The Affront of Corpes CXLIII

Anonymous (about 1200), translated by R. Selden Rose and Leonard Bacon · 1919

iambic heptameter · 50 lines · from The Lay of the Cid

And thereupon Per Vermudóz began the tale and spake.No words he utters clearly, for 'tis a tongue-halt man.Natheless no rest he gave them, be it known, when he began:"To thee, Cid, now I tell it, for such thy customs be,That in Court, Pero Mudo, ever thou callest me.And verily thou knowest that I can do no more.As for what I must accomplish, there shall be no lack therefore.

"What thing thou saidest soever, Ferrándo, was a lie.Through the Campeador thy glory was risen yet more high.I can relate unto thee thine every trick and sleight.Minds't thou, near high Valencia, what time we fought the fight?Thou didst of the true Campeador for the first onslaught pray.And there a Moor thou sawest, whom thou wentest forth to slay.Or e'er thou camest to him, before him didst thou flee.If aid I had not borne thee, he had roughly handled thee.But I rushed on beyond thee, and with the Moor did close,And I made that Moor flee backward at the foremost of my blows.To thee I gave his charger, and kept the thing concealed.Until this day that cowardice I never have revealed.Before the Cid and all men thine own praises didst thou sing,How thou slewest the Morisco, and didst a gallant thing.And they believed it of thee, knowing not the truth at all.Of thy person art thou handsome, but thy courage it is small,Tongue without hands, the manhood to speak where gottest thou?CXLIV."Do thou say on, Ferrándo. That my words are truth avow:That matter of the lion in Valencia dost thou keepIn mind still, when he burst his bonds while the Cid lay asleep?Ferrándo, then what didst thou, when thy terror overbore?Thou didst thrust thyself behind the bench of the Cid Campeador.Thou didst hide, Ferrándo, wherefore cheap today thy worth isfound,But we to guard our master his pallet gathered round,Till he who won Valencia out of his sleep did wake.He rose up from the pallet, at the lion did he make.His head the lion bended, for the Cid the beast did wait.By the neck he let himself be ta'en. In the cage he thrust himstraight.When came once more the Campeador, there he saw his vassals stand.He asked about his sons-in-law, but neither found at hand.For a wicked man and traitor thy person I arraign.In fight before Alfonso that same I will maintain,For Dame Sol and Dame Elvíra, for the Cid's daughters' sake.Thou didst cast away the ladies thine honor cheap to make.Ye are men to all appearance, tender women are those two;Yet in every way whatever they are worthier than you.If, when we join the combat, God shall like well in his heart,Thyself shalt thou confess it, like a traitor as thou art.Whatever I have uttered shall then be known for true."And thereupon was ending of speech between these two.

Words in this poem 15
thereupon adv.
Upon that or this; thereon.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
sleight n.
Cunning; craft; artful practice. [OE. sleighte, sleihte, sleithe, Icel. sl (for sl) slyness, cunning, fr. sl (for sl) sly, cunning. See Sly.]
valencia n.
A kind of woven fabric for waistcoats, having the weft of wool and the warp of silk or cotton. [Perhaps fr. Valence in France.]
didst
, the 2d pers. sing. imp. of Do.
onslaught n.
An attack; an onset; esp., a furious or murderous attack or assault. [OE. on on + slaught, slaht, slaughter. See Slaughter.]
rushed a.
Abounding or covered with rushes.
charger n.
One who, or that which charges.
morisco n.
A thing of Moorish origin; as: (a) The Moorish language. (b) A Moorish dance, now called morris dance. Marston. (c) One who dances the Moorish dance. Shak. (d) Moresque decoration or architecture. [Sp. morisco Moorish.]
avow v. t.
To bind, or to devote, by a vow. Wyclif. [OF. avouer, fr. LL. votare to vow, fr. L. votun. See Vote, n.]
wherefore adv.
For which reason; so; -- used relatively. [Where + for.]
pallet n.
A small and mean bed; a bed of straw. [OE. paillet, F. paillet a heap of straw, fr. paille straw, fr. L. palea chaff; cf. Gr. pala straw, palava chaff. Cf. Paillasse.]
arraign v. t.
To call or set as a prisoner at the bar of a court to answer to the matter charged in an indictment or complaint. Blackstone. [OE. arainen, arenen, OF. aragnier, aranier, araisnier, F. arraisonner, fr. LL. arrationare to address to call before court; L. ad + ratio reason, reasoning, LL.]
dame n.
A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]
shalt
2d per. sing. of Shall.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Affront of Corpes CXLIII is in the public domain. This text is taken from The Lay of the Cid, Project Gutenberg ebook #6088, the R. Selden Rose and Leonard Bacon translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Anonymous, The Affront of Corpes CXLIII, in The Lay of the Cid (1919), text of Project Gutenberg ebook #6088, Laurel, https://laurelpoetry.com/poem/lay-of-the-cid/the-affront-of-corpes-cxliii.html, id L15139.

Form and metre

The Affront of Corpes CXLIII is 50 lines in 2 stanzas. The metre is iambic heptameter, measured from the stress the words themselves fix (confidence 79%). 89% of its stressed syllables fall where the metre puts the beat. The lines average 13.2 syllables. 1 line ends on an unstressed syllable, a feminine ending. 6% of the lines run on without a stop at the line end.

See other poems in iambic heptameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -AABBCC spake · manA · beganA · beB · meB · moreC · thereforeC
  2. 2 AABBCCDD--EEFFGGH-HIIJJ-KKLLM-MNNOOPPQQRRQQ lieA · highA · sleightB · fightB · prayC · slayC · fleeD · theeD · close · blows · concealedE · revealedE · singF · thingF · allG · smallG · thouH · cxliv · avowH · keepI · asleepI · overboreJ · campeadorJ · is · foundK · roundK · wakeL · makeL · waitM · him · straightM · standN · handN · arraignO · maintainO · sakeP · makeP · twoQ · youQ · heartR · artR · trueQ · twoQ
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic heptameter. How this is done.

LineSyl.Stress
And thereupon Per Vermudóz began the tale and spake.14··˘/····˘/····
No words he utters clearly, for 'tis a tongue-halt man.13···/˘/˘······
Natheless no rest he gave them, be it known, when he began:15·············˘/
"To thee, Cid, now I tell it, for such thy customs be,13··········/˘·
That in Court, Pero Mudo, ever thou callest me.13···/˘··/˘·/˘·
And verily thou knowest that I can do no more.13·/˘˘·/˘······
As for what I must accomplish, there shall be no lack therefore.15·····˘/˘·······
"What thing thou saidest soever, Ferrándo, was a lie.14···/˘˘/˘······
Through the Campeador thy glory was risen yet more high.14······/˘·/˘···
I can relate unto thee thine every trick and sleight.14··˘/····/˘˘···
Minds't thou, near high Valencia, what time we fought the fight?14····˘/˘˘······
Thou didst of the true Campeador for the first onslaught pray.14···········/··
And there a Moor thou sawest, whom thou wentest forth to slay.14·········/˘···
Or e'er thou camest to him, before him didst thou flee.13·············
If aid I had not borne thee, he had roughly handled thee.14·········/˘/˘·
But I rushed on beyond thee, and with the Moor did close,14···˘··········
And I made that Moor flee backward at the foremost of my blows.15······/˘··/····
To thee I gave his charger, and kept the thing concealed.14·····/˘····˘/˘
Until this day that cowardice I never have revealed.14·····/˘˘·/˘·˘/
Before the Cid and all men thine own praises didst thou sing,14·········/˘···
How thou slewest the Morisco, and didst a gallant thing.14··/˘·˘/˘···/˘·
And they believed it of thee, knowing not the truth at all.14··˘/···/˘·····
Of thy person art thou handsome, but thy courage it is small,15··/˘··/˘··/˘···
Tongue without hands, the manhood to speak where gottest thou?13·····/····/˘·
CXLIV.1·
"Do thou say on, Ferrándo. That my words are truth avow:14············˘/
That matter of the lion in Valencia dost thou keep14·/˘··/·˘/˘˘···
In mind still, when he burst his bonds while the Cid lay asleep?14············˘/
Ferrándo, then what didst thou, when thy terror overbore?14·········/˘···
Thou didst thrust thyself behind the bench of the Cid Campeador.15···˘/··········
Thou didst hide, Ferrándo, wherefore cheap today thy worth is14······/˘·˘/···
found,1·
But we to guard our master his pallet gathered round,14····/˘/˘·/˘/˘·
Till he who won Valencia out of his sleep did wake.14····˘/˘˘······
He rose up from the pallet, at the lion did he make.14·····/˘··/˘···
His head the lion bended, for the Cid the beast did wait.14···/˘/˘·······
By the neck he let himself be ta'en. In the cage he thrust him15·····˘/········
straight.1·
When came once more the Campeador, there he saw his vassals stand.15············/˘·
He asked about his sons-in-law, but neither found at hand.14·········/˘···
For a wicked man and traitor thy person I arraign.14··/˘··/˘·/˘·˘/
In fight before Alfonso that same I will maintain,13···········˘/
For Dame Sol and Dame Elvíra, for the Cid's daughters' sake.14···········/˘·
Thou didst cast away the ladies thine honor cheap to make.14···˘/·/˘·/˘···
Ye are men to all appearance, tender women are those two;15·····˘/˘/˘/˘···
Yet in every way whatever they are worthier than you.14··/˘··/˘··/˘··
If, when we join the combat, God shall like well in his heart,14·····/˘·······
Thyself shalt thou confess it, like a traitor as thou art.14˘/··˘/···/˘···
Whatever I have uttered shall then be known for true."14·/˘··/˘˘······
And thereupon was ending of speech between these two.13··˘/·/˘······

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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