A Mother Showing the Portrait of Her Child (F.M.L.)
Living child or pictured cherub,Ne'er o'ermatched its baby grace;And the mother, moving nearer,Looked it calmly in the face;Then with slight and quiet gesture,And with lips that scarcely smiled,Said--"A Portrait of my daughterWhen she was a child."
Easy thought was hers to fathom,Nothing hard her glance to read,For it seemed to say, "No praisesFor this little child I need:If you see, I see far better,And I will not feign to careFor a stranger's prompt assuranceThat the face is fair."
Softly clasped and half extended,She her dimpled hands doth lay:So they doubtless placed them, saying--"Little one, you must not play."And while yet his work was growing,This the painter's hand hath shown,That the little heart was makingPictures of its own.
Is it warm in that green valley,Vale of childhood, where you dwell?Is it calm in that green valley,Round whose bournes such great hills swell?Are there giants in the valley--Giants leaving footprints yet?Are there angels in the valley?Tell me--I forget.
Answer, answer, for the lilies,Little one, o'ertop you much,And the mealy gold within themYou can scarcely reach to touch;O how far their aspect differs,Looking up and looking down!You look up in that green valley--Valley of renown.
Are there voices in the valley,Lying near the heavenly gate?When it opens, do the harp-strings,Touched within, reverberate?When, like shooting-stars, the angelsTo your couch at nightfall go,Are their swift wings heard to rustle?Tell me! for you know.
Yes, you know; and you are silent,Not a word shall asking win;Little mouth more sweet than rosebud,Fast it locks the secret in.Not a glimpse upon your presentYou unfold to glad my view;Ah, what secrets of your futureI could tell to you!
Sunny present! thus I read it,By remembrance of my past:--Its to-day and its to-morrowAre as lifetimes vague and vast;And each face in that green valleyTakes for you an aspect mild,And each voice grows soft in saying--"Kiss me, little child!"
As a boon the kiss is granted:Baby mouth, your touch is sweet,Takes the love without the troubleFrom those lips that with it meet;Gives the love, O pure! O tender!Of the valley where it grows,But the baby heart receiveth
Comes the future to the present--"Ah!" she saith, "too blithe of mood;Why that smile which seems to whisper--'I am happy, God is good?'God is good: that truth eternalSown for you in happier years,I must tend it in my shadow,Water it with tears.
"Ah, sweet present! I must lead theeBy a daylight more subdued;There must teach thee low to whisper--'I am mournful, God is good!'"Peace, thou future! clouds are coming,Stooping from the mountain crest,But that sunshine floods the valley:Let her--let her rest.
Comes the future to the present--"Child," she saith, "and wilt thou rest?How long, child, before thy footstepsFret to reach yon cloudy crest?Ah, the valley!--angels guard it,But the heights are brave to see;Looking down were long contentment:Come up, child, to me."
So she speaks, but do not heed her,Little maid with wondrous eyes,Not afraid, but clear and tender,Blue, and filled with prophecies;Thou for whom life's veil unliftedHangs, whom warmest valleys fold,Lift the veil, the charm dissolveth--Climb, but heights are cold.
There are buds that fold within them,Closed and covered from our sight,Many a richly tinted petal,Never looked on by the light:Fain to see their shrouded faces,Sun and dew are long at strife,Till at length the sweet buds open--Such a bud is life.
When the rose of thine own beingShall reveal its central fold,Thou shalt look within and marvel,Fearing what thine eyes behold;What it shows and what it teachesAre not things wherewith to part;Thorny rose! that always costethBeatings at the heart.
Look in fear, for there is dimness;Ills unshapen float anigh.Look in awe, for this same natureOnce the Godhead deigned to die.Look in love, for He doth love it,And its tale is best of lore:Still humanity grows dearer,Being learned the more.
Learn, but not the less bethink theeHow that all can mingle tears;But his joy can none discover,Save to them that are his peers;And that they whose lips do utterLanguage such as bards have sung--Lo! their speech shall be to manyAs an unknown tongue.
Learn, that if to thee the meaningOf all other eyes be shown,Fewer eyes can ever front thee,That are skilled to read thine own;And that if thy love's deep currentMany another's far outflows,Then thy heart must take forever,
Words in this poem 23
- pictured a.
- Furnished with pictures; represented by a picture or pictures; as, a pictured scene.
- cherub n.
- A mysterious composite being, the winged footstool and chariot of the Almighty, described in Ezekiel i. and x. [Heb. kerub.]
- doubtless a.
- Free from fear or suspicion.
- vale n.
- A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
- childhood n.
- The state of being a child; the time in which persons are children; the condition or time from infancy to puberty. [AS. cildhad; cild child + -had. See Child, and hood.]
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- nightfall n.
- The close of the day.
- rustle v. i.
- To make a quick succession of small sounds, like the rubbing or moving of silk cloth or dry leaves. [AS. hristlan to rustle; or cf. Sw. rusta to stir, make a riot, or E. rush, v.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- rosebud n.
- The flower of a rose before it opens, or when but partially open.
- sunny a.
- Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
- boon n.
- A prayer or petition. [OE. bone, boin, a petition, fr. Icel. b; akin to Sw. & Dan. b, AS. b, and perh. to E. ban; but influenced by F. bon good, fr. L. bonus. Ban, Bounty.]
- saith
- 3d pers. sing. pres. of Say.
- blithe a.
- Gay; merry; sprightly; joyous; glad; cheerful; as, a blithe spirit. [AS. bli blithe, kind; akin to Goth. blei kind, Icel. bli mild, gentle, Dan. & Sw. blid gentle, D. blijd blithe, OHG. blidi kind, blithe.]
- daylight n.
- The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
- sunshine n.
- The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
- wondrous adv.
- In a wonderful or surprising manner or degree; wonderfully. [OE. wonders, adv. (later also adj.). See Wonder, n., and cf. -wards.]
- fain v. t.
- To be glad ; to wish or desire.
- strife n.
- The act of striving; earnest endeavor. [OF. estrif. See Strive.]
- shalt
- 2d per. sing. of Shall.
- wherewith adv.
- With which; -- used relatively.
- unshapen a.
- Not shaped; shapeless; misshapen; deformed; ugly. [Pref. un- not + shaped, shapen.]
- discover v. i.
- To discover or show one's self.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Mother Showing the Portrait of Her Child (F.M.L.) is in the public domain. This text is taken from Poems by Jean Ingelow, In Two Volumes, Volume I., Project Gutenberg ebook #13223; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Jean Ingelow, A Mother Showing the Portrait of Her Child (F.M.L.), in Poems, Volume I (1863), text of Project Gutenberg ebook #13223, Laurel, https://laurelpoetry.com/poem/ingelow-poems/a-mother-showing-the-portrait-of-her-child-f-m-l.html, id L12812.
Form and metre
A Mother Showing the Portrait of Her Child (F.M.L.) is 142 lines in 18 stanzas. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 92%). 97% of its stressed syllables fall where the metre puts the beat. The lines average 7.4 syllables. 61 lines end on an unstressed syllable, a feminine ending. 18% of the lines run on without a stop at the line end.
See other poems in trochaic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-A-B-B cherub · graceA · nearer · faceA · gesture · smiledB · daughter · childB
- 2 -A-A-B-B fathom · readA · praises · needA · better · careB · assurance · fairB
- 3 -A-A-B-B extended · layA · saying · playA · growing · shownB · making · ownB
- 4 ABABACAC valleyA · dwellB · valleyA · swellB · valleyA · yetC · valleyA · forgetC
- 5 -A-A-B-B lilies · muchA · them · touchA · differs · downB · valley · renownB
- 6 -A-A-B-B valley · gateA · strings · reverberateA · angels · goB · rustle · knowB
- 7 -A-A-B-B silent · winA · rosebud · inA · present · viewB · future · youB
- 8 -A-A-B-B it · pastA · morrow · vastA · valley · mildB · saying · childB
- 9 -A-A--- granted · sweetA · trouble · meetA · tender · grows · receiveth
- 10 -----A-A present · mood · whisper · good · eternal · yearsA · shadow · tearsA
- 11 -----A-A thee · subdued · whisper · good · coming · crestA · valley · restA
- 12 -A-A-B-B present · restA · footsteps · crestA · it · seeB · contentment · meB
- 13 -A-A-B-B her · eyesA · tender · propheciesA · unlifted · foldB · dissolveth · coldB
- 14 -A-A-B-B them · sightA · petal · lightA · faces · strifeB · open · lifeB
- 15 -A-A-B-B being · foldA · marvel · beholdA · teaches · partB · costeth · heartB
- 16 -A-A-B-B dimness · anighA · nature · dieA · it · loreB · dearer · moreB
- 17 -A-A-B-B thee · tearsA · discover · peersA · utter · sungB · many · tongueB
- 18 -A-A--- meaning · shownA · thee · ownA · current · outflows · forever
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Living child or pictured cherub, | 9 | /˘··/˘˘/˘ |
| Ne'er o'ermatched its baby grace; | 7 | ····/˘· |
| And the mother, moving nearer, | 8 | ··/˘/˘/˘ |
| Looked it calmly in the face; | 7 | ··/˘··· |
| Then with slight and quiet gesture, | 8 | ····/˘/˘ |
| And with lips that scarcely smiled, | 7 | ····/˘· |
| Said--"A Portrait of my daughter | 8 | ··/˘··/˘ |
| When she was a child." | 5 | ····· |
| Easy thought was hers to fathom, | 8 | /˘····/˘ |
| Nothing hard her glance to read, | 7 | /˘····· |
| For it seemed to say, "No praises | 9 | ···˘···/˘ |
| For this little child I need: | 7 | ··/˘··· |
| If you see, I see far better, | 8 | ······/˘ |
| And I will not feign to care | 7 | ······· |
| For a stranger's prompt assurance | 8 | ··/˘·˘/˘ |
| That the face is fair." | 5 | ····· |
| Softly clasped and half extended, | 9 | /˘·˘··˘/˘ |
| She her dimpled hands doth lay: | 7 | ··/˘··· |
| So they doubtless placed them, saying-- | 9 | ··/˘·˘·/˘ |
| "Little one, you must not play." | 7 | /˘····· |
| And while yet his work was growing, | 8 | ······/˘ |
| This the painter's hand hath shown, | 7 | ··/˘··· |
| That the little heart was making | 8 | ··/˘··/˘ |
| Pictures of its own. | 5 | /˘··· |
| Is it warm in that green valley, | 8 | ······/˘ |
| Vale of childhood, where you dwell? | 7 | ··/···· |
| Is it calm in that green valley, | 8 | ······/˘ |
| Round whose bournes such great hills swell? | 7 | ······· |
| Are there giants in the valley-- | 8 | ··/˘··/˘ |
| Giants leaving footprints yet? | 7 | /˘/˘/·· |
| Are there angels in the valley? | 8 | ··/˘··/˘ |
| Tell me--I forget. | 5 | ···˘/ |
| Answer, answer, for the lilies, | 8 | /˘/˘··/˘ |
| Little one, o'ertop you much, | 7 | /˘····· |
| And the mealy gold within them | 8 | ··/˘···· |
| You can scarcely reach to touch; | 7 | ··/˘··· |
| O how far their aspect differs, | 8 | ····/·/˘ |
| Looking up and looking down! | 7 | /˘··/˘· |
| You look up in that green valley-- | 8 | ······/˘ |
| Valley of renown. | 5 | /˘·˘/ |
| Are there voices in the valley, | 8 | ··/˘··/˘ |
| Lying near the heavenly gate? | 8 | /˘··/˘˘· |
| When it opens, do the harp-strings, | 8 | ··/˘···· |
| Touched within, reverberate? | 7 | ···˘/˘˘ |
| When, like shooting-stars, the angels | 8 | ··/˘··/˘ |
| To your couch at nightfall go, | 7 | ····/·· |
| Are their swift wings heard to rustle? | 8 | ······/˘ |
| Tell me! for you know. | 5 | ····· |
| Yes, you know; and you are silent, | 8 | ······/˘ |
| Not a word shall asking win; | 7 | ····/˘· |
| Little mouth more sweet than rosebud, | 8 | /˘····/˘ |
| Fast it locks the secret in. | 7 | ····/˘· |
| Not a glimpse upon your present | 8 | ······/˘ |
| You unfold to glad my view; | 7 | ·˘/···· |
| Ah, what secrets of your future | 8 | ··/˘··/˘ |
| I could tell to you! | 5 | ····· |
| Sunny present! thus I read it, | 8 | /˘/˘···· |
| By remembrance of my past:-- | 7 | ·˘/˘··· |
| Its to-day and its to-morrow | 8 | ······/˘ |
| Are as lifetimes vague and vast; | 7 | ··/···· |
| And each face in that green valley | 8 | ······/˘ |
| Takes for you an aspect mild, | 7 | ····/·· |
| And each voice grows soft in saying-- | 8 | ······/˘ |
| "Kiss me, little child!" | 5 | ··/˘· |
| As a boon the kiss is granted: | 8 | ······/˘ |
| Baby mouth, your touch is sweet, | 7 | /˘····· |
| Takes the love without the trouble | 8 | ······/˘ |
| From those lips that with it meet; | 7 | ······· |
| Gives the love, O pure! O tender! | 8 | ······/˘ |
| Of the valley where it grows, | 7 | ··/˘··· |
| But the baby heart receiveth | 8 | ··/˘·˘/˘ |
| Comes the future to the present-- | 8 | ··/˘··/˘ |
| "Ah!" she saith, "too blithe of mood; | 7 | ······· |
| Why that smile which seems to whisper-- | 8 | ······/˘ |
| 'I am happy, God is good?' | 7 | ··/˘··· |
| God is good: that truth eternal | 8 | ·····˘/˘ |
| Sown for you in happier years, | 8 | ····/˘˘· |
| I must tend it in my shadow, | 8 | ······/· |
| Water it with tears. | 5 | /˘··· |
| "Ah, sweet present! I must lead thee | 8 | ··/˘···· |
| By a daylight more subdued; | 7 | ··/··˘/ |
| There must teach thee low to whisper-- | 8 | ······/˘ |
| 'I am mournful, God is good!'" | 7 | ··/˘··· |
| Peace, thou future! clouds are coming, | 8 | ··/˘··/˘ |
| Stooping from the mountain crest, | 7 | /˘··/˘· |
| But that sunshine floods the valley: | 8 | ··/···/˘ |
| Let her--let her rest. | 5 | ····· |
| Comes the future to the present-- | 8 | ··/˘··/˘ |
| "Child," she saith, "and wilt thou rest? | 7 | ······· |
| How long, child, before thy footsteps | 8 | ······/· |
| Fret to reach yon cloudy crest? | 7 | ····/˘· |
| Ah, the valley!--angels guard it, | 8 | ··/˘/˘·· |
| But the heights are brave to see; | 7 | ······· |
| Looking down were long contentment: | 8 | /˘···˘/˘ |
| Come up, child, to me." | 5 | ····· |
| So she speaks, but do not heed her, | 8 | ········ |
| Little maid with wondrous eyes, | 7 | /˘··/˘· |
| Not afraid, but clear and tender, | 8 | ·˘/···/˘ |
| Blue, and filled with prophecies; | 7 | ····/˘˘ |
| Thou for whom life's veil unlifted | 8 | ········ |
| Hangs, whom warmest valleys fold, | 7 | ··/˘/˘· |
| Lift the veil, the charm dissolveth-- | 8 | ·····˘/˘ |
| Climb, but heights are cold. | 5 | ····· |
| There are buds that fold within them, | 8 | ········ |
| Closed and covered from our sight, | 10 | ·˘·/˘˘·/˘· |
| Many a richly tinted petal, | 9 | /˘·/˘/˘/˘ |
| Never looked on by the light: | 7 | /˘····· |
| Fain to see their shrouded faces, | 8 | ····/˘/˘ |
| Sun and dew are long at strife, | 7 | ······· |
| Till at length the sweet buds open-- | 8 | ······/˘ |
| Such a bud is life. | 5 | ····· |
| When the rose of thine own being | 8 | ······/˘ |
| Shall reveal its central fold, | 7 | ·˘/·/˘· |
| Thou shalt look within and marvel, | 8 | ······/˘ |
| Fearing what thine eyes behold; | 7 | /˘···˘/ |
| What it shows and what it teaches | 8 | ······/˘ |
| Are not things wherewith to part; | 7 | ···˘/·· |
| Thorny rose! that always costeth | 8 | /˘··/·/˘ |
| Beatings at the heart. | 5 | /˘··· |
| Look in fear, for there is dimness; | 8 | ······/˘ |
| Ills unshapen float anigh. | 7 | ·····˘/ |
| Look in awe, for this same nature | 8 | ······/˘ |
| Once the Godhead deigned to die. | 7 | ··/···· |
| Look in love, for He doth love it, | 8 | ········ |
| And its tale is best of lore: | 7 | ······· |
| Still humanity grows dearer, | 8 | ·˘/˘˘·/˘ |
| Being learned the more. | 5 | /˘··· |
| Learn, but not the less bethink thee | 8 | ·····˘/· |
| How that all can mingle tears; | 7 | ····/˘· |
| But his joy can none discover, | 8 | ·····˘/˘ |
| Save to them that are his peers; | 7 | ······· |
| And that they whose lips do utter | 8 | ······/˘ |
| Language such as bards have sung-- | 7 | /˘····· |
| Lo! their speech shall be to many | 8 | ······/˘ |
| As an unknown tongue. | 5 | ··˘/· |
| Learn, that if to thee the meaning | 8 | ······/˘ |
| Of all other eyes be shown, | 7 | ··/˘··· |
| Fewer eyes can ever front thee, | 8 | /˘··/˘·· |
| That are skilled to read thine own; | 7 | ······· |
| And that if thy love's deep current | 8 | ······/˘ |
| Many another's far outflows, | 8 | /˘˘/˘·/· |
| Then thy heart must take forever, | 8 | ·····˘/˘ |
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