The Moon-Path

Archibald Lampman (1861–1899) · 1895

iambic tetrameter · 40 lines · from Lyrics of Earth

The full, clear moon uprose and spreadHer cold, pale splendor o'er the sea;A light-strewn path that seemed to leadOutward into eternity.Between the darkness and the gleamAn old-world spell encompassed me:Methought that in a godlike dreamI trod upon the sea.

And lo! upon that glimmering road,In shining companies unfurled,The trains of many a primal god,The monsters of the elder world;Strange creatures that, with silver wings,Scarce touched the ocean's thronging floor,The phantoms of old tales, and thingsWhose shapes are known no more.

Giants and demi-gods who onceWere dwellers of the earth and sea,And they who from Deucalion's stones,Rose men without an infancy;Beings on whose majestic lidsTime's solemn secrets seemed to dwell,Tritons and pale-limbed Nereids,And forms of heaven and hell.

Some who were heroes long of yore,When the great world was hale and young;And some whose marble lips yet pourThe murmur of an antique tongue;Sad queens, whose names are like soft moans,Whose griefs were written up in gold;And some who on their silver thronesWere goddesses of old.

As if I had been dead indeed,And come into some after-land,I saw them pass me, and take heed,And touch me with each mighty hand;And evermore a murmurous stream,So beautiful they seemed to me,Not less than in a godlike dreamI trod the shining sea.

Words in this poem

primal a.
First; primary; original; chief. [LL. primalis, fr. L. primus the first. See Prime, a.]
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
yore adv.
In time long past; in old time; long since. [OE. , yare, , AS. geára;akin to geár a year, E. year. Year.]
evermore adv.
During eternity; always; forever; for an indefinite period; at all times; -- often used substantively with for.
murmurous a.
Attended with murmurs; exciting murmurs or complaint; murmuring. [Cf. L. murmuriosus, OF. murmuros.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Moon-Path is in the public domain. This text is taken from Lyrics of Earth, Project Gutenberg ebook #12664; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Archibald Lampman, The Moon-Path, in Lyrics of Earth (1895), text of Project Gutenberg ebook #12664, Laurel, https://laurelpoetry.com/poem/lampman-lyrics/the-moon-path.html, id L11103.

Form and metre

The Moon-Path is 40 lines in 5 stanzas of 8 lines each. The commonest rhyme scheme is ABABCDCD, in 2 of the 5 stanzas; the rest vary or could not be confirmed. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 88%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 7.8 syllables. 2 lines end on an unstressed syllable, a feminine ending. 25% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABA-CBCB spreadA · seaB · leadA · eternity · gleamC · meB · dreamC · seaB
  2. 2 -A-ABCBC road · unfurledA · god · worldA · wingsB · floorC · thingsB · moreC
  3. 3 ----ABAB once · sea · stones · infancy · lidsA · dwellB · nereidsA · hellB
  4. 4 ABABCDCD yoreA · youngB · pourA · tongueB · moansC · goldD · thronesC · oldD
  5. 5 ABABCDCD indeedA · landB · heedA · handB · streamC · meD · dreamC · seaD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
The full, clear moon uprose and spread8········
Her cold, pale splendor o'er the sea;8···/˘···
A light-strewn path that seemed to lead8········
Outward into eternity.8/˘··˘/˘˘
Between the darkness and the gleam8···/˘···
An old-world spell encompassed me:8····˘/˘·
Methought that in a godlike dream8˘/···/˘·
I trod upon the sea.6······
And lo! upon that glimmering road,8·····/˘·
In shining companies unfurled,8·/˘/˘˘˘/
The trains of many a primal god,8···/·/˘·
The monsters of the elder world;8·/˘··/˘·
Strange creatures that, with silver wings,8·/˘··/˘·
Scarce touched the ocean's thronging floor,8···/˘/˘·
The phantoms of old tales, and things8·/˘·····
Whose shapes are known no more.6······
Giants and demi-gods who once8/˘·/˘···
Were dwellers of the earth and sea,8·/˘·····
And they who from Deucalion's stones,8········
Rose men without an infancy;8·····/˘˘
Beings on whose majestic lids8/˘··˘/˘·
Time's solemn secrets seemed to dwell,8·/˘/˘···
Tritons and pale-limbed Nereids,8/˘···˘··
And forms of heaven and hell.7···/˘··
Some who were heroes long of yore,8···/˘···
When the great world was hale and young;8········
And some whose marble lips yet pour8···/˘···
The murmur of an antique tongue;8·/˘··˘/·
Sad queens, whose names are like soft moans,8········
Whose griefs were written up in gold;8···/˘···
And some who on their silver thrones8·····/˘·
Were goddesses of old.6·/˘˘··
As if I had been dead indeed,8······˘/
And come into some after-land,8········
I saw them pass me, and take heed,8········
And touch me with each mighty hand;8·····/˘·
And evermore a murmurous stream,9·/˘··/˘˘·
So beautiful they seemed to me,8·/˘˘····
Not less than in a godlike dream8·····/˘·
I trod the shining sea.6···/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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