The Shipwrecked Solitary's Song to the Night

Henry Kirke White (1785–1806) · 1803–1806

iambic tetrameter · unrhymed · 52 lines · from The Poetical Works of Henry Kirke White

Thou, spirit of the spangled night!I woo thee from the watchtower high,Where thou dost sit to guide the barkOf lonely mariner.

The winds are whistling o'er the wolds,The distant main is moaning low;Come, let us sit and weave a song--A melancholy song!

Sweet is the scented gale of morn,And sweet the noontide's fervid beam,But sweeter far the solemn calmThat marks thy mournful reign.

I've pass'd here many a lonely year,And never human voice have heard;I've pass'd here many a lonely year,A solitary man.

And I have linger'd in the shade,From sultry noon's hot beams; and IHave knelt before my wicker door,To sing my evening song.

And I have hail'd the gray morn high,On the blue mountain's misty brow,And tried to tune my little reedTo hymns of harmony.

But never could I tune my reed,At morn, or noon, or eve, so sweet,As when upon the ocean shoreI hail'd thy star-beam mild.

The dayspring brings not joy to me,The moon it whispers not of peace;But oh! when darkness robes the heavens,My woes are mix'd with joy.

And then I talk, and often thinkAërial voices answer me;And oh! I am not then alone--A solitary man.

And when the blustering winter windsHowl in the woods that clothe my cave,I lay me on my lonely mat,And pleasant are my dreams.

And fancy gives me back my wife;And fancy gives me back my child;She gives me back my little home,And all its placid joys.

Then hateful is the morning hour,That calls me from the dream of bliss,To find myself still lone, and hearThe same dull sounds again.

The deep-toned winds, the moaning sea,The whispering of the boding trees,The brook's eternal flow, and oftThe condor's hollow scream.

Words in this poem

watchtower n.
A tower in which a sentinel is placed to watch for enemies, the approach of danger, or the like.
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
fervid a.
Very hot; burning; boiling. [L. fervidus, fr. fervere. See Fervent.]
dayspring n.
The beginning of the day, or first appearance of light; the dawn; hence, the beginning.
placid a.
Pleased; contented; unruffied; undisturbed; serene; peaceful; tranquil; quiet; gentle. [L. placidus, originally, pleasing, mild, from placere to please: cf. F. placide. See Please.]
hateful a.
Manifesting hate or hatred; malignant; malevolent.
lone n.
A lane. See Loanin.
boding a.
Foreshowing; presaging; ominous.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Shipwrecked Solitary's Song to the Night is in the public domain. This text is taken from The Poetical Works of Henry Kirk White : With a Memoir by Sir Harris Nicolas, Project Gutenberg ebook #7149; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Henry Kirke White, The Shipwrecked Solitary's Song to the Night, in The Poetical Works of Henry Kirke White (1803–1806), text of Project Gutenberg ebook #7149, Laurel, https://laurelpoetry.com/poem/kirke-white-poems/the-shipwrecked-solitary-s-song-to-the-night.html, id L10145.

Form and metre

The Shipwrecked Solitary's Song to the Night is 52 lines in 13 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 94%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 7.6 syllables. 4 lines end on an unstressed syllable, a feminine ending. 17% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 2 --AA wolds · low · songA · songA
  2. 4 A-A- yearA · heard · yearA · man
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Thou, spirit of the spangled night!9·/˘··/˘˘·
I woo thee from the watchtower high,8·····/˘·
Where thou dost sit to guide the bark8········
Of lonely mariner.6·/˘/˘˘
The winds are whistling o'er the wolds,8···/˘···
The distant main is moaning low;8·/˘··/˘·
Come, let us sit and weave a song--8········
A melancholy song!6·/˘·˘·
Sweet is the scented gale of morn,8···/˘···
And sweet the noontide's fervid beam,8·····/˘·
But sweeter far the solemn calm8·/˘··/˘·
That marks thy mournful reign.6···/˘·
I've pass'd here many a lonely year,9···/˘·/˘·
And never human voice have heard;8·/˘/˘···
I've pass'd here many a lonely year,9···/˘·/˘·
A solitary man.6·/˘·˘·
And I have linger'd in the shade,8···/˘···
From sultry noon's hot beams; and I8·/˘·····
Have knelt before my wicker door,8·····/˘·
To sing my evening song.6···/˘·
And I have hail'd the gray morn high,8········
On the blue mountain's misty brow,8···/˘/˘·
And tried to tune my little reed8·····/˘·
To hymns of harmony.6···/˘˘
But never could I tune my reed,8·/˘·····
At morn, or noon, or eve, so sweet,8········
As when upon the ocean shore8·····/˘·
I hail'd thy star-beam mild.6······
The dayspring brings not joy to me,8·/˘·····
The moon it whispers not of peace;8···/˘···
But oh! when darkness robes the heavens,9···/˘··/˘
My woes are mix'd with joy.6······
And then I talk, and often think8·····/˘·
Aërial voices answer me;7··/˘/˘·
And oh! I am not then alone--8······˘/
A solitary man.6·/˘·˘·
And when the blustering winter winds9···/˘˘/˘·
Howl in the woods that clothe my cave,8········
I lay me on my lonely mat,8·····/˘·
And pleasant are my dreams.6·/˘···
And fancy gives me back my wife;8·/˘·····
And fancy gives me back my child;8·/˘·····
She gives me back my little home,8·····/˘·
And all its placid joys.6···/˘·
Then hateful is the morning hour,9·/˘··/˘/˘
That calls me from the dream of bliss,8········
To find myself still lone, and hear8···/····
The same dull sounds again.6····˘/
The deep-toned winds, the moaning sea,9···˘··/˘·
The whispering of the boding trees,9·/˘˘··/˘·
The brook's eternal flow, and oft8··˘/˘···
The condor's hollow scream.6·/˘/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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