To Contemplation
Come, pensive sage, who lovest to dwellIn some retired Lapponian cell,Where, far from noise and riot rude,Besides sequester'd solitude.Come, and o'er my longing soulThrow thy dark and russet stole,And open to my duteous eyesThe volume of thy mysteries.
I will meet thee on the hill,Where, with printless footsteps still,The morning in her buskin graySprings upon her eastern way;While the frolic zephyrs stir,Playing with the gossamer,And, on ruder pinions borne,Shake the dewdrops from the thorn.There, as o'er the fields we pass,Brushing with hasty feet the grass,We will startle from her nestThe lively lark with speckled breast,And hear the floating clouds amongHer gale-transported matin song,Or on the upland stile, embower'dWith fragrant hawthorn snowy flower'd,Will sauntering sit, and listen stillTo the herdsman's oaten quill,Wafted from the plain below;Or the heifer's frequent low;Or the milkmaid in the grove,Singing of one that died for love.Or when the noontide heats oppress,We will seek the dark recess,Where, in the embower'd translucent stream,The cattle shun the sultry beam,And o'er us on the marge reclined,The drowsy fly her horn shall wind,While echo, from her ancient oak,Shall answer to the woodman's stroke;Or the little peasant's song,Wandering lone the glens among,His artless lip with berries dyed,And feet through ragged shoes descried.
But oh! when evening's virgin queenSits on her fringed throne serene,And mingling whispers rising nearSteal on the still reposing ear;While distant brooks decaying round,Augment the mix'd dissolving sound,And the zephyr flitting byWhispers mystic harmony,We will seek the woody lane,By the hamlet, on the plain,Where the weary rustic nighShall whistle his wild melody,And the croaking wicket oftShall echo from the neighbouring croft;And as we trace the green path lone,With moss and rank weeds overgrown,We will muse on penbive lore?Till the full soul, brimming o'er,Shall in our upturn'd eyes appear,Embodied in a quivering tear.Or else, serenely silent, sitBy the brawling rivulet,Which on its calm unruffled breastRears the old mossy arch impressed,That clasps its secret stream of glass,Half hid in shrubs and waving grass,The wood-nymph's lone secure retreat,Unpress'd by fawn or sylvan's feet,We'll watch in eve's ethereal braidThe rich vermilion slowly fade;Or catch, faint twinkling from afarThe first glimpse of the eastern star;Fair vesper, mildest lamp of light,That heralds in imperial night:Meanwhile, upon our wondering ear,Shall rise, though low, yet sweetly clear,The distant sounds of pastoral lute,Invoking soft the sober suitOf dimmest darkness--fitting wellWith love, or sorrow's pensive spell,(So erst did music's silver toneWake slumbering chaos on his throne).And haply then, with sudden swell,Shall roar the distant curfew bell,While in the castle's mouldering towerThe hooting owl is heard to pourHer melancholy song, and scareDull silence brooding in the air.Meanwhile her dusk and slumbering carBlack-suited night drives on from far,And Cynthia, 'merging from her rear,Arrests the waxing darkness drear,And summons to her silent call,Sweeping, in their airy pall,The unshrived ghosts, in fairy trance,To join her moonshine morris-dance;While around the mystic ringThe shadowy shapes elastic spring,Then with a passing shriek they fly,Wrapt in mists, along the sky,And oft are by the shepherd seenIn his lone night-watch on the green.
Then, hermit, let us turn our feetTo the low abbey's still retreat,Embower'd in the distant glen,Far from the haunts of busy men,Where as we sit upon the tomb,The glowworm's light may gild the gloom,And show to fancy's saddest eyeWhere some lost hero's ashes lie.And oh, as through the mouldering arch,With ivy fill'd and weeping larch,The night gale whispers sadly clear,Speaking dear things to fancy's ear,We'll hold communion with the shadeOf some deep wailing, ruin'd maid--Or call the ghost of Spenser down,To tell of woe and fortune's frown;And bid us cast the eye of hopeBeyond this bad world's narrow scope.Or if these joys, to us denied,To linger by the forest's side;Or in the meadow, or the wood,Or by the lone, romantic flood;Let us in the busy town,When sleep's dull streams the people drown,Far from drowsy pillows flee,And turn the church's massy key;Then, as through the painted glassThe moon's faint beams obscurely pass,And darkly on the trophied wallHer faint, ambiguous shadows fall,Let us, while the faint winds wailThrough the long reluctant aisle,As we pace with reverence meet,Count the echoings of our feet,While from the tombs, with confess'd breath,Distinct responds the voice of death.If thou, mild sage, wilt condescendThus on my footsteps to attend,To thee my lonely lamp shall burnBy fallen Genius' sainted urn,As o'er the scroll of Time I pore,And sagely spell of ancient lore,Till I can rightly guess of allThat Plato could to memory call,And scan the formless views of things;Or, with old Egypt's fetter'd kings,Arrange the mystic trains that shineIn night's high philosophic mine;And to thy name shall e'er belongThe honours of undying song.
Words in this poem 47
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- lapponian a.
- Laplandish; Lappish.
- stole n.
- A long, loose garment reaching to the feet. [AS. stole, L. stola, Gr. stall. See Stall.]
- duteous a.
- Fulfilling duty; dutiful; having the sentiments due to a superior, or to one to whom respect or service is owed; obedient; as, a duteous son or daughter. [From Duty.]
- printless a.
- Making no imprint.
- buskin n.
- A strong, protecting covering for the foot, coming some distance up the leg. [Prob. from OF. brossequin, or D. broosken. See Brodekin.]
- gossamer n.
- A fine, filmy substance, like cobwebs, floating in the air, in calm, clear weather, especially in autumn. It is seen in stubble fields and on furze or low bushes, and is formed by small spiders. [OE. gossomer, gossummer, gosesomer, perh. for goose summer, from its downy appearance, or perh. for God's summer, cf. G. mariengarr gossamer, properly Mary's ya]
- brushing a.
- Constructed or used to brush with; as a brushing machine.
- matin n.
- A French mastiff. [F. matin.]
- stile n.
- A pin set on the face of a dial, to cast a shadow; a style. See Style. Moxon. [See Style.]
- snowy a.
- White like snow.
- oaten a.
- Consisting of an oat straw or stem; as, an oaten pipe.
- milkmaid n.
- A woman who milks cows or is employed in the dairy.
- noontide n.
- The time of noon; midday. [From noon + tide time; cf. AS. n the ninth hour.]
- marge n.
- Border; margin; edge; verge. [F. marge. See Margin.]
- reclined a.
- Falling or turned downward; reclinate.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- lone n.
- A lane. See Loanin.
- zephyr n.
- The west wind; poetically, any soft, gentle breeze. [L. zephyrus, Gr. zéphyr.]
- flitting n.
- A flying with lightness and celerity; a fluttering.
- neighbouring a.
- Living or being near; adjacent; as, the neighboring nations or countries.
- brimming a.
- Full to the brim; overflowing.
- serenely adv.
- In a serene manner; clearly.
- brawling a.
- Quarreling; quarrelsome; noisy.
- unruffled a.
- Not ruffled or agitated; smooth; calm; tranquil; quiet. [Pref. un- not + ruffled.]
- twinkling n.
- The act of one who, or of that which, twinkles; a quick movement of the eye; a wink; a twinkle. Holland.
- afar adv.
- At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
- vesper n.
- The evening star; Hesper; Venus, when seen after sunset; hence, the evening. [L., the evening, the evening star, the west; akin to Gr. west. Cf. Hesperian, Vespers.]
- meanwhile n.
- The intervening time; as, in the meantime (or mean time).
- chaos n.
- An empty, immeasurable space; a yawning chasm. [L. chaos chaos (in senses 1 & 2), Gr. Chasm.]
- haply adv.
- By hap, chance, luck, or accident; perhaps; it may be.
- curfew n.
- The ringing of an evening bell, originally a signal to the inhabitants to cover fires, extinguish lights, and retire to rest, -- instituted by William the Conqueror; also, the bell itself. [OE. courfew, curfu, fr. OF. cuevrefu, covrefeu, F. couvre-feu; covrir to cover + feu fire, fr. L. focus fireplace, hearth. See Cover, and Focus.]
- scare v. t.
- To frighten; to strike with sudden fear; to alarm. [OE. skerren, skeren, Icel. skirra to bar, prevent, skirrask to shun , shrink from; or fr. OE. skerre, adj., scared, Icel. skjarr; both perhaps akin to E. sheer ]
- drear n.
- Sadness; dismalness.
- moonshine n.
- The light of the moon.
- sadly adv.
- Wearily; heavily; firmly.
- ghost n.
- The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
- massy a.
- Compacted into, or consisting of, a mass; having bulk and weight ot substance; ponderous; bulky and heavy; weight; heavy; as, a massy shield; a massy rock.
- trophied a.
- Adorned with trophies.
- condescend v. i.
- To stoop or descend; to let one's self down; to submit; to waive the privilege of rank or dignity; to accommodate one's self to an inferior. [F. condescendre, LL. condescendere, fr. L. con- + descendere. See Descend.]
- sainted a.
- Consecrated; sacred; holy; pious.
- sagely adv.
- In a sage manner; wisely.
- rightly adv.
- Straightly; directly; in front. [AS. richtlice.]
- scan v. t.
- To mount by steps; to go through with step by step. [L. scandere, scansum, to climb, to scan, akin to Skr. skand to spring, leap: cf. F. scander. Cf. Ascend, Descend, Scale a ladder.]
- formless a.
- Shapeless; without a determinate form; wanting regularity of shape.
- philosophic a.
- Of or pertaining to philosophy; versed in, or imbued with, the principles of philosophy; hence, characterizing a philosopher; rational; wise; temperate; calm; cool. [L. philosophicus: cf. F. philosophique.]
- undying a.
- Not dying; imperishable; unending; immortal; as, the undying souls of men.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
To Contemplation is in the public domain. This text is taken from The Poetical Works of Henry Kirk White : With a Memoir by Sir Harris Nicolas, Project Gutenberg ebook #7149; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Kirke White, To Contemplation, in The Poetical Works of Henry Kirke White (1803–1806), text of Project Gutenberg ebook #7149, Laurel, https://laurelpoetry.com/poem/kirke-white-poems/to-contemplation-2.html, id L10096.
Form and metre
To Contemplation is 154 lines in 4 verse paragraphs. It is in rhyming couplets, 92% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 91%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 8.0 syllables. 9 lines end on an unstressed syllable, a feminine ending. 25% of the lines run on without a stop at the line end.
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDD dwellA · cellA · rudeB · solitudeB · soulC · stoleC · eyesD · mysteriesD
- 2 AABBCCDDEEFFGGHHIIJJKKLLMMNNOOPPQQ hillA · stillA · grayB · wayB · stirC · gossamerC · borneD · thornD · passE · grassE · nestF · breastF · amongG · songG · embower'dH · flower'dH · stillI · quillI · belowJ · lowJ · groveK · loveK · oppressL · recessL · streamM · beamM · reclinedN · windN · oakO · strokeO · songP · amongP · dyedQ · descriedQ
- 3 AABBCCD-EED-FFGG--HH--IIJJKKLLMMNNOOPPQQRRQQ--SSTTSS--UUVVWWXX queenA · sereneA · nearB · earB · roundC · soundC · byD · harmony · laneE · plainE · nighD · melody · oftF · croftF · loneG · overgrownG · lore · o'er · appearH · tearH · sit · rivulet · breastI · impressedI · glassJ · grassJ · retreatK · feetK · braidL · fadeL · afarM · starM · lightN · nightN · earO · clearO · luteP · suitP · wellQ · spellQ · toneR · throneR · swellQ · bellQ · tower · pour · scareS · airS · carT · farT · rearS · drearS · call · pall · tranceU · danceU · ringV · springV · flyW · skyW · seenX · greenX
- 4 AABBCCDDEEFFGGHHIIJJKKLLMMNNOOPPQQRRSSTTUUVVWWXXYY feetA · retreatA · glenB · menB · tombC · gloomC · eyeD · lieD · archE · larchE · clearF · earF · shadeG · maidG · downH · frownH · hopeI · scopeI · deniedJ · sideJ · woodK · floodK · townL · drownL · fleeM · keyM · glassN · passN · wallO · fallO · wailP · aisleP · meetQ · feetQ · breathR · deathR · condescendS · attendS · burnT · urnT · poreU · loreU · allV · callV · thingsW · kingsW · shineX · mineX · belongY · songY
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Come, pensive sage, who lovest to dwell | 9 | ·/˘······ |
| In some retired Lapponian cell, | 8 | ··˘/···· |
| Where, far from noise and riot rude, | 8 | ·····/˘· |
| Besides sequester'd solitude. | 8 | ˘/˘/˘/˘· |
| Come, and o'er my longing soul | 7 | ····/˘· |
| Throw thy dark and russet stole, | 7 | ····/˘· |
| And open to my duteous eyes | 9 | ·/˘··/˘˘· |
| The volume of thy mysteries. | 8 | ·/˘··/˘˘ |
| I will meet thee on the hill, | 7 | ······· |
| Where, with printless footsteps still, | 7 | ··/˘/·· |
| The morning in her buskin gray | 8 | ·/˘··/˘· |
| Springs upon her eastern way; | 7 | ····/˘· |
| While the frolic zephyrs stir, | 7 | ··/˘/˘· |
| Playing with the gossamer, | 7 | /˘··/˘˘ |
| And, on ruder pinions borne, | 7 | ··/˘/˘· |
| Shake the dewdrops from the thorn. | 7 | ······· |
| There, as o'er the fields we pass, | 7 | ······· |
| Brushing with hasty feet the grass, | 8 | /˘·/˘··· |
| We will startle from her nest | 7 | ··/˘··· |
| The lively lark with speckled breast, | 8 | ·/˘··/˘· |
| And hear the floating clouds among | 8 | ···/˘··· |
| Her gale-transported matin song, | 8 | ··˘/˘/˘· |
| Or on the upland stile, embower'd | 9 | ···/˘···· |
| With fragrant hawthorn snowy flower'd, | 9 | ·/˘/·/˘/˘ |
| Will sauntering sit, and listen still | 8 | ·/˘··/˘· |
| To the herdsman's oaten quill, | 7 | ····/˘· |
| Wafted from the plain below; | 7 | /˘····· |
| Or the heifer's frequent low; | 7 | ··/˘/˘· |
| Or the milkmaid in the grove, | 7 | ··/˘··· |
| Singing of one that died for love. | 8 | /˘······ |
| Or when the noontide heats oppress, | 8 | ···/˘·˘/ |
| We will seek the dark recess, | 7 | ·····˘/ |
| Where, in the embower'd translucent stream, | 10 | ······˘/˘· |
| The cattle shun the sultry beam, | 8 | ·/˘··/˘· |
| And o'er us on the marge reclined, | 8 | ······˘/ |
| The drowsy fly her horn shall wind, | 8 | ·/˘····· |
| While echo, from her ancient oak, | 8 | ·/˘··/˘· |
| Shall answer to the woodman's stroke; | 8 | ·/˘··/˘· |
| Or the little peasant's song, | 7 | ··/˘/˘· |
| Wandering lone the glens among, | 8 | /˘˘····· |
| His artless lip with berries dyed, | 8 | ·/˘··/˘· |
| And feet through ragged shoes descried. | 8 | ···/˘˘·· |
| But oh! when evening's virgin queen | 8 | ···/˘/˘· |
| Sits on her fringed throne serene, | 8 | ····˘·˘/ |
| And mingling whispers rising near | 8 | ·/˘/˘/˘· |
| Steal on the still reposing ear; | 8 | ····/·˘· |
| While distant brooks decaying round, | 8 | ·/˘·˘/˘· |
| Augment the mix'd dissolving sound, | 8 | ˘/··˘/˘· |
| And the zephyr flitting by | 7 | ··/˘/˘· |
| Whispers mystic harmony, | 7 | /˘/˘/˘˘ |
| We will seek the woody lane, | 7 | ····/˘· |
| By the hamlet, on the plain, | 7 | ··/˘··· |
| Where the weary rustic nigh | 7 | ··/˘/˘· |
| Shall whistle his wild melody, | 8 | ·/˘··/˘˘ |
| And the croaking wicket oft | 7 | ··/˘/˘· |
| Shall echo from the neighbouring croft; | 8 | ·/˘··/˘· |
| And as we trace the green path lone, | 8 | ········ |
| With moss and rank weeds overgrown, | 8 | ······˘/ |
| We will muse on penbive lore? | 7 | ······· |
| Till the full soul, brimming o'er, | 7 | ····/˘· |
| Shall in our upturn'd eyes appear, | 8 | ··/···˘/ |
| Embodied in a quivering tear. | 8 | ˘/˘··/˘· |
| Or else, serenely silent, sit | 8 | ··˘/˘/˘· |
| By the brawling rivulet, | 7 | ··/˘/˘˘ |
| Which on its calm unruffled breast | 8 | ····˘/˘· |
| Rears the old mossy arch impressed, | 8 | ···/˘·˘/ |
| That clasps its secret stream of glass, | 8 | ···/˘··· |
| Half hid in shrubs and waving grass, | 8 | ·····/˘· |
| The wood-nymph's lone secure retreat, | 8 | ····˘/˘/ |
| Unpress'd by fawn or sylvan's feet, | 8 | ·····/˘· |
| We'll watch in eve's ethereal braid | 8 | ····˘/˘· |
| The rich vermilion slowly fade; | 8 | ··˘/˘/˘· |
| Or catch, faint twinkling from afar | 8 | ···/˘·˘/ |
| The first glimpse of the eastern star; | 8 | ·····/˘· |
| Fair vesper, mildest lamp of light, | 8 | ·/˘/˘··· |
| That heralds in imperial night: | 8 | ·/˘·˘/˘· |
| Meanwhile, upon our wondering ear, | 8 | /···//˘· |
| Shall rise, though low, yet sweetly clear, | 8 | ·····/˘· |
| The distant sounds of pastoral lute, | 8 | ·/˘··/˘· |
| Invoking soft the sober suit | 8 | ˘/˘··/˘· |
| Of dimmest darkness--fitting well | 8 | ·/˘/˘/˘· |
| With love, or sorrow's pensive spell, | 8 | ···/˘/˘· |
| (So erst did music's silver tone | 8 | ···/˘/˘· |
| Wake slumbering chaos on his throne). | 8 | ·/˘/˘··· |
| And haply then, with sudden swell, | 8 | ·/˘··/˘· |
| Shall roar the distant curfew bell, | 8 | ···/˘/˘· |
| While in the castle's mouldering tower | 8 | ···/˘/˘/ |
| The hooting owl is heard to pour | 8 | ·/˘····· |
| Her melancholy song, and scare | 8 | ·/˘·˘··· |
| Dull silence brooding in the air. | 8 | ·/˘/˘··· |
| Meanwhile her dusk and slumbering car | 8 | /····/˘· |
| Black-suited night drives on from far, | 8 | ·/˘····· |
| And Cynthia, 'merging from her rear, | 8 | ·/˘/˘··· |
| Arrests the waxing darkness drear, | 8 | ˘/·/˘/˘· |
| And summons to her silent call, | 8 | ·/˘··/˘· |
| Sweeping, in their airy pall, | 7 | /˘··/˘· |
| The unshrived ghosts, in fairy trance, | 8 | ·····/˘· |
| To join her moonshine morris-dance; | 8 | ···/·/˘· |
| While around the mystic ring | 7 | ····/˘· |
| The shadowy shapes elastic spring, | 8 | ·/˘·˘/˘· |
| Then with a passing shriek they fly, | 8 | ···/˘··· |
| Wrapt in mists, along the sky, | 7 | ···˘/·· |
| And oft are by the shepherd seen | 8 | ·····/˘· |
| In his lone night-watch on the green. | 8 | ········ |
| Then, hermit, let us turn our feet | 8 | ·/˘···/· |
| To the low abbey's still retreat, | 8 | ···/˘·˘/ |
| Embower'd in the distant glen, | 8 | ·····/˘· |
| Far from the haunts of busy men, | 8 | ·····/˘· |
| Where as we sit upon the tomb, | 8 | ········ |
| The glowworm's light may gild the gloom, | 8 | ········ |
| And show to fancy's saddest eye | 8 | ···/˘/˘· |
| Where some lost hero's ashes lie. | 8 | ···/˘/˘· |
| And oh, as through the mouldering arch, | 8 | ·····/˘· |
| With ivy fill'd and weeping larch, | 8 | ·/˘··/˘· |
| The night gale whispers sadly clear, | 8 | ···/˘/˘· |
| Speaking dear things to fancy's ear, | 8 | /˘···/˘· |
| We'll hold communion with the shade | 8 | ··˘/˘··· |
| Of some deep wailing, ruin'd maid-- | 8 | ···/˘/˘· |
| Or call the ghost of Spenser down, | 8 | ·····/˘· |
| To tell of woe and fortune's frown; | 8 | ·····/˘· |
| And bid us cast the eye of hope | 8 | ········ |
| Beyond this bad world's narrow scope. | 8 | ·····/˘· |
| Or if these joys, to us denied, | 8 | ······˘/ |
| To linger by the forest's side; | 8 | ·/˘··/˘· |
| Or in the meadow, or the wood, | 8 | ···/···· |
| Or by the lone, romantic flood; | 8 | ····˘/˘· |
| Let us in the busy town, | 7 | ····/˘· |
| When sleep's dull streams the people drown, | 8 | ·····/˘· |
| Far from drowsy pillows flee, | 7 | ··/˘/˘· |
| And turn the church's massy key; | 8 | ···/˘/˘· |
| Then, as through the painted glass | 7 | ····/˘· |
| The moon's faint beams obscurely pass, | 8 | ····˘/˘· |
| And darkly on the trophied wall | 8 | ·/˘··/˘· |
| Her faint, ambiguous shadows fall, | 8 | ··˘/˘/·· |
| Let us, while the faint winds wail | 7 | ······· |
| Through the long reluctant aisle, | 7 | ···˘/˘· |
| As we pace with reverence meet, | 8 | ····/˘˘· |
| Count the echoings of our feet, | 8 | ··/˘˘·/· |
| While from the tombs, with confess'd breath, | 8 | ·····˘/· |
| Distinct responds the voice of death. | 8 | ˘/˘/···· |
| If thou, mild sage, wilt condescend | 8 | ······˘/ |
| Thus on my footsteps to attend, | 8 | ···/··˘/ |
| To thee my lonely lamp shall burn | 8 | ···/˘··· |
| By fallen Genius' sainted urn, | 8 | ·/˘/˘/˘· |
| As o'er the scroll of Time I pore, | 8 | ········ |
| And sagely spell of ancient lore, | 8 | ·/˘··/˘· |
| Till I can rightly guess of all | 8 | ···/˘··· |
| That Plato could to memory call, | 8 | ·/˘··/˘· |
| And scan the formless views of things; | 8 | ···/˘··· |
| Or, with old Egypt's fetter'd kings, | 8 | ···/˘/˘· |
| Arrange the mystic trains that shine | 8 | ˘/·/˘··· |
| In night's high philosophic mine; | 8 | ····˘/˘· |
| And to thy name shall e'er belong | 8 | ······˘/ |
| The honours of undying song. | 8 | ·/˘·˘/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.