. I cast thee forth.By heaven, I own thee not! Thou dost forgetI am the Spagnoletto. Away, I say,Or ere I strike thee.

ANNICCA.Woe is me! Help, help!

RIBERA.So, the last link is snapt. Had I not steeledMy heart, I fain had kissed her farewell.'T is better so. I leave my work unfinished.Could I arise each day to face this spectre,Or sleep with it at night?--to yearn for herEven while I curse her? No! The dead remainSacred and sweet in our remembrance still;They seem not to have left us; they abideAnd linger nigh us in the viewless air.The fallen, the guilty, must be rooted outFrom heart and thought and memory. With themNo hope of blest reunion; they must beAs though they had not been; their spoken nameCuts like a knife. When I essay to thinkOf what hath passed to-day, my sick brain reels.The letter I remember, but all sinceFloats in a mist of horror, and I graspNo actual form. Did I not wander forth?A mob surrounded me. All Naples knewMy downfall, and the street was paved with eyesThat stared into my soul. Then friendly handsGuided me hither. When I woke, I feltAs though a stone had rolled from off my brain.But still this nightmare bides the truth. I knowThey watch me, they suspect me. I will waitTill the whole household sleep, and then steal forth,Nor unavenged return.

Words in this poem 21
unkind a.
Having no race or kindred; childless. [See Kin kindred.]
guerdon n.
A reward; requital; recompense; -- used in both a good and a bad sense. [OF. guerdon, guerredon, LL. widerdonum (influenced by L. donum gift, cf. Donation ), fr. OHG. widarl; widar again, against (G. wider wieder) + lon reward, G. lo]
fatherhood n.
The state of being a father; the character or authority of a father; paternity.
henceforward adv.
From this time forward; henceforth.
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
anchorite n.
One who renounces the world and secludes himself, usually for religious reasons; a hermit; a recluse. [Written by some authors anachoret.] [F. anachorète, L. anachoreta, fr. Gr. ha to leave. Cf. Anchor a hermit.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
outsoar v. t.
To soar beyond or above.
mirk a.
Dark; gloomy; murky. Spenser. Mrs. Browning. [See Murky.]
bequeath v. t.
To give or leave by will; to give by testament; -- said especially of personal property. [OE. biquethen, AS. becwe to say, affirm, bequeath; pref. be- + cwe to say, speak. See Quoth.]
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
spurn v. t.
To drive back or away, as with the foot; to kick. [OE. spurnen to kick against, to stumble over, AS. spurnan to kick, offend; akin to spura spur, OS. & OHG. spurnan to kick, Icel. spyrna, L. spernere to despise,]
bide v. i.
To dwell; to inhabit; to abide; to stay. [OE. biden, AS. bidan; akin to OHG. bitan, Goth. beidan, Icel. bi; perh. orig., to wait with trust, and akin to bid. See Bid, v. t., and cf. Abide.]
soothe v. t.
To assent to as true. Testament of Love. [Originally, to assent to as true; OE. so to verify, AS. ges to prove the truth of, to bear witness. See Sooth, a.]
shalt
2d per. sing. of Shall.
fain v. t.
To be glad ; to wish or desire.
spectre n.
Something preternaturally visible; an apparition; a ghost; a phantom. [F. spectre, fr. L. spectrum an appearance, image, specter, fr. specere to look. See Spy, and cf. Spectrum.]
yearn v. t.
To pain; to grieve; to vex. [Also earn, ern; probably a corruption of OE. ermen to grieve, AS. ierman, yrman, or geierman, geyrman, fr. earm wretched, poor; akin to D. & G. arm, Icel. armr,]
viewless a.
Not perceivable by the eye; invisible; unseen.
reunion n.
A second union; union formed anew after separation, secession, or discord; as, a reunion of parts or particles of matter; a reunion of parties or sects. [Pref. re- + union: cf. F. réunion.]
downfall n.
A sudden fall; a body of things falling.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Act IV: Scene VI is in the public domain. This text is taken from The Poems of Emma Lazarus, Volume 1, Project Gutenberg ebook #3295; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Emma Lazarus, Act IV: Scene VI, in The Spagnoletto (1876), text of Project Gutenberg ebook #3295, Laurel, https://laurelpoetry.com/poem/lazarus-spagnoletto/act-iv-scene-vi.html, id L19150.

Form and metre

Act IV: Scene VI is 89 lines in 10 stanzas.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 6 --AA------B----------B ribera · thought · goodnessA · disgraceA · child · wife · antonio · father · own · away · anchoriteB · work · vapors · shame · spagnoletto · it · now · savage · spoken · not · heart · nightB
  2. 10 ------A-----------B----A--B- ribera · steeled · farewell · unfinished · spectre · her · remainA · still · abide · air · out · them · be · name · think · reels · since · grasp · forthB · knew · eyes · hands · felt · brainA · know · wait · forthB · return
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
ANNICCA.3···
Father, you called me?5/˘···
RIBERA.3˘/˘
Aye, to bid good-night.5·····
Why do you kiss me? To betray to-morrow?11······˘/·/˘
ANNICCA.3···
Dear father, you are better; you have slept.10·/˘··/˘···
Are you not rested?5···/˘
RIBERA.3˘/˘
Child, I was not weary.6····/˘
There was some cloud pressed here (pointing to his forehead) but13······/˘··/˘·
that is past,3···
I have no pain nor any sense of ill.10·····/˘···
Now, while my brain is clear, I have a word10··········
To speak. I think not I have been to thee,10··········
Nor to that other one, an unkind father.11···/˘··˘//˘
I do not now remember any act,10····˘/˘/˘·
Or any word of mine, could cause thee grief.10·/˘·······
But I am old--perchance my memory10····˘/·/˘˘
Deceives in this? Speak! Am I right, Annicca?11˘/·········
ANNICCA (weeping).5···/˘
Oh, father, father, why will you torture me?11·/˘/˘···/˘·
You were too good, too good.6······
RIBERA.3˘/˘
Why, so I thought.4····
Since it appears the guerdon of such goodness11··˘/·/˘··/˘
Is treachery, abandonment, disgrace,10·/˘˘˘/˘˘˘/
I here renounce my fatherhood. No child10··˘/·/˘···
Will I acknowledge mine. Thou art a wife;10··˘/˘·····
Thy duty is thy husband's. When Antonio11·/˘··/˘·˘/˘
Returns from Seville, tell him that his father11˘/·˘/····/˘
Is long since dead. Henceforward I will own11···········
No kin, no home, no tie. I will away,10········˘/
To-morrow morn, and live an anchorite.10·/˘····/˘˘
One thing ye cannot rob me of--my work.10···/˘·····
My name shall still outsoar these low, mirk vapors--11····˘/···/˘
Not the Ribera, stained with sin and shame,10··˘/˘·····
As she hath left it, but the Spagnoletto.11···········
My glory is mine own. I have done with it,11·/˘········
But I bequeath it to my country. Now10··˘/···/˘·
I will make friends with beasts--they'll prove less savage11·········/˘
Than she that was my daughter. I have spoken11·····/˘··/˘
For the last time that word. Thee I curse not;10··········
Thou hast not set thy heel upon my heart;10··········
But yet I will not bless thee. Go. Good-night.10··········
ANNICCA (embracing him).7···˘/˘·
What! will you spurn me thus? Nay, I will bide,10··········
And be to thee all that she should have been,10··········
Soothe thy declining years, and heal the wound10··˘/˘·····
Of this sharp sorrow. Thou shalt bless me still,10···/˘·····
Father--2
RIBERA.3˘/˘
Away! I know thee. Thou art one8˘/······
With her who duped me with like words last night.10··········
Then I believed; but now my sense is closed,10··˘/······
My heart is dead as stone. I cast thee forth.10··········
By heaven, I own thee not! Thou dost forget10·/······˘/
I am the Spagnoletto. Away, I say,11·······˘/··
Or ere I strike thee.5·····
ANNICCA.3···
Woe is me! Help, help!5·····
RIBERA.3˘/˘
So, the last link is snapt. Had I not steeled10··········
My heart, I fain had kissed her farewell.10······˘··/
'T is better so. I leave my work unfinished.12··/˘·····˘/˘
Could I arise each day to face this spectre,11··˘/·····/˘
Or sleep with it at night?--to yearn for her10··········
Even while I curse her? No! The dead remain10/·······˘/
Sacred and sweet in our remembrance still;10/˘···/˘/˘·
They seem not to have left us; they abide10········˘/
And linger nigh us in the viewless air.10·/˘····/˘·
The fallen, the guilty, must be rooted out11·/˘·/˘··/˘·
From heart and thought and memory. With them10·····/˘˘··
No hope of blest reunion; they must be10····˘/˘···
As though they had not been; their spoken name10·······/˘·
Cuts like a knife. When I essay to think10······˘/··
Of what hath passed to-day, my sick brain reels.10··········
The letter I remember, but all since10·/˘·˘/˘···
Floats in a mist of horror, and I grasp10·····/˘···
No actual form. Did I not wander forth?10·/˘····/˘·
A mob surrounded me. All Naples knew10··˘/˘··/˘·
My downfall, and the street was paved with eyes10·/········
That stared into my soul. Then friendly hands10·······/˘·
Guided me hither. When I woke, I felt10/˘·/˘·····
As though a stone had rolled from off my brain.10··········
But still this nightmare bides the truth. I know10···/······
They watch me, they suspect me. I will wait10····˘/····
Till the whole household sleep, and then steal forth,10···/······
Nor unavenged return.6····˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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