Fancy

John Keats (1795–1821) · 1820

trochaic tetrameter · rhyming couplets · 94 lines · from Lamia, Isabella, The Eve of St. Agnes, and Other Poems

Ever let the Fancy roam,Pleasure never is at home:At a touch sweet Pleasure melteth,Like to bubbles when rain pelteth;Then let winged Fancy wanderThrough the thought still spread beyond her:Open wide the mind's cage-door,She'll dart forth, and cloudward soar.O sweet Fancy! let her loose;Summer's joys are spoilt by use,And the enjoying of the SpringFades as does its blossoming;Autumn's red-lipp'd fruitage too,Blushing through the mist and dew,Cloys with tasting: What do then?Sit thee by the ingle, whenThe sear faggot blazes bright,Spirit of a winter's night;When the soundless earth is muffled,And the caked snow is shuffledFrom the ploughboy's heavy shoon;When the Night doth meet the NoonIn a dark conspiracyTo banish Even from her sky.Sit thee there, and send abroad,With a mind self-overaw'd,Fancy, high-commission'd:--send her!She has vassals to attend her:She will bring, in spite of frost,Beauties that the earth hath lost;She will bring thee, all together,All delights of summer weather;All the buds and bells of May,From dewy sward or thorny sprayAll the heaped Autumn's wealth,With a still, mysterious stealth:She will mix these pleasures upLike three fit wines in a cup,And thou shalt quaff it:--thou shalt hearDistant harvest-carols clear;Rustle of the reaped corn;Sweet birds antheming the morn:And, in the same moment--hark!'Tis the early April lark,Or the rooks, with busy caw,Foraging for sticks and straw.Thou shalt, at one glance, beholdThe daisy and the marigold;White-plum'd lilies, and the firstHedge-grown primrose that hath burst;Shaded hyacinth, alwaySapphire queen of the mid-May;And every leaf, and every flowerPearled with the self-same shower.Thou shalt see the field-mouse peepMeagre from its celled sleep;And the snake all winter-thinCast on sunny bank its skin;Freckled nest-eggs thou shalt seeHatching in the hawthorn-tree,When the hen-bird's wing doth restQuiet on her mossy nest;Then the hurry and alarmWhen the bee-hive casts its swarm;Acorns ripe down-pattering,While the autumn breezes sing.

Oh, sweet Fancy! let her loose;Every thing is spoilt by use:Where's the cheek that doth not fade,Too much gaz'd at? Where's the maidWhose lip mature is ever new?Where's the eye, however blue,Doth not weary? Where's the faceOne would meet in every place?Where's the voice, however soft,One would hear so very oft?At a touch sweet Pleasure meltethLike to bubbles when rain pelteth.Let, then, winged Fancy findThee a mistress to thy mind:Dulcet-eyed as Ceres' daughter,Ere the God of Torment taught herHow to frown and how to chide;With a waist and with a sideWhite as Hebe's, when her zoneSlipt its golden clasp, and downFell her kirtle to her feet,While she held the goblet sweet,And Jove grew languid.--Break the meshOf the Fancy's silken leash;Quickly break her prison-stringAnd such joys as these she'll bring.--Let the winged Fancy roamPleasure never is at home.

Words in this poem 15
fruitage n.
Fruit, collectively; fruit, in general; fruitery. [F. fruitage.]
ingle n.
Flame; blaze; a fire; a fireplace. Burns. Ingle nock, the chimney corner. [Gael. & Ir. aingeali fire; cf. L. igniculusi spark, dim. of ignis fire. Cf. Ignite.]
soundless a.
Not capable of being sounded or fathomed; unfathomable.
wealth n.
Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
stealth n.
The act of stealing; theft. [OE. staple. See Steal, v. t.]
shalt
2d per. sing. of Shall.
quaff v. t.
To drink with relish; to drink copiously of; to swallow in large draughts. [For quach, fr. Gael. & Ir. cuach a drinking cup; cf. L. caucus a drinking vessel. Cf. Quaigh.]
rustle v. i.
To make a quick succession of small sounds, like the rubbing or moving of silk cloth or dry leaves. [AS. hristlan to rustle; or cf. Sw. rusta to stir, make a riot, or E. rush, v.]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
meagre a.
Destitue of, or having little, flesh; lean. [OE. merge, F. maigre, L. macer; akin to D. & G. mager, Icel. magr, and prob. to Gr. Emaciate, Maigre.]
sunny a.
Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
freckled a.
Marked with freckles; spotted.
kirtle n.
A garment varying in form and use at different times, and worn doth by men and women. [OE. kirtel, curtel, AS. cyrtel; skin to Icel. kyrtill, Sw. kjortel, Dan. kiortel, kiole.]
jove n.
The chief divinity of the ancient Romans; Jupiter. [L. Jupiter, gen. Jovis, OL. Jovis, nom. & gen. for Djovis; akin to E. Tuesday. See Tuesday, and cf. Jupiter.]
mesh n.
The opening or space inclosed by the threads of a net between knot and knot, or the threads inclosing such a space; network; a net. [AS. masc, max, m; akin to D. maas, masche, OHG. masca, Icel. möskvi; cf. Lith. mazgas a knot, megsti to weave nets, to knot.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Fancy is in the public domain. This text is taken from Keats: Poems Published in 1820 (Clarendon Press, 1909, ed. M. Robertson), Project Gutenberg ebook #23684; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Keats, Fancy, in Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820), text of Project Gutenberg ebook #23684, Laurel, https://laurelpoetry.com/poem/keats-1820/fancy.html, id L00187.

Form and metre

Fancy is 94 lines in 2 verse paragraphs. It is in rhyming couplets, 83% of the lines. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 86%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 7.2 syllables. 16 lines end on an unstressed syllable, a feminine ending. 31% of the lines run on without a stop at the line end.

See other poems in rhyming couplets, other poems in trochaic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABB--CCDDEEFFGGHHIIJJ--KK--LLMMNNOOPPQQRRSSTTUUVV--WWXXYYZZaa--bb roamA · homeA · meltethB · peltethB · wander · her · doorC · soarC · looseD · useD · springE · blossomingE · tooF · dewF · thenG · whenG · brightH · nightH · muffledI · shuffledI · shoonJ · noonJ · conspiracy · sky · abroadK · overaw'dK · her · her · frostL · lostL · togetherM · weatherM · mayN · sprayN · wealthO · stealthO · upP · cupP · hearQ · clearQ · cornR · mornR · harkS · larkS · cawT · strawT · beholdU · marigoldU · firstV · burstV · alway · may · flowerW · showerW · peepX · sleepX · thinY · skinY · seeZ · treeZ · resta · nesta · alarm · swarm · patteringb · singb
  2. 2 AABBCCDDEEFFGG--HH--II--JJKK looseA · useA · fadeB · maidB · newC · blueC · faceD · placeD · softE · oftE · meltethF · peltethF · findG · mindG · daughter · her · chideH · sideH · zone · down · feetI · sweetI · mesh · leash · stringJ · bringJ · roamK · homeK
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.

LineSyl.Stress
Ever let the Fancy roam,7/˘··/˘·
Pleasure never is at home:7/˘/˘···
At a touch sweet Pleasure melteth,8····/˘/˘
Like to bubbles when rain pelteth;8··/˘··/˘
Then let winged Fancy wander7···/˘/˘
Through the thought still spread beyond her:8········
Open wide the mind's cage-door,7/˘·····
She'll dart forth, and cloudward soar.7·······
O sweet Fancy! let her loose;7··/˘···
Summer's joys are spoilt by use,7/˘·····
And the enjoying of the Spring8··˘/˘···
Fades as does its blossoming;7····/˘˘
Autumn's red-lipp'd fruitage too,7/˘··/˘·
Blushing through the mist and dew,7/˘·····
Cloys with tasting: What do then?7··/˘···
Sit thee by the ingle, when7····/˘·
The sear faggot blazes bright,7··/˘/˘·
Spirit of a winter's night;7/˘··/˘·
When the soundless earth is muffled,9··/˘··/˘˘
And the caked snow is shuffled7·····/˘
From the ploughboy's heavy shoon;7····/˘·
When the Night doth meet the Noon7·······
In a dark conspiracy7···˘/˘˘
To banish Even from her sky.8·/˘/˘···
Sit thee there, and send abroad,7·····˘/
With a mind self-overaw'd,7·······
Fancy, high-commission'd:--send her!8/˘·˘/˘··
She has vassals to attend her:8··/˘·˘/·
She will bring, in spite of frost,7·······
Beauties that the earth hath lost;7/˘·····
She will bring thee, all together,8·····˘/˘
All delights of summer weather;8·˘/·/˘/˘
All the buds and bells of May,7·······
From dewy sward or thorny spray8·/˘··/˘·
All the heaped Autumn's wealth,6···/˘·
With a still, mysterious stealth:8···˘/˘˘·
She will mix these pleasures up7····/˘·
Like three fit wines in a cup,7·······
And thou shalt quaff it:--thou shalt hear8········
Distant harvest-carols clear;7/˘/˘/˘·
Rustle of the reaped corn;6/˘····
Sweet birds antheming the morn:7··/˘˘··
And, in the same moment--hark!7····/˘·
'Tis the early April lark,7··/˘/˘·
Or the rooks, with busy caw,7····/˘·
Foraging for sticks and straw.7/˘˘····
Thou shalt, at one glance, behold7·····˘/
The daisy and the marigold;8·/˘··/˘·
White-plum'd lilies, and the first7··/˘···
Hedge-grown primrose that hath burst;7··/····
Shaded hyacinth, alway7/˘/˘·/˘
Sapphire queen of the mid-May;8/˘˘·····
And every leaf, and every flower11·/˘˘··/˘˘/˘
Pearled with the self-same shower.7·····/˘
Thou shalt see the field-mouse peep7·······
Meagre from its celled sleep;6/˘····
And the snake all winter-thin7····/˘·
Cast on sunny bank its skin;7··/˘···
Freckled nest-eggs thou shalt see7/˘·····
Hatching in the hawthorn-tree,7/˘··/··
When the hen-bird's wing doth rest7·······
Quiet on her mossy nest;7/˘··/˘·
Then the hurry and alarm7··/˘·˘/
When the bee-hive casts its swarm;7·······
Acorns ripe down-pattering,7/˘··/˘˘
While the autumn breezes sing.7··/˘/˘·
Oh, sweet Fancy! let her loose;7··/˘···
Every thing is spoilt by use:8/˘˘·····
Where's the cheek that doth not fade,7·······
Too much gaz'd at? Where's the maid7·······
Whose lip mature is ever new?8··˘/·/˘·
Where's the eye, however blue,7····/˘·
Doth not weary? Where's the face7··/˘···
One would meet in every place?8····/˘˘·
Where's the voice, however soft,7····/˘·
One would hear so very oft?7····/˘·
At a touch sweet Pleasure melteth8····/˘/˘
Like to bubbles when rain pelteth.8··/˘··/˘
Let, then, winged Fancy find6···/˘·
Thee a mistress to thy mind:7··/˘···
Dulcet-eyed as Ceres' daughter,8/˘··/˘/˘
Ere the God of Torment taught her8····/···
How to frown and how to chide;7·······
With a waist and with a side7·······
White as Hebe's, when her zone6······
Slipt its golden clasp, and down7··/˘···
Fell her kirtle to her feet,7··/˘···
While she held the goblet sweet,7····/˘·
And Jove grew languid.--Break the mesh8···/˘···
Of the Fancy's silken leash;7··/˘/˘·
Quickly break her prison-string7/˘··/˘·
And such joys as these she'll bring.--7·······
Let the winged Fancy roam6···/˘·
Pleasure never is at home.7/˘/˘···

On this poem

This poem, although so much lighter in spirit, bears a certain relation in thought to Keats's other odes. In the Nightingale the tragedy of this life made him long to escape, on the wings of imagination, to the ideal world of beauty symbolized by the song of the bird. Here finding all real things, even the most beautiful, pall upon him, he extols the fancy, which can escape from reality and is not tied by place or season in its search for new joys. This is, of course, only a passing mood, as the extempore character of the poetry indicates. We see more of settled conviction in the deeply-meditative Ode to Autumn, where he finds the ideal in the rich and ever-changing real.

This poem is written in the four-accent metre employed by Milton in L'Allegro and Il Penseroso, and we can often detect a similarity of cadence, and a resemblance in the scenes imagined.
Notes from the edition 5

Introduction and notes by M. Robertson, Keats: Poems Published in 1820 (Clarendon Press, 1909).

  1. Stanza 1, line 16 ingle, chimney-nook.
  2. Stanza 2, line 15 Ceres' daughter, Proserpina. Cf. Lamia, i. 63, note.
  3. Stanza 2, line 16 God of torment. Pluto, who presides over the torments of the souls in Hades.
  4. Stanza 2, line 19 Hebe, the cup-bearer of Jove.
  5. Stanza 2, line 23 And Jove grew languid. Observe the fitting slowness of the first half of the line, and the sudden leap forward of the second.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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