Rémy Belleau: April
APRIL, pride of woodland ways,Of glad days,April, bringing hope of prime,To the young flowers that beneathTheir bud sheathAre guarded in their tender time;
April, pride of fields that beGreen and free,That in fashion glad and gay,Stud with flowers red and blue,Every hue,Their jewelled spring array;
April, pride of murmuringWinds of spring,That beneath the winnowed air,Trap with subtle nets and sweetFlora’s feet,Flora’s feet, the fleet and fair;
April, by thy hand caressed,From her breastNature scatters everywhereHandfuls of all sweet perfumes,Buds and blooms,Making faint the earth and air.
April, joy of the green hours,Clothes with flowersOver all her locks of goldMy sweet Lady; and her breastWith the blestBirds of summer manifold.
April, with thy gracious wiles,Like the smiles,Smiles of Venus; and thy breathLike her breath, the Gods’ delight,(From their heightThey take the happy air beneath;)
It is thou that, of thy grace,From their placeIn the far-oft isles dost bringSwallows over earth and sea,Glad to beMessengers of thee, and Spring.
Daffodil and eglantine,And woodbine,Lily, violet, and rosePlentiful in April fair,To the air,Their pretty petals do unclose.
Nightingales ye now may hear,Piercing clear,Singing in the deepest shade;Many and many a babbled noteChime and float,Woodland music through the glade.
April, all to welcome thee,Spring sets freeAncient flames, and with low breathWakes the ashes grey and oldThat the coldChilled within our hearts to death.
Thou beholdest in the warmHours, the swarmOf the thievish bees, that fliesEvermore from bloom to bloomFor perfume,Hid away in tiny thighs.
Her cool shadows May can boast,Fruits almostRipe, and gifts of fertile dew,Manna-sweet and honey-sweet,That completeHer flower garland fresh and new.
Nay, but I will give my praise,To these days,Named with the glad name of HerThat from out the foam o’ the seaCame to beSudden light on earth and air.
Words in this poem
- chime n.
- The harmonious sound of bells, or of musical instruments. [OE. chimbe, prop., cymbal, OF. cymbe, cymble, in a dialectic form, chymble, F. cymbale, L. cymbalum, fr. Gr. Cymbal.]
- glade n.
- An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
- chilled a.
- Hardened on the surface or edge by chilling; as, chilled iron; a chilled wheel.
- evermore adv.
- During eternity; always; forever; for an indefinite period; at all times; -- often used substantively with for.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Rémy Belleau: April is in the public domain. This text is taken from Ballads and Lyrics of Old France, with Other Poems, Project Gutenberg ebook #795, the Andrew Lang translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Various, Rémy Belleau: April, in Ballads and Lyrics of Old France (1872), text of Project Gutenberg ebook #795, Laurel, https://laurelpoetry.com/poem/lang-old-france/april.html, id L26894.
Form and metre
Rémy Belleau: April is 78 lines in 13 stanzas of 6 lines each. The rhyme scheme is AABCCB, complete in 12 of its 13 stanzas. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 88%).
See other poems in trochaic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABCCB waysA · daysA · primeB · beneathC · sheathC · timeB
- 2 AABCCB beA · freeA · gayB · blueC · hueC · arrayB
- 3 AABCCB murmuringA · springA · airB · sweetC · feetC · fairB
- 4 AABCCB caressedA · breastA · everywhereB · perfumesC · bloomsC · airB
- 5 AABCCB hoursA · flowersA · goldB · breastC · blestC · manifoldB
- 6 AABCCB wilesA · smilesA · breathB · delightC · heightC · beneathB
- 7 AABCCB graceA · placeA · bringB · seaC · beC · springB
- 8 AABCCB eglantineA · woodbineA · roseB · fairC · airC · uncloseB
- 9 AABCCB hearA · clearA · shadeB · noteC · floatC · gladeB
- 10 AABCCB theeA · freeA · breathB · oldC · coldC · deathB
- 11 AABCCB warmA · swarmA · fliesB · bloomC · perfumeC · thighsB
- 12 AABCCB boastA · almostA · dewB · sweetC · completeC · newB
- 13 AA-BB- praiseA · daysA · her · seaB · beB · air
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| APRIL, pride of woodland ways, | 7 | /˘··/·· |
| Of glad days, | 3 | ··· |
| April, bringing hope of prime, | 7 | /˘/˘··· |
| To the young flowers that beneath | 8 | ···/˘··· |
| Their bud sheath | 3 | ··· |
| Are guarded in their tender time; | 8 | ·/˘··/˘· |
| April, pride of fields that be | 7 | /˘····· |
| Green and free, | 3 | ··· |
| That in fashion glad and gay, | 7 | ··/˘··· |
| Stud with flowers red and blue, | 7 | ··/˘··· |
| Every hue, | 4 | /˘˘· |
| Their jewelled spring array; | 6 | ·/˘·˘/ |
| April, pride of murmuring | 7 | /˘··/˘˘ |
| Winds of spring, | 3 | ··· |
| That beneath the winnowed air, | 7 | ····/·· |
| Trap with subtle nets and sweet | 7 | ··/˘··· |
| Flora’s feet, | 3 | /˘· |
| Flora’s feet, the fleet and fair; | 7 | /˘····· |
| April, by thy hand caressed, | 7 | /˘···˘/ |
| From her breast | 3 | ··· |
| Nature scatters everywhere | 7 | /˘/˘/˘· |
| Handfuls of all sweet perfumes, | 7 | /····˘/ |
| Buds and blooms, | 3 | ··· |
| Making faint the earth and air. | 7 | /˘····· |
| April, joy of the green hours, | 8 | /˘····/˘ |
| Clothes with flowers | 4 | ··/˘ |
| Over all her locks of gold | 7 | ······· |
| My sweet Lady; and her breast | 7 | ··/˘··· |
| With the blest | 3 | ··· |
| Birds of summer manifold. | 7 | ··/˘/˘· |
| April, with thy gracious wiles, | 7 | /˘··/˘· |
| Like the smiles, | 3 | ··· |
| Smiles of Venus; and thy breath | 7 | ··/˘··· |
| Like her breath, the Gods’ delight, | 7 | ·····˘/ |
| (From their height | 3 | ··· |
| They take the happy air beneath;) | 8 | ···/˘··· |
| It is thou that, of thy grace, | 7 | ······· |
| From their place | 3 | ··· |
| In the far-oft isles dost bring | 7 | ······· |
| Swallows over earth and sea, | 7 | /˘····· |
| Glad to be | 3 | ··· |
| Messengers of thee, and Spring. | 7 | /˘˘···· |
| Daffodil and eglantine, | 7 | /˘··/˘· |
| And woodbine, | 3 | ·/˘ |
| Lily, violet, and rose | 7 | /˘/˘˘·· |
| Plentiful in April fair, | 7 | /˘˘·/˘· |
| To the air, | 3 | ··· |
| Their pretty petals do unclose. | 8 | ·/˘/˘·˘/ |
| Nightingales ye now may hear, | 7 | /˘˘···· |
| Piercing clear, | 3 | /˘· |
| Singing in the deepest shade; | 7 | /˘··/˘· |
| Many and many a babbled note | 8 | /·/˘·/˘· |
| Chime and float, | 3 | ··· |
| Woodland music through the glade. | 7 | /·/˘··· |
| April, all to welcome thee, | 7 | /˘··/˘· |
| Spring sets free | 3 | ··· |
| Ancient flames, and with low breath | 7 | /˘····· |
| Wakes the ashes grey and old | 7 | ··/˘··· |
| That the cold | 3 | ··· |
| Chilled within our hearts to death. | 8 | ···/˘··· |
| Thou beholdest in the warm | 7 | ·˘/˘··· |
| Hours, the swarm | 4 | /˘·· |
| Of the thievish bees, that flies | 7 | ··/˘··· |
| Evermore from bloom to bloom | 7 | /˘····· |
| For perfume, | 3 | ·˘/ |
| Hid away in tiny thighs. | 7 | ·˘/·/˘· |
| Her cool shadows May can boast, | 7 | ··/···· |
| Fruits almost | 3 | ·/· |
| Ripe, and gifts of fertile dew, | 7 | ····/˘· |
| Manna-sweet and honey-sweet, | 7 | /˘··/˘· |
| That complete | 3 | ·˘/ |
| Her flower garland fresh and new. | 8 | ·/˘/˘··· |
| Nay, but I will give my praise, | 7 | ······· |
| To these days, | 3 | ··· |
| Named with the glad name of Her | 7 | ······· |
| That from out the foam o’ the sea | 8 | ········ |
| Came to be | 3 | ··· |
| Sudden light on earth and air. | 7 | /˘····· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.