Lamia, Part I

John Keats (1795–1821) · 1820

iambic pentameter · heroic couplets · 398 lines · from Lamia, Isabella, The Eve of St. Agnes, and Other Poems

Upon a time, before the faery broodsDrove Nymph and Satyr from the prosperous woods,Before King Oberon's bright diadem,Sceptre, and mantle, clasp'd with dewy gem,Frighted away the Dryads and the FaunsFrom rushes green, and brakes, and cowslip'd lawns,The ever-smitten Hermes empty leftHis golden throne, bent warm on amorous theft:From high Olympus had he stolen light,On this side of Jove's clouds, to escape the sightOf his great summoner, and made retreatInto a forest on the shores of Crete.For somewhere in that sacred island dweltA nymph, to whom all hoofed Satyrs knelt;At whose white feet the languid Tritons pouredPearls, while on land they wither'd and adored.Fast by the springs where she to bathe was wont,And in those meads where sometime she might haunt,Were strewn rich gifts, unknown to any Muse,Though Fancy's casket were unlock'd to choose.Ah, what a world of love was at her feet!So Hermes thought, and a celestial heatBurnt from his winged heels to either ear,That from a whiteness, as the lily clear,Blush'd into roses 'mid his golden hair,Fallen in jealous curls about his shoulders bare.From vale to vale, from wood to wood, he flew,Breathing upon the flowers his passion new,And wound with many a river to its head,To find where this sweet nymph prepar'd her secret bed:In vain; the sweet nymph might nowhere be found,And so he rested, on the lonely ground,Pensive, and full of painful jealousiesOf the Wood-Gods, and even the very trees.There as he stood, he heard a mournful voice,Such as once heard, in gentle heart, destroysAll pain but pity: thus the lone voice spake:"When from this wreathed tomb shall I awake!When move in a sweet body fit for life,And love, and pleasure, and the ruddy strifeOf hearts and lips! Ah, miserable me!"The God, dove-footed, glided silentlyRound bush and tree, soft-brushing, in his speed,The taller grasses and full-flowering weed,Until he found a palpitating snake,Bright, and cirque-couchant in a dusky brake.

She was a gordian shape of dazzling hue,Vermilion-spotted, golden, green, and blue;Striped like a zebra, freckled like a pard,Eyed like a peacock, and all crimson barr'd;And full of silver moons, that, as she breathed,Dissolv'd, or brighter shone, or interwreathedTheir lustres with the gloomier tapestries--So rainbow-sided, touch'd with miseries,She seem'd, at once, some penanced lady elf,Some demon's mistress, or the demon's self.Upon her crest she wore a wannish fireSprinkled with stars, like Ariadne's tiar:Her head was serpent, but ah, bitter-sweet!She had a woman's mouth with all its pearls complete:And for her eyes: what could such eyes do thereBut weep, and weep, that they were born so fair?As Proserpine still weeps for her Sicilian air.Her throat was serpent, but the words she spakeCame, as through bubbling honey, for Love's sake,And thus; while Hermes on his pinions lay,Like a stoop'd falcon ere he takes his prey.

"Fair Hermes, crown'd with feathers, fluttering light,I had a splendid dream of thee last night:I saw thee sitting, on a throne of gold,Among the Gods, upon Olympus old,The only sad one; for thou didst not hearThe soft, lute-finger'd Muses chaunting clear,Nor even Apollo when he sang alone,Deaf to his throbbing throat's long, long melodious moan.I dreamt I saw thee, robed in purple flakes,Break amorous through the clouds, as morning breaks,And, swiftly as a bright Phoebean dart,Strike for the Cretan isle; and here thou art!Too gentle Hermes, hast thou found the maid?"Whereat the star of Lethe not delay'dHis rosy eloquence, and thus inquired:"Thou smooth-lipp'd serpent, surely high inspired!Thou beauteous wreath, with melancholy eyes,Possess whatever bliss thou canst devise,Telling me only where my nymph is fled,--Where she doth breathe!" "Bright planet, thou hast said,"Return'd the snake, "but seal with oaths, fair God!""I swear," said Hermes, "by my serpent rod,And by thine eyes, and by thy starry crown!"Light flew his earnest words, among the blossoms blown.Then thus again the brilliance feminine:"Too frail of heart! for this lost nymph of thine,Free as the air, invisibly, she straysAbout these thornless wilds; her pleasant daysShe tastes unseen; unseen her nimble feetLeave traces in the grass and flowers sweet;From weary tendrils, and bow'd branches green,She plucks the fruit unseen, she bathes unseen:And by my power is her beauty veil'dTo keep it unaffronted, unassail'dBy the love-glances of unlovely eyes,Of Satyrs, Fauns, and blear'd Silenus' sighs.Pale grew her immortality, for woeOf all these lovers, and she grieved soI took compassion on her, bade her steepHer hair in weird syrops, that would keepHer loveliness invisible, yet freeTo wander as she loves, in liberty.Thou shalt behold her, Hermes, thou alone,If thou wilt, as thou swearest, grant my boon!"Then, once again, the charmed God beganAn oath, and through the serpent's ears it ranWarm, tremulous, devout, psalterian.Ravish'd, she lifted her Circean head,Blush'd a live damask, and swift-lisping said,"I was a woman, let me have once moreA woman's shape, and charming as before.I love a youth of Corinth--O the bliss!Give me my woman's form, and place me where he is.Stoop, Hermes, let me breathe upon thy brow,And thou shalt see thy sweet nymph even now."The God on half-shut feathers sank serene,She breath'd upon his eyes, and swift was seenOf both the guarded nymph near-smiling on the green.It was no dream; or say a dream it was,Real are the dreams of Gods, and smoothly passTheir pleasures in a long immortal dream.One warm, flush'd moment, hovering, it might seemDash'd by the wood-nymph's beauty, so he burn'd;Then, lighting on the printless verdure, turn'dTo the swoon'd serpent, and with languid arm,Delicate, put to proof the lythe Caducean charm.So done, upon the nymph his eyes he bentFull of adoring tears and blandishment,And towards her stept: she, like a moon in wane,Faded before him, cower'd, nor could restrainHer fearful sobs, self-folding like a flowerThat faints into itself at evening hour:But the God fostering her chilled hand,She felt the warmth, her eyelids open'd bland,And, like new flowers at morning song of bees,Bloom'd, and gave up her honey to the lees.Into the green-recessed woods they flew;Nor grew they pale, as mortal lovers do.

Left to herself, the serpent now beganTo change; her elfin blood in madness ran,Her mouth foam'd, and the grass, therewith besprent,Wither'd at dew so sweet and virulent;Her eyes in torture fix'd, and anguish drear,Hot, glaz'd, and wide, with lid-lashes all sear,Flash'd phosphor and sharp sparks, without one cooling tear.The colours all inflam'd throughout her train,She writh'd about, convuls'd with scarlet pain:A deep volcanian yellow took the placeOf all her milder-mooned body's grace;And, as the lava ravishes the mead,Spoilt all her silver mail, and golden brede;Made gloom of all her frecklings, streaks and bars,Eclips'd her crescents, and lick'd up her stars:So that, in moments few, she was undrestOf all her sapphires, greens, and amethyst,And rubious-argent: of all these bereft,Nothing but pain and ugliness were left.Still shone her crown; that vanish'd, also sheMelted and disappear'd as suddenly;And in the air, her new voice luting soft,Cried, "Lycius! gentle Lycius!"--Borne aloftWith the bright mists about the mountains hoarThese words dissolv'd: Crete's forests heard no more.

Whither fled Lamia, now a lady bright,A full-born beauty new and exquisite?She fled into that valley they pass o'erWho go to Corinth from Cenchreas' shore;And rested at the foot of those wild hills,The rugged founts of the Peræan rills,And of that other ridge whose barren backStretches, with all its mist and cloudy rack,South-westward to Cleone. There she stoodAbout a young bird's flutter from a wood,Fair, on a sloping green of mossy tread,By a clear pool, wherein she passionedTo see herself escap'd from so sore ills,While her robes flaunted with the daffodils.

Ah, happy Lycius!--for she was a maidMore beautiful than ever twisted braid,Or sigh'd, or blush'd, or on spring-flowered leaSpread a green kirtle to the minstrelsy:A virgin purest lipp'd, yet in the loreOf love deep learned to the red heart's core:Not one hour old, yet of sciential brainTo unperplex bliss from its neighbour pain;Define their pettish limits, and estrangeTheir points of contact, and swift counterchange;Intrigue with the specious chaos, and dispartIts most ambiguous atoms with sure art;As though in Cupid's college she had spentSweet days a lovely graduate, still unshent,And kept his rosy terms in idle languishment.

Why this fair creature chose so fairilyBy the wayside to linger, we shall see;But first 'tis fit to tell how she could museAnd dream, when in the serpent prison-house,Of all she list, strange or magnificent:How, ever, where she will'd, her spirit went;Whether to faint Elysium, or whereDown through tress-lifting waves the Nereids fairWind into Thetis' bower by many a pearly stair;Or where God Bacchus drains his cups divine,Stretch'd out, at ease, beneath a glutinous pine;Or where in Pluto's gardens palatineMulciber's columns gleam in far piazzian line.And sometimes into cities she would sendHer dream, with feast and rioting to blend;And once, while among mortals dreaming thus,She saw the young Corinthian LyciusCharioting foremost in the envious race,Like a young Jove with calm uneager face,And fell into a swooning love of him.Now on the moth-time of that evening dimHe would return that way, as well she knew,To Corinth from the shore; for freshly blewThe eastern soft wind, and his galley nowGrated the quaystones with her brazen prowIn port Cenchreas, from Egina isleFresh anchor'd; whither he had been awhileTo sacrifice to Jove, whose temple thereWaits with high marble doors for blood and incense rare.Jove heard his vows, and better'd his desire;For by some freakful chance he made retireFrom his companions, and set forth to walk,Perhaps grown wearied of their Corinth talk:Over the solitary hills he fared,Thoughtless at first, but ere eve's star appearedHis phantasy was lost, where reason fades,In the calm'd twilight of Platonic shades.Lamia beheld him coming, near, more near--Close to her passing, in indifference drear,His silent sandals swept the mossy green;So neighbour'd to him, and yet so unseenShe stood: he pass'd, shut up in mysteries,His mind wrapp'd like his mantle, while her eyesFollow'd his steps, and her neck regal whiteTurn'd--syllabling thus, "Ah, Lycius bright,And will you leave me on the hills alone?Lycius, look back! and be some pity shown."He did; not with cold wonder fearingly,But Orpheus-like at an Eurydice;For so delicious were the words she sung,It seem'd he had lov'd them a whole summer long:And soon his eyes had drunk her beauty up,Leaving no drop in the bewildering cup,And still the cup was full,--while he, afraidLest she should vanish ere his lip had paidDue adoration, thus began to adore;Her soft look growing coy, she saw his chain so sure:"Leave thee alone! Look back! Ah, Goddess, seeWhether my eyes can ever turn from thee!For pity do not this sad heart belie--Even as thou vanishest so I shall die.Stay! though a Naiad of the rivers, stay!To thy far wishes will thy streams obey:Stay! though the greenest woods be thy domain,Alone they can drink up the morning rain:Though a descended Pleiad, will not oneOf thine harmonious sisters keep in tuneThy spheres, and as thy silver proxy shine?So sweetly to these ravish'd ears of mineCame thy sweet greeting, that if thou shouldst fadeThy memory will waste me to a shade:--For pity do not melt!"--"If I should stay,"Said Lamia, "here, upon this floor of clay,And pain my steps upon these flowers too rough,What canst thou say or do of charm enoughTo dull the nice remembrance of my home?Thou canst not ask me with thee here to roamOver these hills and vales, where no joy is,--Empty of immortality and bliss!Thou art a scholar, Lycius, and must knowThat finer spirits cannot breathe belowIn human climes, and live: Alas! poor youth,What taste of purer air hast thou to sootheMy essence? What serener palaces,Where I may all my many senses please,And by mysterious sleights a hundred thirsts appease?It cannot be--Adieu!" So said, she roseTiptoe with white arms spread. He, sick to loseThe amorous promise of her lone complain,Swoon'd, murmuring of love, and pale with pain.The cruel lady, without any showOf sorrow for her tender favourite's woe,But rather, if her eyes could brighter be,With brighter eyes and slow amenity,Put her new lips to his, and gave afreshThe life she had so tangled in her mesh:And as he from one trance was wakeningInto another, she began to sing,Happy in beauty, life, and love, and every thing,A song of love, too sweet for earthly lyres,While, like held breath, the stars drew in their pantingfires.And then she whisper'd in such trembling tone,As those who, safe together met aloneFor the first time through many anguish'd days,Use other speech than looks; bidding him raiseHis drooping head, and clear his soul of doubt,For that she was a woman, and withoutAny more subtle fluid in her veinsThan throbbing blood, and that the self-same painsInhabited her frail-strung heart as his.And next she wonder'd how his eyes could missHer face so long in Corinth, where, she said,She dwelt but half retir'd, and there had ledDays happy as the gold coin could inventWithout the aid of love; yet in contentTill she saw him, as once she pass'd him by,Where 'gainst a column he leant thoughtfullyAt Venus' temple porch, 'mid baskets heap'dOf amorous herbs and flowers, newly reap'dLate on that eve, as 'twas the night beforeThe Adonian feast; whereof she saw no more,But wept alone those days, for why should she adore?Lycius from death awoke into amaze,To see her still, and singing so sweet lays;Then from amaze into delight he fellTo hear her whisper woman's lore so well;And every word she spake entic'd him onTo unperplex'd delight and pleasure known.Let the mad poets say whate'er they pleaseOf the sweets of Fairies, Peris, Goddesses,There is not such a treat among them all,Haunters of cavern, lake, and waterfall,As a real woman, lineal indeedFrom Pyrrha's pebbles or old Adam's seed.Thus gentle Lamia judg'd, and judg'd aright,That Lycius could not love in half a fright,So threw the goddess off, and won his heartMore pleasantly by playing woman's part,With no more awe than what her beauty gave,That, while it smote, still guaranteed to save.Lycius to all made eloquent reply,Marrying to every word a twinborn sigh;And last, pointing to Corinth, ask'd her sweet,If 'twas too far that night for her soft feet.The way was short, for Lamia's eagernessMade, by a spell, the triple league decreaseTo a few paces; not at all surmisedBy blinded Lycius, so in her comprized.They pass'd the city gates, he knew not how,So noiseless, and he never thought to know.

As men talk in a dream, so Corinth all,Throughout her palaces imperial,And all her populous streets and temples lewd,Mutter'd, like tempest in the distance brew'd,To the wide-spreaded night above her towers.Men, women, rich and poor, in the cool hours,Shuffled their sandals o'er the pavement white,Companion'd or alone; while many a lightFlared, here and there, from wealthy festivals,And threw their moving shadows on the walls,Or found them cluster'd in the corniced shadeOf some arch'd temple door, or dusky colonnade.

Muffling his face, of greeting friends in fear,Her fingers he press'd hard, as one came nearWith curl'd gray beard, sharp eyes, and smooth bald crown,Slow-stepp'd, and robed in philosophic gown:Lycius shrank closer, as they met and past,Into his mantle, adding wings to haste,While hurried Lamia trembled: "Ah," said he,"Why do you shudder, love, so ruefully?Why does your tender palm dissolve in dew?"--"I'm wearied," said fair Lamia: "tell me whoIs that old man? I cannot bring to mindHis features:--Lycius! wherefore did you blindYourself from his quick eyes?" Lycius replied,"'Tis Apollonius sage, my trusty guideAnd good instructor; but to-night he seemsThe ghost of folly haunting my sweet dreams."

While yet he spake they had arrived beforeA pillar'd porch, with lofty portal door,Where hung a silver lamp, whose phosphor glowReflected in the slabbed steps below,Mild as a star in water; for so new,And so unsullied was the marble hue,So through the crystal polish, liquid fine,Ran the dark veins, that none but feet divineCould e'er have touch'd there. Sounds ÆolianBreath'd from the hinges, as the ample spanOf the wide doors disclos'd a place unknownSome time to any, but those two alone,And a few Persian mutes, who that same yearWere seen about the markets: none knew whereThey could inhabit; the most curiousWere foil'd, who watch'd to trace them to their house:And but the flitter-winged verse must tell,For truth's sake, what woe afterwards befel,'Twould humour many a heart to leave them thus,Shut from the busy world of more incredulous.

Words in this poem 99
drove n.
A collection of cattle driven, or cattle collected for driving; a number of animals, as oxen, sheep, or swine, driven in a body. [AS. draf, fr. drifan to drive. See Drive.]
satyr n.
A sylvan deity or demigod, represented as part man and part goat, and characterized by riotous merriment and lasciviousness. [L. satyrus, Gr. satyre.]
sceptre n.
A staff or baton borne by a sovereign, as a ceremonial badge or emblem of authority; a royal mace. [F. sceptre, L. sceptrum, from Gr. shaft. See Shaft, and cf. Scape a stem, shaft.]
somewhere adv.
In some place unknown or not specified; in one place or another.
sometime adv.
At a past time indefinitely referred to; once; formerly.
casket v. t.
To put into, or preserve in, a casket.
vale n.
A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
nowhere adv.
Not anywhere; not in any place or state; as, the book is nowhere to be found. [AS. nahwær. See No, and Where.]
lone n.
A lane. See Loanin.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
brushing a.
Constructed or used to brush with; as a brushing machine.
cirque n.
A circle; a circus; a circular erection or arrangement of objects. [F., fr. L. circus.]
couchant a.
Lying down with head erect; squatting. [F., p. pr. of coucher. See Couch, v. t.]
freckled a.
Marked with freckles; spotted.
pard n.
A leopard; a panther. [L. pardus, Gr. p tiger, panther.]
wannish a.
Somewhat wan; of a pale hue.
tiar n.
A tiara. Milton. [Cf. F. tiare. See Tiara.]
sicilian a.
Of or pertaining to Sicily or its inhabitants. Sicilian vespers, the great massacre of the French in Sicily, in the year 1282, on the evening of Easter Monday, at the hour of vespers.
didst
, the 2d pers. sing. imp. of Do.
cretan a.
Pertaining to Crete, or Candia.
isle v. t.
To cause to become an island, or like an island; to surround or encompass; to island.
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
whereat adv.
At which; upon which; whereupon; -- used relatively.
lethe n.
A river of Hades whose waters when drunk caused forgetfulness of the past.
beauteous a.
Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
starry a.
Abounding with stars; adorned with stars.
invisibly adv.
In an invisible manner, Denham.
thornless a.
Destitute of, or free from, thorns.
unseen a.
Not seen or discovered.
unlovely a.
Not lovely; not amiable; possessing qualities that excite dislike; disagreeable; displeasing; unpleasant.
bade
A form of the pat tense of Bid.
loveliness n.
The state or quality of being lovely. [From Lovely.]
shalt
2d per. sing. of Shall.
boon n.
A prayer or petition. [OE. bone, boin, a petition, fr. Icel. b; akin to Sw. & Dan. b, AS. b, and perh. to E. ban; but influenced by F. bon good, fr. L. bonus. Ban, Bounty.]
printless a.
Making no imprint.
lythe a.
Soft; flexible. [See Lithe, a.]
caducean a.
Of or belonging to Mercury's caduceus, or wand.
blandishment n.
The act of blandishing; a word or act expressive of affection or kindness, and tending to win the heart; soft words and artful caresses; cajolery; allurement. [Cf. OF. blandissement.]
chilled a.
Hardened on the surface or edge by chilling; as, chilled iron; a chilled wheel.
elfin a.
Relating to elves.
therewith adv.
With that or this.
besprent p. p.
Sprinkled over; strewed. [OE. bespreynt, p. p. of besprengen, bisprengen, to besprinkle, AS. besprengan, akin to D. & G. besprengen; pref. be- + sprengan to sprinkle. See Sprinkle.]
drear n.
Sadness; dismalness.
cooling a.
Adapted to cool and refresh; allaying heat.
volcanian a.
Volcanic. Keats.
amethyst
A variety of crystallized quartz, of a purple or bluish violet color, of different shades. It is much used as a jeweler's stone. [F. ametiste, amatiste, F. améthyste, L. amethystus, fr. Gr. Mead.]
argent n.
Silver, or money. [F. argent, fr. L. argentum, silver; akin to Gr. rajata white, silver, raj to shine, Ir. arg white, milk, airgiod silver, money, and L. arguere to make clear. Se]
ugliness n.
The quality or state of being ugly.
hoar v. t.
To become moldy or musty. [AS. harian to grow gray.]
whither adv.
To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
lamia n.
A monster capable of assuming a woman's form, who was said to devour human beings or suck their blood; a vampire; a sorceress; a with.
kirtle n.
A garment varying in form and use at different times, and worn doth by men and women. [OE. kirtel, curtel, AS. cyrtel; skin to Icel. kyrtill, Sw. kjortel, Dan. kiortel, kiole.]
minstrelsy n.
The arts and occupation of minstrels; the singing and playing of a minstrel.
sciential a.
Pertaining to, or producing, science. [LL. scientialis, fr. L. scientic.]
unperplex v. t.
To free from perplexity. Donne. [1st pref. un- + perplex.]
neighbour v. i.
To dwell in the vicinity; to be a neighbor, or in the neighborhood; to be near.
pettish a.
Fretful; peevish; moody; capricious; inclined to ill temper. [From Pet.]
counterchange v. t.
To give and receive; to cause to change places; to exchange.
chaos n.
An empty, immeasurable space; a yawning chasm. [L. chaos chaos (in senses 1 & 2), Gr. Chasm.]
dispart v. t.
To part asunder; to divide; to separate; to sever; to rend; to rive or split; as, disparted air; disparted towers. [Pref. dis- + part: cf. OF. despartir.]
unshent a.
Not shent; not disgraced; blameless. Bp. Hall.
languishment n.
The state of languishing.
fairily adv.
In the manner of a fairy.
wayside n.
The side of the way; the edge or border of a road or path.
went n.
Course; way; path; journey; direction.
elysium n.
A dwelling place assigned to happy souls after death; the seat of future happiness; Paradise.
envious a.
Malignant; mischievous; spiteful. [OF. envios, F. envieux, fr. L. invidiosus, fr. invidia envy. See Envy, and cf. Invidious.]
jove n.
The chief divinity of the ancient Romans; Jupiter. [L. Jupiter, gen. Jovis, OL. Jovis, nom. & gen. for Djovis; akin to E. Tuesday. See Tuesday, and cf. Jupiter.]
grated a.
Furnished with a grate or grating; as, grated windows. [From 2d Grate.]
awhile adv.
For a while; for some time; for a short time. [Adj. a + while time, interval.]
bewildering a.
Causing bewilderment or great perplexity; as, bewildering difficulties.
adore v. t.
To worship with profound reverence; to pay divine honors to; to honor as deity or as divine. [OE. aouren, anouren, adoren, OF. aorer, adorer, F. adorer, fr. L. adorare; ad + orare to speak, pray, os, oris, mouth. In OE. confused with honor, the French pr]
belie v. t.
To show to be false; to convict of, or charge with, falsehood. [OE. bilien, bili, AS. beleógan; pref. be- + leógan to lie. See Lie, n.]
naiad n.
A water nymph; one of the lower female divinities, fabled to preside over some body of fresh water, as a lake, river, brook, or fountain. [L. naias, -adis, naïs, -idis, a water nymph, Gr naïade. Cf. Naid.]
pleiad n.
One of the Pleiades.
soothe v. t.
To assent to as true. Testament of Love. [Originally, to assent to as true; OE. so to verify, AS. ges to prove the truth of, to bear witness. See Sooth, a.]
tiptoe n.
The end, or tip, of the toe.
amenity n.
The quality of being pleasant or agreeable, whether in respect to situation, climate, manners, or disposition; pleasantness; civility; suavity; gentleness. [F. aménité, L. amoenitas, fr. amoenus pleasant.]
afresh adv.
Anew; again; once more; newly. [Pref. a- + fresh.]
mesh n.
The opening or space inclosed by the threads of a net between knot and knot, or the threads inclosing such a space; network; a net. [AS. masc, max, m; akin to D. maas, masche, OHG. masca, Icel. möskvi; cf. Lith. mazgas a knot, megsti to weave nets, to knot.]
wakening n.
The act of one who wakens; esp., the act of ceasing to sleep; an awakening.
inhabited a.
Uninhabited. Brathwait.
invent v. t.
To come or light upon; to meet; to find. [L. inventus, p. p. of invenire to come upon, to find, invent; pref. in- in + venire to come, akin to E. come: cf. F. inventer. See Come.]
whereof adv.
Of which; of whom; formerly, also, with which; -- used relatively.
amaze v. t.
To bewilder; to stupefy; to bring into a maze. [Pref. a- + maze.]
aright adv.
Rightly; correctly; in a right way or form; without mistake or crime; as, to worship God aright. [Pref. a- + right.]
pleasantly adv.
In a pleasant manner.
twinborn a.
Born at the same birth.
populous a.
Abounding in people; full of inhabitants; containing many inhabitants in proportion to the extent of the country. [L. populosus, fr. populus people: cf. F. populeux.]
lewd a.
Not clerical; laic; laical; hence, unlearned; simple. [OE.lewed, lewd, lay, ignorant, vile, AS. l laical, belonging to the laity.]
corniced a.
Having a cornice.
philosophic a.
Of or pertaining to philosophy; versed in, or imbued with, the principles of philosophy; hence, characterizing a philosopher; rational; wise; temperate; calm; cool. [L. philosophicus: cf. F. philosophique.]
closer n.
One who, or that which, closes; specifically, a boot closer. See under Boot.
wherefore adv.
For which reason; so; -- used relatively. [Where + for.]
ghost n.
The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
curious a.
Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
humour n.
Moisture, especially, the moisture or fluid of animal bodies, as the chyle, lymph, etc.; as, the humors of the eye, etc. [OE. humour, OF. humor, umor, F. humeur, L. humor, umor, moisture, fluid, fr. humere, umere, to be moist. See Humid.]
incredulous a.
Not credulous; indisposed to admit or accept that which is related as true, skeptical; unbelieving. [L. incredulus. See In- not, and Credulous.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Lamia, Part I is in the public domain. This text is taken from Keats: Poems Published in 1820 (Clarendon Press, 1909, ed. M. Robertson), Project Gutenberg ebook #23684; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Keats, Lamia, Part I, in Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820), text of Project Gutenberg ebook #23684, Laurel, https://laurelpoetry.com/poem/keats-1820/lamia-part-i.html, id L00181.

Form and metre

Lamia, Part I is 398 lines in 10 verse paragraphs. It is in rhyming couplets, 71% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 42 lines end on an unstressed syllable, a feminine ending. 33% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --AABBCCDDEEFFGG--HHIIJJJJKKLLMMNN-NOOPP--QQRR broods · woods · diademA · gemA · faunsB · lawnsB · leftC · theftC · lightD · sightD · retreatE · creteE · dweltF · kneltF · pouredG · adoredG · wont · haunt · museH · chooseH · feetI · heatI · earJ · clearJ · hairJ · bareJ · flewK · newK · headL · bedL · foundM · groundM · jealousiesN · treesN · voice · destroysN · spakeO · awakeO · lifeP · strifeP · me · silently · speedQ · weedQ · snakeR · brakeR
  2. 2 AABBCC--DDEEFFGGGHHII hueA · blueA · pardB · barr'dB · breathedC · interwreathedC · tapestries · miseries · elfD · selfD · fireE · tiarE · sweetF · completeF · thereG · fairG · airG · spakeH · sakeH · layI · preyI
  3. 3 AABBCCDDEEFFGGGGHHGGIIJJJJKKLLMMNNOOPPQQ----RR-SSTT--UUVVV--WWXXYYZZaabbccddee lightA · nightA · goldB · oldB · hearC · clearC · aloneD · moanD · flakesE · breaksE · dartF · artF · maidG · delay'dG · inquiredG · inspiredG · eyesH · deviseH · fledG · saidG · godI · rodI · crownJ · blownJ · feminineJ · thineJ · straysK · daysK · feetL · sweetL · greenM · unseenM · veil'dN · unassail'dN · eyesO · sighsO · woeP · soP · steepQ · keepQ · free · liberty · alone · boon · beganR · ranR · psalterian · headS · saidS · moreT · beforeT · bliss · is · browU · nowU · sereneV · seenV · greenV · was · pass · dreamW · seemW · burn'dX · turn'dX · armY · charmY · bentZ · blandishmentZ · wanea · restraina · flowerb · hourb · handc · blandc · beesd · leesd · flewe · doe
  4. 4 AABBCCCDDEEFFGG--HH--IIJJ beganA · ranA · besprentB · virulentB · drearC · searC · tearC · trainD · painD · placeE · graceE · meadF · bredeF · barsG · starsG · undrest · amethyst · bereftH · leftH · she · suddenly · softI · aloftI · hoarJ · moreJ
  5. 5 AA--BBCCDD--BB brightA · exquisiteA · o'er · shore · hillsB · rillsB · backC · rackC · stoodD · woodD · tread · passioned · illsB · daffodilsB
  6. 6 AA--BBCCDDEEFFF maidA · braidA · lea · minstrelsy · loreB · coreB · brainC · painC · estrangeD · counterchangeD · dispartE · artE · spentF · unshentF · languishmentF
  7. 7 ----AABBBCCCCDD--EEFFGGHHIIJJ--KK--LLMMNNOOPPQQ----RRSS--TTTTUUVV--WWXXYYZZaa--bb--cccccddee--ffggg-ghiihhjjkk--llmm--nnoooppqq--rrssttuuvvwwxxyyzzAA-- fairily · see · muse · house · magnificentA · wentA · whereB · fairB · stairB · divineC · pineC · palatineC · lineC · sendD · blendD · thus · lycius · raceE · faceE · himF · dimF · knewG · blewG · nowH · prowH · isleI · awhileI · thereJ · rareJ · desire · retire · walkK · talkK · fared · appeared · fadesL · shadesL · nearM · drearM · greenN · unseenN · mysteriesO · eyesO · whiteP · brightP · aloneQ · shownQ · fearingly · eurydice · sung · long · upR · cupR · afraidS · paidS · adore · sure · seeT · theeT · belieT · dieT · stayU · obeyU · domainV · rainV · one · tune · shineW · mineW · fadeX · shadeX · stayY · clayY · roughZ · enoughZ · homea · roama · is · bliss · knowb · belowb · youth · soothe · palacesc · pleasec · appeasec · rosec · losec · complaind · paind · showe · woee · be · amenity · afreshf · meshf · wakeningg · singg · thingg · lyres · pantingg · firesh · tonei · alonei · daysh · raiseh · doubtj · withoutj · veinsk · painsk · his · miss · saidl · ledl · inventm · contentm · by · thoughtfully · heap'dn · reap'dn · beforeo · moreo · adoreo · amazep · laysp · fellq · wellq · on · known · pleaser · goddessesr · alls · waterfalls · indeedt · seedt · arightu · frightu · heartv · partv · gavew · savew · replyx · sighx · sweety · feety · eagernessz · decreasez · surmisedA · comprizedA · how · know
  8. 8 AABBCCDDEEFF allA · imperialA · lewdB · brew'dB · towersC · hoursC · whiteD · lightD · festivalsE · wallsE · shadeF · colonnadeF
  9. 9 AABB----CCDDEEFF fearA · nearA · crownB · gownB · past · haste · he · ruefully · dewC · whoC · mindD · blindD · repliedE · guideE · seemsF · dreamsF
  10. 10 AABBCCDD--EEFFGG--GG beforeA · doorA · glowB · belowB · newC · hueC · fineD · divineD · æolian · span · unknownE · aloneE · yearF · whereF · curiousG · houseG · tell · befel · thusG · incredulousG
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Upon a time, before the faery broods10··········
Drove Nymph and Satyr from the prosperous woods,10···/˘··/˘·
Before King Oberon's bright diadem,10···/˘··/˘·
Sceptre, and mantle, clasp'd with dewy gem,10/˘·/˘··/˘·
Frighted away the Dryads and the Fauns9/˘˘/·····
From rushes green, and brakes, and cowslip'd lawns,10·/˘·······
The ever-smitten Hermes empty left10·/˘/˘/˘/˘·
His golden throne, bent warm on amorous theft:10·/˘····/˘·
From high Olympus had he stolen light,10··˘/˘··/˘·
On this side of Jove's clouds, to escape the sight11·······˘/··
Of his great summoner, and made retreat10···/˘˘··˘/
Into a forest on the shores of Crete.10···/˘·····
For somewhere in that sacred island dwelt10·/···/˘/˘·
A nymph, to whom all hoofed Satyrs knelt;10······˘···
At whose white feet the languid Tritons poured10·····/˘/˘·
Pearls, while on land they wither'd and adored.10·····/˘·˘/
Fast by the springs where she to bathe was wont,10··········
And in those meads where sometime she might haunt,10·····/····
Were strewn rich gifts, unknown to any Muse,10····˘/·/˘·
Though Fancy's casket were unlock'd to choose.10·/˘/˘·˘/··
Ah, what a world of love was at her feet!10··········
So Hermes thought, and a celestial heat10·/˘···˘/˘·
Burnt from his winged heels to either ear,10····˘··/˘·
That from a whiteness, as the lily clear,10···/˘··/˘·
Blush'd into roses 'mid his golden hair,10···/˘··/˘·
Fallen in jealous curls about his shoulders bare.12/˘·/˘····/˘·
From vale to vale, from wood to wood, he flew,10··········
Breathing upon the flowers his passion new,10/˘···/·/˘·
And wound with many a river to its head,10···/·/˘···
To find where this sweet nymph prepar'd her secret bed:12······˘/·/˘·
In vain; the sweet nymph might nowhere be found,10······/···
And so he rested, on the lonely ground,10···/˘··/˘·
Pensive, and full of painful jealousies10/˘···/˘/˘˘
Of the Wood-Gods, and even the very trees.10·····/·/˘·
There as he stood, he heard a mournful voice,10·······/˘·
Such as once heard, in gentle heart, destroys10·····/˘·˘/
All pain but pity: thus the lone voice spake:10···/˘·····
"When from this wreathed tomb shall I awake!10····˘···˘/
When move in a sweet body fit for life,10·····/˘···
And love, and pleasure, and the ruddy strife10···/˘··/˘·
Of hearts and lips! Ah, miserable me!"10·····/˘˘˘·
The God, dove-footed, glided silently10···/˘/˘/˘˘
Round bush and tree, soft-brushing, in his speed,10·····/˘···
The taller grasses and full-flowering weed,10·/˘/˘··/˘·
Until he found a palpitating snake,10·····/˘˘˘·
Bright, and cirque-couchant in a dusky brake.10···/˘··/˘·
She was a gordian shape of dazzling hue,10···/˘··/˘·
Vermilion-spotted, golden, green, and blue;10˘/˘/˘/˘···
Striped like a zebra, freckled like a pard,10···/˘/˘···
Eyed like a peacock, and all crimson barr'd;10···/···/˘·
And full of silver moons, that, as she breathed,10···/˘·····
Dissolv'd, or brighter shone, or interwreathed10˘/·/˘·····
Their lustres with the gloomier tapestries--11·/˘··/˘˘/˘˘
So rainbow-sided, touch'd with miseries,10·/·/˘··/˘˘
She seem'd, at once, some penanced lady elf,10·····/˘/˘·
Some demon's mistress, or the demon's self.10·/˘/˘··/˘·
Upon her crest she wore a wannish fire11·······/˘/˘
Sprinkled with stars, like Ariadne's tiar:11/˘····˘/˘/˘
Her head was serpent, but ah, bitter-sweet!10···/˘··/˘·
She had a woman's mouth with all its pearls complete:12···/˘·····˘/
And for her eyes: what could such eyes do there10··········
But weep, and weep, that they were born so fair?10··········
As Proserpine still weeps for her Sicilian air.12········˘/˘·
Her throat was serpent, but the words she spake10···/˘·····
Came, as through bubbling honey, for Love's sake,10···/˘/˘···
And thus; while Hermes on his pinions lay,10···/˘··/˘·
Like a stoop'd falcon ere he takes his prey.10···/˘·····
"Fair Hermes, crown'd with feathers, fluttering light,10·/˘··/˘/˘·
I had a splendid dream of thee last night:10···/˘·····
I saw thee sitting, on a throne of gold,10···/˘·····
Among the Gods, upon Olympus old,10······˘/˘·
The only sad one; for thou didst not hear10·/˘·······
The soft, lute-finger'd Muses chaunting clear,10···/˘/˘···
Nor even Apollo when he sang alone,10·/˘/˘···˘/
Deaf to his throbbing throat's long, long melodious moan.12···/˘···˘/˘·
I dreamt I saw thee, robed in purple flakes,10·······/˘·
Break amorous through the clouds, as morning breaks,10·/˘····/˘·
And, swiftly as a bright Phoebean dart,9·/˘······
Strike for the Cretan isle; and here thou art!10···/˘·····
Too gentle Hermes, hast thou found the maid?"10·/˘/˘·····
Whereat the star of Lethe not delay'd10˘/···/˘·˘/
His rosy eloquence, and thus inquired:11·/˘/˘˘··˘/˘
"Thou smooth-lipp'd serpent, surely high inspired!11···/˘/˘·˘/˘
Thou beauteous wreath, with melancholy eyes,11·/˘˘··/˘·˘·
Possess whatever bliss thou canst devise,10˘/·/˘···˘/
Telling me only where my nymph is fled,--10/˘·/˘·····
Where she doth breathe!" "Bright planet, thou hast said,"10·····/˘···
Return'd the snake, "but seal with oaths, fair God!"10˘/········
"I swear," said Hermes, "by my serpent rod,10···/˘··/˘·
And by thine eyes, and by thy starry crown!"10·······/˘·
Light flew his earnest words, among the blossoms blown.12···/˘····/˘·
Then thus again the brilliance feminine:10··˘/·/˘/˘˘
"Too frail of heart! for this lost nymph of thine,10··········
Free as the air, invisibly, she strays10····˘/˘˘··
About these thornless wilds; her pleasant days10···/˘··/˘·
She tastes unseen; unseen her nimble feet10··˘/˘/·/˘·
Leave traces in the grass and flowers sweet;10·/˘····/˘·
From weary tendrils, and bow'd branches green,10·/˘····/˘·
She plucks the fruit unseen, she bathes unseen:10····˘/··˘/
And by my power is her beauty veil'd10···/˘··/˘·
To keep it unaffronted, unassail'd10··········
By the love-glances of unlovely eyes,10···/˘·˘/˘·
Of Satyrs, Fauns, and blear'd Silenus' sighs.10······˘/˘·
Pale grew her immortality, for woe10····˘/˘˘··
Of all these lovers, and she grieved so10···/˘···˘·
I took compassion on her, bade her steep10··˘/˘·····
Her hair in weird syrops, that would keep9·········
Her loveliness invisible, yet free10·/˘˘˘/˘˘··
To wander as she loves, in liberty.10·/˘····/˘˘
Thou shalt behold her, Hermes, thou alone,10··˘/·/˘·˘/
If thou wilt, as thou swearest, grant my boon!"10·····/˘···
Then, once again, the charmed God began10··˘/··˘·˘/
An oath, and through the serpent's ears it ran10·····/˘···
Warm, tremulous, devout, psalterian.9·/˘˘˘/···
Ravish'd, she lifted her Circean head,10···/˘·˘/˘·
Blush'd a live damask, and swift-lisping said,10···/˘··/˘·
"I was a woman, let me have once more10···/˘·····
A woman's shape, and charming as before.10·/˘··/˘···
I love a youth of Corinth--O the bliss!10·····/˘···
Give me my woman's form, and place me where he is.12···/˘·······
Stoop, Hermes, let me breathe upon thy brow,10·/˘·······
And thou shalt see thy sweet nymph even now."10·······/˘·
The God on half-shut feathers sank serene,10·····/˘·˘/
She breath'd upon his eyes, and swift was seen10··········
Of both the guarded nymph near-smiling on the green.12···/˘··/˘···
It was no dream; or say a dream it was,10··········
Real are the dreams of Gods, and smoothly pass10·······/˘·
Their pleasures in a long immortal dream.10·/˘···˘/˘·
One warm, flush'd moment, hovering, it might seem10···/˘/˘···
Dash'd by the wood-nymph's beauty, so he burn'd;10·····/˘···
Then, lighting on the printless verdure, turn'd10·/˘··/˘/˘·
To the swoon'd serpent, and with languid arm,10···/˘··/˘·
Delicate, put to proof the lythe Caducean charm.12/˘·····˘/˘˘·
So done, upon the nymph his eyes he bent10··········
Full of adoring tears and blandishment,10··˘/˘··/˘˘
And towards her stept: she, like a moon in wane,10··········
Faded before him, cower'd, nor could restrain11/˘·······˘/
Her fearful sobs, self-folding like a flower11·/˘··/˘··/˘
That faints into itself at evening hour:11····˘/·/˘/˘
But the God fostering her chilled hand,10···/˘˘··˘·
She felt the warmth, her eyelids open'd bland,10·····/·/˘·
And, like new flowers at morning song of bees,10···/·/˘···
Bloom'd, and gave up her honey to the lees.10·····/˘···
Into the green-recessed woods they flew;10····˘/˘···
Nor grew they pale, as mortal lovers do.10·····/˘/˘·
Left to herself, the serpent now began10··˘/·/˘·˘/
To change; her elfin blood in madness ran,10···/˘··/˘·
Her mouth foam'd, and the grass, therewith besprent,10······˘/˘/
Wither'd at dew so sweet and virulent;10/˘·····/˘˘
Her eyes in torture fix'd, and anguish drear,10···/˘··/˘·
Hot, glaz'd, and wide, with lid-lashes all sear,10······/˘··
Flash'd phosphor and sharp sparks, without one cooling tear.12·/·······/˘·
The colours all inflam'd throughout her train,10·/˘·˘/····
She writh'd about, convuls'd with scarlet pain:10·······/˘·
A deep volcanian yellow took the place11··˘/˘˘/˘···
Of all her milder-mooned body's grace;10···/˘·˘/˘·
And, as the lava ravishes the mead,10···/˘·····
Spoilt all her silver mail, and golden brede;10···/˘··/˘·
Made gloom of all her frecklings, streaks and bars,10··········
Eclips'd her crescents, and lick'd up her stars:10˘/·/˘·····
So that, in moments few, she was undrest11···/˘···/˘˘
Of all her sapphires, greens, and amethyst,11···/˘˘··/˘˘
And rubious-argent: of all these bereft,11·/˘˘/˘···˘/
Nothing but pain and ugliness were left.10/˘···/˘˘··
Still shone her crown; that vanish'd, also she10·····/˘/˘·
Melted and disappear'd as suddenly;10/˘··˘/·/˘˘
And in the air, her new voice luting soft,10·······/˘·
Cried, "Lycius! gentle Lycius!"--Borne aloft10···/˘···˘/
With the bright mists about the mountains hoar10·······/˘·
These words dissolv'd: Crete's forests heard no more.10··˘/·/˘···
Whither fled Lamia, now a lady bright,10/˘·/˘··/˘·
A full-born beauty new and exquisite?10···/˘··/˘˘
She fled into that valley they pass o'er10·····/˘···
Who go to Corinth from Cenchreas' shore;9···/˘····
And rested at the foot of those wild hills,10·/˘·······
The rugged founts of the Peræan rills,10·/˘˘······
And of that other ridge whose barren back10···/˘··/˘·
Stretches, with all its mist and cloudy rack,10/˘·····/˘·
South-westward to Cleone. There she stood8·/˘·····
About a young bird's flutter from a wood,10·····/˘···
Fair, on a sloping green of mossy tread,10···/˘··/˘·
By a clear pool, wherein she passioned10·······/˘˘
To see herself escap'd from so sore ills,10··˘/˘/····
While her robes flaunted with the daffodils.10···/˘··/˘·
Ah, happy Lycius!--for she was a maid10·/˘·······
More beautiful than ever twisted braid,10·/˘˘·/˘/˘·
Or sigh'd, or blush'd, or on spring-flowered lea10·······/˘·
Spread a green kirtle to the minstrelsy:10···/˘··/˘˘
A virgin purest lipp'd, yet in the lore10·/˘/˘·····
Of love deep learned to the red heart's core:10····˘·····
Not one hour old, yet of sciential brain10··/···˘/˘·
To unperplex bliss from its neighbour pain;10·······/˘·
Define their pettish limits, and estrange10˘/·/˘/˘·˘/
Their points of contact, and swift counterchange;10···/···/˘˘
Intrigue with the specious chaos, and dispart11/˘··/˘/˘·˘/
Its most ambiguous atoms with sure art;10··˘/˘/˘···
As though in Cupid's college she had spent10···/˘/˘···
Sweet days a lovely graduate, still unshent,10···/˘/˘···
And kept his rosy terms in idle languishment.12···/˘··/˘/˘˘
Why this fair creature chose so fairily10···/˘··/˘˘
By the wayside to linger, we shall see;10··/··/˘···
But first 'tis fit to tell how she could muse10··········
And dream, when in the serpent prison-house,10·····/˘/˘·
Of all she list, strange or magnificent:10······˘/˘˘
How, ever, where she will'd, her spirit went;10·/˘····/˘·
Whether to faint Elysium, or where10····˘/˘˘··
Down through tress-lifting waves the Nereids fair10···/˘·····
Wind into Thetis' bower by many a pearly stair;12···/˘/·/·/˘·
Or where God Bacchus drains his cups divine,10···/˘···˘/
Stretch'd out, at ease, beneath a glutinous pine;11·······/˘˘·
Or where in Pluto's gardens palatine10···/˘/˘/˘·
Mulciber's columns gleam in far piazzian line.11···/˘······
And sometimes into cities she would send10·/···/˘···
Her dream, with feast and rioting to blend;10·····/˘˘··
And once, while among mortals dreaming thus,10·····/˘/˘·
She saw the young Corinthian Lycius10····˘/˘˘··
Charioting foremost in the envious race,10/˘/···/˘˘·
Like a young Jove with calm uneager face,10··········
And fell into a swooning love of him.10·····/˘···
Now on the moth-time of that evening dim10·······/˘·
He would return that way, as well she knew,10··˘/······
To Corinth from the shore; for freshly blew10·/˘····/˘·
The eastern soft wind, and his galley now10·/˘····/˘·
Grated the quaystones with her brazen prow10/˘·····/˘·
In port Cenchreas, from Egina isle9·········
Fresh anchor'd; whither he had been awhile10·/˘/˘···˘/
To sacrifice to Jove, whose temple there10·/˘····/˘·
Waits with high marble doors for blood and incense rare.12···/˘····/··
Jove heard his vows, and better'd his desire;11·····/˘·˘/˘
For by some freakful chance he made retire10········˘/
From his companions, and set forth to walk,10··˘/˘·····
Perhaps grown wearied of their Corinth talk:10˘/·/˘··/˘·
Over the solitary hills he fared,10···/˘·˘···
Thoughtless at first, but ere eve's star appeared10/˘······˘/
His phantasy was lost, where reason fades,10·/˘˘···/˘·
In the calm'd twilight of Platonic shades.10···/··˘/˘·
Lamia beheld him coming, near, more near--10/˘˘/·/˘···
Close to her passing, in indifference drear,10···/˘·˘/˘·
His silent sandals swept the mossy green;10·/˘/˘··/˘·
So neighbour'd to him, and yet so unseen10········˘/
She stood: he pass'd, shut up in mysteries,10·······/˘˘
His mind wrapp'd like his mantle, while her eyes10·····/˘···
Follow'd his steps, and her neck regal white10/˘·····/˘·
Turn'd--syllabling thus, "Ah, Lycius bright,10·/˘˘˘·····
And will you leave me on the hills alone?10········˘/
Lycius, look back! and be some pity shown."10·······/˘·
He did; not with cold wonder fearingly,10·····/˘···
But Orpheus-like at an Eurydice;10·/˘˘······
For so delicious were the words she sung,10··˘/˘·····
It seem'd he had lov'd them a whole summer long:11········/˘·
And soon his eyes had drunk her beauty up,10·······/˘·
Leaving no drop in the bewildering cup,10/˘····˘/˘·
And still the cup was full,--while he, afraid10········˘/
Lest she should vanish ere his lip had paid10···/˘·····
Due adoration, thus began to adore;11··˘/˘·˘/·˘/
Her soft look growing coy, she saw his chain so sure:11···/·······
"Leave thee alone! Look back! Ah, Goddess, see10··˘/···/˘·
Whether my eyes can ever turn from thee!10·····/˘···
For pity do not this sad heart belie--10·/˘·····˘/
Even as thou vanishest so I shall die.10/··/˘˘····
Stay! though a Naiad of the rivers, stay!10···/˘··/˘·
To thy far wishes will thy streams obey:10···/˘···˘/
Stay! though the greenest woods be thy domain,10···/˘···˘/
Alone they can drink up the morning rain:10˘/·····/˘·
Though a descended Pleiad, will not one10··˘/˘/˘···
Of thine harmonious sisters keep in tune10··˘/˘/˘···
Thy spheres, and as thy silver proxy shine?10·····/˘/˘·
So sweetly to these ravish'd ears of mine10·/˘·······
Came thy sweet greeting, that if thou shouldst fade10···/˘·····
Thy memory will waste me to a shade:--10·/˘˘······
For pity do not melt!"--"If I should stay,"10·/˘·······
Said Lamia, "here, upon this floor of clay,10·/˘·······
And pain my steps upon these flowers too rough,10·······/··
What canst thou say or do of charm enough10········˘/
To dull the nice remembrance of my home?10····˘/˘···
Thou canst not ask me with thee here to roam10··········
Over these hills and vales, where no joy is,--10··········
Empty of immortality and bliss!10/˘··˘/˘˘··
Thou art a scholar, Lycius, and must know10···/˘·····
That finer spirits cannot breathe below10·/˘/˘/˘···
In human climes, and live: Alas! poor youth,10·/˘···˘/··
What taste of purer air hast thou to soothe10···/˘·····
My essence? What serener palaces,10·/˘····/˘˘
Where I may all my many senses please,10·····/˘/˘·
And by mysterious sleights a hundred thirsts appease?12··˘/˘··/˘·˘/
It cannot be--Adieu!" So said, she rose10·/˘·˘/····
Tiptoe with white arms spread. He, sick to lose10/·········
The amorous promise of her lone complain,10·/˘/˘···˘/
Swoon'd, murmuring of love, and pale with pain.10·/˘˘······
The cruel lady, without any show10·/˘/˘··/˘·
Of sorrow for her tender favourite's woe,11·/˘··/˘····
But rather, if her eyes could brighter be,10·/˘····/˘·
With brighter eyes and slow amenity,10·/˘···˘/˘˘
Put her new lips to his, and gave afresh10········˘/
The life she had so tangled in her mesh:10·····/˘···
And as he from one trance was wakening10·······/˘˘
Into another, she began to sing,10··˘/˘·˘/··
Happy in beauty, life, and love, and every thing,12/˘·/˘····/˘·
A song of love, too sweet for earthly lyres,10·······/˘·
While, like held breath, the stars drew in their panting11·········/˘
fires.2/˘
And then she whisper'd in such trembling tone,10···/˘··/˘·
As those who, safe together met alone10····˘/˘·˘/
For the first time through many anguish'd days,10·····/˘/˘·
Use other speech than looks; bidding him raise10·/˘···/˘··
His drooping head, and clear his soul of doubt,10·/˘·······
For that she was a woman, and without10·····/˘···
Any more subtle fluid in her veins10/˘·/˘/˘···
Than throbbing blood, and that the self-same pains10·/˘·······
Inhabited her frail-strung heart as his.10˘/˘˘······
And next she wonder'd how his eyes could miss10···/˘·····
Her face so long in Corinth, where, she said,10·····/˘···
She dwelt but half retir'd, and there had led10····˘/····
Days happy as the gold coin could invent10·/˘·····˘/
Without the aid of love; yet in content10········/˘
Till she saw him, as once she pass'd him by,10··········
Where 'gainst a column he leant thoughtfully11···/˘·/˘/˘˘
At Venus' temple porch, 'mid baskets heap'd10·/˘/˘··/˘·
Of amorous herbs and flowers, newly reap'd10·/˘˘··//˘·
Late on that eve, as 'twas the night before10··········
The Adonian feast; whereof she saw no more,11···········
But wept alone those days, for why should she adore?12··˘/······˘/
Lycius from death awoke into amaze,10····˘/··˘/
To see her still, and singing so sweet lays;10·····/˘···
Then from amaze into delight he fell10··˘/··˘/··
To hear her whisper woman's lore so well;10···/˘/˘···
And every word she spake entic'd him on10·/˘···˘/··
To unperplex'd delight and pleasure known.10····˘/·/˘·
Let the mad poets say whate'er they please11···/˘·˘˘/··
Of the sweets of Fairies, Peris, Goddesses,11····/˘··/˘˘
There is not such a treat among them all,10··········
Haunters of cavern, lake, and waterfall,10···/˘··/˘·
As a real woman, lineal indeed10···/˘/˘˘˘/
From Pyrrha's pebbles or old Adam's seed.10···/˘··/˘·
Thus gentle Lamia judg'd, and judg'd aright,10·/˘/˘···˘/
That Lycius could not love in half a fright,10··········
So threw the goddess off, and won his heart10···/˘·····
More pleasantly by playing woman's part,10·/˘˘·/˘/˘·
With no more awe than what her beauty gave,10·······/˘·
That, while it smote, still guaranteed to save.10······˘/··
Lycius to all made eloquent reply,10·····/˘˘˘/
Marrying to every word a twinborn sigh;10/˘·/˘··/˘·
And last, pointing to Corinth, ask'd her sweet,10··/˘·/˘···
If 'twas too far that night for her soft feet.10··········
The way was short, for Lamia's eagerness11·····/˘˘/˘˘
Made, by a spell, the triple league decrease10·····/˘·˘/
To a few paces; not at all surmised10···/˘···˘/
By blinded Lycius, so in her comprized.10·/˘·······
They pass'd the city gates, he knew not how,10···/˘·····
So noiseless, and he never thought to know.10·/˘··/˘···
As men talk in a dream, so Corinth all,10·······/˘·
Throughout her palaces imperial,10···/˘˘˘/˘˘
And all her populous streets and temples lewd,10···/˘··/˘·
Mutter'd, like tempest in the distance brew'd,10/˘·/˘··/˘·
To the wide-spreaded night above her towers.11···/˘····/˘
Men, women, rich and poor, in the cool hours,11·/˘······/˘
Shuffled their sandals o'er the pavement white,10/˘·/˘··/˘·
Companion'd or alone; while many a light10····˘/·/··
Flared, here and there, from wealthy festivals,10·····/˘/˘˘
And threw their moving shadows on the walls,10···/˘/····
Or found them cluster'd in the corniced shade10···/˘··/˘·
Of some arch'd temple door, or dusky colonnade.12···/˘··/˘·˘/
Muffling his face, of greeting friends in fear,10/˘···/˘···
Her fingers he press'd hard, as one came near10·/˘·······
With curl'd gray beard, sharp eyes, and smooth bald crown,10··········
Slow-stepp'd, and robed in philosophic gown:10······˘/˘·
Lycius shrank closer, as they met and past,10···/˘·····
Into his mantle, adding wings to haste,10···/˘/˘···
While hurried Lamia trembled: "Ah," said he,10·/˘/˘/˘···
"Why do you shudder, love, so ruefully?10···/˘··/˘˘
Why does your tender palm dissolve in dew?"--10···/˘·˘/··
"I'm wearied," said fair Lamia: "tell me who10·/˘··/˘···
Is that old man? I cannot bring to mind10·····/˘···
His features:--Lycius! wherefore did you blind10·/˘··/˘···
Yourself from his quick eyes?" Lycius replied,10˘/······˘/
"'Tis Apollonius sage, my trusty guide10·······/˘·
And good instructor; but to-night he seems10··˘/˘·····
The ghost of folly haunting my sweet dreams."10···/˘/˘···
While yet he spake they had arrived before10······˘/··
A pillar'd porch, with lofty portal door,10·/˘··/˘/˘·
Where hung a silver lamp, whose phosphor glow10···/˘··/··
Reflected in the slabbed steps below,10˘/˘···˘···
Mild as a star in water; for so new,10·····/˘···
And so unsullied was the marble hue,10··˘/˘··/˘·
So through the crystal polish, liquid fine,10···/˘/˘/˘·
Ran the dark veins, that none but feet divine10········˘/
Could e'er have touch'd there. Sounds Æolian8········
Breath'd from the hinges, as the ample span10···/˘··/˘·
Of the wide doors disclos'd a place unknown10····˘/··˘/
Some time to any, but those two alone,10···/˘···˘/
And a few Persian mutes, who that same year10···/˘·····
Were seen about the markets: none knew where10·····/˘···
They could inhabit; the most curious10··˘/˘··/˘˘
Were foil'd, who watch'd to trace them to their house:10··········
And but the flitter-winged verse must tell,10···/˘·˘···
For truth's sake, what woe afterwards befel,10·····/˘˘··
'Twould humour many a heart to leave them thus,10·/˘/······
Shut from the busy world of more incredulous.11···/˘···˘/˘

On this poem

Lamia, like Endymion, is written in the heroic couplet, but the difference in style is very marked. The influence of Dryden's narrative-poems (his translations from Boccaccio and Chaucer) is clearly traceable in the metre, style, and construction of the later poem. Like Dryden, Keats now makes frequent use of the Alexandrine, or 6-foot line, and of the triplet. He has also restrained the exuberance of his language and gained force, whilst in imaginative power and felicity of diction he surpasses anything of which Dryden was capable. The flaws in his style are mainly due to carelessness in the rimes and some questionable coining of words. He also occasionally lapses into the vulgarity and triviality which marred certain of his early poems.

The best he gained from his study of Dryden's Fables, a debt perhaps to Chaucer rather than to Dryden, was a notable advance in constructive power. In Lamia he shows a very much greater sense of proportion and power of selection than in his earlier work. There is, as it were, more light and shade.

Thus we find that whenever the occasion demands it his style rises to supreme force and beauty. The metamorphosis of the serpent, the entry of Lamia and Lycius into Corinth, the building by Lamia of the Fairy Hall, and her final withering under the eye of Apollonius--these are the most important points in the story, and the passages in which they are described are also the most striking in the poem.

The allegorical meaning of the story seems to be, that it is fatal to attempt to separate the sensuous and emotional life from the life of reason. Philosophy alone is cold and destructive, but the pleasures of the senses alone are unreal and unsatisfying. The man who attempts such a divorce between the two parts of his nature will fail miserably as did Lycius, who, unable permanently to exclude reason, was compelled to face the death of his illusions, and could not, himself, survive them.

Of the poem Keats himself says, writing to his brother in September, 1819: 'I have been reading over a part of a short poem I have composed lately, called Lamia, and I am certain there is that sort of fire in it that must take hold of people some way; give them either pleasant or unpleasant sensation--what they want is a sensation of some sort.' But to the greatest of Keats's critics, Charles Lamb, the poem appealed somewhat differently, for he writes, 'More exuberantly rich in imagery and painting [than Isabella] is the story of Lamia. It is of as gorgeous stuff as ever romance was composed of,' and, after enumerating the most striking pictures in the poem, he adds, '[these] are all that fairy-land can do for us.' Lamia struck his imagination, but his heart was given to Isabella.
Notes from the edition 56

Introduction and notes by M. Robertson, Keats: Poems Published in 1820 (Clarendon Press, 1909).

  1. Stanza 1, line 2 Satyr, a horned and goat-legged demi-god of the woods.
  2. Stanza 1, line 5 Dryads, wood-nymphs, who lived in trees. The life of each terminated with that of the tree over which she presided. Cf. Landor's 'Hamadryad'.
  3. Stanza 1, line 5 Fauns. The Roman name corresponding to the Greek Satyr.
  4. Stanza 1, line 7 Hermes, or Mercury, the messenger of the Gods. He is always represented with winged shoes, a winged helmet, and a winged staff, bound about with living serpents.
  5. Stanza 1, line 15 Tritons, sea-gods, half-man, half-fish. Cf. Wordsworth, 'Or hear old Triton blow his wreathed horn' (Sonnet--'The World is too much with us').
  6. Stanza 1, line 19 unknown to any Muse, beyond the imagination of any poet.
  7. Stanza 1, line 28 passion new. He has often before been to earth on similar errands. Cf. ever-smitten, l. 7, also ll. 80-93.
  8. Stanza 1, line 42 dove-footed. Cf. note on l. 7.
  9. Stanza 1, line 46 cirque-couchant, lying twisted into a circle. Cf. wreathed tomb, l. 38.
  10. Stanza 2, line 1 gordian, knotted, from the famous knot in the harness of Gordius, King of Phrygia, which only the conqueror of the world was to be able to untie. Alexander cut it with his sword. Cf. Henry V, I. i. 46.
  11. Stanza 2, line 12 Ariadne's tiar. Ariadne was a nymph beloved of Bacchus, the god of wine. He gave her a crown of seven stars, which, after her death, was made into a constellation. Keats has, no doubt, in his mind Titian's picture of Bacchus and Ariadne in the National Gallery. Cf. Ode to Sorrow, Endymion.
  12. Stanza 2, line 17 As Proserpine . . . air. Proserpine, gathering flowers in the Vale of Enna, in Sicily, was carried off by Pluto, the king of the underworld, to be his queen. Cf. Winter's Tale, IV. iii, and Paradise Lost, iv. 268, known to be a favourite passage with Keats.
  13. Stanza 3, line 8 his throbbing . . . moan. Cf. Hyperion, iii. 81.
  14. Stanza 3, line 10 as morning breaks, the freshness and splendour of the youthful god.
  15. Stanza 3, line 11 Phoebean dart, a ray of the sun, Phoebus being the god of the sun.
  16. Stanza 3, line 13 Too gentle Hermes. Cf. l. 28 and note.
  17. Stanza 3, line 14 not delay'd: classical construction. See Introduction to Hyperion.

    Star of Lethe. Hermes is so called because he had to lead the souls of the dead to Hades, where was Lethe, the river of forgetfulness. Lamb comments: '. . . Hermes, the Star of Lethe, as he is called by one of those prodigal phrases which Mr. Keats abounds in, which are each a poem in a word, and which in this instance lays open to us at once, like a picture, all the dim regions and their habitants, and the sudden coming of a celestial among them.'
  18. Stanza 3, line 24 The line dances along like a leaf before the wind.
  19. Stanza 3, line 25 Miltonic construction and phraseology.
  20. Stanza 3, line 31 weary tendrils, tired with holding up the boughs, heavy with fruit.
  21. Stanza 3, line 36 Silenus, the nurse and teacher of Bacchus--a demigod of the woods.
  22. Stanza 3, line 48 Circean. Circe was the great enchantress who turned the followers of Ulysses into swine. Cf. Comus, ll. 46-54, and Odyssey, x.
  23. Stanza 3, line 65 swoon'd serpent. Evidently, in the exercise of her magic, power had gone out of her.
  24. Stanza 3, line 66 lythe, quick-acting.

    Caducean charm. Caduceus was the name of Hermes' staff of wondrous powers, the touch of which, evidently, was powerful to give the serpent human form.
  25. Stanza 3, line 69 like a moon in wane. Cf. the picture of Cynthia, Endymion, iii. 72 sq.
  26. Stanza 3, line 71 like a flower . . . hour. Perhaps a reminiscence of Milton's 'at shut of evening flowers.' Paradise Lost, ix. 278.
  27. Stanza 4, line 3 besprent, sprinkled.
  28. Stanza 4, line 13 brede, embroidery. Cf. Ode on a Grecian Urn, v. 1.
  29. Stanza 5, line 8 rack. Cf. The Tempest, IV. i. 156, 'leave not a rack behind.' Hyperion, i. 302, note.
  30. Stanza 5, line 10 This gives us a feeling of weakness and weariness as well as measuring the distance.
  31. Stanza 5, line 14 Cf. Wordsworth:

    And then my heart with pleasure fills And dances with the daffodils.
  32. Stanza 6, line 7 Cf. Ode on Melancholy, where Keats tells us that melancholy lives with Beauty, joy, pleasure, and delight. Lamia can separate the elements and give beauty and pleasure unalloyed.
  33. Stanza 6, line 11 Intrigue with the specious chaos, enter on an understanding with the fair-looking confusion of joy and pain.
  34. Stanza 6, line 14 unshent, unreproached.
  35. Stanza 7, line 8 Nereids, sea-nymphs.
  36. Stanza 7, line 9 Thetis, one of the sea deities.
  37. Stanza 7, line 11 glutinous, referring to the sticky substance which oozes from the pine-trunk. Cf. Comus, l. 917, 'smeared with gums of glutinous heat.'
  38. Stanza 7, line 12 Cf. l. 63, note.
  39. Stanza 7, line 13 Mulciber, Vulcan, the smith of the Gods. His fall from Heaven is described by Milton, Paradise Lost, i. 739-42.

    piazzian, forming covered walks supported by pillars, a word coined by Keats.
  40. Stanza 7, line 37 In the calm'd . . . shades. In consideration of Plato's mystic and imaginative philosophy.
  41. Stanza 7, line 49 Refers to the story of Orpheus' attempt to rescue his wife Eurydice from Hades. With his exquisite music he charmed Cerberus, the fierce dog who guarded hell-gates, into submission, and won Pluto's consent that he should lead Eurydice back to the upper world on one condition--that he would not look back to see that she was following. When he was almost at the gates, love and curiosity overpowered him, and he looked back--to see Eurydice fall back into Hades whence he now might never win her.
  42. Stanza 7, line 63 thy far wishes, your wishes when you are far off.
  43. Stanza 7, line 66 Pleiad. The Pleiades are seven stars making a constellation. Cf. Walt Whitman, 'On the beach at night.'
  44. Stanza 7, line 67 keep in tune Thy spheres. Refers to the music which the heavenly bodies were supposed to make as they moved round the earth. Cf. Merchant of Venice, V. i. 60.
  45. Stanza 7, line 95 new lips. Cf. l. 191.
  46. Stanza 7, line 98 Into another, i.e. into the trance of passion from which he only wakes to die.
  47. Stanza 7, line 121 Adonian feast. Adonis was a beautiful youth beloved of Venus. He was killed by a wild boar when hunting, and Venus then had him borne to Elysium, where he sleeps pillowed on flowers. Cf. Endymion, ii. 387.
  48. Stanza 7, line 130 Peris, in Persian story fairies, descended from the fallen angels.
  49. Stanza 7, line 131 The vulgarity of these lines we may attribute partly to the influence of Leigh Hunt, who himself wrote of

    The two divinest things the world has got-- A lovely woman and a rural spot.

    It was an influence which Keats, with the development of his own character and genius, was rapidly outgrowing.
  50. Stanza 7, line 134 Pyrrha's pebbles. There is a legend that, after the flood, Deucalion and Pyrrha cast stones behind them which became men, thus re-peopling the world.

    PAGE 23. ll. 350-4. Keats brings the very atmosphere of a dream about us in these lines, and makes us hear the murmur of the city as something remote from the chief actors.
  51. Stanza 8, line 2 lewd, ignorant. The original meaning of the word which came later to mean dissolute.
  52. Stanza 8, line 10 corniced shade. Cf. Eve of St. Agnes, ix, 'Buttress'd from moonlight.'
  53. Stanza 9, line 1 Note the feeling of fate in the first appearance of Apollonius.
  54. Stanza 9, line 15 dreams. Lycius is conscious that it is an illusion even whilst he yields himself up to it.
  55. Stanza 10, line 8 Aeolian. Aeolus was the god of the winds.
  56. Stanza 10, line 16 flitter-winged. Imagining the poem winging its way along like a bird. Flitter, cf. flittermouse = bat.

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