Book VI: The Young Widow

Jean de La Fontaine (1621–1695), translated by Elizur Wright · 1841

iambic tetrameter · octosyllabic couplets · 58 lines · from The Fables of La Fontaine

A husband's death brings always sighs;The widow sobs, sheds tears--then dries.Of Time the sadness borrows wings;And Time returning pleasure brings.Between the widow of a yearAnd of a day, the differenceIs so immense,That very few who see herWould think the laughing dameAnd weeping one the same.The one puts on repulsive action,The other shows a strong attraction.The one gives up to sighs, or true or false;The same sad note is heard, whoever calls.Her grief is inconsolable,They say. Not so our fable,Or, rather, not so says the truth.

To other worlds a husband wentAnd left his wife in prime of youth.Above his dying couch she bent,And cried, 'My love, O wait for me!My soul would gladly go with thee!'(But yet it did not go.)The fair one's sire, a prudent man,Check'd not the current of her woe.At last he kindly thus began:--'My child, your grief should have its bound.What boots it him beneath the groundThat you should drown your charms?Live for the living, not the dead.I don't propose that you be ledAt once to Hymen's arms;But give me leave, in proper time,To rearrange the broken chimeWith one who is as good, at least,In all respects, as the deceased.''Alas!' she sigh'd, 'the cloister vowsBefit me better than a spouse.'The father left the matter there.About one month thus mourn'd the fair;Another month, her weeds arranged;Each day some robe or lace she changed,Till mourning dresses served to grace,And took of ornament the place.The frolic band of lovesCame flocking back like doves.Jokes, laughter, and the dance,The native growth of France,Had finally their turn;And thus, by night and morn,She plunged, to tell the truth,Deep in the fount of youth.Her sire no longer fear'dThe dead so much endear'd;But, as he never spoke,Herself the silence broke:--'Where is that youthful spouse,' said she,'Whom, sir, you lately promised me?'

Words in this poem

sadness n.
Heaviness; firmness.
dame n.
A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]
whoever pron.
Whatever person; any person who; be or she who; any one who; as, he shall be punished, whoever he may be.
inconsolable a.
Not consolable; incapable of being consoled; grieved beyond susceptibility of comfort; disconsolate. [L. inconsolabilis: cf. F. inconsolable. See In- not, and Console.]
went n.
Course; way; path; journey; direction.
gladly adv.
Preferably; by choice. [From Glad, a.]
sire n.
A lord, master, or other person in authority. See Sir. [F. sire, originally, an older person. See Sir.]
propose v. i.
To speak; to converse.
rearrange v. t.
To arrange again; to arrange in a different way.
chime n.
The harmonious sound of bells, or of musical instruments. [OE. chimbe, prop., cymbal, OF. cymbe, cymble, in a dialectic form, chymble, F. cymbale, L. cymbalum, fr. Gr. Cymbal.]
spouse v. t.
To wed; to espouse. [See Espouse, and Spouse, n.]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Book VI: The Young Widow is in the public domain. This text is taken from The Fables of La Fontaine, Project Gutenberg ebook #7241, the Elizur Wright translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Jean de La Fontaine, Book VI: The Young Widow, in The Fables of La Fontaine (1841), text of Project Gutenberg ebook #7241, Laurel, https://laurelpoetry.com/poem/la-fontaine-fables/6-21.html, id L28334.

Form and metre

Book VI: The Young Widow is 58 lines in 2 verse paragraphs. It is in rhyming couplets, 62% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 94%).

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABB-CC-DDEE--FF- sighsA · driesA · wingsB · bringsB · year · differenceC · immenseC · her · dameD · sameD · actionE · attractionE · false · calls · inconsolableF · fableF · truth
  2. 2 A-ABBCDCDEEFGGFHHII--JJKKLLMMNN--OOPPQQRR wentA · youth · bentA · meB · theeB · goC · manD · woeC · beganD · boundE · groundE · charmsF · deadG · ledG · armsF · timeH · chimeH · leastI · deceasedI · vows · spouse · thereJ · fairJ · arrangedK · changedK · graceL · placeL · lovesM · dovesM · danceN · franceN · turn · morn · truthO · youthO · fear'dP · endear'dP · spokeQ · brokeQ · sheR · meR
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
A husband's death brings always sighs;8·/˘··/··
The widow sobs, sheds tears--then dries.8·/˘·····
Of Time the sadness borrows wings;8···/˘/˘·
And Time returning pleasure brings.8··˘/˘/˘·
Between the widow of a year8···/˘···
And of a day, the difference8·····/˘˘
Is so immense,4··˘/
That very few who see her7·/˘····
Would think the laughing dame6···/˘·
And weeping one the same.6·/˘···
The one puts on repulsive action,9····˘/˘/˘
The other shows a strong attraction.9·/˘···˘/˘
The one gives up to sighs, or true or false;10··········
The same sad note is heard, whoever calls.10······˘/˘·
Her grief is inconsolable,8········
They say. Not so our fable,8····/˘/˘
Or, rather, not so says the truth.8·/˘·····
To other worlds a husband went8·/˘··/˘·
And left his wife in prime of youth.8········
Above his dying couch she bent,8···/˘···
And cried, 'My love, O wait for me!8········
My soul would gladly go with thee!'8···/˘···
(But yet it did not go.)6······
The fair one's sire, a prudent man,8···/·/˘·
Check'd not the current of her woe.8···/˘···
At last he kindly thus began:--8···/˘·˘/
'My child, your grief should have its bound.8········
What boots it him beneath the ground8········
That you should drown your charms?6······
Live for the living, not the dead.8···/˘···
I don't propose that you be led8··˘/····
At once to Hymen's arms;6···/˘·
But give me leave, in proper time,8·····/˘·
To rearrange the broken chime8··˘/·/˘·
With one who is as good, at least,8········
In all respects, as the deceased.'8··˘/··˘/
'Alas!' she sigh'd, 'the cloister vows8˘/···/˘·
Befit me better than a spouse.'8˘/·/˘···
The father left the matter there.8·/˘··/˘·
About one month thus mourn'd the fair;8········
Another month, her weeds arranged;8˘/˘···˘/
Each day some robe or lace she changed,8········
Till mourning dresses served to grace,8·/˘/˘···
And took of ornament the place.8···/˘˘··
The frolic band of loves6·/˘···
Came flocking back like doves.6·/˘···
Jokes, laughter, and the dance,6·/˘···
The native growth of France,6·/˘···
Had finally their turn;6·/˘˘··
And thus, by night and morn,6······
She plunged, to tell the truth,6······
Deep in the fount of youth.6······
Her sire no longer fear'd7·/˘·/˘·
The dead so much endear'd;6····˘/
But, as he never spoke,6···/˘·
Herself the silence broke:--6˘/·/˘·
'Where is that youthful spouse,' said she,8···/˘···
'Whom, sir, you lately promised me?'8···/˘/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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