To Autumn

John Keats (1795–1821) · 1820

iambic pentameter · ABABCDECDDE · 33 lines · from Lamia, Isabella, The Eve of St. Agnes, and Other Poems

Season of mists and mellow fruitfulness,Close bosom-friend of the maturing sun;Conspiring with him how to load and blessWith fruit the vines that round the thatch-eves run;To bend with apples the moss'd cottage-trees,And fill all fruit with ripeness to the core;To swell the gourd, and plump the hazel shellsWith a sweet kernel; to set budding more,And still more, later flowers for the bees,Until they think warm days will never cease,For Summer has o'er-brimm'd their clammy cells.

Who hath not seen thee oft amid thy store?Sometimes whoever seeks abroad may findThee sitting careless on a granary floor,Thy hair soft-lifted by the winnowing wind;Or on a half-reap'd furrow sound asleep,Drows'd with the fume of poppies, while thy hookSpares the next swath and all its twined flowers:And sometimes like a gleaner thou dost keepSteady thy laden head across a brook;Or by a cyder-press, with patient look,Thou watchest the last oozings hours by hours.

Where are the songs of Spring? Ay, where are they?Think not of them, thou hast thy music too,--While barred clouds bloom the soft-dying day,And touch the stubble-plains with rosy hue;Then in a wailful choir the small gnats mournAmong the river sallows, borne aloftOr sinking as the light wind lives or dies;And full-grown lambs loud bleat from hilly bourn;Hedge-crickets sing; and now with treble softThe red-breast whistles from a garden-croft;And gathering swallows twitter in the skies.

Words in this poem

amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
whoever pron.
Whatever person; any person who; be or she who; any one who; as, he shall be punished, whoever he may be.
winnowing n.
The act of one who, or that which, winnows.
fume n.
Exhalation; volatile matter (esp. noxious vapor or smoke) ascending in a dense body; smoke; vapor; reek; as, the fumes of tobacco. [L. fumus; akin to Skr. dh smoke, dh to shake, fan a flame, cf. Gr. fum smoke, F. fumée. Cf. Dust, n., Femerell, Thyme.]
gleaner n.
One who gathers after reapers.
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
wailful a.
Sorrowful; mournful.
bleat v. i.
To make the noise of, or one like that of, a sheep; to cry like a sheep or calf. [OE. bleten, AS. bl; akin to D. blaten, bleeten, OHG. blazan, plazan; prob. of imitative origin.]
hilly a.
Abounding with hills; uneven in surface; as, a hilly country.
bourn n.
A stream or rivulet; a burn. [OE. burne, borne, AS. burna; akin to OS. brunno spring, G. born, brunnen, OHG. prunno, Goth. brunna, Icel. brunnr, and perh. to Gr. burn, v., because the source]
twitter n.
One who twits, or reproaches; an upbraider. [From Twit.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

To Autumn is in the public domain. This text is taken from Keats: Poems Published in 1820 (Clarendon Press, 1909, ed. M. Robertson), Project Gutenberg ebook #23684; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Keats, To Autumn, in Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820), text of Project Gutenberg ebook #23684, Laurel, https://laurelpoetry.com/poem/keats-1820/to-autumn.html, id L00191.

Form and metre

To Autumn is 33 lines in 3 stanzas of 11 lines each. The rhyme scheme is ABABCDECDDE, complete in 2 of its 3 stanzas. The metre is iambic pentameter, as Wikipedia: To Autumn has it. 96% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 2 lines end on an unstressed syllable, a feminine ending. 24% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCDEDC-E fruitfulnessA · sunB · blessA · runB · treesC · coreD · shellsE · moreD · beesC · cease · cellsE
  2. 2 ABABCDECDDE storeA · findB · floorA · windB · asleepC · hookD · flowersE · keepC · brookD · lookD · hoursE
  3. 3 ABABCDECDDE theyA · tooB · dayA · hueB · mournC · aloftD · diesE · bournC · softD · croftD · skiesE
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Season of mists and mellow fruitfulness,10/˘···/˘···
Close bosom-friend of the maturing sun;10·/˘···˘/˘·
Conspiring with him how to load and bless10˘/˘·······
With fruit the vines that round the thatch-eves run;10··········
To bend with apples the moss'd cottage-trees,10···/˘··/˘·
And fill all fruit with ripeness to the core;10·····/˘···
To swell the gourd, and plump the hazel shells10·······/˘·
With a sweet kernel; to set budding more,10···/˘··/˘·
And still more, later flowers for the bees,10···/˘/˘···
Until they think warm days will never cease,10·······/˘·
For Summer has o'er-brimm'd their clammy cells.10·/˘····/˘·
Who hath not seen thee oft amid thy store?10······˘/··
Sometimes whoever seeks abroad may find10˘/˘/˘·˘/··
Thee sitting careless on a granary floor,11·/˘/˘··/˘˘·
Thy hair soft-lifted by the winnowing wind;11···/˘··/·˘·
Or on a half-reap'd furrow sound asleep,10·····/˘·˘/
Drows'd with the fume of poppies, while thy hook10·····/˘···
Spares the next swath and all its twined flowers:10········/˘
And sometimes like a gleaner thou dost keep10·/···/˘···
Steady thy laden head across a brook;10/˘·/˘·˘/··
Or by a cyder-press, with patient look,10···/˘··/˘·
Thou watchest the last oozings hours by hours.11·/˘··/˘/·/˘
Where are the songs of Spring? Ay, where are they?10··········
Think not of them, thou hast thy music too,--10·······/˘·
While barred clouds bloom the soft-dying day,10··˘····/˘·
And touch the stubble-plains with rosy hue;10···/˘··/˘·
Then in a wailful choir the small gnats mourn10···/˘/····
Among the river sallows, borne aloft10···/˘···˘/
Or sinking as the light wind lives or dies;10·/˘·······
And full-grown lambs loud bleat from hilly bourn;10·······/˘·
Hedge-crickets sing; and now with treble soft10·/˘····/˘·
The red-breast whistles from a garden-croft;10···/˘··/˘·
And gathering swallows twitter in the skies.10·/˘/˘/˘···
Notes from the edition 5

Introduction and notes by M. Robertson, Keats: Poems Published in 1820 (Clarendon Press, 1909).

  1. Stanza 2, line 7 swath, the width of the sweep of the scythe.
  2. Stanza 3, line 1 seq. Now the sounds of autumn are added to complete the impression.
  3. Stanza 3, line 3 Compare letter quoted above.
  4. Stanza 3, line 6 sallows, trees or low shrubs of the willowy kind.
  5. Stanza 3, line 6 borne . . . dies. Notice how the cadence of the line fits the sense. It seems to rise and fall and rise and fall again.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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