Acknowledgment

Sidney Lanier (1842–1881) · 1884

iambic pentameter · 56 lines · from Poems

O Age that half believ'st thou half believ'st,Half doubt'st the substance of thine own half doubt,And, half perceiving that thou half perceiv'st,Stand'st at thy temple door, heart in, head out!Lo! while thy heart's within, helping the choir,Without, thine eyes range up and down the time,Blinking at o'er-bright science, smit with desireTo see and not to see. Hence, crime on crime.Yea, if the Christ (called thine) now paced yon street,Thy halfness hot with His rebuke would swell;Legions of scribes would rise and run and beatHis fair intolerable Wholeness twice to hell.`Nay' (so, dear Heart, thou whisperest in my soul),`'Tis a half time, yet Time will make it whole.'

Now at thy soft recalling voice I riseWhere thought is lord o'er Time's complete estate,Like as a dove from out the gray sedge fliesTo tree-tops green where cooes his heavenly mate.From these clear coverts high and cool I seeHow every time with every time is knit,And each to all is mortised cunningly,And none is sole or whole, yet all are fit.Thus, if this Age but as a comma show'Twixt weightier clauses of large-worded years,My calmer soul scorns not the mark: I knowThis crooked point Time's complex sentence clears.Yet more I learn while, Friend! I sit by thee:Who sees all time, sees all eternity.

If I do ask, How God can dumbness keepWhile Sin creeps grinning through His house of Time,Stabbing His saintliest children in their sleep,And staining holy walls with clots of crime? --Or, How may He whose wish but names a factRefuse what miser's-scanting of supplyWould richly glut each void where man hath lackedOf grace or bread? -- or, How may Power denyWholeness to th' almost-folk that hurt our hope --These heart-break Hamlets who so barely failIn life or art that but a hair's more scopeHad set them fair on heights they ne'er may scale? --Somehow by thee, dear Love, I win content:Thy Perfect stops th' Imperfect's argument.

By the more height of thy sweet stature grown,Twice-eyed with thy gray vision set in mine,I ken far lands to wifeless men unknown,I compass stars for one-sexed eyes too fine.No text on sea-horizons cloudily writ,No maxim vaguely starred in fields or skies,But this wise thou-in-me deciphers it:Oh, thou'rt the Height of heights, the Eye of eyes.Not hardest Fortune's most unbounded stressCan blind my soul nor hurl it from on high,Possessing thee, the self of loftiness,And very light that Light discovers by.Howe'er thou turn'st, wrong Earth! still Love's in sight:For we are taller than the breadth of night.

Words in this poem

smit
3d. pers. sing. pres. of Smite.
halfness n.
The quality of being half; incompleteness.
wholeness n.
The quality or state of being whole, entire, or sound; entireness; totality; completeness.
comma n.
A character or point [,] marking the smallest divisions of a sentence, written or printed. [L. comma part of a sentence, comma, Gr. Capon.]
calmer n.
One who, or that which, makes calm.
dumbness n.
The quality or state of being dumb; muteness; silence; inability to speak.
folk n.
In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
somehow adv.
In one way or another; in some way not yet known or designated; by some means; as, the thing must be done somehow; he lives somehow.
wifeless a.
Without a wife; unmarried.
cloudily adv.
In a cloudy manner; darkly; obscurely.
starred a.
Adorned or studded with stars; bespangled. [From Star.]
loftiness n.
The state or quality of being lofty.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Acknowledgment is in the public domain. This text is taken from The Poems of Sidney Lanier, Project Gutenberg ebook #579; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Sidney Lanier, Acknowledgment, in Poems (1884), text of Project Gutenberg ebook #579, Laurel, https://laurelpoetry.com/poem/lanier-poems/acknowledgment.html, id L07628.

Form and metre

Acknowledgment is 56 lines in 4 stanzas of 14 lines each. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 6 lines end on an unstressed syllable, a feminine ending. 27% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-ABCBCDEDEFF believ'st · doubtA · perceiv'st · outA · choirB · timeC · desireB · crimeC · streetD · swellE · beatD · hellE · soulF · wholeF
  2. 2 ABABCD-DEFEFC- riseA · estateB · fliesA · mateB · seeC · knitD · cunningly · fitD · showE · yearsF · knowE · clearsF · theeC · eternity
  3. 3 ABABCDCDEFEF-- keepA · timeB · sleepA · crimeB · factC · supplyD · lackedC · denyD · hopeE · failF · scopeE · scaleF · content · argument
  4. 4 ABABCDCDEFEFGG grownA · mineB · unknownA · fineB · writC · skiesD · itC · eyesD · stressE · highF · loftinessE · byF · sightG · nightG
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
O Age that half believ'st thou half believ'st,10··········
Half doubt'st the substance of thine own half doubt,10···/˘·····
And, half perceiving that thou half perceiv'st,10··˘/˘·····
Stand'st at thy temple door, heart in, head out!10···/˘·····
Lo! while thy heart's within, helping the choir,11······/˘·/˘
Without, thine eyes range up and down the time,10··········
Blinking at o'er-bright science, smit with desire11/˘···/˘··˘/
To see and not to see. Hence, crime on crime.10··········
Yea, if the Christ (called thine) now paced yon street,10··········
Thy halfness hot with His rebuke would swell;10·/˘···˘/··
Legions of scribes would rise and run and beat10/˘········
His fair intolerable Wholeness twice to hell.10··˘/˘/˘···
`Nay' (so, dear Heart, thou whisperest in my soul),10·····/˘···
`'Tis a half time, yet Time will make it whole.'10··········
Now at thy soft recalling voice I rise10····˘/˘···
Where thought is lord o'er Time's complete estate,10······˘/˘/
Like as a dove from out the gray sedge flies10··········
To tree-tops green where cooes his heavenly mate.10·······/˘·
From these clear coverts high and cool I see10···/˘·····
How every time with every time is knit,10·/˘··/˘···
And each to all is mortised cunningly,10·····/˘/˘˘
And none is sole or whole, yet all are fit.10··········
Thus, if this Age but as a comma show10·······/˘·
'Twixt weightier clauses of large-worded years,10···/˘··/˘·
My calmer soul scorns not the mark: I know10·/˘·······
This crooked point Time's complex sentence clears.10·/˘··/˘/˘·
Yet more I learn while, Friend! I sit by thee:10··········
Who sees all time, sees all eternity.10······˘/˘˘
If I do ask, How God can dumbness keep10·······/˘·
While Sin creeps grinning through His house of Time,10···/˘·····
Stabbing His saintliest children in their sleep,10/˘···/˘···
And staining holy walls with clots of crime? --10·/˘/˘·····
Or, How may He whose wish but names a fact10··········
Refuse what miser's-scanting of supply10˘/·/˘/˘·˘/
Would richly glut each void where man hath lacked10·/˘·······
Of grace or bread? -- or, How may Power deny10·······/˘/
Wholeness to th' almost-folk that hurt our hope --10/˘·/····/·
These heart-break Hamlets who so barely fail10···/˘··/˘·
In life or art that but a hair's more scope10··········
Had set them fair on heights they ne'er may scale? --10··········
Somehow by thee, dear Love, I win content:10/·······/˘
Thy Perfect stops th' Imperfect's argument.10·/··˘/˘/˘˘
By the more height of thy sweet stature grown,10·······/˘·
Twice-eyed with thy gray vision set in mine,10·····/˘···
I ken far lands to wifeless men unknown,10·····/˘·˘/
I compass stars for one-sexed eyes too fine.10·/˘·······
No text on sea-horizons cloudily writ,11····˘/˘/˘˘·
No maxim vaguely starred in fields or skies,10·/˘/˘·····
But this wise thou-in-me deciphers it:10······˘/˘·
Oh, thou'rt the Height of heights, the Eye of eyes.10··········
Not hardest Fortune's most unbounded stress10·/˘/˘·˘/˘·
Can blind my soul nor hurl it from on high,10··········
Possessing thee, the self of loftiness,10˘/˘····/˘˘
And very light that Light discovers by.10·/˘···˘/˘·
Howe'er thou turn'st, wrong Earth! still Love's in sight:10··········
For we are taller than the breadth of night.10···/˘·····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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