Chopin
A dream of interlinking hands, of feetTireless to spin the unseen, fairy woof,Of the entangling waltz. Bright eyebeams meet,Gay laughter echoes from the vaulted roof.Warm perfumes rise; the soft unflickering glowOf branching lights sets off the changeful charmsOf glancing gems, rich stuffs, dazzling snowOf necks unkerchieft, and bare, clinging arms.Hark to the music! How beneath the strainOf reckless revelry, vibrates and sobsOne fundamental chord of constant pain,The pulse-beat of the poet's heart that throbs.So yearns, though all the dancing waves rejoice,The troubled sea's disconsolate, deep voice.
Who shall proclaim the golden fable falseOf Orpheus' miracles? This subtle strainAbove our prose-world's sordid loss and gainLightly uplifts us. With the rhythmic waltz,The lyric prelude, the nocturnal songOf love and languor, varied visions rise,That melt and blend to our enchanted eyes.The Polish poet who sleeps silenced long,The seraph-souled musician, breathes againEternal eloquence, immortal pain.Revived the exalted face we know so well,The illuminated eyes, the fragile frame,Slowly consuming with its inward flame,We stir not, speak not, lest we break the spell.
A voice was needed, sweet and true and fineAs the sad spirit of the evening breeze,Throbbing with human passion, yet divineAs the wild bird's untutored melodies.A voice for him 'neath twilight heavens dim,Who mourneth for his dead, while round him fallThe wan and noiseless leaves. A voice for himWho sees the first green sprout, who hears the callOf the first robin on the first spring day.A voice for all whom Fate hath set apart,Who, still misprized, must perish by the way,Longing with love, for that they lack the artOf their own soul's expression. For all theseSing the unspoken hope, the vague, sad reveries.
Then Nature shaped a poet's heart--a lyreFrom out whose chords the lightest breeze that blowsDrew trembling music, wakening sweet desire.How shall she cherish him? Behold! she throwsThis precious, fragile treasure in the whirlOf seething passions; he is scourged and stung,Must dive in storm-vext seas, if but one pearlOf art or beauty therefrom may be wrung.No pure-browed pensive nymph his Muse shall be,An amazon of thought with sovereign eyes,Whose kiss was poison, man-brained, worldly-wise,Inspired that elfin, delicate harmony.Rich gain for us! But with him is it well?The poet who must sound earth, heaven, and hell!
Words in this poem
- unseen a.
- Not seen or discovered.
- waltz n.
- A dance performed by two persons in circular figures with a whirling motion; also, a piece of music composed in triple measure for this kind of dance. [G. walzer, from walzen to roll, revolve, dance, OHG. walzan to roll; akin to AS. wealtan. See Welter.]
- changeful a.
- Full of change; mutable; inconstant; fickle; uncertain.
- glancing a.
- Shooting, as light.
- disconsolate n.
- Disconsolateness. Barrow.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- sordid a.
- Filthy; foul; dirty. [L. sordidus, fr. sordere to be filthy or dirty; probably akin to E. swart: cf. F. sordide. See Swart, a.]
- rhythmic a.
- Pertaining to, or of the nature of, rhythm DAy and night I worked my rhythmic thought. Mrs. Browning. [Gr. rhythmicus, F. rhythmique.]
- enchanted a.
- Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
- wakening n.
- The act of one who wakens; esp., the act of ceasing to sleep; an awakening.
- elfin a.
- Relating to elves.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Chopin is in the public domain. This text is taken from The Poems of Emma Lazarus, Volume 1, Project Gutenberg ebook #3295; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Emma Lazarus, Chopin, in Poems, Volume I (1867–1887), text of Project Gutenberg ebook #3295, Laurel, https://laurelpoetry.com/poem/lazarus-poems/chopin.html, id L01920.
Form and metre
Chopin is 56 lines in 4 stanzas of 14 lines each. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 3 lines end on an unstressed syllable, a feminine ending. 41% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABCDCDEFEFGG feetA · woofB · meetA · roofB · glowC · charmsD · snowC · armsD · strainE · sobsF · painE · throbsF · rejoiceG · voiceG
- 2 ABBACDDCBBEFFE falseA · strainB · gainB · waltzA · songC · riseD · eyesD · longC · againB · painB · wellE · frameF · flameF · spellE
- 3 ABABCDCDEFEFBB fineA · breezeB · divineA · melodiesB · dimC · fallD · himC · callD · dayE · apartF · wayE · artF · theseB · reveriesB
- 4 -A-ABCBC-DD-EE lyre · blowsA · desire · throwsA · whirlB · stungC · pearlB · wrungC · be · eyesD · wiseD · harmony · wellE · hellE
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| A dream of interlinking hands, of feet | 10 | ····˘/˘··· |
| Tireless to spin the unseen, fairy woof, | 10 | /˘···˘//˘· |
| Of the entangling waltz. Bright eyebeams meet, | 10 | ··˘/˘····· |
| Gay laughter echoes from the vaulted roof. | 10 | ·/˘/˘··/˘· |
| Warm perfumes rise; the soft unflickering glow | 11 | ·˘/········ |
| Of branching lights sets off the changeful charms | 10 | ·/˘····/˘· |
| Of glancing gems, rich stuffs, dazzling snow | 10 | ·/˘···/˘˘· |
| Of necks unkerchieft, and bare, clinging arms. | 10 | ·······/˘· |
| Hark to the music! How beneath the strain | 10 | ···/˘····· |
| Of reckless revelry, vibrates and sobs | 10 | ·/˘/˘˘/˘·· |
| One fundamental chord of constant pain, | 10 | ··˘/˘··/˘· |
| The pulse-beat of the poet's heart that throbs. | 10 | ·····/˘··· |
| So yearns, though all the dancing waves rejoice, | 10 | ·····/˘·˘/ |
| The troubled sea's disconsolate, deep voice. | 10 | ·/˘·˘/˘˘·· |
| Who shall proclaim the golden fable false | 10 | ··˘/·/˘/˘· |
| Of Orpheus' miracles? This subtle strain | 10 | ·/˘/˘˘·/˘· |
| Above our prose-world's sordid loss and gain | 10 | ··/··/˘··· |
| Lightly uplifts us. With the rhythmic waltz, | 10 | /˘/˘···/˘· |
| The lyric prelude, the nocturnal song | 10 | ·/˘/··˘/˘· |
| Of love and languor, varied visions rise, | 10 | ···/˘/˘/˘· |
| That melt and blend to our enchanted eyes. | 10 | ·····/˘/˘· |
| The Polish poet who sleeps silenced long, | 10 | ·/˘/˘··/˘· |
| The seraph-souled musician, breathes again | 10 | ·/˘·˘/˘·˘/ |
| Eternal eloquence, immortal pain. | 10 | ˘/˘/˘˘˘/˘· |
| Revived the exalted face we know so well, | 11 | ˘/·˘/˘····· |
| The illuminated eyes, the fragile frame, | 11 | ·˘/˘·˘··/˘· |
| Slowly consuming with its inward flame, | 10 | /˘˘/˘··/˘· |
| We stir not, speak not, lest we break the spell. | 10 | ·········· |
| A voice was needed, sweet and true and fine | 10 | ···/˘····· |
| As the sad spirit of the evening breeze, | 10 | ···/˘··/˘· |
| Throbbing with human passion, yet divine | 10 | /˘·/˘/˘·˘/ |
| As the wild bird's untutored melodies. | 10 | ·······/˘˘ |
| A voice for him 'neath twilight heavens dim, | 10 | ·····/·/˘· |
| Who mourneth for his dead, while round him fall | 10 | ·/˘······· |
| The wan and noiseless leaves. A voice for him | 10 | ···/˘····· |
| Who sees the first green sprout, who hears the call | 10 | ·········· |
| Of the first robin on the first spring day. | 10 | ···/˘····· |
| A voice for all whom Fate hath set apart, | 10 | ········˘/ |
| Who, still misprized, must perish by the way, | 10 | ·····/˘··· |
| Longing with love, for that they lack the art | 10 | /˘········ |
| Of their own soul's expression. For all these | 10 | ····˘/˘··· |
| Sing the unspoken hope, the vague, sad reveries. | 11 | ··˘/˘····/˘ |
| Then Nature shaped a poet's heart--a lyre | 10 | ·/˘··/˘··· |
| From out whose chords the lightest breeze that blows | 10 | ·····/˘··· |
| Drew trembling music, wakening sweet desire. | 10 | ·/˘/˘/˘·˘/ |
| How shall she cherish him? Behold! she throws | 10 | ···/˘·˘/·· |
| This precious, fragile treasure in the whirl | 10 | ·/˘/˘/˘··· |
| Of seething passions; he is scourged and stung, | 10 | ·/˘/˘····· |
| Must dive in storm-vext seas, if but one pearl | 10 | ·········· |
| Of art or beauty therefrom may be wrung. | 10 | ···/˘˘/··· |
| No pure-browed pensive nymph his Muse shall be, | 10 | ···/˘····· |
| An amazon of thought with sovereign eyes, | 10 | ·/˘····/˘· |
| Whose kiss was poison, man-brained, worldly-wise, | 10 | ···/˘··/˘· |
| Inspired that elfin, delicate harmony. | 11 | ˘/·/˘/˘˘/˘˘ |
| Rich gain for us! But with him is it well? | 10 | ·········· |
| The poet who must sound earth, heaven, and hell! | 10 | ·/˘····/·· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.