Dirge on the Death of Art O'Leary
My closest and dearest!From the first day I saw youFrom the top of the market-house,My eyes gave heed to you,My heart gave affection to you,I fled from my friends with you,Far from my home with you,No lasting sorrow this to me.
Thou didst bring me to fair chambers,Rooms you had adorned for me;Ovens were reddened for me,Fresh trout were caught for me,Roast flesh was carved for meFrom beef that was felled for me;On beds of down I layTill the coming of the milking-time,Or so long as was pleasing to me.
Rider of the white palm!With the silver-hilted sword!Well your beaver hat became youWith its band of graceful gold;Your suit of solid homespun yarnWrapped close around your form;Slender shoes of foreign fashion,And a pin of brightest silverFastened in your shirt.As you rode in stately wiseOn your slender steed, white-faced,After coming over seas,Even the Saxons bowed before youBowed down to the very ground;Not because they loved you wellBut from deadly hate;For it was by them you fell,Darling of my soul.
My friend and my little calf!Offspring of the Lords of Antrim,And the chiefs of Immokely!Never had I thought you dead,Until there came to me your mareHer bridle dragged beside her to the ground;Upon her brow your heart-blood splashed,Even to the carven saddle flowing downWhere you were wont to sit or stand.I did not stay to cleanse it--I gave a quick leap with my handsUpon the wooden stretcher of the bed;A second leap was to the gate,And the third leap upon thy mare.
In haste I clapped my hands together,I followed on your tracksAs well as I could,Till I found you laid before me deadAt the foot of a lowly bush of furze;Without pope, without bishop,Without cleric or priestTo read a psalm for thee;But only an old bent wasted croneWho flung over thee the corner of her cloak.
My dear and beloved one!When it will come to me to reach our home,Little Conor, of our love,And Fiac, his toddling baby-brother,Will be asking of me quicklyWhere I left their dearest father?I shall answer them with sorrowThat I left him in Kill Martyr;They will call upon their father;He will not be there to answer.
My love and my chosen one!When you were going forward from the gate,You turned quickly back again!You kissed your two children,You threw a kiss to me.You said, "Eileen, arise now, be stirring,And set your house in order,Be swiftly moving.I am leaving our home,It is likely that I may not come again."I took it only for a jestYou used often to be jesting thus before.
My friend and my heart's love!Arise up, my Art,Leap on thy steed,Arise out to MacroomAnd to Inchegeela after that;A bottle of wine in thy grasp,As was ever in the time of thy ancestors.Arise up, my Art,Rider of the shining sword;Put on your garments,Your fair noble clothes;Don your black beaver,Draw on your gloves;See, here hangs your whip,Your good mare waits without;Strike eastward on the narrow road,For the bushes will bare themselves before you,For the streams will narrow on your path,For men and women will bow themselves before youIf their own good manners are upon them yet,But I am much a-feared they are not now.
Destruction to you and woe,O Morris, hideous the treacheryThat took from me the man of the house,The father of my babes;Two of them running about the house,The third beneath my breast,It is likely that I shall not give it birth.
My long wound, my bitter sorrow,That I was not beside theeWhen the shot was fired;That I might have got it in my soft bodyOr in the skirt of my gown;Till I would give you freedom to escape,O Rider of the grey eye,Because it is you would best have followed after them.
My dear and my heart's love!Terrible to me the way I see thee,To be putting our hero,Our rider so true of heart,In a little cap in a coffin!Thou who used to be fishing along the streams,Thou who didst drink within wide hallsAmong the gentle women white of breast;It is my thousand afflictionsThat I have lost your companionship!My love and my darling,Could my shouts but reach theeWest in mighty Derrynane,And in Carhen of the yellow apples after that;Many a light-hearted young horseman,And woman with white spotless kerchiefWould swiftly be with us here,To wail above thy headArt O'Leary of the joyous laugh!O women of the soft wet eyes,Stay now your weeping,Till Art O'Leary drinks his drinkBefore his going back to school;Not to learn reading or music does he go there now,But to carry clay and stones.
My love and my secret thou.Thy corn-stacks are piled,And thy golden kine are milking,But it is upon my own heart is the grief!There is no healing in the Province of Munster,Nor in the Island smithy of the Fians,Till Art O'Leary will come back to me;But all as if it were a lock upon a trunkAnd the key of it gone straying;Or till rust will come upon the screw.
My friend and my best one!Art O'Leary, son of Conor,Son of Cadach, son of Lewis,Eastward from wet wooded glens,Westward from the slender hillWhere the rowan-berries grow,And the yellow nuts are ripe upon the branches;Apples trailing, as it was in my day.Little wonder to myselfIf fires were lighted in O'Leary's country,And at the mouth of Ballingeary,Or at holy Gougane Barra of the cells,After the rider of the smooth grip,After the huntsman unweariedWhen, heavy breathing with the chase,Even thy lithe deerhounds lagged behind.O horseman of the enticing eyes,What happened thee last night?For I myself thoughtThat the whole world could not kill youWhen I bought for you that shirt of mail.
My friend and my darling!A cloudy vision through the darknessCame to me last night,At Cork latelyAnd I alone upon my bed!I saw the wood glen withered,I saw our lime-washed court fallen;No sound of speech came from thy hunting-dogsNor sound of singing from the birdsWhen you were found fallenOn the side of the hill without;When you were found in the clay,Art O'Leary;With your drop of blood oozing outThrough the breast of your shirt.
It is known to Jesus Christ,I will put no cap upon my head,Nor body-linen on my side,Nor shoes upon my feet,Nor gear throughout the house;Even on the brown mare will be no bridle,But I shall spend all in taking the law.I will go across the seasTo speak with the king;But if they will give no heed to me,It is I that will come back againTo seek the villain of the black bloodWho cut off my treasure from me.O Morrison, who killed my hero,Was there not one man in ErinWould put a bullet through you?
The affection of this heart to you,O white women of the mill,For the edged poetry that you have shedOver the horseman of the brown mare.It is I who am the lonely oneIn Inse Carriganane.
Words in this poem 16
- didst
- , the 2d pers. sing. imp. of Do.
- homespun a.
- Spun or wrought at home; of domestic manufacture; coarse; plain.
- rode n.
- Redness; complexion. [See Rud.]
- steed n.
- A horse, especially a spirited horse for state of war; -- used chiefly in poetry or stately prose. [OE. stede, AS. steda a stud-horse, war horse, fr. stod a stud of breeding steeds; akin to G. stute a mare, Icel. stedda, sto, a stud. *163. See Stud of horses.]
- carven a.
- Wrought by carving; ornamented by carvings; carved.
- stretcher n.
- One who, or that which, stretches.
- cleric n.
- A clerk, a clergyman. Bp. Horsley. [AS., fr. L. clericus. See Clerk.]
- crone n.
- An old ewe. Tusser. [OD. kronie, karonie, an old sheep, OF. carogne, F. charogne, carrion (also F. carogne illnatured woman.). See Carrion, and Crony.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- jest n.
- A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
- piled a.
- Having a pile or point; pointed. [From 2d Pile.]
- smithy n.
- The workshop of a smith, esp. a blacksmith; a smithery; a stithy. [AS. smi, fr. smi; akin to D. smidse, smids, OHG. smitta, G. schmiede, Icel. smi. See Smith, n.]
- huntsman n.
- One who hunts, or who practices hunting.
- unwearied a.
- Not wearied; not fatigued or tired; hence, persistent; not tiring or wearying; indefatigable.
- lithe v. i.
- To listen or listen to; to hearken to. P. Plowman. [Icel Listen.]
- erin n.
- An early, and now a poetic, name of Ireland. [Ir. Cf. Aryan.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Dirge on the Death of Art O'Leary is in the public domain. This text is taken from The Poem-Book of the Gael Translations from Irish Gaelic Poetry into English Prose and Verse, Project Gutenberg ebook #46917; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Eleanor Hull, Dirge on the Death of Art O'Leary, in The Poem-Book of the Gael (1912), text of Project Gutenberg ebook #46917, Laurel, https://laurelpoetry.com/poem/hull-gael/dirge-on-the-death-of-art-o-leary.html, id L11732.
Form and metre
Dirge on the Death of Art O'Leary is 210 lines in 16 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 82%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 7.9 syllables. 50 lines end on an unstressed syllable, a feminine ending. 23% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-AAAA- dearest · youA · house · youA · youA · youA · youA · me
- 2 -AAAAA--A chambers · meA · meA · meA · meA · meA · lay · time · meA
- 3 --A---------A-B-B- palm · sword · youA · gold · yarn · form · fashion · silver · shirt · wise · faced · seas · youA · ground · wellB · hate · fellB · soul
- 4 ---AB------A-B calf · antrim · immokely · deadA · mareB · ground · splashed · down · stand · it · hands · bedA · gate · mareB
- 6 -----A--A- one · home · love · brother · quickly · fatherA · sorrow · martyr · fatherA · answer
- 7 A-BA-----B-- oneA · gate · againB · childrenA · me · stirring · order · moving · home · againB · jest · before
- 8 -A-----A--------B-B-- love · artA · steed · macroom · that · grasp · ancestors · artA · sword · garments · clothes · beaver · gloves · whip · without · road · youB · path · youB · yet · now
- 9 --A-A-- woe · treachery · houseA · babes · houseA · breast · birth
- 11 -A---------A---B--B------ love · theeA · hero · heart · coffin · streams · halls · breast · afflictions · companionship · darling · theeA · derrynane · that · horseman · kerchiefB · here · head · laughB · eyes · weeping · drink · school · now · stones
- 14 ----AAB--BC--C- darling · darkness · night · lately · bedA · witheredA · fallenB · dogs · birds · fallenB · withoutC · clay · o'leary · outC · shirt
- 15 ---------AB-A-B- christ · head · side · feet · house · bridle · law · seas · king · meA · againB · blood · meA · hero · erinB · you
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| My closest and dearest! | 6 | ·/˘·/˘ |
| From the first day I saw you | 7 | ······· |
| From the top of the market-house, | 8 | ·····/˘· |
| My eyes gave heed to you, | 6 | ······ |
| My heart gave affection to you, | 8 | ···˘/˘·· |
| I fled from my friends with you, | 7 | ······· |
| Far from my home with you, | 6 | ······ |
| No lasting sorrow this to me. | 8 | ·/˘/˘··· |
| Thou didst bring me to fair chambers, | 8 | ······/˘ |
| Rooms you had adorned for me; | 8 | ···˘/˘·· |
| Ovens were reddened for me, | 8 | /˘·/˘˘·· |
| Fresh trout were caught for me, | 6 | ······ |
| Roast flesh was carved for me | 7 | ····˘·· |
| From beef that was felled for me; | 8 | ·····˘·· |
| On beds of down I lay | 6 | ······ |
| Till the coming of the milking-time, | 9 | ··/˘··/˘· |
| Or so long as was pleasing to me. | 9 | ·····/˘·· |
| Rider of the white palm! | 6 | /˘···· |
| With the silver-hilted sword! | 7 | ··/˘/˘· |
| Well your beaver hat became you | 8 | ··/˘·˘/· |
| With its band of graceful gold; | 7 | ····/˘· |
| Your suit of solid homespun yarn | 8 | ···/˘/·· |
| Wrapped close around your form; | 7 | ·˘····· |
| Slender shoes of foreign fashion, | 8 | /˘··/˘/˘ |
| And a pin of brightest silver | 8 | ····/˘/˘ |
| Fastened in your shirt. | 5 | /˘··· |
| As you rode in stately wise | 7 | ····/˘· |
| On your slender steed, white-faced, | 8 | ··/˘···˘ |
| After coming over seas, | 7 | ··/˘··· |
| Even the Saxons bowed before you | 8 | /·/˘···· |
| Bowed down to the very ground; | 8 | ·˘···/˘· |
| Not because they loved you well | 8 | ·····˘·· |
| But from deadly hate; | 5 | ··/˘· |
| For it was by them you fell, | 7 | ······· |
| Darling of my soul. | 5 | /˘··· |
| My friend and my little calf! | 7 | ····/˘· |
| Offspring of the Lords of Antrim, | 8 | /·····/˘ |
| And the chiefs of Immokely! | 8 | ········ |
| Never had I thought you dead, | 7 | /˘····· |
| Until there came to me your mare | 8 | ········ |
| Her bridle dragged beside her to the ground; | 10 | ·/˘·˘/···· |
| Upon her brow your heart-blood splashed, | 8 | ········ |
| Even to the carven saddle flowing down | 9 | /··/˘/˘/· |
| Where you were wont to sit or stand. | 8 | ········ |
| I did not stay to cleanse it-- | 7 | ······· |
| I gave a quick leap with my hands | 8 | ········ |
| Upon the wooden stretcher of the bed; | 10 | ···/˘/˘··· |
| A second leap was to the gate, | 8 | ·/˘····· |
| And the third leap upon thy mare. | 8 | ········ |
| In haste I clapped my hands together, | 9 | ······˘/˘ |
| I followed on your tracks | 7 | ·/˘˘··· |
| As well as I could, | 5 | ····· |
| Till I found you laid before me dead | 9 | ········· |
| At the foot of a lowly bush of furze; | 10 | ·····/˘··· |
| Without pope, without bishop, | 7 | ·····/˘ |
| Without cleric or priest | 6 | ··/˘·· |
| To read a psalm for thee; | 6 | ······ |
| But only an old bent wasted crone | 9 | ·/˘···/˘· |
| Who flung over thee the corner of her cloak. | 10 | ·····/˘··· |
| My dear and beloved one! | 7 | ···˘/˘· |
| When it will come to me to reach our home, | 10 | ········/· |
| Little Conor, of our love, | 8 | /˘···/˘· |
| And Fiac, his toddling baby-brother, | 9 | ···/˘/˘/˘ |
| Will be asking of me quickly | 8 | ··/˘··/˘ |
| Where I left their dearest father? | 8 | ····/˘/˘ |
| I shall answer them with sorrow | 8 | ··/˘··/˘ |
| That I left him in Kill Martyr; | 8 | ······/˘ |
| They will call upon their father; | 8 | ······/˘ |
| He will not be there to answer. | 8 | ······/˘ |
| My love and my chosen one! | 7 | ····/˘· |
| When you were going forward from the gate, | 9 | ···//˘··· |
| You turned quickly back again! | 8 | ··˘/˘·˘/ |
| You kissed your two children, | 7 | ··˘··/˘ |
| You threw a kiss to me. | 6 | ······ |
| You said, "Eileen, arise now, be stirring, | 10 | ··˘/˘/··/˘ |
| And set your house in order, | 7 | ·····/˘ |
| Be swiftly moving. | 5 | ·/˘/˘ |
| I am leaving our home, | 7 | ··/˘/˘· |
| It is likely that I may not come again." | 11 | ··/˘·····˘/ |
| I took it only for a jest | 8 | ···/˘··· |
| You used often to be jesting thus before. | 11 | ··/˘··/˘··· |
| My friend and my heart's love! | 6 | ······ |
| Arise up, my Art, | 5 | ˘/··· |
| Leap on thy steed, | 4 | ···· |
| Arise out to Macroom | 6 | ˘/···· |
| And to Inchegeela after that; | 9 | ········· |
| A bottle of wine in thy grasp, | 8 | ·/˘····· |
| As was ever in the time of thy ancestors. | 11 | ··/·····/·˘ |
| Arise up, my Art, | 5 | ˘/··· |
| Rider of the shining sword; | 7 | /˘··/˘· |
| Put on your garments, | 5 | ···/˘ |
| Your fair noble clothes; | 5 | ··/˘· |
| Don your black beaver, | 5 | ···/˘ |
| Draw on your gloves; | 4 | ···· |
| See, here hangs your whip, | 5 | ····· |
| Your good mare waits without; | 6 | ······ |
| Strike eastward on the narrow road, | 8 | ·/˘··/˘· |
| For the bushes will bare themselves before you, | 11 | ··/˘··˘/··· |
| For the streams will narrow on your path, | 9 | ····/˘··· |
| For men and women will bow themselves before you | 12 | ···/˘··˘/··· |
| If their own good manners are upon them yet, | 11 | ····/˘····· |
| But I am much a-feared they are not now. | 10 | ·········· |
| Destruction to you and woe, | 7 | ˘/˘···· |
| O Morris, hideous the treachery | 9 | ·/˘/˘·/˘˘ |
| That took from me the man of the house, | 9 | ········· |
| The father of my babes; | 6 | ·/˘··· |
| Two of them running about the house, | 9 | ···/˘···· |
| The third beneath my breast, | 6 | ······ |
| It is likely that I shall not give it birth. | 11 | ··/˘······· |
| My long wound, my bitter sorrow, | 8 | ····/˘/˘ |
| That I was not beside thee | 7 | ····˘/· |
| When the shot was fired; | 7 | ····/˘˘ |
| That I might have got it in my soft body | 11 | ·········/˘ |
| Or in the skirt of my gown; | 7 | ······· |
| Till I would give you freedom to escape, | 10 | ·····/˘·˘/ |
| O Rider of the grey eye, | 7 | ·/˘···· |
| Because it is you would best have followed after them. | 13 | ········/˘··· |
| My dear and my heart's love! | 6 | ······ |
| Terrible to me the way I see thee, | 9 | /˘······· |
| To be putting our hero, | 8 | ··/˘/˘/˘ |
| Our rider so true of heart, | 8 | /˘/˘···· |
| In a little cap in a coffin! | 9 | ··/˘···/˘ |
| Thou who used to be fishing along the streams, | 11 | ·····/˘˘/·· |
| Thou who didst drink within wide halls | 8 | ········ |
| Among the gentle women white of breast; | 10 | ···/˘/˘··· |
| It is my thousand afflictions | 8 | ···/˘˘/˘ |
| That I have lost your companionship! | 9 | ·····˘/˘· |
| My love and my darling, | 6 | ····/˘ |
| Could my shouts but reach thee | 6 | ······ |
| West in mighty Derrynane, | 7 | ··/˘··· |
| And in Carhen of the yellow apples after that; | 13 | ······/˘/˘··· |
| Many a light-hearted young horseman, | 9 | /˘··/˘·/˘ |
| And woman with white spotless kerchief | 9 | ·/˘··/˘/˘ |
| Would swiftly be with us here, | 7 | ·/˘···· |
| To wail above thy head | 6 | ······ |
| Art O'Leary of the joyous laugh! | 9 | ·˘/˘··/˘· |
| O women of the soft wet eyes, | 8 | ·/˘····· |
| Stay now your weeping, | 5 | ···/˘ |
| Till Art O'Leary drinks his drink | 8 | ··˘/˘··· |
| Before his going back to school; | 8 | ···/˘··· |
| Not to learn reading or music does he go there now, | 13 | ···/˘·/˘····· |
| But to carry clay and stones. | 7 | ··/˘··· |
| My love and my secret thou. | 7 | ····/˘· |
| Thy corn-stacks are piled, | 5 | ····· |
| And thy golden kine are milking, | 8 | ··/˘··/˘ |
| But it is upon my own heart is the grief! | 11 | ··········· |
| There is no healing in the Province of Munster, | 12 | ···/˘··/˘·/˘ |
| Nor in the Island smithy of the Fians, | 10 | ···/˘/˘··· |
| Till Art O'Leary will come back to me; | 10 | ··˘/˘····· |
| But all as if it were a lock upon a trunk | 12 | ············ |
| And the key of it gone straying; | 8 | ······/˘ |
| Or till rust will come upon the screw. | 9 | ········· |
| My friend and my best one! | 6 | ······ |
| Art O'Leary, son of Conor, | 8 | ·˘/˘···· |
| Son of Cadach, son of Lewis, | 8 | ······/˘ |
| Eastward from wet wooded glens, | 7 | /˘··/˘· |
| Westward from the slender hill | 7 | /˘··/˘· |
| Where the rowan-berries grow, | 7 | ··/˘/˘· |
| And the yellow nuts are ripe upon the branches; | 12 | ··/˘······/˘ |
| Apples trailing, as it was in my day. | 10 | /˘/˘······ |
| Little wonder to myself | 7 | /˘/˘··/ |
| If fires were lighted in O'Leary's country, | 11 | ·/·/˘·˘/˘/˘ |
| And at the mouth of Ballingeary, | 9 | ········· |
| Or at holy Gougane Barra of the cells, | 11 | ··/˘··/˘··· |
| After the rider of the smooth grip, | 8 | ···/···· |
| After the huntsman unwearied | 8 | ···/˘˘/˘ |
| When, heavy breathing with the chase, | 8 | ·/˘/˘··· |
| Even thy lithe deerhounds lagged behind. | 8 | /······· |
| O horseman of the enticing eyes, | 9 | ·/˘··˘/˘· |
| What happened thee last night? | 7 | ·/˘˘··· |
| For I myself thought | 5 | ···/· |
| That the whole world could not kill you | 8 | ········ |
| When I bought for you that shirt of mail. | 9 | ········· |
| My friend and my darling! | 6 | ····/˘ |
| A cloudy vision through the darkness | 9 | ·/˘/˘··/˘ |
| Came to me last night, | 5 | ····· |
| At Cork lately | 4 | ··/˘ |
| And I alone upon my bed! | 8 | ··˘/···· |
| I saw the wood glen withered, | 8 | ·····/˘˘ |
| I saw our lime-washed court fallen; | 9 | ··/˘···/˘ |
| No sound of speech came from thy hunting-dogs | 10 | ·······/˘· |
| Nor sound of singing from the birds | 8 | ···/˘··· |
| When you were found fallen | 6 | ····/˘ |
| On the side of the hill without; | 8 | ········ |
| When you were found in the clay, | 7 | ······· |
| Art O'Leary; | 4 | ·˘/˘ |
| With your drop of blood oozing out | 8 | ·····/˘· |
| Through the breast of your shirt. | 6 | ······ |
| It is known to Jesus Christ, | 7 | ····/˘· |
| I will put no cap upon my head, | 9 | ········· |
| Nor body-linen on my side, | 8 | ·/˘/˘··· |
| Nor shoes upon my feet, | 6 | ······ |
| Nor gear throughout the house; | 6 | ······ |
| Even on the brown mare will be no bridle, | 10 | /·······/˘ |
| But I shall spend all in taking the law. | 10 | ······/˘·· |
| I will go across the seas | 7 | ···˘/·· |
| To speak with the king; | 5 | ····· |
| But if they will give no heed to me, | 9 | ········· |
| It is I that will come back again | 9 | ·······˘/ |
| To seek the villain of the black blood | 9 | ···/˘···· |
| Who cut off my treasure from me. | 8 | ····/˘·· |
| O Morrison, who killed my hero, | 9 | ·/˘˘···/˘ |
| Was there not one man in Erin | 8 | ······/˘ |
| Would put a bullet through you? | 7 | ···/˘·· |
| The affection of this heart to you, | 9 | ·˘/˘····· |
| O white women of the mill, | 7 | ··/˘··· |
| For the edged poetry that you have shed | 9 | ···/˘···· |
| Over the horseman of the brown mare. | 8 | ··/˘···· |
| It is I who am the lonely one | 9 | ······/˘· |
| In Inse Carriganane. | 6 | ······ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.