Act II: Scene II

Emma Lazarus (1849–1887) · 1876

168 lines · from The Spagnoletto

RIBERA.This is revenge. Is she not beautiful,Ye gods? The beggar's child matched with a prince!Throb not so high, my heart, 'neath envious eyesFixed on thy triumph! Now am I well repaidFor my slow, martyred years. Was I not wrungby keener tortures than my savage brush,Though dipped in my heart's blood, might reproduce!No twisted muscle, no contorted limb,No agony of flesh, have I yet drawn,That owed not its suggestion to some pangOf my pride crucified, my spirit racked,My entrails gnawed by the blind worm of hate,Engendered of oppression. That is past,But not forgotten; though to-night I pleaseTo yield to gentler influence, to ownThe strength of beauty and the power of joy,And welcome gracious phantasies that throngAnd hover over me in airy shapes.The spirits of earth and heaven contend to-nightFor mastery within me; ne'er beforeHave I been more the Spagnoletto, firedWith noble wrath, with the consuming feverAnd fierce delight of vengeance.From this pointI see her clearly--the auroral faceA-light with smiles, the imperial head upraised;Her languid hand sways the broad, silken fan,Whose wing-like movement stirs above her browThe fine, bright curls, as though warm airs of heavenAround her breathed. He leads her 'midst the throng.So, they have gone; but I will follow them,And watch them from afar.

DON JOHN.I dread to askWhat quivers on my lips. My heart is free,But thine?

MARIA.My heart is free, my lord.

DON JOHN.Thank God!

MARIA.It never beat less calmly at the soundOf any voice till now. I laugh to thinkThis very morn I fancied it had metIts master.

DON JOHN.Ah!

MARIA.Fear naught--a simple boy,A pupil of my father's.

DON JOHN.I was madTo dream it could be otherwise. Forgive me;I, a mere stranger in they life, am jealousOf all thy present and thy past.

MARIA.Listen, my lord;You shall hear all. What hour, think you, he choseTo urge his cause? The same wherein I learnedYour Highness had commanded for to-nightOur presence. My winged thoughts were flying backTo Count Lodovico's; again I saw you,My white rose at your lips, your grave eyes fixedMost frankly, yet most reverently, on mine.Again my heart sank as I heard the name,The Prince of Austria; and while I mused,He spake of love. Oh, I am much to blame!My mood was soft;--although I promised naught,I listened, yea, I listened. Good, my lord,Do you not pity him?

DON JOHN.Thanks, and thanks again,For thy confession! Now no spot remainsOn the unblemished mirror of my faith.Since that dear night, I with one only thoughtHave gained the sum of knowledge and opinionsTouching thine honored father, with such scrapsAs the gross public voice could dole to meConcerning thine own far-removed, white life.Thou art, I learn, immured in close seclusion;Thy father, be it with all reverence said,Hedges with jealous barriers his treasure;Whilst thou, most duteous, tenderest of daughters,Breath'st but for him.

MARIA.Dear father! Were it so,'T were simple justice. Ah, if you knew him--A proud, large, tameless heart. This is the cloisterWhere he immures me--Naples' gayest revels;The only bar wherewith he hedges meIs his unbounded trust, that leaves me free.Let us go in; the late night air is chill.

DON JOHN.Yet one more dance?

MARIA.You may command, my lord.

RIBERA.I lost them in the press. Ah, there they danceAgain together. I would lay my handsIn blessing on that darling, haughty head.Like the Ribera's child, she bears her honorsAs lightly as a flower. Yet there glowsUnwonted lustre in her starry eyes,And richer beauty blushes on her cheek.Enough. Now must I strive to fix that formThat haunts my brain--the blind, old Count Camillo,The Prince's oracle. 'Midst the thick throngMy fancy singled him; white beard, white hair,Sealed eyes, and brow lit by an inward light.So will I paint mine Isaac blessing Esau,While Jacob kneels before him--blind, betrayedBy his own flesh!

MARIA.See the impatient dayWakes in the east.

DON JOHN.One moment here, signora,Breathe we the charm of this enchanted night.Look where behind yon vines the slow moon sets,Hidden from us, while every leaf hangs black,Each tender stalk distinct, each curling edgeAgainst the silver sky.

MARIA (perceiving RIBERA).What, father! here?

RIBERA.Maria!--Ah, my Prince, I crave your pardon.When thus I muse, 't is but my mind that lives;Each outward sense is dead. I saw you not,I heard nor voice nor footstep. Yonder linesThat streak the brightening sky east warn us away.For all your grace to us, the SpagnolettoProffers his thanks to John of Austria.My daughter, art thou ready?

DON JOHN.I am bound,Illustrious signor, rather unto youAnd the signora, past all hope of payment.When may I come to tender my poor homageTo the Sicilian master?

RIBERA.My lord will jest.Our house is too much honored when he deignsO'erstep the threshold. Let your royal pleasureAlone decide the hour.

DON JOHN.To-morrow, then.Or I should say to-day, for dawn is nigh.

RIBERA.And still we trespass. Be it as you will;We are your servants.

MARIA.So, my lord, good-night.

DON JOHN (alone).Gods, what a haughty devil rules that man!As though two equal princes interchangedImperial courtesies! The SpagnolettoThanks John of Austria! Louis of FranceMight so salute may father. By heaven, I know notWhat patience or what reverence withheldMy enchafed spirit in bounds of courtesy.Nay, it was she, mine angel, whose mere aspectIs balm and blessing. How her love-lit eyesBurned through my soul! How her soft hand's slight pressureTingled along my veins! Oh, she is worthyA heart' religion! How shall I wear the hoursEre I may seek her? Lo, I stand and dream,While my late guests await me. Patience, patience!

Words in this poem 29
throb v. i.
To beat, or pulsate, with more than usual force or rapidity; to beat in consequence of agitation; to palpitate; -- said of the heart, pulse, etc. [OE. ; of uncertain origin; cf. Russ. trepete a trembling, and E. trepidation.]
envious a.
Malignant; mischievous; spiteful. [OF. envios, F. envieux, fr. L. invidiosus, fr. invidia envy. See Envy, and cf. Invidious.]
keener n.
A professional mourner who wails at a funeral. [Ireland]
hover n.
A cover; a shelter; a protection. Carew. C. Kingsley. [Etymol. doubtful.]
auroral a.
Belonging to, or resembling, the aurora (the dawn or the northern lights); rosy.
afar adv.
At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
thank n.
A expression of gratitude; an acknowledgment expressive of a sense of favor or kindness received; obligation, claim, or desert, or gratitude; -- now generally used in the plural. [AS. Þanc, Þonc, thanks, favor, thought; akin to OS. thank favor, pleasure, thanks, D. & G. dank thanks, Icel. Þ\'94kk, Dan. tak, Sw. tack, Goth. Þagks thanks; -]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
highness n.
The state of being high; elevation; loftiness. [AS. heáhnes.]
frankly adv.
In a frank manner; freely.
reverently adv.
In a reverent manner; in respectful regard.
unblemished a.
Not blemished; pure; spotless; as, an unblemished reputation or life.
duteous a.
Fulfilling duty; dutiful; having the sentiments due to a superior, or to one to whom respect or service is owed; obedient; as, a duteous son or daughter. [From Duty.]
tameless a.
Incapable of being tamed; wild; untamed; untamable. Bp. Hall.
wherewith adv.
With which; -- used relatively.
haughty a.
High; lofty; bold. [OE. hautein, F. hautain, fr. haut high, OF. also halt, fr. L. altus. See Altitude.]
unwonted a.
Not wonted; unaccustomed; unused; not made familiar by practice; as, a child unwonted to strangers.
lustre n.
A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
starry a.
Abounding with stars; adorned with stars.
oracle v. i.
To utter oracles.
signora n.
Madam; Mrs; -- a title of address or respect among the Italians. [It.]
enchanted a.
Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
crave v. t.
To ask with earnestness or importunity; to ask with submission or humility; to beg; to entreat; to beseech; to implore. [AS. crafian; akin to Icel. krefia, Sw. kr, Dan. kr.]
yonder adv.
At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
signor n.
Sir; Mr; -- a title of address or respect among the Italians. [It. See Seignior.]
sicilian a.
Of or pertaining to Sicily or its inhabitants. Sicilian vespers, the great massacre of the French in Sicily, in the year 1282, on the evening of Easter Monday, at the hour of vespers.
jest n.
A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
await v. t.
To watch for; to look out for. [OF. awaitier, agaitier; (L. ad) + waitier, gaitier to watch, F. guetter. See Wait.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Act II: Scene II is in the public domain. This text is taken from The Poems of Emma Lazarus, Volume 1, Project Gutenberg ebook #3295; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Emma Lazarus, Act II: Scene II, in The Spagnoletto (1876), text of Project Gutenberg ebook #3295, Laurel, https://laurelpoetry.com/poem/lazarus-spagnoletto/act-ii-scene-ii.html, id L19139.

Form and metre

Act II: Scene II is 168 lines in 24 stanzas.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ---------------------------A-A--- ribera · beautiful · prince · eyes · repaid · wrung · brush · reproduce · limb · drawn · pang · racked · hate · past · please · own · joy · throng · shapes · night · before · fired · fever · vengeance · point · face · upraised · fanA · brow · heavenA · throng · them · afar
  2. 9 -A-------B-B-A- maria · lordA · chose · learned · night · back · you · fixed · mine · nameB · mused · blameB · naught · lordA · him
  3. 10 --A--A-------- john · again · remainsA · faith · thought · opinionsA · scraps · me · life · seclusion · said · treasure · daughters · him
  4. 11 -----AA- maria · so · him · cloister · revels · meA · freeA · chill
  5. 14 ----AAA--------- ribera · dance · hands · head · honorsA · glowsA · eyesA · cheek · form · camillo · throng · hair · light · esau · betrayed · flesh
  6. 24 ---------A--A-- alone · man · interchanged · spagnoletto · france · not · withheld · courtesy · aspect · eyesA · pressure · worthy · hoursA · dream · patience
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
RIBERA.3˘/˘
This is revenge. Is she not beautiful,10··˘/···/˘˘
Ye gods? The beggar's child matched with a prince!10···/˘·····
Throb not so high, my heart, 'neath envious eyes10·······/˘·
Fixed on thy triumph! Now am I well repaid11···/˘····˘/
For my slow, martyred years. Was I not wrung10···/˘·····
by keener tortures than my savage brush,10·/˘/˘··/˘·
Though dipped in my heart's blood, might reproduce!10········˘/
No twisted muscle, no contorted limb,10·/˘/˘·˘/˘·
No agony of flesh, have I yet drawn,10·/˘˘······
That owed not its suggestion to some pang10····˘/˘···
Of my pride crucified, my spirit racked,10···/˘··/˘·
My entrails gnawed by the blind worm of hate,10·/˘·······
Engendered of oppression. That is past,10˘/˘·˘/˘···
But not forgotten; though to-night I please10··˘/˘·····
To yield to gentler influence, to own10···/˘/˘˘··
The strength of beauty and the power of joy,10···/˘··/··
And welcome gracious phantasies that throng9·/˘/˘····
And hover over me in airy shapes.10·/˘····/˘·
The spirits of earth and heaven contend to-night11·/˘···/˘/··
For mastery within me; ne'er before10·/˘˘······
Have I been more the Spagnoletto, fired11·········/˘
With noble wrath, with the consuming fever11·/˘···˘/˘/˘
And fierce delight of vengeance.7··˘/·/˘
From this point3···
I see her clearly--the auroral face10···/˘·˘/˘·
A-light with smiles, the imperial head upraised;11·····˘/˘···
Her languid hand sways the broad, silken fan,10·/˘····/˘·
Whose wing-like movement stirs above her brow10···/˘·····
The fine, bright curls, as though warm airs of heaven11·········/˘
Around her breathed. He leads her 'midst the throng.10··········
So, they have gone; but I will follow them,10·······/˘·
And watch them from afar.6····˘/
DON JOHN.2··
I dread to ask4····
What quivers on my lips. My heart is free,10·/˘·······
But thine?2··
MARIA.3˘/˘
My heart is free, my lord.6······
DON JOHN.2··
Thank God!2··
MARIA.3˘/˘
It never beat less calmly at the sound10·/˘··/˘···
Of any voice till now. I laugh to think10·/˘·······
This very morn I fancied it had met10·/˘··/˘···
Its master.3·/˘
DON JOHN.2··
Ah!1·
MARIA.3˘/˘
Fear naught--a simple boy,6···/˘·
A pupil of my father's.7·/˘··/˘
DON JOHN.2··
I was mad3···
To dream it could be otherwise. Forgive me;11·····/˘·˘/·
I, a mere stranger in they life, am jealous11···/˘····/˘
Of all thy present and thy past.8···/˘···
MARIA.3˘/˘
Listen, my lord;4/˘··
You shall hear all. What hour, think you, he chose10·····/····
To urge his cause? The same wherein I learned10··········
Your Highness had commanded for to-night10·/˘·˘/˘···
Our presence. My winged thoughts were flying back10//˘····/˘·
To Count Lodovico's; again I saw you,11······˘/···
My white rose at your lips, your grave eyes fixed10··········
Most frankly, yet most reverently, on mine.10·/˘··/˘˘··
Again my heart sank as I heard the name,10˘/········
The Prince of Austria; and while I mused,10···/˘˘····
He spake of love. Oh, I am much to blame!10··········
My mood was soft;--although I promised naught,10·······/˘·
I listened, yea, I listened. Good, my lord,10·/˘··/˘···
Do you not pity him?6···/˘·
DON JOHN.2··
Thanks, and thanks again,5···˘/
For thy confession! Now no spot remains10··˘/˘···˘/
On the unblemished mirror of my faith.10··˘/˘/˘···
Since that dear night, I with one only thought10·······/˘·
Have gained the sum of knowledge and opinions11·····/˘·˘/˘
Touching thine honored father, with such scraps10/˘·/˘/˘···
As the gross public voice could dole to me10···/˘·····
Concerning thine own far-removed, white life.10˘/˘···˘/··
Thou art, I learn, immured in close seclusion;11········˘/˘
Thy father, be it with all reverence said,10·/˘····/˘·
Hedges with jealous barriers his treasure;11/˘·/˘/˘˘·/˘
Whilst thou, most duteous, tenderest of daughters,11···/˘˘/˘·/˘
Breath'st but for him.4····
MARIA.3˘/˘
Dear father! Were it so,6·/˘···
'T were simple justice. Ah, if you knew him--11··/˘/˘·····
A proud, large, tameless heart. This is the cloister11···/˘····/˘
Where he immures me--Naples' gayest revels;10·····/˘·/˘
The only bar wherewith he hedges me10·/˘·˘/·/˘·
Is his unbounded trust, that leaves me free.10··˘/˘·····
Let us go in; the late night air is chill.10··········
DON JOHN.2··
Yet one more dance?4····
MARIA.3˘/˘
You may command, my lord.6··˘/··
RIBERA.3˘/˘
I lost them in the press. Ah, there they dance10··········
Again together. I would lay my hands10˘/˘/˘·····
In blessing on that darling, haughty head.10·/˘··/˘/˘·
Like the Ribera's child, she bears her honors11··˘/˘····/˘
As lightly as a flower. Yet there glows10·/˘··/˘···
Unwonted lustre in her starry eyes,10˘/˘/˘··/˘·
And richer beauty blushes on her cheek.10·/˘/˘/˘···
Enough. Now must I strive to fix that form10˘/········
That haunts my brain--the blind, old Count Camillo,11········˘/˘
The Prince's oracle. 'Midst the thick throng10·/˘/˘˘····
My fancy singled him; white beard, white hair,10·/˘/˘·····
Sealed eyes, and brow lit by an inward light.10·······/˘·
So will I paint mine Isaac blessing Esau,11·····/˘/˘/·
While Jacob kneels before him--blind, betrayed10·/˘·····˘/
By his own flesh!4····
MARIA.3˘/˘
See the impatient day6··˘/˘·
Wakes in the east.4····
DON JOHN.2··
One moment here, signora,7·/˘·˘/˘
Breathe we the charm of this enchanted night.10······˘/˘·
Look where behind yon vines the slow moon sets,10··········
Hidden from us, while every leaf hangs black,10/˘···/˘···
Each tender stalk distinct, each curling edge10·/˘·˘/·/˘·
Against the silver sky.6···/˘·
MARIA (perceiving RIBERA).9˘/˘˘/˘˘/˘
What, father! here?4·/˘·
RIBERA.3˘/˘
Maria!--Ah, my Prince, I crave your pardon.11˘/˘······/˘
When thus I muse, 't is but my mind that lives;11···········
Each outward sense is dead. I saw you not,10·/˘·······
I heard nor voice nor footstep. Yonder lines10·····/·/˘·
That streak the brightening sky east warn us away.11···/˘····˘/
For all your grace to us, the Spagnoletto11···········
Proffers his thanks to John of Austria.10/˘·····/˘˘
My daughter, art thou ready?7·/˘··/˘
DON JOHN.2··
I am bound,3···
Illustrious signor, rather unto you10˘/˘/˘/˘···
And the signora, past all hope of payment.11··˘/˘····/˘
When may I come to tender my poor homage11·····/˘··/˘
To the Sicilian master?8··˘/˘˘/˘
RIBERA.3˘/˘
My lord will jest.4····
Our house is too much honored when he deigns10/····/˘···
O'erstep the threshold. Let your royal pleasure11···/···/˘/˘
Alone decide the hour.7˘/˘/·/˘
DON JOHN.2··
To-morrow, then.4·/˘·
Or I should say to-day, for dawn is nigh.10··········
RIBERA.3˘/˘
And still we trespass. Be it as you will;10···/······
We are your servants.5···/˘
MARIA.3˘/˘
So, my lord, good-night.5·····
DON JOHN (alone).4··˘/
Gods, what a haughty devil rules that man!10···/˘/˘···
As though two equal princes interchanged10···/˘/˘·˘/
Imperial courtesies! The Spagnoletto10˘/˘/˘·····
Thanks John of Austria! Louis of France10···/˘˘/˘··
Might so salute may father. By heaven, I know not12··˘/·/˘·/···
What patience or what reverence withheld10·/˘··/˘˘˘/
My enchafed spirit in bounds of courtesy.11···/˘···/˘˘
Nay, it was she, mine angel, whose mere aspect11·····/˘··/·
Is balm and blessing. How her love-lit eyes10···/˘·····
Burned through my soul! How her soft hand's slight pressure11·········/˘
Tingled along my veins! Oh, she is worthy11/˘˘/·····/˘
A heart' religion! How shall I wear the hours11··˘/˘·····/
Ere I may seek her? Lo, I stand and dream,10··········
While my late guests await me. Patience, patience!11····˘/·/˘/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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