Hyperion, Book III
Thus in alternate uproar and sad peace,Amazed were those Titans utterly.O leave them, Muse! O leave them to their woes;For thou art weak to sing such tumults dire:A solitary sorrow best befitsThy lips, and antheming a lonely grief.Leave them, O Muse! for thou anon wilt findMany a fallen old DivinityWandering in vain about bewildered shores.Meantime touch piously the Delphic harp,And not a wind of heaven but will breatheIn aid soft warble from the Dorian flute;For lo! 'tis for the Father of all verse.Flush every thing that hath a vermeil hue,Let the rose glow intense and warm the air,And let the clouds of even and of mornFloat in voluptuous fleeces o'er the hills;Let the red wine within the goblet boil,Cold as a bubbling well; let faint-lipp'd shells,On sands, or in great deeps, vermilion turnThrough all their labyrinths; and let the maidBlush keenly, as with some warm kiss surpris'd.Chief isle of the embowered Cyclades,Rejoice, O Delos, with thine olives green,And poplars, and lawn-shading palms, and beech,In which the Zephyr breathes the loudest song,And hazels thick, dark-stemm'd beneath the shade:Apollo is once more the golden theme!Where was he, when the Giant of the SunStood bright, amid the sorrow of his peers?Together had he left his mother fairAnd his twin-sister sleeping in their bower,And in the morning twilight wandered forthBeside the osiers of a rivulet,Full ankle-deep in lilies of the vale.The nightingale had ceas'd, and a few starsWere lingering in the heavens, while the thrushBegan calm-throated. Throughout all the isleThere was no covert, no retired caveUnhaunted by the murmurous noise of waves,Though scarcely heard in many a green recess.He listen'd, and he wept, and his bright tearsWent trickling down the golden bow he held.Thus with half-shut suffused eyes he stood,While from beneath some cumbrous boughs hard byWith solemn step an awful Goddess came,And there was purport in her looks for him,Which he with eager guess began to readPerplex'd, the while melodiously he said:"How cam'st thou over the unfooted sea?Or hath that antique mien and robed formMov'd in these vales invisible till now?Sure I have heard those vestments sweeping o'erThe fallen leaves, when I have sat aloneIn cool mid-forest. Surely I have tracedThe rustle of those ample skirts aboutThese grassy solitudes, and seen the flowersLift up their heads, as still the whisper pass'd.Goddess! I have beheld those eyes before,And their eternal calm, and all that face,Or I have dream'd."--"Yes," said the supreme shape,"Thou hast dream'd of me; and awaking upDidst find a lyre all golden by thy side,Whose strings touch'd by thy fingers, all the vastUnwearied ear of the whole universeListen'd in pain and pleasure at the birthOf such new tuneful wonder. Is't not strangeThat thou shouldst weep, so gifted? Tell me, youth,What sorrow thou canst feel; for I am sadWhen thou dost shed a tear: explain thy griefsTo one who in this lonely isle hath beenThe watcher of thy sleep and hours of life,From the young day when first thy infant handPluck'd witless the weak flowers, till thine armCould bend that bow heroic to all times.Show thy heart's secret to an ancient PowerWho hath forsaken old and sacred thronesFor prophecies of thee, and for the sakeOf loveliness new born."--Apollo then,With sudden scrutiny and gloomless eyes,Thus answer'd, while his white melodious throatThrobb'd with the syllables.--"Mnemosyne!Thy name is on my tongue, I know not how;Why should I tell thee what thou so well seest?Why should I strive to show what from thy lipsWould come no mystery? For me, dark, dark,And painful vile oblivion seals my eyes:I strive to search wherefore I am so sad,Until a melancholy numbs my limbs;And then upon the grass I sit, and moan,Like one who once had wings.--O why should IFeel curs'd and thwarted, when the liegeless airYields to my step aspirant? why should ISpurn the green turf as hateful to my feet?Goddess benign, point forth some unknown thing:Are there not other regions than this isle?What are the stars? There is the sun, the sun!And the most patient brilliance of the moon!And stars by thousands! Point me out the wayTo any one particular beauteous star,And I will flit into it with my lyre,And make its silvery splendour pant with bliss.I have heard the cloudy thunder: Where is power?Whose hand, whose essence, what divinityMakes this alarum in the elements,While I here idle listen on the shoresIn fearless yet in aching ignorance?O tell me, lonely Goddess, by thy harp,That waileth every morn and eventide,Tell me why thus I rave, about these groves!Mute thou remainest--Mute! yet I can readA wondrous lesson in thy silent face:Knowledge enormous makes a God of me.Names, deeds, gray legends, dire events, rebellions,Majesties, sovran voices, agonies,Creations and destroyings, all at oncePour into the wide hollows of my brain,And deify me, as if some blithe wineOr bright elixir peerless I had drunk,And so become immortal."--Thus the God,While his enkindled eyes, with level glanceBeneath his white soft temples, stedfast keptTrembling with light upon Mnemosyne.Soon wild commotions shook him, and made flushAll the immortal fairness of his limbs;Most like the struggle at the gate of death;Or liker still to one who should take leaveOf pale immortal death, and with a pangAs hot as death's is chill, with fierce convulseDie into life: so young Apollo anguish'd:His very hair, his golden tresses famedKept undulation round his eager neck.During the pain Mnemosyne upheldHer arms as one who prophesied.--At lengthApollo shriek'd;--and lo! from all his limbsCelestial
Words in this poem 44
- dire a.
- Ill-boding; portentous; as, dire omens. [L. dirus; of uncertain origin.]
- anon adv.
- Straightway; at once. [OE. anoon, anon, anan, lit., in one (moment), fr. AS. on in + an one. See On and One.]
- piously adv.
- In a pious manner.
- delphic a.
- Of or relating to Delphi, or to the famous oracle of that place. [L. Delphicus, fr. Gr. Delphi, a town of Phocis, in Greece, now Kastri.]
- warble v. t.
- To sing in a trilling, quavering, or vibratory manner; to modulate with turns or variations; to trill; as, certain birds are remarkable for warbling their songs. [OE. werbelen, OF. werbler; of Teutonic origin; cf. G. wirbeln to turn, to warble, D. wervelen, akin to E. whirl. See Whirl.]
- dorian a.
- Of or pertaining to the ancient Greeks of Doris; Doric; as, a Dorian fashion.
- vermeil n.
- Vermilion; also, the color of vermilion, a bright, beautiful red. [F., vermilion, fr. LL. vermiculus, fr. L. vermiculus a little worm, the coccus Indicus, from vermis a worm. See Worm, and cf. Vermicule.]
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- keenly adv.
- In a keen manner.
- isle v. t.
- To cause to become an island, or like an island; to surround or encompass; to island.
- zephyr n.
- The west wind; poetically, any soft, gentle breeze. [L. zephyrus, Gr. zéphyr.]
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- vale n.
- A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
- murmurous a.
- Attended with murmurs; exciting murmurs or complaint; murmuring. [Cf. L. murmuriosus, OF. murmuros.]
- went n.
- Course; way; path; journey; direction.
- cumbrous a.
- Rendering action or motion difficult or toilsome; serving to obstruct or hinder; burdensome; clogging.
- purport n.
- Design or tendency; meaning; import; tenor. [OF. purport; pur, pour, for (L. pro) + porter to bear, carry. See Port demeanor.]
- rustle v. i.
- To make a quick succession of small sounds, like the rubbing or moving of silk cloth or dry leaves. [AS. hristlan to rustle; or cf. Sw. rusta to stir, make a riot, or E. rush, v.]
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- didst
- , the 2d pers. sing. imp. of Do.
- unwearied a.
- Not wearied; not fatigued or tired; hence, persistent; not tiring or wearying; indefatigable.
- tuneful a.
- Harmonious; melodious; musical; as, tuneful notes.
- watcher n.
- One who watches; one who sits up or continues; a diligent observer; specifically, one who attends upon the sick during the night.
- witless a.
- Destitute of wit or understanding; wanting thought; hence, indiscreet; not under the guidance of judgment.
- loveliness n.
- The state or quality of being lovely. [From Lovely.]
- mnemosyne n.
- The goddess of memory and the mother of the Muses. [L., fr. Gr. Mnemonic.]
- oblivion n.
- The act of forgetting, or the state of being forgotten; cessation of remembrance; forgetfulness. [L. oblivio, akin to oblivisci to forget: cf. OF. oblivion.]
- wherefore adv.
- For which reason; so; -- used relatively. [Where + for.]
- aspirant n.
- One who aspires; one who eagerly seeks some high position or object of attainment. [Cf. F. aspirant.]
- spurn v. t.
- To drive back or away, as with the foot; to kick. [OE. spurnen to kick against, to stumble over, AS. spurnan to kick, offend; akin to spura spur, OS. & OHG. spurnan to kick, Icel. spyrna, L. spernere to despise,]
- hateful a.
- Manifesting hate or hatred; malignant; malevolent.
- beauteous a.
- Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
- flit a.
- Nimble; quick; swift. See Fleet.
- splendour n.
- Great brightness; brilliant luster; brilliancy; as, the splendor ot the sun. B. Jonson. [L. fr. splendere to shine: cf. F. splendeur.]
- pant v. i.
- To breathe quickly or in a labored manner, as after exertion or from eagerness or excitement; to respire with heaving of the breast; to gasp. [Cf. F. panteler to gasp for breath, OF. panteisier to be breathless, F. pantois out of breath; perh. akin to E. phantom, the verb prob. orig. meaning, to have t]
- aching a.
- That aches; continuously painful. See Ache.
- eventide n.
- The time of evening; evening. [AS. æfentid. See Tide.]
- wondrous adv.
- In a wonderful or surprising manner or degree; wonderfully. [OE. wonders, adv. (later also adj.). See Wonder, n., and cf. -wards.]
- sovran a.
- A variant of Sovereign.
- blithe a.
- Gay; merry; sprightly; joyous; glad; cheerful; as, a blithe spirit. [AS. bli blithe, kind; akin to Goth. blei kind, Icel. bli mild, gentle, Dan. & Sw. blid gentle, D. blijd blithe, OHG. blidi kind, blithe.]
- elixir n.
- A tincture with more than one base; a compound tincture or medicine, composed of various substances, held in solution by alcohol in some form. [F. élixir, Sp. elixir, Ar. eliksir the philosopher's stone, prob. from Gr. ksha to burn.]
- shook v. t.
- To pack, as staves, in a shook.
- convulse v. t.
- To contract violently and irregulary, as the muscular parts of an animal body; to shake with irregular spasms, as in excessive laughter, or in agony from grief or pain. [L. convulsus, p.p. of convellere to tear up, to shake; con- + vellere to pluck, pull.]
- undulation n.
- The act of undulating; a waving motion or vibration; as, the undulations of a fluid, of water, or of air; the undulations of sound. [Cf. F. ondulation.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Hyperion, Book III is in the public domain. This text is taken from Keats: Poems Published in 1820 (Clarendon Press, 1909, ed. M. Robertson), Project Gutenberg ebook #23684; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: John Keats, Hyperion, Book III, in Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820), text of Project Gutenberg ebook #23684, Laurel, https://laurelpoetry.com/poem/keats-1820/hyperion-book-iii.html, id L00195.
Form and metre
Hyperion, Book III is 136 lines in a single verse paragraph. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 17 lines end on an unstressed syllable, a feminine ending. 43% of the lines run on without a stop at the line end.
See other poems in iambic pentameter, other poems in blank verse.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -----------------------------------------------AA--------------------------------------------------------------------------------------- peace · utterly · woes · dire · befits · grief · find · divinity · shores · harp · breathe · flute · verse · hue · air · morn · hills · boil · shells · turn · maid · surpris'd · cyclades · green · beech · song · shade · theme · sun · peers · fair · bower · forth · rivulet · vale · stars · thrush · isle · cave · waves · recess · tears · held · stood · by · came · him · readA · saidA · sea · form · now · o'er · alone · traced · about · flowers · pass'd · before · face · shape · up · side · vast · universe · birth · strange · youth · sad · griefs · been · life · hand · arm · times · power · thrones · sake · then · eyes · throat · mnemosyne · how · seest · lips · dark · eyes · sad · limbs · moan · i · air · i · feet · thing · isle · sun · moon · way · star · lyre · bliss · power · divinity · elements · shores · ignorance · harp · eventide · groves · read · face · me · rebellions · agonies · once · brain · wine · drunk · god · glance · kept · mnemosyne · flush · limbs · death · leave · pang · convulse · anguish'd · famed · neck · upheld · length · limbs · celestial
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Thus in alternate uproar and sad peace, | 10 | ··/˘·/···· |
| Amazed were those Titans utterly. | 10 | ˘/˘··/˘/˘˘ |
| O leave them, Muse! O leave them to their woes; | 10 | ·········· |
| For thou art weak to sing such tumults dire: | 10 | ·······/˘· |
| A solitary sorrow best befits | 10 | ·/˘·˘/˘·˘/ |
| Thy lips, and antheming a lonely grief. | 10 | ···/˘˘·/˘· |
| Leave them, O Muse! for thou anon wilt find | 10 | ······˘/·· |
| Many a fallen old Divinity | 10 | /˘·/˘·˘/˘˘ |
| Wandering in vain about bewildered shores. | 10 | /˘····˘/˘· |
| Meantime touch piously the Delphic harp, | 10 | /··/˘˘·/˘· |
| And not a wind of heaven but will breathe | 10 | ·····/˘··· |
| In aid soft warble from the Dorian flute; | 10 | ···/˘··/˘· |
| For lo! 'tis for the Father of all verse. | 10 | ·····/˘··· |
| Flush every thing that hath a vermeil hue, | 10 | ·/˘····/˘· |
| Let the rose glow intense and warm the air, | 10 | ····˘/···· |
| And let the clouds of even and of morn | 10 | ·····/˘··· |
| Float in voluptuous fleeces o'er the hills; | 10 | ··˘/˘/˘··· |
| Let the red wine within the goblet boil, | 10 | ·······/˘· |
| Cold as a bubbling well; let faint-lipp'd shells, | 10 | ···/˘····· |
| On sands, or in great deeps, vermilion turn | 10 | ······˘/˘· |
| Through all their labyrinths; and let the maid | 10 | ···/˘····· |
| Blush keenly, as with some warm kiss surpris'd. | 10 | ·/˘·····˘/ |
| Chief isle of the embowered Cyclades, | 10 | ·······˘/˘ |
| Rejoice, O Delos, with thine olives green, | 10 | ˘/·/˘··/˘· |
| And poplars, and lawn-shading palms, and beech, | 10 | ·/˘··/˘··· |
| In which the Zephyr breathes the loudest song, | 10 | ···/˘··/˘· |
| And hazels thick, dark-stemm'd beneath the shade: | 10 | ·/˘······· |
| Apollo is once more the golden theme! | 10 | ˘/˘····/˘· |
| Where was he, when the Giant of the Sun | 10 | ·····/˘··· |
| Stood bright, amid the sorrow of his peers? | 10 | ··˘/·/˘··· |
| Together had he left his mother fair | 10 | ˘/˘····/˘· |
| And his twin-sister sleeping in their bower, | 11 | ···/˘/˘··/˘ |
| And in the morning twilight wandered forth | 10 | ···/˘/·/˘· |
| Beside the osiers of a rivulet, | 10 | ˘/·····/˘˘ |
| Full ankle-deep in lilies of the vale. | 10 | ·/˘··/˘··· |
| The nightingale had ceas'd, and a few stars | 10 | ·/˘˘······ |
| Were lingering in the heavens, while the thrush | 10 | ·/˘··/˘··· |
| Began calm-throated. Throughout all the isle | 10 | ˘/·/˘····· |
| There was no covert, no retired cave | 10 | ···/˘·˘/˘· |
| Unhaunted by the murmurous noise of waves, | 11 | ·····/˘˘··· |
| Though scarcely heard in many a green recess. | 10 | ·/˘··/··˘/ |
| He listen'd, and he wept, and his bright tears | 10 | ·/˘······· |
| Went trickling down the golden bow he held. | 10 | ·/˘··/˘··· |
| Thus with half-shut suffused eyes he stood, | 10 | ····˘/˘··· |
| While from beneath some cumbrous boughs hard by | 10 | ·····/˘··· |
| With solemn step an awful Goddess came, | 10 | ·/˘··/˘/˘· |
| And there was purport in her looks for him, | 10 | ···/······ |
| Which he with eager guess began to read | 10 | ···/˘·˘/·· |
| Perplex'd, the while melodiously he said: | 10 | ˘/········ |
| "How cam'st thou over the unfooted sea? | 10 | ·········· |
| Or hath that antique mien and robed form | 10 | ···˘/···˘· |
| Mov'd in these vales invisible till now? | 10 | ····˘/˘˘·· |
| Sure I have heard those vestments sweeping o'er | 10 | ·······/˘· |
| The fallen leaves, when I have sat alone | 10 | ·/˘·····˘/ |
| In cool mid-forest. Surely I have traced | 10 | ···/˘/˘··· |
| The rustle of those ample skirts about | 10 | ·/˘··/˘··· |
| These grassy solitudes, and seen the flowers | 11 | ·/˘/˘····/˘ |
| Lift up their heads, as still the whisper pass'd. | 10 | ·······/˘· |
| Goddess! I have beheld those eyes before, | 10 | /˘··˘/···· |
| And their eternal calm, and all that face, | 10 | ··˘/˘····· |
| Or I have dream'd."--"Yes," said the supreme shape, | 10 | ·······˘/· |
| "Thou hast dream'd of me; and awaking up | 10 | ······˘/˘· |
| Didst find a lyre all golden by thy side, | 10 | ·····/˘··· |
| Whose strings touch'd by thy fingers, all the vast | 10 | ·····/˘··· |
| Unwearied ear of the whole universe | 10 | ˘/˘····/˘· |
| Listen'd in pain and pleasure at the birth | 10 | /˘···/˘··· |
| Of such new tuneful wonder. Is't not strange | 10 | ···/˘/˘··· |
| That thou shouldst weep, so gifted? Tell me, youth, | 10 | ·····/˘··· |
| What sorrow thou canst feel; for I am sad | 10 | ·/˘······· |
| When thou dost shed a tear: explain thy griefs | 10 | ······˘/·· |
| To one who in this lonely isle hath been | 10 | ·····/˘··· |
| The watcher of thy sleep and hours of life, | 10 | ·/˘····/·· |
| From the young day when first thy infant hand | 10 | ·······/˘· |
| Pluck'd witless the weak flowers, till thine arm | 10 | ·/˘··/˘··· |
| Could bend that bow heroic to all times. | 10 | ····˘/˘··· |
| Show thy heart's secret to an ancient Power | 11 | ···/˘··/˘/˘ |
| Who hath forsaken old and sacred thrones | 10 | ··˘/˘··/˘· |
| For prophecies of thee, and for the sake | 10 | ·/˘˘······ |
| Of loveliness new born."--Apollo then, | 10 | ·/˘˘··˘/˘· |
| With sudden scrutiny and gloomless eyes, | 10 | ·/˘/˘˘···· |
| Thus answer'd, while his white melodious throat | 10 | ·/˘···˘/˘· |
| Throbb'd with the syllables.--"Mnemosyne! | 10 | ···/˘˘˘/˘˘ |
| Thy name is on my tongue, I know not how; | 10 | ·········· |
| Why should I tell thee what thou so well seest? | 10 | ·········· |
| Why should I strive to show what from thy lips | 10 | ·········· |
| Would come no mystery? For me, dark, dark, | 10 | ···/˘˘···· |
| And painful vile oblivion seals my eyes: | 10 | ·/˘·˘/˘··· |
| I strive to search wherefore I am so sad, | 10 | ····/˘···· |
| Until a melancholy numbs my limbs; | 10 | ···/˘·˘··· |
| And then upon the grass I sit, and moan, | 10 | ·········· |
| Like one who once had wings.--O why should I | 10 | ·········· |
| Feel curs'd and thwarted, when the liegeless air | 11 | ···/˘······ |
| Yields to my step aspirant? why should I | 10 | ····˘/˘··· |
| Spurn the green turf as hateful to my feet? | 10 | ·····/˘··· |
| Goddess benign, point forth some unknown thing: | 10 | /˘˘/···˘/· |
| Are there not other regions than this isle? | 10 | ···/˘/˘··· |
| What are the stars? There is the sun, the sun! | 10 | ·········· |
| And the most patient brilliance of the moon! | 10 | ···/˘/˘··· |
| And stars by thousands! Point me out the way | 10 | ···/˘····· |
| To any one particular beauteous star, | 11 | ·/˘·˘/˘/˘˘· |
| And I will flit into it with my lyre, | 10 | ·········· |
| And make its silvery splendour pant with bliss. | 10 | ···/˘/˘··· |
| I have heard the cloudy thunder: Where is power? | 11 | ····/˘/˘··/ |
| Whose hand, whose essence, what divinity | 10 | ···/˘·˘/˘˘ |
| Makes this alarum in the elements, | 10 | ··˘/˘··/˘˘ |
| While I here idle listen on the shores | 10 | ···/˘/˘··· |
| In fearless yet in aching ignorance? | 10 | ·/˘··/˘/˘˘ |
| O tell me, lonely Goddess, by thy harp, | 10 | ···/˘/˘··· |
| That waileth every morn and eventide, | 11 | ·/˘/˘˘··/˘˘ |
| Tell me why thus I rave, about these groves! | 10 | ·········· |
| Mute thou remainest--Mute! yet I can read | 10 | ··˘/˘····· |
| A wondrous lesson in thy silent face: | 10 | ·/˘/˘··/˘· |
| Knowledge enormous makes a God of me. | 10 | /˘˘/˘····· |
| Names, deeds, gray legends, dire events, rebellions, | 11 | ···/˘·˘/˘/˘ |
| Majesties, sovran voices, agonies, | 10 | /˘˘/˘/˘/˘˘ |
| Creations and destroyings, all at once | 10 | ˘/˘·˘/˘··· |
| Pour into the wide hollows of my brain, | 10 | ·····/˘··· |
| And deify me, as if some blithe wine | 10 | ·/˘······· |
| Or bright elixir peerless I had drunk, | 10 | ··˘/˘/˘··· |
| And so become immortal."--Thus the God, | 10 | ··˘/˘/˘··· |
| While his enkindled eyes, with level glance | 10 | ····˘··/˘· |
| Beneath his white soft temples, stedfast kept | 10 | ·····/˘··· |
| Trembling with light upon Mnemosyne. | 11 | /˘˘····˘/˘˘ |
| Soon wild commotions shook him, and made flush | 10 | ··˘/˘····· |
| All the immortal fairness of his limbs; | 10 | ··˘/˘/˘··· |
| Most like the struggle at the gate of death; | 10 | ···/˘····· |
| Or liker still to one who should take leave | 10 | ·········· |
| Of pale immortal death, and with a pang | 10 | ··˘/˘····· |
| As hot as death's is chill, with fierce convulse | 10 | ········˘/ |
| Die into life: so young Apollo anguish'd: | 11 | ······˘/˘/˘ |
| His very hair, his golden tresses famed | 10 | ·/˘··/˘/˘· |
| Kept undulation round his eager neck. | 10 | ·······/˘· |
| During the pain Mnemosyne upheld | 10 | /˘··˘/˘˘˘/ |
| Her arms as one who prophesied.--At length | 10 | ·····/˘··· |
| Apollo shriek'd;--and lo! from all his limbs | 10 | ˘/˘······· |
| Celestial | 3 | ˘/˘ |
Notes from the edition 21
Introduction and notes by M. Robertson, Keats: Poems Published in 1820 (Clarendon Press, 1909).
- Line 9 bewildered shores. The attribute of the wanderer transferred to the shore. Cf. Nightingale, ll. 14, 67.
- Line 10 Delphic. At Delphi worship was given to Apollo, the inventor and god of music.
- Line 12 Dorian. There were several 'modes' in Greek music, of which the chief were Dorian, Phrygian, and Lydian. Each was supposed to possess certain definite ethical characteristics. Dorian music was martial and manly. Cf. Paradise Lost, i. 549-53.
- Line 13 Father of all verse. Apollo, the god of light and song.
- Line 18 Let the red . . . well. Cf. Nightingale, st. 2.
- Line 19 faint-lipp'd. Cf. ii. 270, 'mouthed shell.'
- Line 23 Cyclades. Islands in the Aegean sea, so called because they surrounded Delos in a circle.
- Line 24 Delos, the island where Apollo was born.
- Line 31 mother fair, Leto (Latona).
- Line 32 twin-sister, Artemis (Diana).
- Line 40 murmurous . . . waves. We hear their soft breaking.
PAGE 196. ll. 81-2. Cf. Lamia, i. 75. - Line 82 Mnemosyne, daughter of Coelus and Terra, and mother of the Muses. Her name signifies Memory.
- Line 86 Cf. Samson Agonistes, ll. 80-2.
- Line 87 Cf. Merchant of Venice, I. i. 1-7.
- Line 92 liegeless, independent--acknowledging no allegiance.
- Line 93 aspirant, ascending. The air will not bear him up.
- Line 98 patient . . . moon. Cf. i. 353, 'patient stars.' Their still, steady light.
- Line 113 So Apollo reaches his divinity--by knowledge which includes experience of human suffering--feeling 'the giant-agony of the world'.
- Line 114 gray, hoary with antiquity.
- Line 128 immortal death. Cf. Swinburne's Garden of Proserpine, st. 7.
Who gathers all things mortal With cold immortal hands. - Line 136 Filled in, in pencil, in a transcript of Hyperion by Keats's friend Richard Woodhouse--
Glory dawn'd, he was a god.
FOOTNOTES:
[245:1] 'If any apology be thought necessary for the appearance of the unfinished poem of Hyperion, the publishers beg to state that they alone are responsible, as it was printed at their particular request, and contrary to the wish of the author. The poem was intended to have been of equal length with Endymion, but the reception given to that work discouraged the author from proceeding.'
[247:1]
e.g. i. 56 Knows thee not, thus afflicted, for a god i. 206 save what solemn tubes . . . gave ii. 70 that second war Not long delayed.
[247:2]
e.g. ii. 8 torrents hoarse 32 covert drear i. 265 season due 286 plumes immense
[247:3]
e.g. i. 35 How beautiful . . . self 182 While sometimes . . . wondering men ii. 116, 122 Such noise . . . pines.
[247:4] e.g. ii. 79 No shape distinguishable. Cf. Paradise Lost, ii. 667.
i. 2 breath of morn. Cf. Paradise Lost, iv. 641.
HENRY FROWDE, M.A. PUBLISHER TO THE UNIVERSITY OF OXFORD LONDON, EDINBURGH, NEW YORK, TORONTO AND MELBOURNE
*
TRANSCRIBER'S NOTES:
Line numbers are placed every ten lines. In the original, due to space constraints, this is not always the case.
On page 237, the note for l. 25 refers to "Lamia, i. 9, note". There is no such note.
The following words appear with and without hyphens. They have been left as in the original.
bed-side bedside church-yard churchyard death-bell deathbell demi-god demigod no-where nowhere re-united reunited sun-rise sunrise under-grove undergrove under-song undersong
The following words have variations in spelling. They have been left as in the original.
Æolian Aeolian Amaz'd Amazed branch-charmed Branch-charmèd faery fairy should'st shouldst splendor splendour
The following words use an oe ligature in the poems but not in the notes section.
Coeus Coelus Phoebe Phoebe's Phoebean Phoenician
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.