To the Wind, at Midnight

Henry Kirke White (1785–1806) · 1803–1806

iambic tetrameter · unrhymed · 8 lines · from The Poetical Works of Henry Kirke White

Not unfamiliar to mine ear,Blasts of the night! ye howl as nowMy shuddering casement loudWith fitful force ye beat.

Mine ear has dwelt in silent awe,The howling sweep, the sudden rush;And when the passing galePour'd deep the hollow dirge.

Words in this poem

casement n.
A window sash opening on hinges affixed to the upright side of the frame into which it is fitted. (Poetically) A window. [Shortened fr. encasement. See Incase 1st Case, and cf. Incasement.]
fitful a.
Full of fits; irregularly variable; impulsive and unstable. [From 7th Fit.]
dirge n.
A piece of music of a mournful character, to accompany funeral rites; a funeral hymn. [Contraction of Lat. dirige, direct thou (imperative of dirigere), the first word of a funeral hymn (Lat. transl. of Psalm v. 8) beginning, "Dirige, Domine, in c]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

To the Wind, at Midnight is in the public domain. This text is taken from The Poetical Works of Henry Kirk White : With a Memoir by Sir Harris Nicolas, Project Gutenberg ebook #7149; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Henry Kirke White, To the Wind, at Midnight, in The Poetical Works of Henry Kirke White (1803–1806), text of Project Gutenberg ebook #7149, Laurel, https://laurelpoetry.com/poem/kirke-white-poems/to-the-wind-at-midnight.html, id L10110.

Form and metre

To the Wind, at Midnight is 8 lines in 2 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 93%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 7.1 syllables. 38% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Not unfamiliar to mine ear,8··˘/˘···
Blasts of the night! ye howl as now8········
My shuddering casement loud7·/˘˘/˘·
With fitful force ye beat.6·/˘···
Mine ear has dwelt in silent awe,8·····/˘·
The howling sweep, the sudden rush;8·/˘··/˘·
And when the passing gale6···/˘·
Pour'd deep the hollow dirge.6···/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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