District Orders—Lines of Communication
Sudden the desert changes,The raw glare softens and clings,Till the aching Oudtshoorn rangesStand up like the thrones of kings--
Ramparts of slaughter and peril--Blazing, amazing--aglow’Twixt the sky-line’s belting berylAnd the wine-dark flats below.
Royal the pageant closes,Lit by the last of the sun--Opal and ash-of-roses,Cinnamon, umber, and dun.
The twilight swallows the thicket,The starlight reveals the ridge;The whistle shrills to the picket--We are changing guard on the bridge.
(Few, forgotten and lonely,Where the empty metals shine--No, not combatants--onlyDetails guarding the line.)
We slip through the broken panelOf fence by the ganger’s shed;We drop to the waterless channelAnd the lean track overhead;
We stumble on refuse of rations,The beef and the biscuit-tins;We take our appointed stations,And the endless night begins.
We hear the Hottentot herdersAs the sheep click past to the fold--And the click of the restless girdersAs the steel contracts in the cold--
Voices of jackals callingAnd, loud in the hush between,A morsel of dry earth fallingFrom the flanks of the scarred ravine.
And the solemn firmament marches,And the hosts of heaven riseFramed through the iron arches--Banded and barred by the ties,
Till we feel the far track humming,And we see her headlight plain,And we gather and wait her coming--The wonderful north-bound train.
(Few, forgotten and lonely,Where the white car-windows shine--No, not combatants--onlyDetails guarding the line.)
Quick, ere the gift escape us!Out of the darkness we reachFor a handful of week-old papersAnd a mouthful of human speech.
And the monstrous heaven rejoices,And the earth allows again,Meetings, greetings, and voicesOf women talking with men.
So we return to our places,As out on the bridge she rolls;And the darkness covers our faces,And the darkness re-enters our souls.
More than a little lonelyWhere the lessening tail-lights shine.No--not combatants--onlyDetails guarding the line!
Words in this poem
- glare v. i.
- To shine with a bright, dazzling light. [OE. glaren, gloren; cf. AS. glær amber, LG. glaren to glow or burn like coals, D. gloren to glimmer; prob. akin to E. glass.]
- aching a.
- That aches; continuously painful. See Ache.
- belting n.
- The material of which belts for machinery are made; also, belts, taken collectively.
- pageant n.
- A theatrical exhibition; a spectacle. [OE. pagent, pagen, originally, a movable scaffold or stage, hence, what was exhibited on it, fr. LL. pagina, akin to pangere to fasten; cf. L. pagina page, leaf]
- starlight n.
- The light given by the stars.
- picket n.
- A stake sharpened or pointed, especially one used in fortification and encampments, to mark bounds and angles; or one used for tethering horses. [F. piquet, properly dim. of pique spear, pike. See Pike, and cf. Piquet.]
- waterless a.
- Destitute of water; dry.
- hottentot n.
- One of a degraded and savage race of South Africa, with yellowish brown complexion, high cheek bones, and wooly hair growing in tufts. [D. Hottentot; -- so called from hot and tot, two syllables of frequent occurrence in their language. Wedgwood.]
- firmament n.
- Fixed foundation; established basis. [L. firmamentum, fr. firmare to make firm: cf. F. firmament. See Firm, v. & a.]
- headlight n.
- A light, with a powerful reflector, placed at the head of a locomotive, or in front of it, to throw light on the track at night, or in going through a dark tunnel.
- handful n.
- As much as the hand will grasp or contain. [AS. handfull.]
- mouthful n.
- As much as is usually put into the mouth at one time.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
District Orders—Lines of Communication is in the public domain. This text is taken from The Five Nations, Volume II, Project Gutenberg ebook #60261; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Rudyard Kipling, District Orders—Lines of Communication, in The Five Nations, Volume II (1903), text of Project Gutenberg ebook #60261, Laurel, https://laurelpoetry.com/poem/kipling-five-nations-2/district-orders-lines-of-communication.html, id L20250.
Form and metre
District Orders—Lines of Communication is 64 lines in 16 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 13 of its 16 stanzas. The metre is common measure, measured from the stress the words themselves fix (confidence 79%).
See other poems in common measure.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB changesA · clingsB · rangesA · kingsB
- 2 ABAB perilA · aglowB · berylA · belowB
- 3 ABAB closesA · sunB · rosesA · dunB
- 4 ABAB thicketA · ridgeB · picketA · bridgeB
- 5 ABAB lonelyA · shineB · onlyA · lineB
- 6 ABAB panelA · shedB · channelA · overheadB
- 7 AAAA rationsA · tinsA · stationsA · beginsA
- 8 ABAB herdersA · foldB · girdersA · coldB
- 9 -A-A calling · betweenA · falling · ravineA
- 10 ABAB marchesA · riseB · archesA · tiesB
- 11 ABAB hummingA · plainB · comingA · trainB
- 12 ABAB lonelyA · shineB · onlyA · lineB
- 13 -A-A us · reachA · papers · speechA
- 14 ABAB rejoicesA · againB · voicesA · menB
- 15 ABAB placesA · rollsB · facesA · soulsB
- 16 ABAB lonelyA · shineB · onlyA · lineB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against common measure. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Sudden the desert changes, | 7 | /˘·/˘/˘ |
| The raw glare softens and clings, | 7 | ···/˘·· |
| Till the aching Oudtshoorn ranges | 8 | ··/˘··/˘ |
| Stand up like the thrones of kings-- | 7 | ······· |
| Ramparts of slaughter and peril-- | 8 | /··/˘·/˘ |
| Blazing, amazing--aglow | 7 | /˘˘/˘˘/ |
| ’Twixt the sky-line’s belting beryl | 8 | ····/˘/˘ |
| And the wine-dark flats below. | 7 | ······· |
| Royal the pageant closes, | 7 | /˘·/˘/˘ |
| Lit by the last of the sun-- | 7 | ······· |
| Opal and ash-of-roses, | 7 | /˘···/˘ |
| Cinnamon, umber, and dun. | 7 | /˘˘/˘·· |
| The twilight swallows the thicket, | 8 | ·/·/˘·/˘ |
| The starlight reveals the ridge; | 7 | ·/·˘/·· |
| The whistle shrills to the picket-- | 8 | ·/˘···/˘ |
| We are changing guard on the bridge. | 8 | ··/˘···· |
| (Few, forgotten and lonely, | 7 | ·˘/˘·/˘ |
| Where the empty metals shine-- | 7 | ··/˘/˘· |
| No, not combatants--only | 7 | ··˘/˘/˘ |
| Details guarding the line.) | 6 | /˘/˘·· |
| We slip through the broken panel | 8 | ····/˘/˘ |
| Of fence by the ganger’s shed; | 7 | ····/˘· |
| We drop to the waterless channel | 9 | ····/˘˘/˘ |
| And the lean track overhead; | 7 | ····/˘/ |
| We stumble on refuse of rations, | 9 | ·/˘·˘/·/˘ |
| The beef and the biscuit-tins; | 7 | ····/˘· |
| We take our appointed stations, | 9 | ··/˘˘/˘/˘ |
| And the endless night begins. | 7 | ··/˘·˘/ |
| We hear the Hottentot herders | 8 | ···/˘˘/˘ |
| As the sheep click past to the fold-- | 8 | ········ |
| And the click of the restless girders | 9 | ·····/˘/˘ |
| As the steel contracts in the cold-- | 8 | ···/···· |
| Voices of jackals calling | 7 | /˘·/˘/˘ |
| And, loud in the hush between, | 7 | ······· |
| A morsel of dry earth falling | 8 | ·/˘···/˘ |
| From the flanks of the scarred ravine. | 8 | ······˘/ |
| And the solemn firmament marches, | 9 | ··/˘/˘˘/˘ |
| And the hosts of heaven rise | 7 | ····/˘· |
| Framed through the iron arches-- | 8 | ·˘··/˘/˘ |
| Banded and barred by the ties, | 8 | /˘··˘··· |
| Till we feel the far track humming, | 8 | ······/˘ |
| And we see her headlight plain, | 7 | ····/·· |
| And we gather and wait her coming-- | 9 | ··/˘···/˘ |
| The wonderful north-bound train. | 7 | ·/˘˘··· |
| (Few, forgotten and lonely, | 7 | ·˘/˘·/˘ |
| Where the white car-windows shine-- | 7 | ····/˘· |
| No, not combatants--only | 7 | ··˘/˘/˘ |
| Details guarding the line.) | 6 | /˘/˘·· |
| Quick, ere the gift escape us! | 7 | ····˘/· |
| Out of the darkness we reach | 7 | ···/˘·· |
| For a handful of week-old papers | 9 | ··/····/˘ |
| And a mouthful of human speech. | 8 | ··/··/˘· |
| And the monstrous heaven rejoices, | 9 | ··/˘/˘˘/˘ |
| And the earth allows again, | 7 | ···˘/˘/ |
| Meetings, greetings, and voices | 7 | /˘/˘·/˘ |
| Of women talking with men. | 7 | ·/˘/˘·· |
| So we return to our places, | 9 | ··˘/·/˘/˘ |
| As out on the bridge she rolls; | 7 | ······· |
| And the darkness covers our faces, | 9 | ··/˘/˘//˘ |
| And the darkness re-enters our souls. | 9 | ··/˘·/˘/· |
| More than a little lonely | 7 | ···/˘/˘ |
| Where the lessening tail-lights shine. | 8 | ··/˘˘··· |
| No--not combatants--only | 7 | ··˘/˘/˘ |
| Details guarding the line! | 6 | /˘/˘·· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.