Act II: Scene III
Morning twilight in RIBERA'S Garden. During this scene the daygradually breaks, and at the close the full light of morningilluminates the stage. LORENZO.AUBADE.
LORENZO (sings).From thy poppied sleep awake;From they golden dreams arise;Earth and seas new colors take,Love-light dawns in rosy skies,Weird night's fantastic shadows are outworn;Why tarriest thou, oh, sister to the morn?
Hearken, love! the matin choirOf birds salutes thee, and with theseBlends the voice of my desire.Unto no richer promisesOf deeper, dearer, holier love than mine,Canst thou awaken from they dreams divine.
Lo, thine eastern windows flame,Brightening with the brightened sky;Rise, and with thy beauty shameMorning's regal pageantry,To thrill and bless as the reviving sun,For my heart gropes in doubt, though night be gone.
(He speaks.)Why should I fear? Her soul is pledged to mine,Albeit she still withheld the binding word.How long hath been the night! but morn breathes hope."I fain were true to you and to myself"--Did she say thus? or is my fevered brainThe fool of its desires? The world swam;The blood rang beating in mine ears and roaredLike rushing waters; yet, as through a dream,I saw her dimly. Surely on her lidsShone the clear tears. As there's a God in heaven,She spake those words! My lips retain the touchOf those soft, snow-cold hands, neither refusedNor proffered. Such things ARE, nor can they beForgotten or foreknown. Yes, she is mine.But soft! Her casement opes. Oh, joy, 't is she!Pale, in a cloud of white she stands and drinksThe morning sunlight.
MARIA (above at the window).Ah, how sweet this airKisses my sleepless lids and burning temples.I am not weary, though I found no rest.My spirit leaps within me; a new gloryBlesses the dear, familiar scene--ripe orchard,The same--yet oh, how different! Even I thoughtSoft music trembled on the listening air,As though a harp were touched, blent with low song.Sure, that was phantasy. I will descend,Visit my flowers, and see whereon the dewHangs heaviest, and what fairest bud hath bloomedSince yester-eve. Why should I court reposeAnd dull forgetfulness, while the large earthWakes no lesser joy than mine?
LORENZO.Oh, heart!How may my breast contain thee, with thy burdenOf too much happiness?
LORENZO.Good-day, sweet mistress.May the blithe spirit of this auspicious mornBecome the genius of thy days to come,Whereof be none less beautiful than this.Why art thou silent? Does not love inspireJoyous expression, be it but a sigh,A song, a smile, a broken word, a cry?Thou hast not granted me the promised pledgeFor which I hunger still. I would confirmWith dear avowals, frequent seals of love,That which, though sure, I yet can scarce believe.
MARIA.Somewhat too sure, I think, my lord Lorenzo.I scarce deemed possible that one so shyBut yester-morn should hold so high a mien,Claiming what ne'er was given.
LORENZO.Maria!
MARIA.Sir,You are a trifle bold to speak my nameFamiliarly as no man, save my fatherOr my own brother, dares.
LORENZO.Ah, now I seeYour jest. You will not seem so lightly wonWithout a wooing? You will feign disdain,Only to make more sweet your rich concession?Too late--I heard it all. "A new light shinesOn the familiar scene." What may that be,Save the strange splendor of the dawn of love?Nay, darling, cease to jest, lest my poor heart,Hanging 'twixt hell and heaven, in earnest break.
MARIA.Here is no jest, sir, but a fatal error,Crying for swift correction. You surprise meWith rude impatience, ere I have found timeTo con a gentle answer. Pardon meIf any phrase or word or glance of mineHath bred or nourished in your heart a hopeThat you might win my love. It cannot be.
LORENZO.A word, a glance! Why, the whole frozen statueWarmed into life. Surely it was not you.You must have bribed some angel with false prayersTo wear your semblance--nay, no angel served,But devilish witchcraft--
MARIA.Sir, enough, enough!I hoped to find here peace and solitude.These lacking, I retire. Farewell.
LORENZO.Signora,I will not rob you of your own. Farewell to you.
MARIA.Where have you flown, bright dreams? Has that rude handSufficed to dash to naught your frail creations?Sad thoughts and humors black now fill my soul.So his rough foot hath bruised the dewy grass,And left it sere. Why should his harsh words touch me?The truth of yesterday is false to-day.How could I know, dear God! How might I guessThe bitter sweetness, the delicious pain!A new heart fills my breast, as soft and weakAnd melting as a tear, unto its lord;But kindled with quick courage to endure,If I need front for him, a world of foes.If this be love, ah, what a hell is theirsWho suffer without hope! Even I, who holdSo many dear assurances, who hearStill ringing in mine ears such sacred vows,Am haunted with an unaccustomed doubt,Not wonted to go hand-in-hand with joy.A gloomy omen greets me with the morn;I, who recoil from pain, must strike and wound.What may this mean? Help me, ye saints of heavenAnd holy mother, for my strength is naught!
LORENZO (aside).Thank heaven, I came. How have I wrung her soul!A noble love, forsooth! A blind, brute passion,That being denied, is swift transformed to hateNo whit more cruel. (To Maria.) Lady!
MARIA (rising hastily).Signor Lorenzo!Again what would you with me?
LORENZO.No such suitAs late I proffered, but your gracious pardon.
MARIA.Rise, sir, forgiven. I, too, have been to blame,Although less deeply than you deemed. ForbearTo bind your life. I feel myself unworthyOf that high station where your thoughts enthrone me.Yet I dare call myself your friend.
LORENZO.Thanks, thanks!Be blessed, and farewell.
RIBERA.Daughter! Maria!
MARIA.Why, father, I am here (kissing him). Good-day. What will you?
RIBERA.Darling, no more than what I always will.Before I enter mine own world removed,I fain would greet the dearest work of God.I missed you when I rose. I sought you firstIn your own chamber, where the lattice, oped,Let in the morning splendor and smellsOf the moist garden, with the sound of voices.I looked, I found you here--but not alone.What man was that went from you?
MARIA.Your disciple,My lord Lorenzo. You remember, father,How yester-morn I pleaded for his work;Thus he, through gratitude and--love, hath watchedAll night within our garden, while I danced;And when I came to nurse my flowers--he spake.
RIBERA.And you?
MARIA.Am I not still beside you, father?I will not leave you.
RIBERA.Ah, mine angel-child!I cannot choose but dread it, though I waitExpectant of the hour when you fulfilYour woman's destiny. You have full freedom;Yet I rejoice at this reprieve, and thank theeFor thy brave truthfulness. Be ever thus,Withholding naught from him whose heart reflectsOnly thine image. Thou art still my pride,Even as last night when all eyes gazed thy way,Thy bearing equal in disdainful graceTo his who courted thee--thy sovereign's son.
MARIA.Yea, so? And yet it was not pride I felt,Nor consciousness of self, nor vain delightIn the world's envy;--something more than these,Far deeper, sweeter--What have I said? My brainIs dull with sleep. 'T is only now I feelThe weariness of so much pleasure.
RIBERA (rising).Well,Go we within. Yes, I am late to work;We squander precious moments. Thou, go rest,And waken with fresh roses in they cheeks,To greet our royal guest.
Words in this poem 30
- aubade n.
- An open air concert in the morning, as distinguished from an evening serenade; also, a pianoforte composition suggestive of morning. Grove. [F., fr. aube the dawn, fr. L. albus white.]
- poppied a.
- Mingled or interspersed with poppies. [See 1st Poppy.]
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- matin n.
- A French mastiff. [F. matin.]
- pageantry n.
- Scenic shows or spectacles, taken collectivelly; spectacular guality; splendor.
- albeit conj.
- Even though; although; notwithstanding. [OE. al be although it be, where al is our all. Cf. Although.]
- fain v. t.
- To be glad ; to wish or desire.
- dimly adv.
- In a dim or obscure manner; not brightly or clearly; with imperfect sight.
- casement n.
- A window sash opening on hinges affixed to the upright side of the frame into which it is fitted. (Poetically) A window. [Shortened fr. encasement. See Incase 1st Case, and cf. Incasement.]
- sleepless a.
- Having no sleep; wakeful.
- blent p. p.
- Blinded. Also (Chaucer), 3d sing. pres. Blindeth.
- whereon adv.
- On which; -- used relatively; as, the earth whereon we live.
- blithe a.
- Gay; merry; sprightly; joyous; glad; cheerful; as, a blithe spirit. [AS. bli blithe, kind; akin to Goth. blei kind, Icel. bli mild, gentle, Dan. & Sw. blid gentle, D. blijd blithe, OHG. blidi kind, blithe.]
- whereof adv.
- Of which; of whom; formerly, also, with which; -- used relatively.
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- jest n.
- A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
- signora n.
- Madam; Mrs; -- a title of address or respect among the Italians. [It.]
- flown a.
- Flushed, inflated.
- sere n.
- Claw; talon. Chapman. [F. serre.]
- haunted a.
- Inhabited by, or subject to the visits of, apparitions; frequented by a ghost.
- wonted a.
- Accustomed; customary; usual.
- thank n.
- A expression of gratitude; an acknowledgment expressive of a sense of favor or kindness received; obligation, claim, or desert, or gratitude; -- now generally used in the plural. [AS. Þanc, Þonc, thanks, favor, thought; akin to OS. thank favor, pleasure, thanks, D. & G. dank thanks, Icel. Þ\'94kk, Dan. tak, Sw. tack, Goth. Þagks thanks; -]
- forsooth v. t.
- To address respectfully with the term forsooth.
- whit n.
- The smallest part or particle imaginable; a bit; a jot; an iota; -- generally used in an adverbial phrase in a negative sentence. [OE. wight, wiht, AS. wiht a creature, a thing. See Wight, and cf. Aught, Naught.]
- signor n.
- Sir; Mr; -- a title of address or respect among the Italians. [It. See Seignior.]
- enthrone v. t.
- To seat on a throne; to exalt to the seat of royalty or of high authority; hence, to invest with sovereign authority or dignity. [Pref. en- + throne: cf. OF. enthroner. Cf. Inthronize.]
- went n.
- Course; way; path; journey; direction.
- reprieve v. t.
- To delay the punishment of; to suspend the execution of sentence on; to give a respite to; to respite; as, to reprieve a criminal for thirty days. [OE. repreven to reject, disallow, OF. reprover to blame, reproach, condemn (pres. il reprueve), F. réprouver to disapprove, fr. L. reprobare to reject, condemn;]
- waken v. i.
- To wake; to cease to sleep; to be awakened. [OE. waknen, AS. wæcnan; akin to Goth. gawaknan. See Wake, v. i.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Act II: Scene III is in the public domain. This text is taken from The Poems of Emma Lazarus, Volume 1, Project Gutenberg ebook #3295; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Emma Lazarus, Act II: Scene III, in The Spagnoletto (1876), text of Project Gutenberg ebook #3295, Laurel, https://laurelpoetry.com/poem/lazarus-spagnoletto/act-ii-scene-iii.html, id L19140.
Form and metre
Act II: Scene III is 209 lines in 31 stanzas.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 -ABABCC sings · awakeA · ariseB · takeA · skiesB · outwornC · mornC
- 3 ABABCC choirA · theseB · desireA · promisesB · mineC · divineC
- 4 A-A--- flameA · sky · shameA · pageantry · sun · gone
- 5 -A--------A--BAB-- speaks · mineA · word · hope · myself · brain · swam · roared · dream · lids · heavenA · touch · refused · beB · mineA · sheB · drinks · sunlight
- 6 -A-----A------- window · airA · temples · rest · glory · orchard · thought · airA · song · descend · dew · bloomed · repose · earth · mine
- 8 -A--A-BB---- lorenzo · mistressA · morn · come · thisA · inspire · sighB · cryB · pledge · confirm · love · believe
- 9 ---AA maria · lorenzo · shy · mienA · givenA
- 12 -ABBB-A--- lorenzo · seeA · wonB · disdainB · concessionB · shines · beA · love · heart · break
- 13 --A-A--A maria · error · meA · time · meA · mine · hope · beA
- 14 -AA--- lorenzo · statueA · youA · prayers · served · witchcraft
- 31 ---A-A rising · well · work · restA · cheeks · guestA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Morning twilight in RIBERA'S Garden. During this scene the day | 16 | /˘/··˘/˘/˘/˘···· |
| gradually breaks, and at the close the full light of morning | 13 | /˘·········/˘ |
| illuminates the stage. LORENZO. | 9 | ˘/˘···˘/˘ |
| AUBADE. | 2 | ·· |
| LORENZO (sings). | 4 | ˘/˘· |
| From thy poppied sleep awake; | 7 | ··/˘·˘/ |
| From they golden dreams arise; | 7 | ··/˘·˘/ |
| Earth and seas new colors take, | 7 | ····/˘· |
| Love-light dawns in rosy skies, | 7 | ····/˘· |
| Weird night's fantastic shadows are outworn; | 10 | ··˘/˘/···· |
| Why tarriest thou, oh, sister to the morn? | 10 | ·····/˘··· |
| Hearken, love! the matin choir | 8 | /˘··/˘/˘ |
| Of birds salutes thee, and with these | 8 | ··˘/···· |
| Blends the voice of my desire. | 8 | ·····˘/˘ |
| Unto no richer promises | 8 | ···/˘/˘˘ |
| Of deeper, dearer, holier love than mine, | 10 | ·/˘/˘/˘··· |
| Canst thou awaken from they dreams divine. | 10 | ··˘/˘···˘/ |
| Lo, thine eastern windows flame, | 7 | ··/˘/˘· |
| Brightening with the brightened sky; | 9 | /˘˘··/˘˘· |
| Rise, and with thy beauty shame | 7 | ····/˘· |
| Morning's regal pageantry, | 7 | /˘/˘/˘˘ |
| To thrill and bless as the reviving sun, | 10 | ······˘/˘· |
| For my heart gropes in doubt, though night be gone. | 10 | ·········· |
| (He speaks.) | 2 | ·· |
| Why should I fear? Her soul is pledged to mine, | 10 | ·········· |
| Albeit she still withheld the binding word. | 11 | ˘/˘··˘/·/˘· |
| How long hath been the night! but morn breathes hope. | 10 | ·········· |
| "I fain were true to you and to myself"-- | 10 | ·········/ |
| Did she say thus? or is my fevered brain | 10 | ·······/˘· |
| The fool of its desires? The world swam; | 10 | ····˘/˘··· |
| The blood rang beating in mine ears and roared | 10 | ···/˘····· |
| Like rushing waters; yet, as through a dream, | 10 | ·/˘/˘····· |
| I saw her dimly. Surely on her lids | 10 | ···/˘/˘··· |
| Shone the clear tears. As there's a God in heaven, | 11 | ·········/˘ |
| She spake those words! My lips retain the touch | 10 | ······˘/·· |
| Of those soft, snow-cold hands, neither refused | 10 | ······/˘˘/ |
| Nor proffered. Such things ARE, nor can they be | 10 | ·/˘······· |
| Forgotten or foreknown. Yes, she is mine. | 11 | ˘/˘········ |
| But soft! Her casement opes. Oh, joy, 't is she! | 11 | ···/˘······ |
| Pale, in a cloud of white she stands and drinks | 10 | ·········· |
| The morning sunlight. | 5 | ·/˘/· |
| MARIA (above at the window). | 9 | ˘/˘····/˘ |
| Ah, how sweet this air | 5 | ····· |
| Kisses my sleepless lids and burning temples. | 11 | /˘·/˘··/˘/˘ |
| I am not weary, though I found no rest. | 10 | ···/˘····· |
| My spirit leaps within me; a new glory | 11 | ·/˘······/˘ |
| Blesses the dear, familiar scene--ripe orchard, | 11 | /˘··˘/˘··/˘ |
| The same--yet oh, how different! Even I thought | 10 | ·····/˘/·· |
| Soft music trembled on the listening air, | 10 | ·/˘/˘··/˘· |
| As though a harp were touched, blent with low song. | 10 | ·········· |
| Sure, that was phantasy. I will descend, | 10 | ···/˘˘··˘/ |
| Visit my flowers, and see whereon the dew | 10 | /˘·/··˘/·· |
| Hangs heaviest, and what fairest bud hath bloomed | 10 | ·/˘··/˘··· |
| Since yester-eve. Why should I court repose | 10 | ·/˘·····˘/ |
| And dull forgetfulness, while the large earth | 10 | ··˘/˘˘···· |
| Wakes no lesser joy than mine? | 7 | ··/˘··· |
| LORENZO. | 3 | ˘/˘ |
| Oh, heart! | 2 | ·· |
| How may my breast contain thee, with thy burden | 11 | ····˘/···/˘ |
| Of too much happiness? | 6 | ···/˘˘ |
| LORENZO. | 3 | ˘/˘ |
| Good-day, sweet mistress. | 5 | ···/˘ |
| May the blithe spirit of this auspicious morn | 10 | ···/··˘/˘· |
| Become the genius of thy days to come, | 10 | ˘/·/˘····· |
| Whereof be none less beautiful than this. | 10 | ·····/˘˘·· |
| Why art thou silent? Does not love inspire | 10 | ···/˘···˘/ |
| Joyous expression, be it but a sigh, | 10 | /˘˘/˘····· |
| A song, a smile, a broken word, a cry? | 10 | ·····/˘··· |
| Thou hast not granted me the promised pledge | 10 | ···/˘··/˘· |
| For which I hunger still. I would confirm | 10 | ···/˘···˘/ |
| With dear avowals, frequent seals of love, | 10 | ·····/˘··· |
| That which, though sure, I yet can scarce believe. | 10 | ········˘/ |
| MARIA. | 3 | ˘/˘ |
| Somewhat too sure, I think, my lord Lorenzo. | 11 | //······˘/˘ |
| I scarce deemed possible that one so shy | 10 | ···/˘˘···· |
| But yester-morn should hold so high a mien, | 10 | ·/˘······· |
| Claiming what ne'er was given. | 7 | /˘···/˘ |
| LORENZO. | 3 | ˘/˘ |
| Maria! | 3 | ˘/˘ |
| MARIA. | 3 | ˘/˘ |
| Sir, | 1 | · |
| You are a trifle bold to speak my name | 10 | ···/˘····· |
| Familiarly as no man, save my father | 11 | /˘˘˘·····/˘ |
| Or my own brother, dares. | 6 | ···/˘· |
| LORENZO. | 3 | ˘/˘ |
| Ah, now I see | 4 | ···· |
| Your jest. You will not seem so lightly won | 10 | ·······/˘· |
| Without a wooing? You will feign disdain, | 10 | ···/˘···˘/ |
| Only to make more sweet your rich concession? | 11 | /˘······˘/˘ |
| Too late--I heard it all. "A new light shines | 10 | ·········· |
| On the familiar scene." What may that be, | 10 | ··˘/˘····· |
| Save the strange splendor of the dawn of love? | 10 | ···/˘····· |
| Nay, darling, cease to jest, lest my poor heart, | 10 | ·/˘······· |
| Hanging 'twixt hell and heaven, in earnest break. | 10 | /˘···/·/˘· |
| MARIA. | 3 | ˘/˘ |
| Here is no jest, sir, but a fatal error, | 11 | ·······/˘/˘ |
| Crying for swift correction. You surprise me | 11 | /˘··˘/˘·˘/· |
| With rude impatience, ere I have found time | 10 | ··˘/˘····· |
| To con a gentle answer. Pardon me | 10 | ···/˘/˘/˘· |
| If any phrase or word or glance of mine | 10 | ·/˘······· |
| Hath bred or nourished in your heart a hope | 10 | ···/˘····· |
| That you might win my love. It cannot be. | 10 | ·······/˘· |
| LORENZO. | 3 | ˘/˘ |
| A word, a glance! Why, the whole frozen statue | 11 | ·······/˘/· |
| Warmed into life. Surely it was not you. | 10 | ····/˘···· |
| You must have bribed some angel with false prayers | 10 | ·····/˘··· |
| To wear your semblance--nay, no angel served, | 10 | ···/˘··/˘· |
| But devilish witchcraft-- | 5 | ·/˘/· |
| MARIA. | 3 | ˘/˘ |
| Sir, enough, enough! | 5 | ·˘/˘/ |
| I hoped to find here peace and solitude. | 10 | ·······/˘· |
| These lacking, I retire. Farewell. | 8 | ·/˘·˘/·/ |
| LORENZO. | 3 | ˘/˘ |
| Signora, | 3 | ˘/˘ |
| I will not rob you of your own. Farewell to you. | 12 | ·········/·· |
| MARIA. | 3 | ˘/˘ |
| Where have you flown, bright dreams? Has that rude hand | 10 | ·········· |
| Sufficed to dash to naught your frail creations? | 11 | ˘/······˘/˘ |
| Sad thoughts and humors black now fill my soul. | 10 | ···/˘····· |
| So his rough foot hath bruised the dewy grass, | 10 | ·······/˘· |
| And left it sere. Why should his harsh words touch me? | 11 | ··········· |
| The truth of yesterday is false to-day. | 10 | ···/˘····· |
| How could I know, dear God! How might I guess | 10 | ·········· |
| The bitter sweetness, the delicious pain! | 10 | ·/˘/˘·˘/˘· |
| A new heart fills my breast, as soft and weak | 10 | ·········· |
| And melting as a tear, unto its lord; | 10 | ·/˘······· |
| But kindled with quick courage to endure, | 10 | ·/˘··/˘·˘/ |
| If I need front for him, a world of foes. | 10 | ·········· |
| If this be love, ah, what a hell is theirs | 10 | ·········· |
| Who suffer without hope! Even I, who hold | 10 | ·/˘···/··· |
| So many dear assurances, who hear | 10 | ·/˘·˘/˘˘·· |
| Still ringing in mine ears such sacred vows, | 10 | ·/˘····/˘· |
| Am haunted with an unaccustomed doubt, | 10 | ·/˘···˘/˘· |
| Not wonted to go hand-in-hand with joy. | 10 | ·/˘······· |
| A gloomy omen greets me with the morn; | 10 | ·/˘/˘····· |
| I, who recoil from pain, must strike and wound. | 10 | ··˘/······ |
| What may this mean? Help me, ye saints of heaven | 11 | ·········/˘ |
| And holy mother, for my strength is naught! | 10 | ·/˘/˘····· |
| LORENZO (aside). | 5 | ˘/˘˘/ |
| Thank heaven, I came. How have I wrung her soul! | 10 | ·/········ |
| A noble love, forsooth! A blind, brute passion, | 11 | ·/˘·˘/···/˘ |
| That being denied, is swift transformed to hate | 10 | ·/˘/··˘/·· |
| No whit more cruel. (To Maria.) Lady! | 11 | ···/˘·˘/˘/˘ |
| MARIA (rising hastily). | 8 | ˘/˘/˘/˘˘ |
| Signor Lorenzo! | 5 | /˘˘/˘ |
| Again what would you with me? | 7 | ˘/····· |
| LORENZO. | 3 | ˘/˘ |
| No such suit | 3 | ··· |
| As late I proffered, but your gracious pardon. | 11 | ···/˘··/˘/˘ |
| MARIA. | 3 | ˘/˘ |
| Rise, sir, forgiven. I, too, have been to blame, | 11 | ··˘/˘······ |
| Although less deeply than you deemed. Forbear | 10 | ···/˘···˘/ |
| To bind your life. I feel myself unworthy | 11 | ·······/˘/˘ |
| Of that high station where your thoughts enthrone me. | 11 | ···/˘···˘/· |
| Yet I dare call myself your friend. | 8 | ·····/·· |
| LORENZO. | 3 | ˘/˘ |
| Thanks, thanks! | 2 | ·· |
| Be blessed, and farewell. | 5 | ····/ |
| RIBERA. | 3 | ˘/˘ |
| Daughter! Maria! | 5 | /˘˘/˘ |
| MARIA. | 3 | ˘/˘ |
| Why, father, I am here (kissing him). Good-day. What will you? | 14 | ·/˘···/˘······ |
| RIBERA. | 3 | ˘/˘ |
| Darling, no more than what I always will. | 10 | /˘·····/·· |
| Before I enter mine own world removed, | 10 | ···/˘···˘/ |
| I fain would greet the dearest work of God. | 10 | ·····/˘··· |
| I missed you when I rose. I sought you first | 10 | ·········· |
| In your own chamber, where the lattice, oped, | 10 | ···/˘··/˘· |
| Let in the morning splendor and smells | 9 | ···/˘/˘·· |
| Of the moist garden, with the sound of voices. | 11 | ···/˘····/˘ |
| I looked, I found you here--but not alone. | 10 | ········˘/ |
| What man was that went from you? | 7 | ······· |
| MARIA. | 3 | ˘/˘ |
| Your disciple, | 4 | ·˘/˘ |
| My lord Lorenzo. You remember, father, | 11 | ··˘/˘·˘/˘/˘ |
| How yester-morn I pleaded for his work; | 10 | ·/˘··/˘··· |
| Thus he, through gratitude and--love, hath watched | 10 | ···/˘····· |
| All night within our garden, while I danced; | 10 | ····//˘··· |
| And when I came to nurse my flowers--he spake. | 10 | ·······/·· |
| RIBERA. | 3 | ˘/˘ |
| And you? | 2 | ·· |
| MARIA. | 3 | ˘/˘ |
| Am I not still beside you, father? | 9 | ····˘/·/˘ |
| I will not leave you. | 5 | ····· |
| RIBERA. | 3 | ˘/˘ |
| Ah, mine angel-child! | 5 | ··/˘· |
| I cannot choose but dread it, though I wait | 10 | ·/˘······· |
| Expectant of the hour when you fulfil | 10 | ˘/˘··/···· |
| Your woman's destiny. You have full freedom; | 11 | ·/˘/˘˘···/˘ |
| Yet I rejoice at this reprieve, and thank thee | 11 | ··˘/··˘/··· |
| For thy brave truthfulness. Be ever thus, | 10 | ···/˘˘·/˘· |
| Withholding naught from him whose heart reflects | 10 | ˘/˘·····˘/ |
| Only thine image. Thou art still my pride, | 10 | /˘·/˘····· |
| Even as last night when all eyes gazed thy way, | 10 | /········· |
| Thy bearing equal in disdainful grace | 10 | ·/˘/˘·˘/˘· |
| To his who courted thee--thy sovereign's son. | 10 | ···/˘··/˘· |
| MARIA. | 3 | ˘/˘ |
| Yea, so? And yet it was not pride I felt, | 10 | ·········· |
| Nor consciousness of self, nor vain delight | 10 | ·/˘˘····˘/ |
| In the world's envy;--something more than these, | 10 | ···/˘/˘··· |
| Far deeper, sweeter--What have I said? My brain | 11 | ·/˘/˘······ |
| Is dull with sleep. 'T is only now I feel | 11 | ······/˘··· |
| The weariness of so much pleasure. | 9 | ·/˘˘···/˘ |
| RIBERA (rising). | 5 | ˘/˘/˘ |
| Well, | 1 | · |
| Go we within. Yes, I am late to work; | 10 | ·········· |
| We squander precious moments. Thou, go rest, | 10 | ·/˘/˘/˘··· |
| And waken with fresh roses in they cheeks, | 10 | ·/˘··/˘··· |
| To greet our royal guest. | 7 | ··/˘/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.