The Lover's Progress

Thomas Hood (1799–1845) · 1826–1845

iambic tetrameter · 102 lines · from The Song of the Shirt, and Other Poems

'Twas in that memorable yearFrance threaten'd to put off inFlat-bottom'd boats, intending eachTo be a British coffin,To make sad widows of our wives,And every babe an orphan:--

When coats were made of scarlet cloaks,And heads were dredg'd with flour,I listed in the Lawyer's Corps,Against the battle hour;A perfect Volunteer--for why?I brought my "will and pow'r."

One dreary day--a day of dread,Like Cato's, over-cast--About the hour of six, (the mornAnd I were breaking fast,)There came a loud and sudden sound,That struck me all aghast!

A dismal sort of morning roll,That was not to be eaten;Although it was no skin of mine,But parchment that was beaten,I felt tattooed through all my flesh,Like any Otaheitan.

My jaws with utter dread enclos'dThe morsel I was munching,And terror lock'd them up so tight,My very teeth went crunchingAll through my bread and tongue at once,Like sandwich made at lunching.

My hand that held the tea-pot fast,Stiffen'd, but yet unsteady,Kept pouring, pouring, pouring o'erThe cup in one long eddy,Till both my hose were marked with tea,As they were mark'd already.

I felt my visage turn from redTo white--from cold to hot;But it was nothing wonderfulMy color changed, I wot,For, like some variable silks,I felt that I was shot.

And looking forth with anxious eye,From my snug upper story,I saw our melancholy corps,Going to beds all gory;The pioneers seem'd very lothTo axe their way to glory.

The captain march'd as mourners march,The ensign too seem'd lagging,And many more, although they wereNo ensigns, took to flagging--Like corpses in the Serpentine,Methought they wanted dragging.

But while I watch'd, the thought of deathCame like a chilly gust,And lo! I shut the window down,With very little lustTo join so many marching men,That soon might be March dust.

Quoth I, "Since Fate ordains it so,Our foe the coast must land on";--I felt so warm beside the fireI cared not to abandon;Our hearths and homes are always thingsThat patriots make a stand on.

"The fools that fight abroad for home,"Thought I, "may get a wrong one;Let those who have no homes at allGo battle for a long one."The mirror here confirm'd me thisReflection, by a strong one.

For there, where I was wont to shave,And deck me like Adonis,There stood the leader of our foes,With vultures for his armies--No Corsican, but Death himself,The Bony of all Bonies.

A horrid sight it was, and sad,To see the grisly chapPut on my crimson livery,And then begin to clapMy helmet on--ah me! it feltLike any felon's cap.

My plume seem'd borrow'd from a hearse,An undertaker's crest;My epaulette's like coffin-plates;My belt so heavy press'd,Four pipeclay cross-roads seem'd to lieAt once upon my breast.

My brazen breast-plate only lack'dA little heap of salt,To make me like a corpse full dress'd,Preparing for the vault--To set up what the Poet callsMy everlasting halt.

This funeral show inclined me quiteTo peace:--and here I am!Whilst better lions go to war,Enjoying with the lambA lengthen'd life, that might have beenA Martial Epigram.

Words in this poem 16
memorable a.
Worthy to be remembered; very important or remarkable. [L. memorabilis, fr. memorare to bring to remembrance, fr. memor mindful, remembering. See Memory, and cf. Memorabilia.]
babe n.
An infant; a young child of either sex; a baby. [Cf. Ir. bab, baban, W. baban, maban.]
corps n.
The human body, whether living or dead. See Corpse, 1. [F., fr. L. corpus body. See Corpse.]
dreary a.
Sorrowful; distressful. [OE. dreori, dreri, AS. dreórig, sad; akin to G. traurig, and prob. to AS. dreósan to fall, Goth. driusan. Cf. Dross, Drear, Drizzle, Drowse.]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
dismal a.
Fatal; ill-omened; unlucky. [Formerly a noun; e. g., "I trow it was in the dismalle." Chaucer. Of uncertain origin; but perh. (as suggested by Skeat) from OF. disme, F. dîme, tithe, the phr]
went n.
Course; way; path; journey; direction.
visage n.
The face, countenance, or look of a person or an animal; -- chiefly applied to the human face. [F. visage, from L. visus a seeing, a look, fr. videre, visum, to see. See Vision.]
gory a.
Covered with gore or clotted blood. [From Gore.]
lagging n.
The clothing (esp., an outer, wooden covering), as of a steam cylinder, applied to prevent the radiation of heat; a covering of lags; -- called also deading and cleading.
flagging n.
A pavement or sidewalk of flagstones; flagstones, collectively.
lust v. i.
To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
quoth v. t.
Said; spoke; uttered; -- used only in the first and third persons in the past tenses, and always followed by its nominative, the word or words said being the object; as, quoth I. quoth he. [AS.cweedhan, imp cwæedh, pl. cwædon; akin to OS. queedhan, OHG. quethan, quedan, Icel. kveedha, Goth. qiþan. sq. root22. Cf. Bequeath.]
horrid a.
Rough; rugged; bristling. [L. horridus. See Horror, and cf. Ordure.]
pipeclay v. t.
To whiten or clean with pipe clay, as a soldier's accouterments.
corpse n.
A human body in general, whether living or dead; -- sometimes contemptuosly. [OF. cors (sometimes written corps), F. corps, L. corpus; akin to AS. hrif womb. See Midriff, and cf. Corse, Corselet, Corps, Cuerpo.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Lover's Progress is in the public domain. This text is taken from The Poetical Works of Thomas Hood, Project Gutenberg ebook #15652; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Thomas Hood, The Lover's Progress, in The Song of the Shirt, and Other Poems (1826–1845), text of Project Gutenberg ebook #15652, Laurel, https://laurelpoetry.com/poem/hood-poetical-works/the-lover-s-progress.html, id L20143.

Form and metre

The Lover's Progress is 102 lines in 17 stanzas of 6 lines each. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 92%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 2 -A-A-- cloaks · flourA · corps · hourA · why · pow'r
  2. 3 -A-A-A dread · castA · morn · fastA · sound · aghastA
  3. 4 -AAA-- roll · eatenA · mineA · beatenA · flesh · otaheitan
  4. 5 -A-A-A enclos'd · munchingA · tight · crunchingA · once · lunchingA
  5. 6 -A-A-A fast · unsteadyA · o'er · eddyA · tea · alreadyA
  6. 7 -A---A red · hotA · wonderful · wot · silks · shotA
  7. 8 -A-A-A eye · storyA · corps · goryA · loth · gloryA
  8. 9 -A-A-A march · laggingA · were · flaggingA · serpentine · draggingA
  9. 10 -A-A-A death · gustA · down · lustA · men · dustA
  10. 11 -A-A-A so · onA · fire · abandonA · things · onA
  11. 12 -A-A-A home · oneA · all · oneA · this · oneA
  12. 13 --AA-A shave · adonis · foesA · armiesA · himself · boniesA
  13. 14 -A-A-A sad · chapA · livery · clapA · felt · capA
  14. 15 -A-A-A hearse · crestA · plates · press'dA · lie · breastA
  15. 16 -A-A-A lack'd · saltA · dress'd · vaultA · calls · haltA
  16. 17 -A-A-A quite · amA · war · lambA · been · epigramA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
'Twas in that memorable year8···/˘˘˘·
France threaten'd to put off in7·/˘····
Flat-bottom'd boats, intending each8·/˘·˘/˘·
To be a British coffin,7···/˘/˘
To make sad widows of our wives,8···/˘·/·
And every babe an orphan:--8·/˘˘··/˘
When coats were made of scarlet cloaks,8·····/˘·
And heads were dredg'd with flour,7·····/˘
I listed in the Lawyer's Corps,8·/˘··/˘·
Against the battle hour;7···/˘/˘
A perfect Volunteer--for why?8·/··˘/··
I brought my "will and pow'r."6······
One dreary day--a day of dread,8·/˘·····
Like Cato's, over-cast--6·/˘···
About the hour of six, (the morn8···/····
And I were breaking fast,)6···/˘·
There came a loud and sudden sound,8·····/˘·
That struck me all aghast!6····˘/
A dismal sort of morning roll,8·/˘··/˘·
That was not to be eaten;7·····/˘
Although it was no skin of mine,8········
But parchment that was beaten,7·/˘··/˘
I felt tattooed through all my flesh,8··˘/····
Like any Otaheitan.7·/˘····
My jaws with utter dread enclos'd8···/˘·˘/
The morsel I was munching,7·/˘··/˘
And terror lock'd them up so tight,8·/˘·····
My very teeth went crunching7·/˘··/˘
All through my bread and tongue at once,8········
Like sandwich made at lunching.7·/˘··/˘
My hand that held the tea-pot fast,8········
Stiffen'd, but yet unsteady,7/˘··˘/˘
Kept pouring, pouring, pouring o'er8·/˘/˘/˘·
The cup in one long eddy,7·····/˘
Till both my hose were marked with tea,8········
As they were mark'd already.7····˘/˘
I felt my visage turn from red8···/˘···
To white--from cold to hot;6······
But it was nothing wonderful8···/˘/˘˘
My color changed, I wot,7·/˘·˘··
For, like some variable silks,8···/˘˘˘·
I felt that I was shot.6······
And looking forth with anxious eye,8·/˘··/˘·
From my snug upper story,7···/˘/˘
I saw our melancholy corps,8··//˘·˘·
Going to beds all gory;7/˘···/˘
The pioneers seem'd very loth8··˘/·/˘·
To axe their way to glory.7·····/˘
The captain march'd as mourners march,8·/˘··/˘·
The ensign too seem'd lagging,7·/˘··/˘
And many more, although they were8·/˘·····
No ensigns, took to flagging--7·/˘··/˘
Like corpses in the Serpentine,8·/˘··/˘·
Methought they wanted dragging.7˘/·/˘/˘
But while I watch'd, the thought of death8········
Came like a chilly gust,6···/˘·
And lo! I shut the window down,8·····/˘·
With very little lust6·/˘/˘·
To join so many marching men,8···/˘/˘·
That soon might be March dust.6······
Quoth I, "Since Fate ordains it so,8····˘/··
Our foe the coast must land on";--8/˘······
I felt so warm beside the fire9····˘/·/˘
I cared not to abandon;8··˘··˘/˘
Our hearths and homes are always things8/····/˘·
That patriots make a stand on.8·/˘˘····
"The fools that fight abroad for home,"8····˘/··
Thought I, "may get a wrong one;7·······
Let those who have no homes at all8········
Go battle for a long one."7·/˘····
The mirror here confirm'd me this8·/˘·˘/··
Reflection, by a strong one.7˘/˘····
For there, where I was wont to shave,8········
And deck me like Adonis,7····˘/˘
There stood the leader of our foes,8···/˘·/·
With vultures for his armies--7·/˘··/˘
No Corsican, but Death himself,8·/˘˘··˘/
The Bony of all Bonies.7·/˘··/˘
A horrid sight it was, and sad,8·/˘·····
To see the grisly chap6···/˘·
Put on my crimson livery,8···/˘/˘˘
And then begin to clap6··˘/··
My helmet on--ah me! it felt8·/˘·····
Like any felon's cap.6·/˘/˘·
My plume seem'd borrow'd from a hearse,8···/····
An undertaker's crest;6·/˘·˘·
My epaulette's like coffin-plates;8·····/˘·
My belt so heavy press'd,6···/˘·
Four pipeclay cross-roads seem'd to lie9·········
At once upon my breast.6······
My brazen breast-plate only lack'd8·/˘··/˘·
A little heap of salt,6·/˘···
To make me like a corpse full dress'd,8········
Preparing for the vault--6˘/˘···
To set up what the Poet calls8·····/˘·
My everlasting halt.6··˘/˘·
This funeral show inclined me quite8·/˘·˘/··
To peace:--and here I am!6······
Whilst better lions go to war,8·/˘/˘···
Enjoying with the lamb6˘/˘···
A lengthen'd life, that might have been8·/˘·····
A Martial Epigram.6·/˘/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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