Waking
Darkness had stretched its colour,Deep blue across the pane:No cloud to make night duller,No moon with its tarnish stain;But only here and there a star,One sharp point of frosty fire,Hanging infinitely farIn mockery of our life and deathAnd all our small desire.
Now in this hour of wakingFrom under brows of stone,A new pale day is breakingAnd the deep night is gone.Sordid now, and mean and smallThe daylight world is seen again,With only the veils of mist that fallDeaf and muffling over allTo hide its ugliness and pain.
But to-day this dawn of meannessShines in my eyes, as whenThe new world's brightness and cleannessBroke on the first of men.For the light that shows the huddled thingsOf this close-pressing earth,Shines also on your face and bringsAll its dear beauty back to meIn a new miracle of birth.
I see you asleep and unpassioned,White-faced in the dusk of your hair--Your beauty so fleetingly fashionedThat it filled me once with despairTo look on its exquisite transienceAnd think that our love and thought and laughterPuff out with the death of our flickering sense,While we pass ever on and awayTowards some blank hereafter.
But now I am happy, knowingThat swift time is our friend,And that our love's passionate glowing,Though it turn ash in the end,Is a rose of fire that must blossom its wayThrough temporal stuff, nor else could beMore than a nothing. Into dayThe boundless spaces of night contractAnd in your opening eyes I seeNight born in day, in time eternity.
Words in this poem
- pane n.
- The narrow edge of a hammer head. See Peen. [F. panne.]
- duller n.
- One who, or that which, dulls.
- sordid a.
- Filthy; foul; dirty. [L. sordidus, fr. sordere to be filthy or dirty; probably akin to E. swart: cf. F. sordide. See Swart, a.]
- daylight n.
- The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
- ugliness n.
- The quality or state of being ugly.
- cleanness n.
- The state or quality of being clean. [AS. cl. See Clean.]
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- fleetingly adv.
- In a fleeting manner; swiftly.
- transience n.
- The quality of being transient; transientness.
- hereafter adv.
- In time to come; in some future time or state. [AS. hræfter.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Waking is in the public domain. This text is taken from The Defeat of Youth, and Other Poems, Project Gutenberg ebook #24364; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Aldous Huxley, Waking, in The Defeat of Youth, and Other Poems (1918), text of Project Gutenberg ebook #24364, Laurel, https://laurelpoetry.com/poem/huxley-defeat-of-youth/waking.html, id L22020.
Form and metre
Waking is 46 lines in 5 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 81%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABCDC-D colourA · paneB · dullerA · stainB · starC · fireD · farC · death · desireD
- 2 A-A-BCBBC wakingA · stone · breakingA · gone · smallB · againC · fallB · allB · painC
- 3 -A-ABCB-C meanness · whenA · cleanness · menA · thingsB · earthC · bringsB · me · birthC
- 4 -A-ABCB-C unpassioned · hairA · fashioned · despairA · transienceB · laughterC · senseB · away · hereafterC
- 5 ABABCDC-D- knowingA · friendB · glowingA · endB · wayC · beD · dayC · contract · seeD · eternity
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Darkness had stretched its colour, | 7 | /˘···/˘ |
| Deep blue across the pane: | 6 | ··˘/·· |
| No cloud to make night duller, | 7 | ·····/˘ |
| No moon with its tarnish stain; | 7 | ····/˘· |
| But only here and there a star, | 8 | ·/˘····· |
| One sharp point of frosty fire, | 8 | ····/˘/˘ |
| Hanging infinitely far | 7 | /˘/˘˘˘· |
| In mockery of our life and death | 10 | ·/˘˘·/˘··· |
| And all our small desire. | 8 | ··/˘·˘/˘ |
| Now in this hour of waking | 8 | ···/˘·/˘ |
| From under brows of stone, | 6 | ······ |
| A new pale day is breaking | 7 | ·····/˘ |
| And the deep night is gone. | 6 | ······ |
| Sordid now, and mean and small | 7 | /˘····· |
| The daylight world is seen again, | 8 | ·/····˘/ |
| With only the veils of mist that fall | 9 | ·/˘······ |
| Deaf and muffling over all | 7 | ··/˘··· |
| To hide its ugliness and pain. | 8 | ···/˘˘·· |
| But to-day this dawn of meanness | 8 | ······/˘ |
| Shines in my eyes, as when | 6 | ······ |
| The new world's brightness and cleanness | 8 | ···/˘·/˘ |
| Broke on the first of men. | 6 | ······ |
| For the light that shows the huddled things | 10 | ······/˘˘· |
| Of this close-pressing earth, | 6 | ···/˘· |
| Shines also on your face and brings | 8 | ·/˘····· |
| All its dear beauty back to me | 8 | ···/˘··· |
| In a new miracle of birth. | 8 | ···/˘˘·· |
| I see you asleep and unpassioned, | 10 | ···˘/····˘ |
| White-faced in the dusk of your hair-- | 9 | ··˘······ |
| Your beauty so fleetingly fashioned | 10 | ·/˘·/˘˘/˘˘ |
| That it filled me once with despair | 9 | ···˘···˘/ |
| To look on its exquisite transience | 10 | ····/˘˘/˘˘ |
| And think that our love and thought and laughter | 11 | ···/˘····/˘ |
| Puff out with the death of our flickering sense, | 10 | ······//˘· |
| While we pass ever on and away | 9 | ···/˘··˘/ |
| Towards some blank hereafter. | 7 | ····˘/˘ |
| But now I am happy, knowing | 8 | ····/˘/˘ |
| That swift time is our friend, | 7 | ····/˘· |
| And that our love's passionate glowing, | 10 | ··/˘·/˘˘/˘ |
| Though it turn ash in the end, | 7 | ······· |
| Is a rose of fire that must blossom its way | 11 | ····/··/˘·· |
| Through temporal stuff, nor else could be | 9 | ·/˘˘····· |
| More than a nothing. Into day | 8 | ···/˘··· |
| The boundless spaces of night contract | 9 | ·/˘/˘··/· |
| And in your opening eyes I see | 9 | ···/˘˘··· |
| Night born in day, in time eternity. | 10 | ······˘/˘˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.