Wedlock
The sun was streaming in: I woke, and said,"Where is my wife,--that has been made my wifeOnly this year?" The casement stood ajar:I did but lift my head: The pear-tree dropped,The great white pear-tree dropped with dew from leavesAnd blossom, under heavens of happy blue.
My wife had wakened first, and had gone downInto the orchard. All the air was calm;Audible humming filled it. At the rootsOf peony bushes lay in rose-red heaps,Or snowy, fallen bloom. The crag-like hillsWere tossing down their silver messengers,And two brown foreigners, called cuckoo-birds,Gave them good answer; all things else were mute;An idle world lay listening to their talk,They had it to themselves.What ails my wife?I know not if aught ails her; though her stepTell of a conscious quiet, lest I wake.She moves atween the almond boughs, and bendsOne thick with bloom to look on it. "O love!A little while thou hast withdrawn thyself,At unaware to think thy thoughts alone:How sweet, and yet pathetic to my heartThe reason. Ah! thou art no more thine own.Mine, mine, O love! Tears gather 'neath my lids,--Sorrowful tears for thy lost liberty,Because it was so sweet. Thy liberty,That yet, O love, thou wouldst not have again.No; all is right. But who can give, or bless,Or take a blessing, but there comes withalSome pain?"She walks beside the lily bed,And holds apart her gown; she would not hurtThe leaf-enfolded buds, that have not lookedYet on the daylight. O, thy locks are brown,--Fairest of colors!--and a darker brownThe beautiful, dear, veiled, modest eyes.A bloom as of blush roses covers herForehead, and throat, and cheek. Health breathes with her,And graceful vigor. Fair and wondrous soul!To think that thou art mine!My wife came in,And moved into the chamber. As for me,I heard, but lay as one that nothing hears,And feigned to be asleep.
The racing river leaped, and sangFull blithely in the perfect weather,All round the mountain echoes rang,For blue and green were glad together.
This rained out light from every part,And that with songs of joy was thrilling;But, in the hollow of my heart,There ached a place that wanted filling.
Before the road and river meet,And stepping-stones are wet and glisten,I heard a sound of laughter sweet,And paused to like it, and to listen.
I heard the chanting waters flow,The cushat's note, the bee's low humming,--Then turned the hedge, and did not know,--How could I?--that my time was coming.
A girl upon the nighest stone,Half doubtful of the deed, was standing,So far the shallow flood had flownBeyond the 'customed leap of landing.
She knew not any need of me,Yet me she waited all unweeting;We thought not I had crossed the sea,And half the sphere to give her meeting.
I waded out, her eyes I met,I wished the moment had been hours;I took her in my arms, and setHer dainty feet among the flowers.
Her fellow maids in copse and lane,Ah! still, methinks, I hear them calling;The wind's soft whisper in the plain,The cushat's coo, the water's falling.
But now it is a year ago,But now possession crowns endeavor;I took her in my heart, to growAnd fill the hollow place forever.
Words in this poem 21
- streaming a.
- Sending forth streams.
- casement n.
- A window sash opening on hinges affixed to the upright side of the frame into which it is fitted. (Poetically) A window. [Shortened fr. encasement. See Incase 1st Case, and cf. Incasement.]
- ajar adv.
- Slightly turned or opened; as, the door was standing ajar. [OE. on char ajar, on the turn; AS. cerr, cyrr, turn, akin to G. kehren to turn, and to D. akerre. See Char.]
- snowy a.
- White like snow.
- crag n.
- The neck or throat [A form of craw: cf. D. kraag neck, collar, G. kragen. See Craw.]
- aught n.
- Property; possession. [AS. , fr. agan to own, p. p. ahte.]
- atween adv.
- Between. Spenser. [See Atwain, and cf. Between.]
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- unaware a.
- Not aware; not noticing; giving no heed; thoughtless; inattentive.
- pathetic a.
- Expressing or showing anger; passionate. [L. patheticus, Gr. pathétique. See Pathos.]
- withal adv.
- With this; with that. [With + all.]
- daylight n.
- The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
- veiled a.
- Covered by, or as by, a veil; hidden.
- wondrous adv.
- In a wonderful or surprising manner or degree; wonderfully. [OE. wonders, adv. (later also adj.). See Wonder, n., and cf. -wards.]
- blithely adv.
- In a blithe manner.
- thrilling a.
- Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
- flown a.
- Flushed, inflated.
- unweeting a.
- Unwitting. Chaucer. [See Un- not, and Weet, Wit.]
- dainty n.
- Value; estimation; the gratification or pleasure taken in anything. [OE. deinie, dainte, deintie, deyntee, OF. deintié delicacy, orig., dignity, honor, fr. L. dignitas, fr. dignus worthy. See Deign, and cf. Dignity.]
- copse n.
- A wood of small growth; a thicket of brushwood. See Coppice. [Contr. from coppice.]
- methinks v.
- It seems to me; I think. See Me. [AS. þyncan to seem, me þynceedh, me þuhte, OE. me thinketh, me thoughte; akin to G. dünken to seem, denken to think, and E. think. See Me, and Think.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Wedlock is in the public domain. This text is taken from Poems by Jean Ingelow, In Two Volumes, Volume I., Project Gutenberg ebook #13223; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Jean Ingelow, Wedlock, in Poems, Volume I (1863), text of Project Gutenberg ebook #13223, Laurel, https://laurelpoetry.com/poem/ingelow-poems/wedlock.html, id L12839.
Form and metre
Wedlock is 82 lines in 11 stanzas. The rhyme scheme is ABAB, complete in 8 of its 11 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 91%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 9.1 syllables. 21 lines end on an unstressed syllable, a feminine ending. 21% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 ----------------A-A----------------BB--- down · calm · roots · heaps · hills · messengers · birds · mute · talk · themselves · wife · step · wake · bends · love · thyself · aloneA · heart · ownA · lids · liberty · liberty · again · bless · withal · pain · bed · hurt · looked · brown · brown · eyes · her · her · soul · mineB · inB · me · hears · asleep
- 3 ABAB sangA · weatherB · rangA · togetherB
- 4 ABAB partA · thrillingB · heartA · fillingB
- 5 ABAB meetA · glistenB · sweetA · listenB
- 6 ABAB flowA · hummingB · knowA · comingB
- 7 ABAB stoneA · standingB · flownA · landingB
- 8 ABAB meA · unweetingB · seaA · meetingB
- 9 ABAB metA · hoursB · setA · flowersB
- 10 A-A- laneA · calling · plainA · falling
- 11 ABAB agoA · endeavorB · growA · foreverB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| The sun was streaming in: I woke, and said, | 10 | ···/˘····· |
| "Where is my wife,--that has been made my wife | 10 | ·········· |
| Only this year?" The casement stood ajar: | 10 | /˘···/˘·˘/ |
| I did but lift my head: The pear-tree dropped, | 10 | ·········· |
| The great white pear-tree dropped with dew from leaves | 10 | ·········· |
| And blossom, under heavens of happy blue. | 11 | ·/˘··/˘·/˘· |
| My wife had wakened first, and had gone down | 10 | ···/˘····· |
| Into the orchard. All the air was calm; | 10 | ···/˘····· |
| Audible humming filled it. At the roots | 10 | /˘˘/˘····· |
| Of peony bushes lay in rose-red heaps, | 10 | ·/˘/˘····· |
| Or snowy, fallen bloom. The crag-like hills | 10 | ·/˘/˘····· |
| Were tossing down their silver messengers, | 10 | ·/˘··/˘/˘˘ |
| And two brown foreigners, called cuckoo-birds, | 10 | ···/˘˘·/·· |
| Gave them good answer; all things else were mute; | 10 | ···/˘····· |
| An idle world lay listening to their talk, | 10 | ·/˘··/˘··· |
| They had it to themselves. | 6 | ····˘/ |
| What ails my wife? | 4 | ···· |
| I know not if aught ails her; though her step | 10 | ·········· |
| Tell of a conscious quiet, lest I wake. | 10 | ···/˘/˘··· |
| She moves atween the almond boughs, and bends | 10 | ··˘/·/˘··· |
| One thick with bloom to look on it. "O love! | 10 | ·········· |
| A little while thou hast withdrawn thyself, | 10 | ·/˘···˘/˘/ |
| At unaware to think thy thoughts alone: | 10 | ··˘/····˘/ |
| How sweet, and yet pathetic to my heart | 10 | ····˘/˘··· |
| The reason. Ah! thou art no more thine own. | 10 | ·/˘······· |
| Mine, mine, O love! Tears gather 'neath my lids,-- | 10 | ·····/˘··· |
| Sorrowful tears for thy lost liberty, | 10 | /˘˘····/˘˘ |
| Because it was so sweet. Thy liberty, | 10 | ·······/˘˘ |
| That yet, O love, thou wouldst not have again. | 10 | ········˘/ |
| No; all is right. But who can give, or bless, | 10 | ·········· |
| Or take a blessing, but there comes withal | 10 | ···/˘···˘/ |
| Some pain?" | 2 | ·· |
| She walks beside the lily bed, | 8 | ··˘/·/˘· |
| And holds apart her gown; she would not hurt | 10 | ··˘/······ |
| The leaf-enfolded buds, that have not looked | 10 | ··˘/˘····· |
| Yet on the daylight. O, thy locks are brown,-- | 10 | ···/······ |
| Fairest of colors!--and a darker brown | 10 | /˘·/˘··/˘· |
| The beautiful, dear, veiled, modest eyes. | 10 | ·/˘˘··˘/˘· |
| A bloom as of blush roses covers her | 10 | ·····/˘/˘· |
| Forehead, and throat, and cheek. Health breathes with her, | 10 | /˘········ |
| And graceful vigor. Fair and wondrous soul! | 10 | ·/˘/˘··/˘· |
| To think that thou art mine! | 6 | ······ |
| My wife came in, | 4 | ···· |
| And moved into the chamber. As for me, | 10 | ·····/˘··· |
| I heard, but lay as one that nothing hears, | 10 | ·······/˘· |
| And feigned to be asleep. | 6 | ····˘/ |
| The racing river leaped, and sang | 9 | ·/˘/˘·˘·· |
| Full blithely in the perfect weather, | 9 | ·/˘··/·/˘ |
| All round the mountain echoes rang, | 8 | ···/˘/˘· |
| For blue and green were glad together. | 9 | ······˘/˘ |
| This rained out light from every part, | 10 | ··˘···/˘˘· |
| And that with songs of joy was thrilling; | 9 | ·······/˘ |
| But, in the hollow of my heart, | 8 | ···/˘··· |
| There ached a place that wanted filling. | 10 | ··˘···/˘/˘ |
| Before the road and river meet, | 8 | ·····/˘· |
| And stepping-stones are wet and glisten, | 9 | ·/˘····/˘ |
| I heard a sound of laughter sweet, | 8 | ·····/˘· |
| And paused to like it, and to listen. | 10 | ··˘·····/˘ |
| I heard the chanting waters flow, | 8 | ···/˘/˘· |
| The cushat's note, the bee's low humming,-- | 9 | ·······/˘ |
| Then turned the hedge, and did not know,-- | 9 | ··˘······ |
| How could I?--that my time was coming. | 9 | ·······/˘ |
| A girl upon the nighest stone, | 8 | ·····/˘· |
| Half doubtful of the deed, was standing, | 9 | ·/˘····/˘ |
| So far the shallow flood had flown | 8 | ···/˘··· |
| Beyond the 'customed leap of landing. | 10 | ···/˘˘··/˘ |
| She knew not any need of me, | 8 | ···/˘··· |
| Yet me she waited all unweeting; | 9 | ···/˘·˘/˘ |
| We thought not I had crossed the sea, | 9 | ······˘·· |
| And half the sphere to give her meeting. | 9 | ·······/˘ |
| I waded out, her eyes I met, | 8 | ·/˘····· |
| I wished the moment had been hours; | 10 | ··˘·/˘··/˘ |
| I took her in my arms, and set | 8 | ········ |
| Her dainty feet among the flowers. | 9 | ·/˘····/˘ |
| Her fellow maids in copse and lane, | 8 | ·/˘····· |
| Ah! still, methinks, I hear them calling; | 9 | ··˘/···/˘ |
| The wind's soft whisper in the plain, | 8 | ···/˘··· |
| The cushat's coo, the water's falling. | 9 | ·····/˘/˘ |
| But now it is a year ago, | 8 | ······˘/ |
| But now possession crowns endeavor; | 9 | ··˘/˘·˘/˘ |
| I took her in my heart, to grow | 8 | ········ |
| And fill the hollow place forever. | 9 | ···/˘·˘/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.