Zara, the Bather
In a swinging hammock lying,Lightly flying,Zara, lovely indolent,O'er a fountain's crystal waveThere to laveHer young beauty--see her bent.
As she leans, so sweet and soft,Flitting oft,O'er the mirror to and fro,Seems that airy floating bat,Like a featherFrom some sea-gull's wing of snow.
Every time the frail boat ladenWith the maidenSkims the water in its flight,Starting from its trembling sheen,Swift are seenA white foot and neck so white.
As that lithe foot's timid tipsQuick she dips,Passing, in the rippling pool,(Blush, oh! snowiest ivory!)Frolic, sheLaughs to feel the pleasant cool.
Here displayed, but half concealed--Half revealed,Each bright charm shall you behold,In her innocence emerging,As a-vergingOn the wave her hands grow cold.
For no star howe'er divineHas the shineOf a maid's pure loveliness,Frightened if a leaf but quiversAs she shivers,Veiled with naught but dripping trees.
By the happy breezes fannedSee her stand,--Blushing like a living rose,On her bosom swelling highIf a flyDare to seek a sweet repose.
In those eyes which maiden prideFain would hide,Mark how passion's lightnings sleep!And their glance is brighter farThan the starBrightest in heaven's bluest deep.
O'er her limbs the glittering currentIn soft torrentRains adown the gentle girl,As if, drop by drop, should fall,One and allFrom her necklace every pearl.
Lengthening still the reckless pleasureAt her leisure,Care-free Zara ever slowAs the hammock floats and swingsSmiles and sings,To herself, so sweet and low.
"Oh, were I a capitana,Or sultana,Amber should be always mixtIn my bath of jewelled stone,Near my throne,Griffins twain of gold betwixt.
"Then my hammock should be silk,White as milk;And, more soft than down of dove,Velvet cushions where I sitShould emitPerfumes that inspire love.
"Then should I, no danger near,Free from fear,Revel in my garden's stream;Nor amid the shadows deepDread the peep,Of two dark eyes' kindling gleam.
"He who thus would play the spy,On the dieFor such sight his head must throw;In his blood the sabre nakedWould be slakèd,Of my slaves of ebon brow.
"Then my rich robes trailing showAs I go,None to chide should be so bold;And upon my sandals fineHow should shineRubies worked in cloth-of-gold!"
Fancying herself a queen,All unseen,Thus vibrating in delight;In her indolent coquettingQuite forgettingHow the hours wing their flight.
As she lists the showery tinklingOf the sprinklingBy her wanton curvets made;Never pauses she to thinkOf the brinkWhere her wrapper white is laid.
To the harvest-fields the while,In long file,Speed her sisters' lively band,Like a flock of birds in flightStreaming light,Dancing onward hand in hand.
And they're singing, every one,As they runThis the burden of their lay:"Fie upon such idleness!Not to dressEarlier on harvest-day!"
Words in this poem 22
- hammock n.
- A swinging couch or bed, usually made of netting or canvas about six feet wide, suspended by clews or cords at the ends. [A word of Indian origin: cf. Sp. hamaca. Columbus, in the Narrative of his first voyage, says: "A great many Indians in canoes came to the ship to-day for the p]
- indolent a.
- Free from toil, pain, or trouble. [Pref. in- not + L. dolens, -entis, p. pr. of dolere to feel pain: cf. F. indolent. See Dolorous.]
- lave v. t.
- To lade, dip, or pour out. [OE. laven. See Lavish.]
- flitting n.
- A flying with lightness and celerity; a fluttering.
- sheen v. i.
- To shine; to glisten.
- lithe v. i.
- To listen or listen to; to hearken to. P. Plowman. [Icel Listen.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- loveliness n.
- The state or quality of being lovely. [From Lovely.]
- veiled a.
- Covered by, or as by, a veil; hidden.
- dripping n.
- A falling in drops, or the sound so made.
- fain v. t.
- To be glad ; to wish or desire.
- adown adv.
- From a higher to a lower situation; downward; down, to or on the ground. [OE. adun, adoun, adune. AS. of dune off the hill. See Down.]
- sultana n.
- The wife of a sultan; a sultaness. [It.]
- twain a.
- Two;- nearly obsolete in common discourse, but used in poetry and burlesque. [OE. twein, tweien, tweyne, AS. twegen, masc. See Two.]
- betwixt prep.
- In the space which separates; between. [OE. betwix, bitwix, rarely bitwixt, AS. betweox, betweohs, betweoh, betwih; pref. be- by + a form fr. AS. twa two. See Between.]
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- sabre n.
- A sword with a broad and heavy blade, thick at the back, and usually more or less curved like a scimiter; a cavalry sword. Saber fish, or Sabre fish (Zoöl.), the cutlass fish.
- ebon a.
- Consisting of ebony.
- unseen a.
- Not seen or discovered.
- showery a.
- Raining in showers; abounding with frequent showers of rain.
- brink n.
- The edge, margin, or border of a steep place, as of a precipice; a bank or edge, as of a river or pit; a verge; a border; as, the brink of a chasm. Also Fig. [Dan. brink edge, verge; akin to Sw. brink declivity, hill, Icel. brekka; cf. LG. brink a grassy hill, W. bryn hill, bryncyn hillock.]
- streaming a.
- Sending forth streams.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Zara, the Bather is in the public domain. This text is taken from Poems, Project Gutenberg ebook #8775, the various hands translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Victor Hugo, Zara, the Bather, in Poems (1888), text of Project Gutenberg ebook #8775, Laurel, https://laurelpoetry.com/poem/hugo-poems/zara-the-bather.html, id L26724.
Form and metre
Zara, the Bather is 114 lines in 19 stanzas of 6 lines each. The rhyme scheme is AABCCB, complete in 16 of its 19 stanzas. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 90%).
See other poems in trochaic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABCCB lyingA · flyingA · indolentB · waveC · laveC · bentB
- 2 AAB--B softA · oftA · froB · bat · feather · snowB
- 3 AABCCB ladenA · maidenA · flightB · sheenC · seenC · whiteB
- 4 AABCCB tipsA · dipsA · poolB · ivoryC · sheC · coolB
- 5 AABCCB concealedA · revealedA · beholdB · emergingC · vergingC · coldB
- 6 AA-BBB divineA · shineA · loveliness · quiversB · shiversB · treesB
- 7 AABCCB fannedA · standA · roseB · highC · flyC · reposeB
- 8 AABCCB prideA · hideA · sleepB · farC · starC · deepB
- 9 AABCCB currentA · torrentA · girlB · fallC · allC · pearlB
- 10 AABCCB pleasureA · leisureA · slowB · swingsC · singsC · lowB
- 11 AABCCB capitanaA · sultanaA · mixtB · stoneC · throneC · betwixtB
- 12 AABCCB silkA · milkA · doveB · sitC · emitC · loveB
- 13 AABCCB nearA · fearA · streamB · deepC · peepC · gleamB
- 14 AA---- spyA · dieA · throw · naked · slakèd · brow
- 15 AABCCB showA · goA · boldB · fineC · shineC · goldB
- 16 AABCCB queenA · unseenA · delightB · coquettingC · forgettingC · flightB
- 17 AABCCB tinklingA · sprinklingA · madeB · thinkC · brinkC · laidB
- 18 AABCCB whileA · fileA · bandB · flightC · lightC · handB
- 19 AABCCB oneA · runA · layB · idlenessC · dressC · dayB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| In a swinging hammock lying, | 8 | ··/˘/˘/˘ |
| Lightly flying, | 4 | /˘/˘ |
| Zara, lovely indolent, | 7 | /˘/˘/˘˘ |
| O'er a fountain's crystal wave | 7 | ··/˘/˘· |
| There to lave | 3 | ··· |
| Her young beauty--see her bent. | 7 | ··/˘··· |
| As she leans, so sweet and soft, | 7 | ······· |
| Flitting oft, | 3 | /˘· |
| O'er the mirror to and fro, | 7 | ··/˘··· |
| Seems that airy floating bat, | 7 | ··/˘/˘· |
| Like a feather | 4 | ··/˘ |
| From some sea-gull's wing of snow. | 7 | ······· |
| Every time the frail boat laden | 8 | /˘····/˘ |
| With the maiden | 4 | ··/˘ |
| Skims the water in its flight, | 7 | ··/˘··· |
| Starting from its trembling sheen, | 7 | /˘··/˘· |
| Swift are seen | 3 | ··· |
| A white foot and neck so white. | 7 | ······· |
| As that lithe foot's timid tips | 7 | ····/˘· |
| Quick she dips, | 3 | ··· |
| Passing, in the rippling pool, | 7 | /˘··/˘· |
| (Blush, oh! snowiest ivory!) | 7 | ····/˘˘ |
| Frolic, she | 3 | /˘· |
| Laughs to feel the pleasant cool. | 7 | ····/˘· |
| Here displayed, but half concealed-- | 7 | ·˘/··˘/ |
| Half revealed, | 3 | ·˘/ |
| Each bright charm shall you behold, | 7 | ·····˘/ |
| In her innocence emerging, | 8 | ··/˘˘˘/˘ |
| As a-verging | 4 | ··/˘ |
| On the wave her hands grow cold. | 7 | ······· |
| For no star howe'er divine | 7 | ·····˘/ |
| Has the shine | 3 | ··· |
| Of a maid's pure loveliness, | 7 | ····/˘˘ |
| Frightened if a leaf but quivers | 8 | /˘····/˘ |
| As she shivers, | 4 | ··/˘ |
| Veiled with naught but dripping trees. | 7 | ····/˘· |
| By the happy breezes fanned | 7 | ··/˘/˘· |
| See her stand,-- | 3 | ··· |
| Blushing like a living rose, | 7 | /˘··/˘· |
| On her bosom swelling high | 7 | ··/˘/˘· |
| If a fly | 3 | ··· |
| Dare to seek a sweet repose. | 7 | ·····˘/ |
| In those eyes which maiden pride | 7 | ····/˘· |
| Fain would hide, | 3 | ··· |
| Mark how passion's lightnings sleep! | 7 | ··/˘/˘· |
| And their glance is brighter far | 7 | ····/˘· |
| Than the star | 3 | ··· |
| Brightest in heaven's bluest deep. | 8 | /˘·/˘/˘· |
| O'er her limbs the glittering current | 8 | ····/˘/˘ |
| In soft torrent | 4 | ··/˘ |
| Rains adown the gentle girl, | 7 | ·˘/·/˘· |
| As if, drop by drop, should fall, | 7 | ······· |
| One and all | 3 | ··· |
| From her necklace every pearl. | 7 | ··/˘/˘· |
| Lengthening still the reckless pleasure | 8 | /˘··/˘/˘ |
| At her leisure, | 4 | ··/˘ |
| Care-free Zara ever slow | 7 | ··/˘/˘· |
| As the hammock floats and swings | 7 | ··/˘··· |
| Smiles and sings, | 3 | ··· |
| To herself, so sweet and low. | 7 | ·˘/···· |
| "Oh, were I a capitana, | 8 | ········ |
| Or sultana, | 4 | ·˘/˘ |
| Amber should be always mixt | 7 | /˘··/·· |
| In my bath of jewelled stone, | 7 | ····/˘· |
| Near my throne, | 3 | ··· |
| Griffins twain of gold betwixt. | 7 | /˘···˘/ |
| "Then my hammock should be silk, | 7 | ··/˘··· |
| White as milk; | 3 | ··· |
| And, more soft than down of dove, | 7 | ······· |
| Velvet cushions where I sit | 7 | /˘/˘··· |
| Should emit | 3 | ·˘/ |
| Perfumes that inspire love. | 6 | ˘/·˘/· |
| "Then should I, no danger near, | 7 | ····/˘· |
| Free from fear, | 3 | ··· |
| Revel in my garden's stream; | 7 | /˘··/˘· |
| Nor amid the shadows deep | 7 | ·˘/·/·· |
| Dread the peep, | 3 | ··· |
| Of two dark eyes' kindling gleam. | 7 | ····/˘· |
| "He who thus would play the spy, | 7 | ······· |
| On the die | 3 | ··· |
| For such sight his head must throw; | 7 | ······· |
| In his blood the sabre naked | 8 | ····/˘/˘ |
| Would be slakèd, | 3 | ··· |
| Of my slaves of ebon brow. | 7 | ····/˘· |
| "Then my rich robes trailing show | 7 | ····/˘· |
| As I go, | 3 | ··· |
| None to chide should be so bold; | 7 | ······· |
| And upon my sandals fine | 7 | ····/˘· |
| How should shine | 3 | ··· |
| Rubies worked in cloth-of-gold!" | 7 | /˘····· |
| Fancying herself a queen, | 7 | /˘˘˘/·· |
| All unseen, | 3 | ·˘/ |
| Thus vibrating in delight; | 7 | ·/˘˘·˘/ |
| In her indolent coquetting | 7 | ··/˘··· |
| Quite forgetting | 4 | ·˘/˘ |
| How the hours wing their flight. | 7 | ··/˘··· |
| As she lists the showery tinkling | 9 | ····/˘˘/˘ |
| Of the sprinkling | 4 | ··/˘ |
| By her wanton curvets made; | 7 | ··/˘··· |
| Never pauses she to think | 7 | /˘/˘··· |
| Of the brink | 3 | ··· |
| Where her wrapper white is laid. | 7 | ··/˘··· |
| To the harvest-fields the while, | 7 | ··/˘··· |
| In long file, | 3 | ··· |
| Speed her sisters' lively band, | 7 | ··/˘/˘· |
| Like a flock of birds in flight | 7 | ······· |
| Streaming light, | 3 | /˘· |
| Dancing onward hand in hand. | 7 | /˘/˘··· |
| And they're singing, every one, | 7 | ··/˘/˘· |
| As they run | 3 | ··· |
| This the burden of their lay: | 7 | ··/˘··· |
| "Fie upon such idleness! | 7 | ····/˘˘ |
| Not to dress | 3 | ··· |
| Earlier on harvest-day!" | 7 | /˘˘·/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.