Act IV: Scene V

Emma Lazarus (1849–1887) · 1876

35 lines · from The Spagnoletto

ANNICCA.His heavy sleep still lasts. Despite the wordsOf the physician, I can cast not offThat ghastly fear. Albeit he owned no drugs,This deathlike slumber, this deep breathing slow,His livid pallor makes me dread each momentHis weary pulse will cease. This is the end,And from the first I knew it. The worst evilMy warning tongue had wrought were joy to this.No heavier curse could I invoke on herThan that she see him in her dreams, her thoughts,As he is now. I could no longer bear it;I have fled hither from his couch to breathe--To quicken my spent courage for the end.I cannot pray--my heart is full of curses.He sleeps; he rests. What better could I wishFor his rent heart, his stunned, unbalanced brain,Than sleep to be eternally prolonged?

ANNICCA.How now? What news?

FIAMETTA.The master is awakeAnd calls for you, signora.

ANNICCA.Heaven be praised!

FIAMETTA.Would I had followed my young mistress! HereI creep about like a scared, guilty thing,And fancy at each moment they will guess'T was I who led her to the hut. I will confess,If any sin there be, to Father Clement,And buy indulgence with her golden chain.'T would burn my throat, the master's rolling eyesWould haunt me ever, if I went to wear it.So, all will yet be well.

Words in this poem

albeit conj.
Even though; although; notwithstanding. [OE. al be although it be, where al is our all. Cf. Although.]
pallor n.
Paleness; want of color; pallidity; as, pallor of the complexion. Jer. Taylor. [L., fr. pallere to be or look pale. See Pale, a.]
unbalanced a.
Not balanced; not in equipoise; having no counterpoise, or having insufficient counterpoise. [In senses 1 and 2, pref. un- not + balanced; in sense 3, 1st pref. un- + balance.]
eternally adv.
In an eternal manner.
signora n.
Madam; Mrs; -- a title of address or respect among the Italians. [It.]
went n.
Course; way; path; journey; direction.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Act IV: Scene V is in the public domain. This text is taken from The Poems of Emma Lazarus, Volume 1, Project Gutenberg ebook #3295; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Emma Lazarus, Act IV: Scene V, in The Spagnoletto (1876), text of Project Gutenberg ebook #3295, Laurel, https://laurelpoetry.com/poem/lazarus-spagnoletto/act-iv-scene-v.html, id L19149.

Form and metre

Act IV: Scene V is 35 lines in 5 stanzas.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ------A------A---- annicca · words · off · drugs · slow · moment · endA · evil · this · her · thoughts · it · breathe · endA · curses · wish · brain · prolonged
  2. 5 ---AA----- fiametta · here · thing · guessA · confessA · clement · chain · eyes · it · well
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
ANNICCA.3···
His heavy sleep still lasts. Despite the words10·/˘···˘/··
Of the physician, I can cast not off10··˘/˘·····
That ghastly fear. Albeit he owned no drugs,11·/˘·˘/˘····
This deathlike slumber, this deep breathing slow,10·/˘/˘··/˘·
His livid pallor makes me dread each moment11·/˘/˘····/˘
His weary pulse will cease. This is the end,10·/˘·······
And from the first I knew it. The worst evil11·········/˘
My warning tongue had wrought were joy to this.10·/˘·······
No heavier curse could I invoke on her10·/˘···˘/··
Than that she see him in her dreams, her thoughts,10··········
As he is now. I could no longer bear it;11·······/˘··
I have fled hither from his couch to breathe--10···/˘·····
To quicken my spent courage for the end.10·/˘··/˘···
I cannot pray--my heart is full of curses.11·/˘······/˘
He sleeps; he rests. What better could I wish10·····/˘···
For his rent heart, his stunned, unbalanced brain,10······˘/˘·
Than sleep to be eternally prolonged?10····˘/˘˘˘/
ANNICCA.3···
How now? What news?4····
FIAMETTA.3···
The master is awake6·/˘·˘/
And calls for you, signora.7····˘/˘
ANNICCA.3···
Heaven be praised!4/˘··
FIAMETTA.3···
Would I had followed my young mistress! Here10···/˘··/˘·
I creep about like a scared, guilty thing,10·······/˘·
And fancy at each moment they will guess10·/˘··/˘···
'T was I who led her to the hut. I will confess,13···········˘/
If any sin there be, to Father Clement,11·/˘····/˘/˘
And buy indulgence with her golden chain.10··˘/˘··/˘·
'T would burn my throat, the master's rolling eyes11······/˘/˘·
Would haunt me ever, if I went to wear it.10···/······
So, all will yet be well.6······

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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