The Twelve-Forty-Five
Within the Jersey City shedThe engine coughs and shakes its head,The smoke, a plume of red and white,Waves madly in the face of night.And now the grave incurious starsGleam on the groaning hurrying cars.Against the kind and awful reignOf darkness, this our angry train,A noisy little rebel, poutsIts brief defiance, flames and shouts --And passes on, and leaves no trace.For darkness holds its ancient place,Serene and absolute, the kingUnchanged, of every living thing.The houses lie obscure and stillIn Rutherford and Carlton Hill.Our lamps intensify the darkOf slumbering Passaic Park.And quiet holds the weary feetThat daily tramp through Prospect Street.What though we clang and clank and roarThrough all Passaic's streets? No doorWill open, not an eye will seeWho this loud vagabond may be.Upon my crimson cushioned seat,In manufactured light and heat,I feel unnatural and mean.Outside the towns are cool and clean;Curtained awhile from sound and sightThey take God's gracious gift of night.The stars are watchful over them.On Clifton as on BethlehemThe angels, leaning down the sky,Shed peace and gentle dreams. And I --I ride, I blasphemously rideThrough all the silent countryside.The engine's shriek, the headlight's glare,Pollute the still nocturnal air.The cottages of Lake View sighAnd sleeping, frown as we pass by.Why, even strident PatersonRests quietly as any nun.Her foolish warring children keepThe grateful armistice of sleep.For what tremendous errand's sakeAre we so blatantly awake?What precious secret is our freight?What king must be abroad so late?Perhaps Death roams the hills to-nightAnd we rush forth to give him fight.Or else, perhaps, we speed his wayTo some remote unthinking prey.Perhaps a woman writhes in painAnd listens -- listens for the train!The train, that like an angel sings,The train, with healing on its wings.Now "Hawthorne!" the conductor cries.My neighbor starts and rubs his eyes.He hurries yawning through the carAnd steps out where the houses are.This is the reason of our quest!Not wantonly we break the restOf town and village, nor do weLightly profane night's sanctity.What Love commands the train fulfills,And beautiful upon the hillsAre these our feet of burnished steel.Subtly and certainly I feelThat Glen Rock welcomes us to herAnd silent Ridgewood seems to stirAnd smile, because she knows the trainHas brought her children back again.We carry people home -- and soGod speeds us, wheresoe'er we go.Hohokus, Waldwick, AllendaleLift sleepy heads to give us hail.In Ramsey, Mahwah, Suffern standHouses that wistfully demandA father -- son -- some human thingThat this, the midnight train, may bring.The trains that travel in the dayThey hurry folks to work or play.The midnight train is slow and oldBut of it let this thing be told,To its high honor be it saidIt carries people home to bed.My cottage lamp shines white and clear.God bless the train that brought me here.
Words in this poem 20
- madly adv.
- In a mad manner; without reason or understanding; wildly. [From Mad, a.]
- incurious a.
- Not curious or inquisitive; without care for or interest in; inattentive; careless; negligent; heedless. [L. incuriosus: cf. F. incurieux. See In- not, and Curious.]
- angry a.
- Troublesome; vexatious; rigorous. [See Anger.]
- rebel a.
- Pertaining to rebels or rebellion; acting in revolt; rebellious; as, rebel troops. [F. rebelle, fr. L. rebellis. See Rebel, v. t.]
- clang v. t.
- To strike together so as to produce a ringing metallic sound. [L. clangere; akin to Gr. clank.]
- clank n.
- A sharp, brief, ringing sound, made by a collision of metallic or other sonorous bodies; -- usually expressing a duller or less resounding sound than clang, and a deeper and stronger sound than clink. [Akin to clink, and of imitative origin; cf. G. klang sound, D. klank. Cf. Clang.]
- awhile adv.
- For a while; for some time; for a short time. [Adj. a + while time, interval.]
- bethlehem n.
- A hospital for lunatics; -- corrupted into bedlam. [Heb. b house of food; b house + lekhem food, lakham to eat. Formerly the name of a hospital for the insane, in London, which had been the priory of St. Mary of ]
- blasphemously adv.
- In a blasphemous manner.
- countryside n.
- A particular rural district; a country neighborhood. [Eng.] W.
- glare v. i.
- To shine with a bright, dazzling light. [OE. glaren, gloren; cf. AS. glær amber, LG. glaren to glow or burn like coals, D. gloren to glimmer; prob. akin to E. glass.]
- strident a.
- Characterized by harshness; grating; shrill. [L. stridens, -entis, p.pr. of stridere to make a grating or creaking noise.]
- armistice n.
- A cessation of arms for a short time, by convention; a temporary suspension of hostilities by agreement; a truce. [F. armistice, fr. (an assumed word) L. armistitium; arma arms + stare, statum (combining form, -stitum), to stand still.]
- tremendous a.
- Fitted to excite fear or terror; such as may astonish or terrify by its magnitude, force, or violence; terrible; dreadful; as, a tremendous wind; a tremendous shower; a tremendous shock or fall. [L. tremendus that is to be trembled at, fearful, fr. tremere to tremble. See Tremble.]
- blatantly adv.
- In a blatant manner.
- unthinking a.
- Not thinking; not heedful; thoughtless; inconsiderate; as, unthinking youth.
- hurries n.
- A staith or framework from which coal is discharged from cars into vessels.
- wantonly adv.
- In a wanton manner; without regularity or restraint; loosely; sportively; gayly; playfully; recklessly; lasciviously.
- subtly adv.
- In a subtle manner; slyly; artfully; cunningly.
- folks n.
- In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Twelve-Forty-Five is in the public domain. This text is taken from Trees, and Other Poems, Project Gutenberg ebook #263; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Joyce Kilmer, The Twelve-Forty-Five, in Trees and Other Poems (1914), text of Project Gutenberg ebook #263, Laurel, https://laurelpoetry.com/poem/kilmer-trees/the-twelve-forty-five.html, id L12888.
Form and metre
The Twelve-Forty-Five is 88 lines in a single stanza. It is in rhyming couplets, 95% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 92%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 8.0 syllables. 2 lines end on an unstressed syllable, a feminine ending. 42% of the lines run on without a stop at the line end.
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGGHHIIJJKKLLMMNNOOPPQQRRSSTTUUVVWWXXYYZZaabbccddee--ffgghh--iijjkkllmmnnoopp shedA · headA · whiteB · nightB · starsC · carsC · reignD · trainD · poutsE · shoutsE · traceF · placeF · kingG · thingG · stillH · hillH · darkI · parkI · feetJ · streetJ · roarK · doorK · seeL · beL · seatM · heatM · meanN · cleanN · sightO · nightO · themP · bethlehemP · skyQ · iQ · rideR · countrysideR · glareS · airS · sighT · byT · patersonU · nunU · keepV · sleepV · sakeW · awakeW · freightX · lateX · nightY · fightY · wayZ · preyZ · paina · traina · singsb · wingsb · criesc · eyesc · card · ared · queste · reste · we · sanctity · fulfillsf · hillsf · steelg · feelg · herh · stirh · train · again · soi · goi · allendalej · hailj · standk · demandk · thingl · bringl · daym · playm · oldn · toldn · saido · bedo · clearp · herep
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Within the Jersey City shed | 8 | ···/˘/˘· |
| The engine coughs and shakes its head, | 8 | ·/˘····· |
| The smoke, a plume of red and white, | 8 | ········ |
| Waves madly in the face of night. | 8 | ·/˘····· |
| And now the grave incurious stars | 9 | ····˘/˘˘· |
| Gleam on the groaning hurrying cars. | 8 | ···/˘/˘· |
| Against the kind and awful reign | 8 | ·····/˘· |
| Of darkness, this our angry train, | 8 | ·/˘·//˘· |
| A noisy little rebel, pouts | 8 | ·/˘/˘/˘· |
| Its brief defiance, flames and shouts -- | 8 | ··˘/˘··· |
| And passes on, and leaves no trace. | 8 | ·/˘····· |
| For darkness holds its ancient place, | 8 | ·/˘··/˘· |
| Serene and absolute, the king | 8 | ˘/·/˘··· |
| Unchanged, of every living thing. | 8 | ˘/·/˘/˘· |
| The houses lie obscure and still | 8 | ·/˘·˘/·· |
| In Rutherford and Carlton Hill. | 8 | ·/˘˘·/˘· |
| Our lamps intensify the dark | 8 | /·˘/˘··· |
| Of slumbering Passaic Park. | 8 | ·/˘˘˘/˘· |
| And quiet holds the weary feet | 8 | ·/˘··/˘· |
| That daily tramp through Prospect Street. | 8 | ·/˘··/˘· |
| What though we clang and clank and roar | 8 | ········ |
| Through all Passaic's streets? No door | 8 | ··˘/˘··· |
| Will open, not an eye will see | 8 | ·/˘····· |
| Who this loud vagabond may be. | 8 | ···/˘˘·· |
| Upon my crimson cushioned seat, | 8 | ···/˘/˘· |
| In manufactured light and heat, | 8 | ··˘/˘··· |
| I feel unnatural and mean. | 8 | ··˘/˘˘·· |
| Outside the towns are cool and clean; | 8 | //······ |
| Curtained awhile from sound and sight | 8 | /˘˘/···· |
| They take God's gracious gift of night. | 8 | ···/˘··· |
| The stars are watchful over them. | 8 | ···/˘··· |
| On Clifton as on Bethlehem | 8 | ·/˘··/˘· |
| The angels, leaning down the sky, | 8 | ·/˘/˘··· |
| Shed peace and gentle dreams. And I -- | 8 | ···/˘··· |
| I ride, I blasphemously ride | 8 | ···/˘˘˘· |
| Through all the silent countryside. | 8 | ···/˘/˘· |
| The engine's shriek, the headlight's glare, | 8 | ·/˘··/·· |
| Pollute the still nocturnal air. | 8 | ˘/··˘/˘· |
| The cottages of Lake View sigh | 8 | ·/˘˘···· |
| And sleeping, frown as we pass by. | 8 | ·/˘····· |
| Why, even strident Paterson | 8 | ·/˘/˘/˘˘ |
| Rests quietly as any nun. | 8 | ·/˘˘·/˘· |
| Her foolish warring children keep | 8 | ·/˘/˘/˘· |
| The grateful armistice of sleep. | 8 | ·/˘/˘˘·· |
| For what tremendous errand's sake | 8 | ··˘/˘/˘· |
| Are we so blatantly awake? | 8 | ···/˘˘˘/ |
| What precious secret is our freight? | 8 | ·/˘/˘·/· |
| What king must be abroad so late? | 8 | ····˘/·· |
| Perhaps Death roams the hills to-night | 8 | ˘/······ |
| And we rush forth to give him fight. | 8 | ········ |
| Or else, perhaps, we speed his way | 8 | ··˘/···· |
| To some remote unthinking prey. | 8 | ··˘/˘/˘· |
| Perhaps a woman writhes in pain | 8 | ˘/·/˘··· |
| And listens -- listens for the train! | 8 | ·/˘/˘··· |
| The train, that like an angel sings, | 8 | ·····/˘· |
| The train, with healing on its wings. | 8 | ···/˘··· |
| Now "Hawthorne!" the conductor cries. | 8 | ·/˘·˘/˘· |
| My neighbor starts and rubs his eyes. | 8 | ·/˘····· |
| He hurries yawning through the car | 8 | ·/˘/˘··· |
| And steps out where the houses are. | 8 | ·····/˘· |
| This is the reason of our quest! | 8 | ···/˘·/· |
| Not wantonly we break the rest | 8 | ·/˘˘···· |
| Of town and village, nor do we | 8 | ···/˘··· |
| Lightly profane night's sanctity. | 8 | /˘˘/·/˘˘ |
| What Love commands the train fulfills, | 8 | ··˘/··˘/ |
| And beautiful upon the hills | 8 | ·/˘˘···· |
| Are these our feet of burnished steel. | 8 | ··/··/˘· |
| Subtly and certainly I feel | 8 | /˘·/˘˘·· |
| That Glen Rock welcomes us to her | 8 | ···/˘··· |
| And silent Ridgewood seems to stir | 8 | ·/˘/···· |
| And smile, because she knows the train | 8 | ········ |
| Has brought her children back again. | 8 | ···/˘·˘/ |
| We carry people home -- and so | 8 | ·/˘/˘··· |
| God speeds us, wheresoe'er we go. | 8 | ········ |
| Hohokus, Waldwick, Allendale | 8 | ·····/˘· |
| Lift sleepy heads to give us hail. | 8 | ·/˘····· |
| In Ramsey, Mahwah, Suffern stand | 8 | ·/˘/˘/˘· |
| Houses that wistfully demand | 8 | /˘·/˘˘˘/ |
| A father -- son -- some human thing | 8 | ·/˘··/˘· |
| That this, the midnight train, may bring. | 8 | ···/···· |
| The trains that travel in the day | 8 | ···/˘··· |
| They hurry folks to work or play. | 8 | ·/˘····· |
| The midnight train is slow and old | 8 | ·/······ |
| But of it let this thing be told, | 8 | ········ |
| To its high honor be it said | 8 | ···/˘··· |
| It carries people home to bed. | 8 | ·/˘/˘··· |
| My cottage lamp shines white and clear. | 8 | ·/˘····· |
| God bless the train that brought me here. | 8 | ········ |
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