Book I: The Man and His Image
A man, who had no rivals in the loveWhich to himself he bore,Esteem'd his own dear beauty far aboveWhat earth had seen before.More than contented in his error,He lived the foe of every mirror.Officious fate, resolved our loverFrom such an illness should recover,Presented always to his eyesThe mute advisers which the ladies prize;--Mirrors in parlours, inns, and shops,--Mirrors the pocket furniture of fops,--Mirrors on every lady's zone,From which his face reflected shone.What could our dear Narcissus do?From haunts of men he now withdrew,On purpose that his precious shapeFrom every mirror might escape.But in his forest glen alone,Apart from human trace,A watercourse,Of purest source,While with unconscious gazeHe pierced its waveless face,Reflected back his own.Incensed with mingled rage and fright,He seeks to shun the odious sight;But yet that mirror sheet, so clear and still,He cannot leave, do what he will.
Ere this, my story's drift you plainly see.From such mistake there is no mortal free.That obstinate self-loverThe human soul doth cover;The mirrors follies are of others,In which, as all are genuine brothers,Each soul may see to life depictedItself with just such faults afflicted;And by that charming placid brook,Needless to say, I mean your Maxim Book.
Words in this poem
- illness n.
- The condition of being ill, evil, or bad; badness; unfavorableness. [From Ill.]
- narcissus n.
- A genus of endogenous bulbous plants with handsome flowers, having a cup-shaped crown within the six-lobed perianth, and comprising the daffodils and jonquils of several kinds. [L. narcissus, and (personified) Narcissus, Gr. na`rkissos, Na`rkissos, fr. na`rkh torpor, in allusion to the narcotic properties of the flower. Cf. Narcotic.]
- watercourse n.
- One of the holes in floor or other plates to permit water to flow through.
- waveless a.
- Free from waves; undisturbed; not agitated; as, the waveless sea.
- incensed a.
- Angered; enraged.
- placid a.
- Pleased; contented; unruffied; undisturbed; serene; peaceful; tranquil; quiet; gentle. [L. placidus, originally, pleasing, mild, from placere to please: cf. F. placide. See Please.]
- needless a.
- Having no need.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Book I: The Man and His Image is in the public domain. This text is taken from The Fables of La Fontaine, Project Gutenberg ebook #7241, the Elizur Wright translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Jean de La Fontaine, Book I: The Man and His Image, in The Fables of La Fontaine (1841), text of Project Gutenberg ebook #7241, Laurel, https://laurelpoetry.com/poem/la-fontaine-fables/1-11.html, id L28221.
Form and metre
Book I: The Man and His Image is 39 lines in 2 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB--CCDDEEFFGGHHFIJJ-IFKKLL loveA · boreB · aboveA · beforeB · error · mirror · loverC · recoverC · eyesD · prizeD · shopsE · fopsE · zoneF · shoneF · doG · withdrewG · shapeH · escapeH · aloneF · traceI · watercourseJ · sourceJ · gaze · faceI · ownF · frightK · sightK · stillL · willL
- 2 AABBCCDDEE seeA · freeA · loverB · coverB · othersC · brothersC · depictedD · afflictedD · brookE · bookE
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| A man, who had no rivals in the love | 10 | ·····/˘··· |
| Which to himself he bore, | 6 | ··˘/·· |
| Esteem'd his own dear beauty far above | 10 | ˘/···/˘··· |
| What earth had seen before. | 6 | ······ |
| More than contented in his error, | 9 | ··˘/˘··/˘ |
| He lived the foe of every mirror. | 9 | ·····/˘/˘ |
| Officious fate, resolved our lover | 9 | ˘/˘·˘///˘ |
| From such an illness should recover, | 9 | ···/˘·˘/˘ |
| Presented always to his eyes | 8 | ˘/˘/···· |
| The mute advisers which the ladies prize;-- | 9 | ··˘/··/˘· |
| Mirrors in parlours, inns, and shops,-- | 8 | /˘·/˘··· |
| Mirrors the pocket furniture of fops,-- | 9 | /˘·/˘/˘·· |
| Mirrors on every lady's zone, | 8 | /˘·/˘/˘· |
| From which his face reflected shone. | 8 | ····˘/˘· |
| What could our dear Narcissus do? | 8 | ··/·˘/˘· |
| From haunts of men he now withdrew, | 8 | ······˘/ |
| On purpose that his precious shape | 8 | ·/˘··/˘· |
| From every mirror might escape. | 8 | ·/˘/˘·˘/ |
| But in his forest glen alone, | 8 | ···/˘·˘/ |
| Apart from human trace, | 6 | ˘/·/˘· |
| A watercourse, | 3 | ·/˘ |
| Of purest source, | 4 | ·/˘· |
| While with unconscious gaze | 6 | ···/˘· |
| He pierced its waveless face, | 7 | ··˘·/˘· |
| Reflected back his own. | 6 | ˘/˘··· |
| Incensed with mingled rage and fright, | 8 | /··/˘··· |
| He seeks to shun the odious sight; | 8 | ·····/˘· |
| But yet that mirror sheet, so clear and still, | 10 | ···/˘····· |
| He cannot leave, do what he will. | 8 | ·/˘····· |
| Ere this, my story's drift you plainly see. | 10 | ···/˘··/˘· |
| From such mistake there is no mortal free. | 10 | ··˘/···/˘· |
| That obstinate self-lover | 7 | ·/˘˘·/˘ |
| The human soul doth cover; | 7 | ·/˘··/˘ |
| The mirrors follies are of others, | 9 | ·/˘/˘··/˘ |
| In which, as all are genuine brothers, | 9 | ·····/˘/˘ |
| Each soul may see to life depicted | 9 | ······˘/˘ |
| Itself with just such faults afflicted; | 9 | ˘/····˘/˘ |
| And by that charming placid brook, | 8 | ···/˘/˘· |
| Needless to say, I mean your Maxim Book. | 10 | /˘·····/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.