Book I: The City Rat and the Country Rat

Jean de La Fontaine (1621–1695), translated by Elizur Wright · 1841

iambic trimeter · ABAB · 28 lines · from The Fables of La Fontaine

A city rat, one night,Did, with a civil stoop,A country rat inviteTo end a turtle soup.

Upon a Turkey carpetThey found the table spread,And sure I need not harp itHow well the fellows fed.

The entertainment wasA truly noble one;But some unlucky causeDisturb'd it when begun.

It was a slight rat-tat,That put their joys to rout;Out ran the city rat;His guest, too, scamper'd out.

Our rats but fairly quit,The fearful knocking ceased.'Return we,' cried the cit,To finish there our feast.

'No,' said the rustic rat;'To-morrow dine with me.I'm not offended atYour feast so grand and free,--

'For I've no fare resembling;But then I eat at leisure,And would not swap, for pleasureSo mix'd with fear and trembling.'

Words in this poem

fairly adv.
In a fairmanner; clearly; openly; plainly; fully; distinctly; frankly.
dine v. i.
To eat the principal regular meal of the day; to take dinner. [F. dîner, OF. disner, LL. disnare, contr. fr. an assumed disjunare; dis- + an assumed junare (OF. juner) to fast, for L. jejunare, fr. jejunus fasting. See Jeju]
swap v. t.
To strike; -- with off. [OE. swappen to strike; cf. E. to strike a bargain; perh. akin to E. sweep. Cf. Swap a blow, Swap, v. i.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Book I: The City Rat and the Country Rat is in the public domain. This text is taken from The Fables of La Fontaine, Project Gutenberg ebook #7241, the Elizur Wright translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Jean de La Fontaine, Book I: The City Rat and the Country Rat, in The Fables of La Fontaine (1841), text of Project Gutenberg ebook #7241, Laurel, https://laurelpoetry.com/poem/la-fontaine-fables/1-9.html, id L28219.

Form and metre

Book I: The City Rat and the Country Rat is 28 lines in 7 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 6 of its 7 stanzas. The metre is iambic trimeter, measured from the stress the words themselves fix (confidence 95%).

See other poems in iambic trimeter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB nightA · stoopB · inviteA · soupB
  2. 2 ABAB carpetA · spreadB · itA · fedB
  3. 3 ABAB wasA · oneB · causeA · begunB
  4. 4 ABAB tatA · routB · ratA · outB
  5. 5 ABAB quitA · ceasedB · citA · feastB
  6. 6 ABAB ratA · meB · atA · freeB
  7. 7 ABBA resemblingA · leisureB · pleasureB · tremblingA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.

LineSyl.Stress
A city rat, one night,6·/˘···
Did, with a civil stoop,6···/˘·
A country rat invite6·/˘·˘/
To end a turtle soup.6···/˘·
Upon a Turkey carpet7···/˘/˘
They found the table spread,6···/˘·
And sure I need not harp it7·······
How well the fellows fed.6···/˘·
The entertainment was6··˘/˘·
A truly noble one;6·/˘/˘·
But some unlucky cause6··˘/˘·
Disturb'd it when begun.6˘/··˘/
It was a slight rat-tat,6······
That put their joys to rout;6······
Out ran the city rat;6···/˘·
His guest, too, scamper'd out.6···/˘·
Our rats but fairly quit,6/··/˘·
The fearful knocking ceased.6·/˘/˘·
'Return we,' cried the cit,6˘/····
To finish there our feast.6·/˘·/·
'No,' said the rustic rat;6···/˘·
'To-morrow dine with me.6·/˘···
I'm not offended at6··˘/˘·
Your feast so grand and free,--6······
'For I've no fare resembling;7····˘/˘
But then I eat at leisure,7·····/˘
And would not swap, for pleasure7·····/˘
So mix'd with fear and trembling.'7·····/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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