The Turkish Captive
Oh! were I not a captive,I should love this fair countree;Those fields with maize abounding,This ever-plaintive sea:I'd love those stars unnumbered,If, passing in the shade,Beneath our walls I saw notThe spahi's sparkling blade.
I am no Tartar maidenThat a blackamoor of priceShould tune my lute and hold to meMy glass of sherbet-ice.Far from these haunts of vices,In my dear countree, weWith sweethearts in the evenMay chat and wander free.
But still I love this climate,Where never wintry breezeInvades, with chilly murmur,These open lattices;Where rain is warm in summer,And the insect glossy green,Most like a living emerald,Shines 'mid the leafy screen.
With her chapelles fair Smyrna--A gay princess is she!Still, at her summons, round herUnfading spring ye see.And, as in beauteous vases,Bright groups of flowers repose,So, in her gulfs are lyingHer archipelagoes.
I love these tall red turrets;These standards brave unrolled;And, like an infant's playthings,These houses decked with gold.I love forsooth these reveries,Though sandstorms make me pant,Voluptuously swayingUpon an elephant.
Here in this fairy palace,Full of such melodies,Methinks I hear deep murmursThat in the deserts rise;Soft mingling with the musicThe Genii's voices pour,Amid the air, unceasing,Around us evermore.
I love the burning odorsThis glowing region gives;And, round each gilded lattice,The trembling, wreathing leaves;And, 'neath the bending palm-tree,The gayly gushing spring;And on the snow-white minaret,The stork with snowier wing.
I love on mossy couch to singA Spanish roundelay,And see my sweet companionsAround commingling gay,--A roving band, light-hearted,In frolicsome array,--Who 'neath the screening parasolsDance down the merry day.But more than all enchantingAt night, it is to me,To sit, where winds are sighing,Lone, musing by the sea;And, on its surface gazing,To mark the moon so fair,Her silver fan outspreading,In trembling radiance there.
Words in this poem
- unnumbered a.
- Not numbered; not counted or estimated; innumerable.
- blackamoor n.
- A negro or negress. [Black + Moor.]
- wintry a.
- Suitable to winter; resembling winter, or what belongs to winter; brumal; hyemal; cold; stormy; wintery. [AS. wintrig.]
- princess n.
- A female prince; a woman having sovereign power, or the rank of a prince. [F. princesse. See Prince, and cf. Princesse.]
- beauteous a.
- Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
- forsooth v. t.
- To address respectfully with the term forsooth.
- pant v. i.
- To breathe quickly or in a labored manner, as after exertion or from eagerness or excitement; to respire with heaving of the breast; to gasp. [Cf. F. panteler to gasp for breath, OF. panteisier to be breathless, F. pantois out of breath; perh. akin to E. phantom, the verb prob. orig. meaning, to have t]
- methinks v.
- It seems to me; I think. See Me. [AS. þyncan to seem, me þynceedh, me þuhte, OE. me thinketh, me thoughte; akin to G. dünken to seem, denken to think, and E. think. See Me, and Think.]
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- evermore adv.
- During eternity; always; forever; for an indefinite period; at all times; -- often used substantively with for.
- gayly adv.
- With mirth and frolic; merrily; blithely; gleefully.
- minaret n.
- A slender, lofty tower attached to a mosque and surrounded by one or more projecting balconies, from which the summon to prayer is cried by the muezzin. [Sp. minarete, Ar. manarat lamp, lantern, lighthouse, turret, fr. nar to shine.]
- lone n.
- A lane. See Loanin.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Turkish Captive is in the public domain. This text is taken from Poems, Project Gutenberg ebook #8775, the various hands translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Victor Hugo, The Turkish Captive, in Poems (1888), text of Project Gutenberg ebook #8775, Laurel, https://laurelpoetry.com/poem/hugo-poems/the-turkish-captive.html, id L26717.
Form and metre
The Turkish Captive is 72 lines in 8 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-A-B-B captive · countreeA · abounding · seaA · unnumbered · shadeB · not · bladeB
- 2 -ABA-B-B maiden · priceA · meB · iceA · vices · weB · even · freeB
- 3 -A-A-B-B climate · breezeA · murmur · latticesA · summer · greenB · emerald · screenB
- 4 -A-ABB-B smyrna · sheA · her · seeA · vasesB · reposeB · lying · archipelagoesB
- 5 -A-A-B-B turrets · unrolledA · playthings · goldA · reveries · pantB · swaying · elephantB
- 6 -AAA-B-B palace · melodiesA · murmursA · riseA · music · pourB · unceasing · evermoreB
- 7 -----A-A odors · gives · lattice · leaves · tree · springA · minaret · wingA
- 8 -A-A-A-A-BCBCDCD sing · roundelayA · companions · gayA · hearted · arrayA · parasols · dayA · enchanting · meB · sighingC · seaB · gazingC · fairD · outspreadingC · thereD
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Oh! were I not a captive, | 7 | ·····/˘ |
| I should love this fair countree; | 7 | ······· |
| Those fields with maize abounding, | 7 | ····˘/˘ |
| This ever-plaintive sea: | 6 | ·/˘/˘· |
| I'd love those stars unnumbered, | 7 | ····˘/˘ |
| If, passing in the shade, | 6 | ·/˘··· |
| Beneath our walls I saw not | 7 | ··/···· |
| The spahi's sparkling blade. | 6 | ···/˘· |
| I am no Tartar maiden | 7 | ···/˘/˘ |
| That a blackamoor of price | 7 | ··/˘˘·· |
| Should tune my lute and hold to me | 8 | ········ |
| My glass of sherbet-ice. | 6 | ···/˘· |
| Far from these haunts of vices, | 7 | ·····/˘ |
| In my dear countree, we | 6 | ······ |
| With sweethearts in the even | 7 | ·/···/˘ |
| May chat and wander free. | 6 | ···/˘· |
| But still I love this climate, | 7 | ·····/˘ |
| Where never wintry breeze | 6 | ·/˘/˘· |
| Invades, with chilly murmur, | 7 | ˘/·/˘/˘ |
| These open lattices; | 6 | ·/˘/˘˘ |
| Where rain is warm in summer, | 7 | ·····/˘ |
| And the insect glossy green, | 7 | ··/·/˘· |
| Most like a living emerald, | 7 | ···/˘/˘ |
| Shines 'mid the leafy screen. | 6 | ···/˘· |
| With her chapelles fair Smyrna-- | 7 | ··˘/·/˘ |
| A gay princess is she! | 6 | ··/˘·· |
| Still, at her summons, round her | 7 | ···/˘·· |
| Unfading spring ye see. | 6 | ······ |
| And, as in beauteous vases, | 8 | ···/˘˘/˘ |
| Bright groups of flowers repose, | 7 | ···/˘˘/ |
| So, in her gulfs are lying | 7 | ·····/˘ |
| Her archipelagoes. | 6 | ··˘/˘· |
| I love these tall red turrets; | 7 | ·····/˘ |
| These standards brave unrolled; | 7 | ·/˘···˘ |
| And, like an infant's playthings, | 7 | ···/˘/· |
| These houses decked with gold. | 7 | ·/˘·˘·· |
| I love forsooth these reveries, | 8 | ··˘/·/˘˘ |
| Though sandstorms make me pant, | 6 | ·/···· |
| Voluptuously swaying | 6 | ····/˘ |
| Upon an elephant. | 6 | ···/˘˘ |
| Here in this fairy palace, | 7 | ···/˘/˘ |
| Full of such melodies, | 6 | ···/˘˘ |
| Methinks I hear deep murmurs | 7 | ˘/···/˘ |
| That in the deserts rise; | 6 | ···/˘· |
| Soft mingling with the music | 8 | ·/˘˘··/˘ |
| The Genii's voices pour, | 6 | ···/˘· |
| Amid the air, unceasing, | 7 | ˘/··˘/˘ |
| Around us evermore. | 6 | ···/˘· |
| I love the burning odors | 7 | ···/˘/˘ |
| This glowing region gives; | 6 | ·/˘/˘· |
| And, round each gilded lattice, | 7 | ···/˘/˘ |
| The trembling, wreathing leaves; | 7 | ·/˘˘/˘· |
| And, 'neath the bending palm-tree, | 7 | ···/˘·· |
| The gayly gushing spring; | 6 | ·/˘/˘· |
| And on the snow-white minaret, | 8 | ······˘/ |
| The stork with snowier wing. | 6 | ······ |
| I love on mossy couch to sing | 8 | ···/˘··· |
| A Spanish roundelay, | 6 | ·/˘/˘˘ |
| And see my sweet companions | 7 | ····˘/˘ |
| Around commingling gay,-- | 7 | ··˘/˘˘· |
| A roving band, light-hearted, | 7 | ·/˘··/˘ |
| In frolicsome array,-- | 6 | ·/˘˘˘/ |
| Who 'neath the screening parasols | 8 | ···/˘··· |
| Dance down the merry day. | 6 | ···/˘· |
| But more than all enchanting | 7 | ····˘/˘ |
| At night, it is to me, | 6 | ······ |
| To sit, where winds are sighing, | 7 | ·····/˘ |
| Lone, musing by the sea; | 6 | ·/˘··· |
| And, on its surface gazing, | 7 | ···/˘/˘ |
| To mark the moon so fair, | 6 | ······ |
| Her silver fan outspreading, | 7 | ·/˘···· |
| In trembling radiance there. | 7 | ·/˘/˘˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.