Book VIII: Thyrsis and Amaranth

Jean de La Fontaine (1621–1695), translated by Elizur Wright · 1841

iambic tetrameter · octosyllabic couplets · 87 lines · from The Fables of La Fontaine

I had the Phrygian quit,Charm'd with Italian wit;But a divinityWould on Parnassus seeA fable more from me.Such challenge to refuse,Without a good excuse,Is not the way to useDivinity or muse.Especially to oneOf those who truly are,By force of being fair,Made queens of human will.A thing should not be doneIn all respects so ill.For, be it known to all,From Sillery the callHas come for bird, and beast,And insects, to the least;To clothe their thoughts sublimeIn this my simple rhyme.In saying Sillery,All's said that need to be.Her claim to it so good,Few fail to give her placeAbove the human race:How could they, if they would?

Now come we to our end:--As she opines my talesAre hard to comprehend--For even genius failsSome things to understand--So let us take in handTo make unnecessary,For once, a commentary.Come shepherds now,--and rhyme we afterwardsThe talk between the wolves and fleecy herds.

To Amaranth, the young and fair,Said Thyrsis, once, with serious air,--'O, if you knew, like me, a certain ill,With which we men are harm'd,As well as strangely charm'd,No boon from Heaven your heart could like it fill!Please let me name it in your ear,--A harmless word,--you need not fear.Would I deceive you, you, for whom I bearThe tenderest sentiments that ever were?'Then Amaranth replied,'What is its name? I beg you, do not hide'''Tis LOVE.'--' The word is beautiful! revealIts signs and symptoms, how it makes one feel.'--'Its pains are ecstacies. So sweet its stings,The nectar-cups and incense-pots of kings,Compared, are flat, insipid things.One strays all lonely in the wood--Leans silent o'er the placid flood,And there with great complacency,A certain face can see--'Tis not one's own--but image fair,Retreating,Fleeting,Meeting,Greeting,Following everywhere.For all the rest of human kind,One is as good, in short, as blind.There is a shepherd wight, I ween,Well known upon the village green,Whose voice, whose name, whose turning of the hingeExcites upon the cheek a richer tinge--The thought of whom is signal for a sigh--The breast that heaves it knows not why--Whose face the maiden fears to see,Yet none so welcome still as he.'--Here Amaranth cut short his speech:'O! O! is that the evil which you preach?To me I think it is no stranger;I must have felt its power and danger.'Here Thrysis thought his end was gain'd,When further thus the maid explain'd:''Tis just the very sentimentWhich I have felt for Clidamant!'The other, vex'd and mortified,Now bit his lips, and nearly died.

Like him are multitudes, who whenTheir own advancement they have meant,Have play'd the game of other men.

Words in this poem

parnassus n.
A mountain in Greece, sacred to Apollo and the Muses, and famous for a temple of Apollo and for the Castalian spring. Grass of Parnassus. (Bot.) See under Grass, and Parnassia.
commentary n.
A series of comments or annotations; esp., a book of explanations or expositions on the whole or a part of the Scriptures or of some other work. [L. commentarius, commentarium, note book, commentary: cf. F. commentaire. See Comment, v. i.]
fleecy a.
Covered with, made of, or resembling, a fleece.
amaranth n.
An imaginary flower supposed never to fade.
strangely adv.
As something foreign, or not one's own; in a manner adapted to something foreign and strange.
boon n.
A prayer or petition. [OE. bone, boin, a petition, fr. Icel. b; akin to Sw. & Dan. b, AS. b, and perh. to E. ban; but influenced by F. bon good, fr. L. bonus. Ban, Bounty.]
placid a.
Pleased; contented; unruffied; undisturbed; serene; peaceful; tranquil; quiet; gentle. [L. placidus, originally, pleasing, mild, from placere to please: cf. F. placide. See Please.]
complacency n.
Calm contentment; satisfaction; gratification. [LL. complacentia: cf. F. complaisance. See Complacent, and cf. Complaisance.]
wight n.
A whit; a bit; a jot. [OE. wight, wiht, a wight, a whit, AS. wiht, wuht, a creature, a thing; skin to D. wicht a child, OS. & OHG. wiht a creature, thing, G. wicht a creature, Icel. v]
ween v. i.
To think; to imagine; to fancy. [OE. wenen, AS. w, fr. w hope, expectation, opinion; akin to D. waan, OFries. w, OS. & OHG. wan, G. wahn delusion, Icel. van hope, expectation, Goth. w, and D. w]
heaves n.
A disease of horses, characterized by difficult breathing, with heaving of the flank, wheezing, flatulency, and a peculiar cough; broken wind.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Book VIII: Thyrsis and Amaranth is in the public domain. This text is taken from The Fables of La Fontaine, Project Gutenberg ebook #7241, the Elizur Wright translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Jean de La Fontaine, Book VIII: Thyrsis and Amaranth, in The Fables of La Fontaine (1841), text of Project Gutenberg ebook #7241, Laurel, https://laurelpoetry.com/poem/la-fontaine-fables/8-13.html, id L28367.

Form and metre

Book VIII: Thyrsis and Amaranth is 87 lines in 4 verse paragraphs. It is in rhyming couplets, 55% of the lines: octosyllabic couplets. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter.

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AA-BBCCCCD--EDEFFGGHH-BIJJI quitA · witA · divinity · seeB · meB · refuseC · excuseC · useC · museC · oneD · are · fair · willE · doneD · illE · allF · callF · beastG · leastG · sublimeH · rhymeH · sillery · beB · goodI · placeJ · raceJ · wouldI
  2. 2 ABABCCDDEE endA · talesB · comprehendA · failsB · understandC · handC · unnecessaryD · commentaryD · afterwardsE · herdsE
  3. 3 AABCCBDDD-EEFFGGGHH---IIII-JJKKLLMMMMNNOOPPQQRR fairA · airA · illB · harm'dC · charm'dC · fillB · earD · fearD · bearD · were · repliedE · hideE · revealF · feelF · stingsG · kingsG · thingsG · woodH · floodH · complacency · see · fair · retreatingI · fleetingI · meetingI · greetingI · everywhere · kindJ · blindJ · weenK · greenK · hingeL · tingeL · sighM · whyM · seeM · heM · speechN · preachN · strangerO · dangerO · gain'dP · explain'dP · sentimentQ · clidamantQ · mortifiedR · diedR
  4. 4 A-A whenA · meant · menA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
I had the Phrygian quit,7···/˘˘·
Charm'd with Italian wit;6··˘/˘·
But a divinity6··˘/˘˘
Would on Parnassus see6···/˘·
A fable more from me.6·/˘···
Such challenge to refuse,6·/˘·˘/
Without a good excuse,6····˘/
Is not the way to use6······
Divinity or muse.6˘/˘˘··
Especially to one5˘/˘··
Of those who truly are,6···/˘·
By force of being fair,6···/˘·
Made queens of human will.6···/˘·
A thing should not be done6······
In all respects so ill.6··˘/··
For, be it known to all,6······
From Sillery the call6······
Has come for bird, and beast,6······
And insects, to the least;6·/····
To clothe their thoughts sublime6····˘/
In this my simple rhyme.6···/˘·
In saying Sillery,6·/˘···
All's said that need to be.6······
Her claim to it so good,6······
Few fail to give her place6······
Above the human race:6···/˘·
How could they, if they would?6······
Now come we to our end:--7····/˘·
As she opines my tales6··˘/··
Are hard to comprehend--6····˘/
For even genius fails6·/˘/˘·
Some things to understand--6····˘/
So let us take in hand6······
To make unnecessary,7··˘/˘·˘
For once, a commentary.7···/˘·˘
Come shepherds now,--and rhyme we afterwards9·/˘····/˘
The talk between the wolves and fleecy herds.10·······/˘·
To Amaranth, the young and fair,8·/˘·····
Said Thyrsis, once, with serious air,--8·····/˘·
'O, if you knew, like me, a certain ill,10·······/˘·
With which we men are harm'd,6······
As well as strangely charm'd,6···/˘·
No boon from Heaven your heart could like it fill!10···/······
Please let me name it in your ear,--8········
A harmless word,--you need not fear.8·/˘·····
Would I deceive you, you, for whom I bear10··˘/······
The tenderest sentiments that ever were?'8·/˘/˘·/·
Then Amaranth replied,6·/˘·˘/
'What is its name? I beg you, do not hide'10··········
''Tis LOVE.'--' The word is beautiful! reveal9·····/˘˘/
Its signs and symptoms, how it makes one feel.'--10···/˘·····
'Its pains are ecstacies. So sweet its stings,9·········
The nectar-cups and incense-pots of kings,10·/˘··/····
Compared, are flat, insipid things.8˘/··˘/˘·
One strays all lonely in the wood--8···/˘···
Leans silent o'er the placid flood,8·/˘··/˘·
And there with great complacency,8····˘/˘˘
A certain face can see--6·/˘···
'Tis not one's own--but image fair,8·····/˘·
Retreating,3˘/˘
Fleeting,2/˘
Meeting,2/˘
Greeting,2/˘
Following everywhere.6/˘˘/˘·
For all the rest of human kind,8·····/˘·
One is as good, in short, as blind.8········
There is a shepherd wight, I ween,8···/˘···
Well known upon the village green,8·····/˘·
Whose voice, whose name, whose turning of the hinge10·····/˘···
Excites upon the cheek a richer tinge--10˘/·····/˘·
The thought of whom is signal for a sigh--10·····/˘···
The breast that heaves it knows not why--8········
Whose face the maiden fears to see,8···/˘···
Yet none so welcome still as he.'--8···/˘···
Here Amaranth cut short his speech:8·/˘·····
'O! O! is that the evil which you preach?9·····/···
To me I think it is no stranger;9·······/˘
I must have felt its power and danger.'9·····/·/˘
Here Thrysis thought his end was gain'd,8········
When further thus the maid explain'd:8·/˘···˘/
''Tis just the very sentiment8···/˘/˘˘
Which I have felt for Clidamant!'8········
The other, vex'd and mortified,8·/˘··/˘·
Now bit his lips, and nearly died.8·····/˘·
Like him are multitudes, who when8···/˘···
Their own advancement they have meant,8··˘/˘···
Have play'd the game of other men.8·····/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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