Chapter V
Then, as the passion of old Gris GrillonA wave swift swelling, grew to highest heightAnd snapped a foaming consummation forthWith salty hissing, came the friar throughThe mass. A stillness of white faces wroughtA transient death on all the hands and breastsOf all the crowd, and men and women stood,One instant, fixed, as they had died upright.Then suddenly Lord Raoul rose up in selleAnd thrust his dagger straight upon the breastOf Gris Grillon, to pin him to the wall;But ere steel-point met flesh, tall Jacques GrillonHad leapt straight upward from the earth, and inThe self-same act had whirled his bow by endWith mighty whirr about his head, and struckThe dagger with so featly stroke and fullThat blade flew up and hilt flew down, and leftLord Raoul unfriended of his weapon.ThenThe fool cried shrilly, "Shall a knight of FranceGo stabbing his own cattle?" And Lord Raoul,Calm with a changing mood, sat still and called:"Here, huntsmen, 'tis my will ye seize the hindThat broke my dagger, bind him to this treeAnd slice both ears to hair-breadth of his head,To be his bloody token of regretThat he hath put them to so foul employAs catching villainous breath of strolling priestsThat mouth at knighthood and defile the Church."The knife . . . . .To place the edge . . .Mary! the blood! it oozes sluggishly,Scorning to come at call of blade so base.Sathanas! He that cuts the ear has leftThe blade sticking at midway, for to turnAnd ask the Duke "if 'tis not doneThus far with nice precision," and the DukeLeans down to see, and cries, "'tis marvellous nice,Shaved as thou wert ear-barber by profession!"Whereat one witling cries, "'tis monstrous fit,In sooth, a shaven-pated priest should haveA shaven-eared audience;" and another,"Give thanks, thou Jacques, to this most gracious DukeThat rids thee of the life-long dread of lossOf thy two ears, by cropping them at once;And now henceforth full safely thou may'st dareThe powerfullest Lord in France to touchAn ear of thine;" and now the knave o' the knifeSeizes the handle to commence again, and sawsAnd . . ha! Lift up thine head, O Henry! Friend!'Tis Marie, walking midway of the street,As she had just stepped forth from out the gateOf the very, very Heaven where God is,Still glittering with the God-shine on her! Look!And there right suddenly the fool looked upAnd saw the crowd divided in two ranks.Raoul pale-stricken as a man that waitsGod's first remark when he hath died intoGod's sudden presence, saw the cropping knaveA-pause with knife in hand, the wondering folkAll straining forward with round-ringed eyes,And Gris Grillon calm smiling while he prayedThe Holy Virgin's blessing.Down the laneBetwixt the hedging bodies of the crowd,Of springy clouds, and bore straight on towardThe Duke. On him her eyes burned steadilyWith such gray fires of heaven-hot commandAs Dawn burns Night away with, and she heldHer white forefinger quivering aloftAt greatest arm's-length of her dainty arm,In menace sweeter than a kiss could beAnd terribler than sudden whispers areThat come from lips unseen, in sunlit room.So with the spell of all the Powers of SenseThat e'er have swayed the savagery of hot bloodRaying from her whole body beautiful,She held the eyes and wills of all the crowd.Then from the numbed hand of him that cut,The knife dropped down, and the quick fool stole inAnd snatched and deftly severed all the withesUnseen, and Jacques burst forth into the crowd,And then the mass completed the long breathThey had forgot to draw, and surged uponThe centre where the maiden stood with soundOf multitudes of blessings, and Lord RaoulRode homeward, silent and most pale and strange,Deep-wrapt in moody fits of hot and cold.(End of Chapter V.)
May the maiden,Violet-ladenOut of the violet sea,Comes and hoversOver lovers,Over thee, Marie, and me,Over me and thee.
Day the stately,Sunken latelyInto the violet sea,Backward hoversOver lovers,Over thee, Marie, and me,Over me and thee.
Night the holy,Sailing slowlyOver the violet sea,Stars uncoversOver lovers,Stars for thee, Marie, and me,Stars for me and thee.
Words in this poem 32
- gris n.
- A costly kind of fur. [OF., fr. gris gray. Cf. G. grauwerk (lit. gray work) the gray skin of the Siberian squirrel. See Gris, a.]
- consummation n.
- The act of consummating, or the state of being consummated; completed; completion; perfection; termination; end (as of the world or of life). [L. consummatio.]
- salty a.
- Somewhat salt; saltish.
- stillness n.
- The quality or state of being still; quietness; silence; calmness; inactivity.
- whirr v. i.
- To whirl round, or revolve, with a whizzing noise; to fly or more quickly with a buzzing or whizzing sound; to whiz.
- featly adv.
- Neatly; dexterously; nimbly. [From Feat, a.]
- unfriended a.
- Wanting friends; not befriended; not countenanced or supported.
- shrilly a.
- Somewhat shrill.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- sathanas n.
- Satan. Chaucer. Wyclif.
- midway n.
- The middle of the way or distance; a middle way or course.
- duke n.
- A leader; a chief; a prince. [F. duc, fr. L. dux, ducis, leader, commander, fr. ducere to lead; akin to AS. teón to draw; cf. AS. heretoga (here army) an army leader, general, G. herzog duke]
- whereat adv.
- At which; upon which; whereupon; -- used relatively.
- witling n.
- A person who has little wit or understanding; a pretender to wit or smartness. [Wit + -ling; cf. G. witzling.]
- sooth a.
- True; faithful; trustworthy. [OE. soth, AS. s, for san; akin to OS. s, OHG. sand, Icel. sannr, Sw. sann, Dan. sand, Skr. sat, sant, real, genuine, present, being; properly p. pr. from a root]
- henceforth adv.
- From this time forward; henceforward.
- knave n.
- A boy; especially, a boy servant. Wyclif. [OE., boy, servant, knave, AS. cnafa boy, youth; cf. AS. cnapa boy, youth, D. kna, G. knabe boy, knappe esquire, Icel. knapi, Sw. knape esquire, knäfvel knave.]
- stricken p. p.
- Struck; smitten; wounded; as, the stricken deer.
- folk n.
- In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
- betwixt prep.
- In the space which separates; between. [OE. betwix, bitwix, rarely bitwixt, AS. betweox, betweohs, betweoh, betwih; pref. be- by + a form fr. AS. twa two. See Between.]
- forefinger n.
- The finger next to the thumb; the index.
- dainty n.
- Value; estimation; the gratification or pleasure taken in anything. [OE. deinie, dainte, deintie, deyntee, OF. deintié delicacy, orig., dignity, honor, fr. L. dignitas, fr. dignus worthy. See Deign, and cf. Dignity.]
- unseen a.
- Not seen or discovered.
- sunlit a.
- Lighted by the sun.
- swayed a.
- Bent down, and hollow in the back; sway-backed; -- said of a horse.
- savagery n.
- The state of being savage; savageness; savagism. [F. sauvagerie.]
- stole n.
- A long, loose garment reaching to the feet. [AS. stole, L. stola, Gr. stall. See Stall.]
- deftly adv.
- Aptly; fitly; dexterously; neatly. [Cf. Defly.]
- centre v. i.
- To be placed in a center; to be central.
- rode n.
- Redness; complexion. [See Rud.]
- homeward a.
- Being in the direction of home; as, the homeward way.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Chapter V is in the public domain. This text is taken from The Poems of Sidney Lanier, Project Gutenberg ebook #579; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Sidney Lanier, Chapter V, in Poems (1884), text of Project Gutenberg ebook #579, Laurel, https://laurelpoetry.com/poem/lanier-poems/chapter-v.html, id L07673.
Form and metre
Chapter V is 110 lines in 4 stanzas. The rhyme scheme is AABCCBB, complete in 3 of its 4 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 8.8 syllables. 19 lines end on an unstressed syllable, a feminine ending. 56% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -----------------AA---------------BB--B----------------------------------------C---C----- grillon · height · forth · through · wrought · breasts · stood · upright · selle · breast · wall · grillon · in · end · struck · full · left · weaponA · thenA · france · raoul · called · hind · tree · head · regret · employ · priests · church · knife · edge · sluggishly · base · left · turnB · doneB · duke · nice · professionB · fit · have · another · duke · loss · once · dare · touch · knife · saws · friend · street · gate · is · look · up · ranks · waits · into · knave · folk · eyes · prayed · blessing · lane · crowd · toward · steadily · command · held · aloft · arm · be · are · room · sense · blood · beautiful · crowd · cut · inC · withes · crowd · breath · uponC · sound · raoul · strange · cold · v
- 2 AABCCBB maidenA · ladenA · seaB · hoversC · loversC · meB · theeB
- 3 AABCCBB statelyA · latelyA · seaB · hoversC · loversC · meB · theeB
- 4 AABCCBB holyA · slowlyA · seaB · uncoversC · loversC · meB · theeB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Then, as the passion of old Gris Grillon | 10 | ···/˘····· |
| A wave swift swelling, grew to highest height | 10 | ···/˘··/˘· |
| And snapped a foaming consummation forth | 10 | ···/˘·˘/˘· |
| With salty hissing, came the friar through | 10 | ·/˘/˘··/˘· |
| The mass. A stillness of white faces wrought | 10 | ···/˘··/˘· |
| A transient death on all the hands and breasts | 10 | ·/˘······· |
| Of all the crowd, and men and women stood, | 10 | ·······/˘· |
| One instant, fixed, as they had died upright. | 10 | ·/˘·····˘/ |
| Then suddenly Lord Raoul rose up in selle | 10 | ·/˘·˘/···· |
| And thrust his dagger straight upon the breast | 10 | ···/˘····· |
| Of Gris Grillon, to pin him to the wall; | 10 | ·········· |
| But ere steel-point met flesh, tall Jacques Grillon | 10 | ·········· |
| Had leapt straight upward from the earth, and in | 10 | ···/˘····· |
| The self-same act had whirled his bow by end | 10 | ·········· |
| With mighty whirr about his head, and struck | 10 | ·/˘······· |
| The dagger with so featly stroke and full | 10 | ·/˘··/˘··· |
| That blade flew up and hilt flew down, and left | 10 | ·········· |
| Lord Raoul unfriended of his weapon. | 10 | ·˘/˘/˘··/˘ |
| Then | 1 | · |
| The fool cried shrilly, "Shall a knight of France | 10 | ···/˘····· |
| Go stabbing his own cattle?" And Lord Raoul, | 11 | ·/˘··/˘··˘/ |
| Calm with a changing mood, sat still and called: | 10 | ···/˘····· |
| "Here, huntsmen, 'tis my will ye seize the hind | 10 | ·········· |
| That broke my dagger, bind him to this tree | 10 | ···/˘····· |
| And slice both ears to hair-breadth of his head, | 10 | ·········· |
| To be his bloody token of regret | 10 | ···/˘/˘·˘/ |
| That he hath put them to so foul employ | 10 | ········˘/ |
| As catching villainous breath of strolling priests | 10 | ·/˘/˘··/˘· |
| That mouth at knighthood and defile the Church." | 10 | ···/··˘/·· |
| The knife . . . . . | 2 | ·· |
| To place the edge . . . | 4 | ···· |
| Mary! the blood! it oozes sluggishly, | 10 | /˘···/˘/˘˘ |
| Scorning to come at call of blade so base. | 10 | /˘········ |
| Sathanas! He that cuts the ear has left | 10 | /˘˘······· |
| The blade sticking at midway, for to turn | 10 | ··/˘·/···· |
| And ask the Duke "if 'tis not done | 8 | ········ |
| Thus far with nice precision," and the Duke | 10 | ····˘/˘··· |
| Leans down to see, and cries, "'tis marvellous nice, | 11 | ··········· |
| Shaved as thou wert ear-barber by profession!" | 11 | ·····/˘·˘/˘ |
| Whereat one witling cries, "'tis monstrous fit, | 10 | ˘/·/˘··/˘· |
| In sooth, a shaven-pated priest should have | 10 | ···/˘/˘··· |
| A shaven-eared audience;" and another, | 11 | ·/˘·/˘˘·˘/˘ |
| "Give thanks, thou Jacques, to this most gracious Duke | 10 | ·······/˘· |
| That rids thee of the life-long dread of loss | 10 | ·········· |
| Of thy two ears, by cropping them at once; | 10 | ·····/˘··· |
| And now henceforth full safely thou may'st dare | 10 | ··//·/˘··· |
| The powerfullest Lord in France to touch | 10 | ·/˘˘˘····· |
| An ear of thine;" and now the knave o' the knife | 11 | ··········· |
| Seizes the handle to commence again, and saws | 12 | /˘·/˘·˘/˘/·· |
| And . . ha! Lift up thine head, O Henry! Friend! | 10 | ·······/˘· |
| 'Tis Marie, walking midway of the street, | 10 | ·˘//˘/···· |
| As she had just stepped forth from out the gate | 10 | ·········· |
| Of the very, very Heaven where God is, | 10 | ··/˘/˘/··· |
| Still glittering with the God-shine on her! Look! | 10 | ·/˘······· |
| And there right suddenly the fool looked up | 10 | ···/˘˘···· |
| And saw the crowd divided in two ranks. | 10 | ····˘/˘··· |
| Raoul pale-stricken as a man that waits | 10 | ˘/·/˘····· |
| God's first remark when he hath died into | 10 | ··˘/······ |
| God's sudden presence, saw the cropping knave | 10 | ·/˘/˘··/˘· |
| A-pause with knife in hand, the wondering folk | 10 | ·······/˘· |
| All straining forward with round-ringed eyes, | 10 | ·/˘/˘···˘· |
| And Gris Grillon calm smiling while he prayed | 10 | ·····/˘··· |
| The Holy Virgin's blessing. | 7 | ·/˘/˘/˘ |
| Down the lane | 3 | ··· |
| Betwixt the hedging bodies of the crowd, | 10 | ˘/·/˘/˘··· |
| Of springy clouds, and bore straight on toward | 10 | ·/˘······· |
| The Duke. On him her eyes burned steadily | 10 | ·······/˘˘ |
| With such gray fires of heaven-hot command | 10 | ···/·/˘·˘/ |
| As Dawn burns Night away with, and she held | 10 | ····˘/···· |
| Her white forefinger quivering aloft | 10 | ··/·˘/˘˘˘/ |
| At greatest arm's-length of her dainty arm, | 10 | ·/˘····/˘· |
| In menace sweeter than a kiss could be | 10 | ·/˘/˘····· |
| And terribler than sudden whispers are | 10 | ·····/˘/˘· |
| That come from lips unseen, in sunlit room. | 10 | ····˘/·/·· |
| So with the spell of all the Powers of Sense | 10 | ·······/·· |
| That e'er have swayed the savagery of hot blood | 12 | ·····/˘·˘··· |
| Raying from her whole body beautiful, | 9 | ····/˘/˘˘ |
| She held the eyes and wills of all the crowd. | 10 | ·········· |
| Then from the numbed hand of him that cut, | 10 | ····˘····· |
| The knife dropped down, and the quick fool stole in | 10 | ·········· |
| And snatched and deftly severed all the withes | 10 | ···/˘/˘··· |
| Unseen, and Jacques burst forth into the crowd, | 10 | ˘/········ |
| And then the mass completed the long breath | 10 | ····˘/˘··· |
| They had forgot to draw, and surged upon | 10 | ··˘/······ |
| The centre where the maiden stood with sound | 10 | ·/˘··/˘··· |
| Of multitudes of blessings, and Lord Raoul | 11 | ·/˘··/˘··˘/ |
| Rode homeward, silent and most pale and strange, | 10 | ·/˘/˘····· |
| Deep-wrapt in moody fits of hot and cold. | 10 | ···/˘····· |
| (End of Chapter V.) | 5 | ··/˘· |
| May the maiden, | 4 | ··/˘ |
| Violet-laden | 5 | /˘˘/˘ |
| Out of the violet sea, | 7 | ···/˘˘· |
| Comes and hovers | 4 | ··/˘ |
| Over lovers, | 4 | ··/˘ |
| Over thee, Marie, and me, | 7 | ···˘/·· |
| Over me and thee. | 5 | ····· |
| Day the stately, | 4 | ··/˘ |
| Sunken lately | 4 | /˘/˘ |
| Into the violet sea, | 7 | ···/˘˘· |
| Backward hovers | 4 | /˘/˘ |
| Over lovers, | 4 | ··/˘ |
| Over thee, Marie, and me, | 7 | ···˘/·· |
| Over me and thee. | 5 | ····· |
| Night the holy, | 4 | ··/˘ |
| Sailing slowly | 4 | /˘/˘ |
| Over the violet sea, | 7 | ···/˘˘· |
| Stars uncovers | 4 | ··/˘ |
| Over lovers, | 4 | ··/˘ |
| Stars for thee, Marie, and me, | 7 | ···˘/·· |
| Stars for me and thee. | 5 | ····· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.