Fragment

Henry Kirke White (1785–1806) · 1803–1806

iambic pentameter · heroic couplets · 101 lines · from The Poetical Works of Henry Kirke White

Oh! thou most fatal of Pandora's train,Consumption! silent cheater of the eye;Thou comest not robed in agonizing pain,Nor mark'st thy course with Death's delusive dye,But silent and unnoticed thou dost lie;O'er life's soft springs thy venom dost diffuse,And, while thou givest new lustre to the eye,While o'er the cheek are spread health's ruddy hues,E'en then life's little rest thy cruel power subdues.

Oft I've beheld thee, in the glow of youth,Hid 'neath the blushing roses which there bloom'd;And dropp'd a tear, for then thy cankering toothI knew would never stay, till all consumed,In the cold vault of death he were entomb'd.

But oh! what sorrow did I feel, as swift,Insidious ravager, I saw thee flyThrough fair Lucina's breast of whitest snow,Preparing swift her passage to the sky.Though still intelligence beam'd in the glance,The liquid lustre of her fine blue eye;Yet soon did languid listlessness advance,And soon she calmly sunk in death's repugnant trance.

Even when her end was swiftly drawing near,And dissolution hover'd o'er her head:Even then so beauteous did her form appear,That none who saw her but admiring said,Sure so much beauty never could be dead.Yet the dark lash of her expressive eyeBent lowly down upon the languid--

Loud rage the winds without.--The wintry cloudO'er the cold northstar casts her flitting shroud;And Silence, pausing in some snow-clad dale,Starts as she hears, by fits, the shrieking gale;Where now, shut out from every still retreat,Her pine-clad summit, and her woodland seat,Shall Meditation, in her saddest mood,Retire o'er all her pensive stores to brood?Shivering and blue the peasant eyes askanceThe drifted fleeces that around him dance,And hurries on his half-averted form,Stemming the fury of the sidelong storm.Him soon shall greet his snow-topp'd [cot of thatch],Soon shall his numb'd hand tremble on the latch,Soon from his chimney's nook the cheerful flameDiffuse a genial warmth throughout his frame;Round the light fire, while roars the north wind loud,What merry groups of vacant faces crowd;These hail his coming--these his meal prepare,And boast in all that cot no lurking care.

What though the social circle be denied,Even Sadness brightens at her own fireside,Loves, with fix'd eye, to watch the fluttering blaze,While musing Memory dwells on former days;Or Hope, bless'd spirit! smiles--and still forgiven,Forgets the passport, while she points to Heaven.Then heap the fire--shut out the biting air,And from its station wheel the easy chair:Thus fenced and warm, in silent fit, 'tis sweetTo hear without the bitter tempest beat,All, all alone--to sit, and muse, and sigh,The pensive tenant of obscurity.

"Do I not feel?" The doubt is keen as steel.Yea, I do feel--most exquisitely feel;My heart can weep, when, from my downcast eye,I chase the tear, and stem the rising sigh:Deep buried there I close the rankling dart,And smile the most when heaviest is my heart.On this I act--whatever pangs surround,'Tis magnanimity to hide the wound!When all was new, and life was in its spring,I lived an unloved, solitary thing;Even then I learn'd to bury deep from dayThe piercing cares that wore my youth away:Even then I learn'd for others' cares to feel;Even then I wept I had not power to heal:Even then, deep-sounding through the nightly gloom,I heard the wretched's groan, and mourn'd the wretched's doom.Who were my friends in youth?--The midnight fire--The silent moonbeam, or the starry choir;To these I 'plain'd, or turn'd from outer sight,To bless my lonely taper's friendly light;I never yet could ask, howe'er forlorn,For vulgar pity mix'd with vulgar scorn;The sacred source of woe I never ope,My breast's my coffer, and my God's my hope.But that I do feel, Time, my friend, will show,Though the cold crowd the secret never know;With them I laugh--yet, when no eye can see,I weep for nature, and I weep for thee.Yes, thou didst wrong me, ... I fondly thought,In thee I'd found the friend my heart had sought!I fondly thought, that thou couldst pierce the guise,And read the truth that in my bosom lies;I fondly thought, ere Time's last days were gone,Thy heart and mine had mingled into one!Yes--and they yet will mingle. Days and yearsWill fly, and leave us partners in our tears:We then shall feel that friendship has a powerTo soothe affliction in her darkest hour;Time's trial o'er, shall clasp each other's hand,And wait the passport to a better land.

Words in this poem 27
cheater n.
One who cheats.
lustre n.
A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
insidious a.
Lying in wait; watching an opportunity to insnare or entrap; deceitful; sly; treacherous; -- said of persons; as, the insidious foe. [L. insidiosus, fr. insidiae an ambush, fr. insidere to sit in; pref. in- + sedere to sit: cf. F. insidieux. See Sit.]
ravager n.
One who, or that which, ravages or lays waste; spoiler.
beauteous a.
Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
admiring a.
Expressing admiration; as, an admiring glance.
wintry a.
Suitable to winter; resembling winter, or what belongs to winter; brumal; hyemal; cold; stormy; wintery. [AS. wintrig.]
flitting n.
A flying with lightness and celerity; a fluttering.
clad v.
To clothe. Holland.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
askance adv.
Sideways; obliquely; with a side glance; with disdain, envy, or suspicion. [Cf. D. schuin, schuins, sideways, schuiven to shove, schuinte slope. Cf. Asquint.]
hurries n.
A staith or framework from which coal is discharged from cars into vessels.
sidelong adv.
Laterally; obliquely; in the direction of the side. [See Sideling, adv.]
latch v. t.
To smear; to anoint. [Cf. F. lécher to lick (of German origin). Cf. Lick.]
nook n.
A narrow place formed by an angle in bodies or between bodies; a corner; a recess; a secluded retreat. [OE. nok; cf. Gael. & Ir. niuc.]
genial a.
Contributing to, or concerned in, propagation or production; generative; procreative; productive. [L. genialis: cf. OF. genial. See Genius.]
sadness n.
Heaviness; firmness.
fireside n.
A place near the fire or hearth; home; domestic life or retirement.
passport n.
Permission to pass; a document given by the competent officer of a state, permitting the person therein named to pass or travel from place to place, without molestation, by land or by water. [F. passeport, orig., a permission to leave a port or to sail into it; passer to pass + port a port, harbor. See Pass, and Port a harbor.]
exquisitely adv.
In an exquisite manner or degree; as, lace exquisitely wrought.
nightly a.
Of or pertaining to the night, or to every night; happening or done by night, or every night; as, nightly shades; he kept nightly vigils.
moonbeam n.
A ray of light from the moon.
starry a.
Abounding with stars; adorned with stars.
forlorn a.
Deserted abandoned; lost. [OE., p.p. of forlesen to lose utterly, AS. forleósan (p.p. forloren); pref. for- + leósan (in comp.) to lose; cf. D. verliezen to lose, G. verlieren, Sw. förlor]
didst
, the 2d pers. sing. imp. of Do.
fondly adv.
Foolishly. Verstegan (1673).
soothe v. t.
To assent to as true. Testament of Love. [Originally, to assent to as true; OE. so to verify, AS. ges to prove the truth of, to bear witness. See Sooth, a.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Fragment is in the public domain. This text is taken from The Poetical Works of Henry Kirk White : With a Memoir by Sir Harris Nicolas, Project Gutenberg ebook #7149; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Henry Kirke White, Fragment, in The Poetical Works of Henry Kirke White (1803–1806), text of Project Gutenberg ebook #7149, Laurel, https://laurelpoetry.com/poem/kirke-white-poems/fragment.html, id L10062.

Form and metre

Fragment is 101 lines in 7 verse paragraphs. It is in rhyming couplets, 77% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 8 lines end on an unstressed syllable, a feminine ending. 10% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABBCBCC trainA · eyeB · painA · dyeB · lieB · diffuseC · eyeB · huesC · subduesC
  2. 2 ABABB youthA · bloom'dB · toothA · consumedB · entomb'dB
  3. 3 -A-ABABB swift · flyA · snow · skyA · glanceB · eyeA · advanceB · tranceB
  4. 4 ABABB-B nearA · headB · appearA · saidB · deadB · eye · languidB
  5. 5 AABBCCDDEEFFGGHHAAII cloudA · shroudA · daleB · galeB · retreatC · seatC · moodD · broodD · askanceE · danceE · formF · stormF · thatchG · latchG · flameH · frameH · loudA · crowdA · prepareI · careI
  6. 6 AABB--CCDD-- deniedA · firesideA · blazeB · daysB · forgiven · heaven · airC · chairC · sweetD · beatD · sigh · obscurity
  7. 7 AABBCCDDEEFFGGHHIIJJKKLLMMNNOOPPQQRRSSTT steelA · feelA · eyeB · sighB · dartC · heartC · surroundD · woundD · springE · thingE · dayF · awayF · feelG · healG · gloomH · doomH · fireI · choirI · sightJ · lightJ · forlornK · scornK · opeL · hopeL · showM · knowM · seeN · theeN · thoughtO · soughtO · guiseP · liesP · goneQ · oneQ · yearsR · tearsR · powerS · hourS · handT · landT
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Oh! thou most fatal of Pandora's train,10···/˘·˘/˘·
Consumption! silent cheater of the eye;10˘/˘/˘/˘···
Thou comest not robed in agonizing pain,10······/˘˘·
Nor mark'st thy course with Death's delusive dye,10······˘/˘·
But silent and unnoticed thou dost lie;10·/˘·˘/˘···
O'er life's soft springs thy venom dost diffuse,10·····/˘·˘/
And, while thou givest new lustre to the eye,11······/˘···
While o'er the cheek are spread health's ruddy hues,10·······/˘·
E'en then life's little rest thy cruel power subdues.11···/˘··//˘/
Oft I've beheld thee, in the glow of youth,10··˘/······
Hid 'neath the blushing roses which there bloom'd;10···/˘/˘···
And dropp'd a tear, for then thy cankering tooth10·······/˘·
I knew would never stay, till all consumed,10···/˘···˘/
In the cold vault of death he were entomb'd.10········˘/
But oh! what sorrow did I feel, as swift,10···/˘·····
Insidious ravager, I saw thee fly10˘/˘/˘˘····
Through fair Lucina's breast of whitest snow,10·······/˘·
Preparing swift her passage to the sky.10˘/˘··/˘···
Though still intelligence beam'd in the glance,10··˘/˘˘····
The liquid lustre of her fine blue eye;10·/˘/˘·····
Yet soon did languid listlessness advance,10···/˘···˘/
And soon she calmly sunk in death's repugnant trance.12···/˘···˘/˘·
Even when her end was swiftly drawing near,10/····/˘/˘·
And dissolution hover'd o'er her head:10··˘/˘/˘···
Even then so beauteous did her form appear,11/··/˘˘···˘/
That none who saw her but admiring said,10······˘/˘·
Sure so much beauty never could be dead.10···/˘/˘···
Yet the dark lash of her expressive eye10······˘/˘·
Bent lowly down upon the languid--9·/˘····/˘
Loud rage the winds without.--The wintry cloud10·······/˘·
O'er the cold northstar casts her flitting shroud;10···/···/˘·
And Silence, pausing in some snow-clad dale,10·/˘/˘·····
Starts as she hears, by fits, the shrieking gale;10·······/˘·
Where now, shut out from every still retreat,10·····/˘·˘/
Her pine-clad summit, and her woodland seat,10···/˘··/··
Shall Meditation, in her saddest mood,10··˘/˘··/˘·
Retire o'er all her pensive stores to brood?10˘/···/˘···
Shivering and blue the peasant eyes askance10/˘···/˘·˘/
The drifted fleeces that around him dance,10·/˘/˘·····
And hurries on his half-averted form,10·/˘···˘/˘·
Stemming the fury of the sidelong storm.10/˘·/˘··/˘·
Him soon shall greet his snow-topp'd [cot of thatch],10··········
Soon shall his numb'd hand tremble on the latch,10·····/˘···
Soon from his chimney's nook the cheerful flame10···/˘··/˘·
Diffuse a genial warmth throughout his frame;10˘/·/˘·····
Round the light fire, while roars the north wind loud,10···/······
What merry groups of vacant faces crowd;10·/˘··/˘/˘·
These hail his coming--these his meal prepare,10···/˘···˘/
And boast in all that cot no lurking care.10·······/˘·
What though the social circle be denied,10···/˘/˘·˘/
Even Sadness brightens at her own fireside,11//˘/˘···/˘·
Loves, with fix'd eye, to watch the fluttering blaze,10·······/˘·
While musing Memory dwells on former days;10·/˘/˘··/˘·
Or Hope, bless'd spirit! smiles--and still forgiven,11···/˘···˘/˘
Forgets the passport, while she points to Heaven.11˘/·/·····/˘
Then heap the fire--shut out the biting air,10···/···/˘·
And from its station wheel the easy chair:10···/˘··/˘·
Thus fenced and warm, in silent fit, 'tis sweet10·····/˘···
To hear without the bitter tempest beat,10·····/˘/˘·
All, all alone--to sit, and muse, and sigh,10··˘/······
The pensive tenant of obscurity.10·/˘/˘·˘/˘˘
"Do I not feel?" The doubt is keen as steel.10··········
Yea, I do feel--most exquisitely feel;10······/˘˘·
My heart can weep, when, from my downcast eye,10·······/··
I chase the tear, and stem the rising sigh:10·······/˘·
Deep buried there I close the rankling dart,10·/˘····/˘·
And smile the most when heaviest is my heart.10·····/˘···
On this I act--whatever pangs surround,10·····/˘·˘/
'Tis magnanimity to hide the wound!10··········
When all was new, and life was in its spring,10··········
I lived an unloved, solitary thing;10···˘//˘·˘·
Even then I learn'd to bury deep from day10/····/˘···
The piercing cares that wore my youth away:10·/˘·····˘/
Even then I learn'd for others' cares to feel;10/····/˘···
Even then I wept I had not power to heal:10/······/··
Even then, deep-sounding through the nightly gloom,10/··/˘··/˘·
I heard the wretched's groan, and mourn'd the wretched's doom.12···/˘····/˘·
Who were my friends in youth?--The midnight fire--11·······/·/˘
The silent moonbeam, or the starry choir;11·/˘/···/˘/˘
To these I 'plain'd, or turn'd from outer sight,10·······/˘·
To bless my lonely taper's friendly light;10···/˘/˘/˘·
I never yet could ask, howe'er forlorn,10·/˘·····˘/
For vulgar pity mix'd with vulgar scorn;10·/˘/˘··/˘·
The sacred source of woe I never ope,10·/˘····/˘·
My breast's my coffer, and my God's my hope.10···/˘·····
But that I do feel, Time, my friend, will show,10··········
Though the cold crowd the secret never know;10·····/˘/˘·
With them I laugh--yet, when no eye can see,10··········
I weep for nature, and I weep for thee.10···/˘·····
Yes, thou didst wrong me, ... I fondly thought,9······/˘·
In thee I'd found the friend my heart had sought!10··········
I fondly thought, that thou couldst pierce the guise,10·/˘·······
And read the truth that in my bosom lies;10·······/˘·
I fondly thought, ere Time's last days were gone,10·/˘·······
Thy heart and mine had mingled into one!10·····/˘···
Yes--and they yet will mingle. Days and years10·····/˘···
Will fly, and leave us partners in our tears:10·····/˘·/·
We then shall feel that friendship has a power11·····/˘··/˘
To soothe affliction in her darkest hour;11··˘/˘··/˘/˘
Time's trial o'er, shall clasp each other's hand,10·/˘····/˘·
And wait the passport to a better land.10···/···/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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