Protest: By Zahir-u-Din
Alas! alas! this wasted NightWith all its Jasmin-scented air,Its thousand stars, serenely bright!I lie alone, and long for you,Long for your Champa-scented hair,Your tranquil eyes of twilight hue;
Long for the close-curved, delicate lips--Their sinuous sweetness laid on mine--Here, where the slender fountain drips,Here, where the yellow roses glow,Pale in the tender silver shineThe stars across the garden throw.
Alas! alas! poor passionate Youth!Why must we spend these lonely nights?The poets hardly speak the truth,--Despite their praiseful litany,His season is not all delightsNor every night an ecstasy!
The very power and passion that make--Might make--his days one golden dream,How he must suffer for their sake!Till, in their fierce and futile rage,The baffled senses almost deemThey might be happier in old age.
Age that can find red roses sweet,And yet not crave a rose-red mouth;Hear Bulbuls, with no wish that feetOf sweeter singers went his way;Inhale warm breezes from the South,Yet never fed his fancy stray.
From some near Village I can hearThe cadenced throbbing of a drum,Now softly distant, now more near;And in an almost human fashion,It, plaintive, wistful, seems to comeLaden with sighs of fitful passion,
To mock me, lying here aloneAmong the thousand useless flowersUpon the fountain's border-stone--Cold stone, that chills me as I lieCounting the slowly passing hoursBy the white spangles in the sky.
Some feast the Tom-toms celebrate,Where, close together, side by side,Gay in their gauze and tinsel stateWith lips serene and downcast eyes,Sit the young bridegroom and his bride,While round them songs and laughter rise.
They are together; Why are weSo hopelessly, so far apart?Oh, I implore you, come to me!Come to me, Solace of mine eyes!Come Consolation of my heart!Light of my senses! What replies?
A little, languid, mocking breezeThat rustles through the Jasmin flowersAnd stirs among the Tamarind trees;A little gurgle of the sprayThat drips, unheard, though silent hours,Then breaks in sudden bubbling play.
Wind, have you never loved a rose?And water, seek you not the Sea?Why, therefore, mock at my repose?Is it my fault I am aloneBeneath the feathery Tamarind treeWhose shadows over me are thrown?
Nay, I am mad indeed, with thirstFor all to me this night deniedAnd drunk with longing, and accurstBeyond all chance of sleep or rest,With love, unslaked, unsatisfied,And dreams of beauty unpossessed.
Hating the hour that brings you not,Mad at the space betwixt us twain,Sad for my empty arms, so hotAnd fevered, even the chilly stoneCan scarcely cool their burning pain,--And oh, this sense of being alone!
Take hence, O Night, your wasted hours,You bring me not my Life's Delight,My Star of Stars, my Flower of Flowers!You leave me loveless and forlorn,Pass on, most false and futile night,Pass on, and perish in the Dawn!
Words in this poem 17
- serenely adv.
- In a serene manner; clearly.
- futile a.
- Talkative; loquacious; tattling. [L. futilis that easily pours out, that easily lets loose, vain, worthless, from the root of fundere to pour out: cf. F. futile. See Fuse, v. t.]
- deem v. t.
- To decide; to judge; to sentence; to condemn. [OE. demen to judge, condemn, AS. d, fr. d doom; akin to OFries. d, OS. ad, D. doemen, OHG. tuommen, Icel. dæma, Sw. dömma, Dan. dömme, Goth. d. See Doom, n., an]
- crave v. t.
- To ask with earnestness or importunity; to ask with submission or humility; to beg; to entreat; to beseech; to implore. [AS. crafian; akin to Icel. krefia, Sw. kr, Dan. kr.]
- went n.
- Course; way; path; journey; direction.
- wistful a.
- Longing; wishful; desirous. [For wishful; perhaps influenced by wistly, which is probably corrupted from OE. wisly certainly (from Icel. viss certain, akin to E. wit). See Wish.]
- fitful a.
- Full of fits; irregularly variable; impulsive and unstable. [From 7th Fit.]
- bridegroom n.
- A man newly married, or just about to be married. [OE. bridegome, brudgume, AS. br (akin to OS. br, D. bruidegom, bruigom, OHG. pr, MHG. briutegome, G. bräutigam); AS. br bride + guma man, akin to Goth. guma, Ic]
- solace n.
- Comfort in grief; alleviation of grief or anxiety; also, that which relieves in distress; that which cheers or consoles; relief. [OF. solas, ssoulaz, L. solacium, solatium, fr. solari to comfort, console. Cf. Console, v. t.]
- gurgle v. i.
- To run or flow in a broken, irregular, noisy current, as water from a bottle, or a small stream among pebbles or stones. [Cf. It. gorgogliare to gargle, bubble up, fr. L. gurgulio gullet. Cf. Gargle, Gorge.]
- unheard a.
- Not heard; not perceived by the ear; as, words unheard by those present.
- accurst p. p.
- Doomed to destruction or misery; cursed; hence, bad enough to be under the curse; execrable; detestable; exceedingly hateful; -- as, an accursed deed.
- unslaked a.
- Not slaked; unslacked; as, an unslaked thirst; unslaked lime.
- betwixt prep.
- In the space which separates; between. [OE. betwix, bitwix, rarely bitwixt, AS. betweox, betweohs, betweoh, betwih; pref. be- by + a form fr. AS. twa two. See Between.]
- twain a.
- Two;- nearly obsolete in common discourse, but used in poetry and burlesque. [OE. twein, tweien, tweyne, AS. twegen, masc. See Two.]
- loveless a.
- Void of love; void of tenderness or kindness. Milton. Shelton.
- forlorn a.
- Deserted abandoned; lost. [OE., p.p. of forlesen to lose utterly, AS. forleósan (p.p. forloren); pref. for- + leósan (in comp.) to lose; cf. D. verliezen to lose, G. verlieren, Sw. förlor]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Protest: By Zahir-u-Din is in the public domain. This text is taken from India's Love Lyrics, Project Gutenberg ebook #8197; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Laurence Hope, Protest: By Zahir-u-Din, in India's Love Lyrics (1901), text of Project Gutenberg ebook #8197, Laurel, https://laurelpoetry.com/poem/hope-india/protest-by-zahir-u-din.html, id L22616.
Form and metre
Protest: By Zahir-u-Din is 84 lines in 14 stanzas of 6 lines each. The rhyme scheme is ABACBC, complete in 12 of its 14 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 92%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABACBC nightA · airB · brightA · youC · hairB · hueC
- 2 ABACBC lipsA · mineB · dripsA · glowC · shineB · throwC
- 3 ABA-B- youthA · nightsB · truthA · litany · delightsB · ecstasy
- 4 ABACBC makeA · dreamB · sakeA · rageC · deemB · ageC
- 5 ABACBC sweetA · mouthB · feetA · wayC · southB · strayC
- 6 ABACBC hearA · drumB · nearA · fashionC · comeB · passionC
- 7 ABACBC aloneA · flowersB · stoneA · lieC · hoursB · skyC
- 8 ABACBC celebrateA · sideB · stateA · eyesC · brideB · riseC
- 9 ABACBC weA · apartB · meA · eyesC · heartB · repliesC
- 10 ABACBC breezeA · flowersB · treesA · sprayC · hoursB · playC
- 11 ABACBC roseA · seaB · reposeA · aloneC · treeB · thrownC
- 12 ABACBC thirstA · deniedB · accurstA · restC · unsatisfiedB · unpossessedC
- 13 ABACBC notA · twainB · hotA · stoneC · painB · aloneC
- 14 ABA-B- hoursA · delightB · flowersA · forlorn · nightB · dawn
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Alas! alas! this wasted Night | 8 | ˘/˘/·/˘· |
| With all its Jasmin-scented air, | 8 | ···/˘/˘· |
| Its thousand stars, serenely bright! | 8 | ·/˘·˘/˘· |
| I lie alone, and long for you, | 8 | ··˘/···· |
| Long for your Champa-scented hair, | 8 | ···/˘/˘· |
| Your tranquil eyes of twilight hue; | 8 | ·/˘··/·· |
| Long for the close-curved, delicate lips | 8 | ·····/˘· |
| --Their sinuous sweetness laid on mine-- | 8 | ·/˘/˘··· |
| Here, where the slender fountain drips, | 8 | ···/˘/˘· |
| Here, where the yellow roses glow, | 8 | ···/˘/˘· |
| Pale in the tender silver shine | 8 | ···/˘/˘· |
| The stars across the garden throw. | 8 | ··˘/·/˘· |
| Alas! alas! poor passionate Youth! | 8 | ˘/˘/·/˘· |
| Why must we spend these lonely nights? | 8 | ·····/˘· |
| The poets hardly speak the truth,-- | 8 | ·/˘/˘··· |
| Despite their praiseful litany, | 8 | ˘/·/˘/˘˘ |
| His season is not all delights | 8 | ·/˘···˘/ |
| Nor every night an ecstasy! | 9 | ·/˘˘··/˘˘ |
| The very power and passion that make-- | 9 | ·/˘/·/˘·· |
| Might make--his days one golden dream, | 8 | ·····/˘· |
| How he must suffer for their sake! | 8 | ···/˘··· |
| Till, in their fierce and futile rage, | 8 | ·····/˘· |
| The baffled senses almost deem | 8 | ·/˘/˘/·· |
| They might be happier in old age. | 8 | ···/˘··· |
| Age that can find red roses sweet, | 8 | ·····/˘· |
| And yet not crave a rose-red mouth; | 8 | ········ |
| Hear Bulbuls, with no wish that feet | 8 | ········ |
| Of sweeter singers went his way; | 8 | ·/˘/˘··· |
| Inhale warm breezes from the South, | 8 | ˘/·/˘··· |
| Yet never fed his fancy stray. | 8 | ·/˘··/˘· |
| From some near Village I can hear | 8 | ···/˘··· |
| The cadenced throbbing of a drum, | 8 | ·/˘/˘··· |
| Now softly distant, now more near; | 8 | ·/˘/˘··· |
| And in an almost human fashion, | 9 | ···/·/˘/˘ |
| It, plaintive, wistful, seems to come | 8 | ·/˘/˘··· |
| Laden with sighs of fitful passion, | 9 | /˘···/˘/˘ |
| To mock me, lying here alone | 8 | ···/˘·˘/ |
| Among the thousand useless flowers | 9 | ···/˘/˘/˘ |
| Upon the fountain's border-stone-- | 8 | ···/˘/˘· |
| Cold stone, that chills me as I lie | 8 | ········ |
| Counting the slowly passing hours | 9 | /˘·/˘/˘/˘ |
| By the white spangles in the sky. | 8 | ···/˘··· |
| Some feast the Tom-toms celebrate, | 8 | ·····/˘· |
| Where, close together, side by side, | 8 | ··˘/˘··· |
| Gay in their gauze and tinsel state | 8 | ·····/˘· |
| With lips serene and downcast eyes, | 8 | ··˘/·/·· |
| Sit the young bridegroom and his bride, | 8 | ···/···· |
| While round them songs and laughter rise. | 8 | ·····/˘· |
| They are together; Why are we | 8 | ··˘/˘··· |
| So hopelessly, so far apart? | 8 | ·/˘˘··˘/ |
| Oh, I implore you, come to me! | 8 | ··˘/···· |
| Come to me, Solace of mine eyes! | 8 | ···/˘··· |
| Come Consolation of my heart! | 8 | ··˘/˘··· |
| Light of my senses! What replies? | 8 | ···/˘·˘/ |
| A little, languid, mocking breeze | 8 | ·/˘/˘/˘· |
| That rustles through the Jasmin flowers | 9 | ·/˘··/˘/˘ |
| And stirs among the Tamarind trees; | 9 | ·····/˘˘· |
| A little gurgle of the spray | 8 | ·/˘/˘··· |
| That drips, unheard, though silent hours, | 9 | ··˘/·/˘/˘ |
| Then breaks in sudden bubbling play. | 8 | ···/˘/˘· |
| Wind, have you never loved a rose? | 8 | ···/˘··· |
| And water, seek you not the Sea? | 8 | ·/˘····· |
| Why, therefore, mock at my repose? | 8 | ······˘/ |
| Is it my fault I am alone | 8 | ······˘/ |
| Beneath the feathery Tamarind tree | 9 | ···/˘/˘˘· |
| Whose shadows over me are thrown? | 8 | ·/······ |
| Nay, I am mad indeed, with thirst | 8 | ····˘/·· |
| For all to me this night denied | 8 | ······˘/ |
| And drunk with longing, and accurst | 8 | ···/˘··· |
| Beyond all chance of sleep or rest, | 8 | ········ |
| With love, unslaked, unsatisfied, | 8 | ··˘/˘/˘· |
| And dreams of beauty unpossessed. | 8 | ···/˘··· |
| Hating the hour that brings you not, | 8 | /˘·/···· |
| Mad at the space betwixt us twain, | 8 | ····˘/·· |
| Sad for my empty arms, so hot | 8 | ···/˘··· |
| And fevered, even the chilly stone | 8 | ·/˘/·/˘· |
| Can scarcely cool their burning pain,-- | 8 | ·/˘··/˘· |
| And oh, this sense of being alone! | 8 | ·····/˘/ |
| Take hence, O Night, your wasted hours, | 9 | ·····/˘/˘ |
| You bring me not my Life's Delight, | 8 | ······˘/ |
| My Star of Stars, my Flower of Flowers! | 9 | ·····/·/˘ |
| You leave me loveless and forlorn, | 8 | ···/˘·˘/ |
| Pass on, most false and futile night, | 8 | ·····/˘· |
| Pass on, and perish in the Dawn! | 8 | ···/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.