A Venetian Story
Bianca!--fair Bianca!--who could dwellWith safety on her dark and hazel gaze,Nor find there lurk'd in it a witching spell,Fatal to balmy nights and blessed days?The peaceful breath that made the bosom swell,She turn'd to gas, and set it in a blaze;Each eye of hers had Love's Eupyrion in it,That he could light his link at in a minute.
So that, wherever in her charms she shone,A thousand breasts were kindled into flame;Maidens who cursed her looks forgot their own,And beaux were turn'd to flambeaux where she came;All hearts indeed were conquer'd but her own,Which none could ever temper down or tame:In short, to take our haberdasher's hints,She might have written over it,--"from Flints."
She was, in truth, the wonder of her sex,At least in Venice--where with eyes of brownTenderly languid, ladies seldom vexAn amorous gentle with a needless frown;Where gondolas convey guitars by pecks,And Love at casements climbeth up and down,Whom for his tricks and custom in that kind,Some have considered a Venetian blind.
Howbeit, this difference was quickly taught,Amongst more youths who had this cruel jailer,To hapless Julio--all in vain he soughtWith each new moon his hatter and his tailor;In vain the richest padusoy he bought,And went in bran new beaver to assail her--As if to show that Love had made him smartAll over--and not merely round his heart.
In vain he labor'd thro' the sylvan parkBianca haunted in--that where she came,Her learned eyes in wandering might markThe twisted cypher of her maiden name,Wholesomely going thro' a course of bark:No one was touched or troubled by his flame,Except the Dryads, those old maids that growIn trees,--like wooden dolls in embryo.
In vain complaining elegies he writ,And taught his tuneful instrument to grieve,And sang in quavers how his heart was split,Constant beneath her lattice with each eve;She mock'd his wooing with her wicked wit,And slash'd his suit so that it matched his sleeve,Till he grew silent at the vesper star,And, quite despairing, hamstring'd his guitar.
Bianca's heart was coldly frosted o'erWith snows unmelting--an eternal sheet,But his was red within him, like the coreOf old Vesuvius, with perpetual heat;And oft he longed internally to pourHis flames and glowing lava at her feet,But when his burnings he began to spout.She stopp'd his mouth, and put the crater out.
Meanwhile he wasted in the eyes of men,So thin, he seem'd a sort of skeleton-keySuspended at death's door--so pale--and thenHe turn'd as nervous as an aspen tree;The life of man is three score years and ten,But he was perishing at twenty-three,For people truly said, as grief grew stronger,"It could not shorten his poor life--much longer."
For why, he neither slept, nor drank, nor fed,Nor relished any kind of mirth below;Fire in his heart, and frenzy in his head,Love had become his universal foe,Salt in his sugar--nightmare in his bed,At last, no wonder wretched Julio,A sorrow-ridden thing, in utter dearthOf hope,--made up his mind to cut her girth!
For hapless lovers always died of old,Sooner than chew reflection's bitter cud;So Thisbe stuck herself, what time 'tis told,The tender-hearted mulberries wept blood;And so poor Sappho when her boy was cold,Drown'd her salt tear drops in a salter flood,Their fame still breathing, tho' their breath be past,For those old suitors lived beyond their last.
So Julio went to drown,--when life was dull,But took his corks, and merely had a bath;And once he pull'd a trigger at his skull,But merely broke a window in his wrath;And once, his hopeless being to annul,He tied a pack-thread to a beam of lath,A line so ample, 'twas a query whether'Twas meant to be a halter or a tether.
Smile not in scorn, that Julio did not thrustHis sorrows thro'--'tis horrible to die!And come down, with our little all of dust,That dun of all the duns to satisfy:To leave life's pleasant city as we must,In Death's most dreary spunging-house to lie,Where even all our personals must goTo pay the debt of nature that we owe!
So Julio liv'd:--'twas nothing but a petHe took at life--a momentary spite;Besides, he hoped that time would some day getThe better of love's flame, howover bright;A thing that time has never compass'd yet,For love, we know, is an immortal light.Like that old fire, that, quite beyond a doubt,Was always in,--for none have found it out.
Meanwhile, Bianca dream'd--'twas once when NightAlong the darken'd plain began to creep,Like a young Hottentot, whose eyes are bright,Altho' in skin as sooty as a sweep:The flow'rs had shut their eyes--the zephyr lightWas gone, for it had rock'd the leaves to sleep.And all the little birds had laid their headsUnder their wings--sleeping in feather beds.
Lone in her chamber sate the dark-ey'd maid,By easy stages jaunting thro' her pray'rs,But list'ning side-long to a serenade,That robb'd the saints a little of their shares;For Julio underneath the lattice play'dHis Deh Vieni, and such amorous airs,Born only underneath Italian skies,Where every fiddle has a Bridge of Sighs.
Sweet was the tune--the words were even sweeter--Praising her eyes, her lips, her nose, her hair,With all the common tropes wherewith in metreThe hackney poets overcharge their fair.Her shape was like Diana's, but completer;Her brow with Grecian Helen's might compare:Cupid, alas! was cruel Sagittarius,Julio--the weeping water-man Aquarius.
Now, after listing to such laudings rare,'Twas very natural indeed to go--What if she did postpone one little pray'r--To ask her mirror "if it was not so?"'Twas a large mirror, none the worse for wear,Reflecting her at once from top to toe:And there she gazed upon that glossy track,That show'd her front face tho' it "gave her back."
And long her lovely eyes were held in thrall,By that dear page where first the woman reads:That Julio was no flatt'rer, none at all,She told herself--and then she told her beads;Meanwhile, the nerves insensibly let fallTwo curtains fairer than the lily breeds;For Sleep had crept and kiss'd her unawares,Just at the half-way milestone of her pray'rs.
Then like a drooping rose so bended she,Till her bow'd head upon her hand reposed;But still she plainly saw, or seem'd to see,That fair reflection, tho' her eyes were closed,A beauty-bright as it was wont to be,A portrait Fancy painted while she dozed:'Tis very natural some people say,To dream of what we dwell on in the day.
Still shone her face--yet not, alas! the same,But 'gan some dreary touches to assume,And sadder thoughts, with sadder changes came--Her eyes resigned their light, her lips their bloom,Her teeth fell out, her tresses did the same,Her cheeks were tinged with bile, her eyes with rheum:There was a throbbing at her heart within,For, oh! there was a shooting in her chin.
And lo! upon her sad desponding brow,The cruel trenches of besieging age,With seams, but most unseemly, 'gan to showHer place was booking for the seventh stage;And where her raven tresses used to flow,Some locks that Time had left her in his rage.And some mock ringlets, made her forehead shady,A compound (like our Psalms) of tete and braidy.
Then for her shape--alas! how Saturn wrecks,And bends, and corkscrews all the frame about,Doubles the hams, and crooks the straightest necks,Draws in the nape, and pushes forth the snout,Makes backs and stomachs concave or convex:Witness those pensioners called In and Out,Who all day watching first and second rater,Quaintly unbend themselves--but grow no straighter.
So Time with fair Bianca dealt, and madeHer shape a bow, that once was like an arrow;His iron hand upon her spine he laid,And twisted all awry her "winsome marrow."In truth it was a change!--she had obey'dThe holy Pope before her chest grew narrow,But spectacles and palsy seem'd to make herSomething between a Glassite and a Quaker.
Her grief and gall meanwhile were quite extreme,And she had ample reason for her trouble;For what sad maiden can endure to seemSet in for singleness, tho' growing double.The fancy madden'd her; but now the dream,Grown thin by getting bigger, like a bubble,Burst,--but still left some fragments of its size,That, like the soapsuds, smarted in her eyes.
And here--just here--as she began to heedThe real world, her clock chimed out its score;A clock it was of the Venetian breed,That cried the hour from one to twenty-four;The works moreover standing in some needOf workmanship, it struck some dozens more;A warning voice that clench'd Bianca's fears,Such strokes referring doubtless to her years.
At fifteen chimes she was but half a nun,By twenty she had quite renounced the veil;She thought of Julio just at twenty-one,And thirty made her very sad and pale,To paint that ruin where her charms would run;At forty all the maid began to fail,And thought no higher, as the late dream cross'd her,Of single blessedness, than single Gloster.
And so Bianca changed;--the next sweet even,With Julio in a black Venetian bark,Row'd slow and stealthily--the hour, eleven,Just sounding from the tow'r of old St. Mark;She sate with eyes turn'd quietly to heav'n,Perchance rejoicing in the grateful darkThat veil'd her blushing cheek,--for Julio brought herOf course--to break the ice upon the water.
But what a puzzle is one's serious mindTo open;--oysters, when the ice is thick,Are not so difficult and disinclin'd;And Julio felt the declaration stickAbout his throat in a most awful kind;However, he contrived by bits to pickHis trouble forth,--much like a rotten corkGrop'd from a long-necked bottle with a fork.
But love is still the quickest of all readers;And Julio spent besides those signs profuseThat English telegraphs and foreign pleaders,In help of language, are so apt to use,Arms, shoulders, fingers, all were interceders,Nods, shrugs, and bends,--Bianca could not chooseBut soften to his suit with more facility,He told his story with so much agility.
"Be thou my park, and I will be thy dear,(So he began at last to speak or quote;)Be thou my bark, and I thy gondolier,(For passion takes this figurative note;)Be thou my light, and I thy chandelier;Be thou my dove, and I will be thy cote:My lily be, and I will be thy river;Be thou my life--and I will be thy liver."
This, with more tender logic of the kind,He pour'd into her small and shell-like ear,That timidly against his lips inclin'd;Meanwhile her eyes glanced on the silver sphereThat even now began to steal behindA dewy vapor, which was lingering near,Wherein the dull moon crept all dim and pale,Just like a virgin putting on the veil:--
Bidding adieu to all her sparks--the stars,That erst had woo'd and worshipp'd in her train,Saturn and Hesperus, and gallant Mars--Never to flirt with heavenly eyes again.Meanwhile, remindful of the convent bars,Bianca did not watch these signs in vain,But turn'd to Julio at the dark eclipse,With words, like verbal kisses, on her lips.
He took the hint full speedily, and, back'dBy love, and night, and the occasion's meetness,Bestow'd a something on her cheek that smack'd(Tho' quite in silence) of ambrosial sweetness;That made her think all other kisses lack'dTill then, but what she knew not, of completeness;Being used but sisterly salutes to feel,Insipid things--like sandwiches of veal.
He took her hand, and soon she felt him wringThe pretty fingers all instead of one;Anon his stealthy arm began to clingAbout her waist that had been clasp'd by none,Their dear confessions I forbear to sing,Since cold description would but be outrun;For bliss and Irish watches have the pow'r,In twenty minutes, to lose half an hour!
Words in this poem 64
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- witching a.
- That witches or enchants; suited to enchantment or witchcraft; bewitching.
- balmy a.
- Having the qualities of balm; odoriferous; aromatic; assuaging; soothing; refreshing; mild.
- eupyrion n.
- A contrivance for obtaining a light instantaneous, as a lucifer match. Brande & C.
- wherever adv.
- At or in whatever place; wheresoever.
- cursed a.
- Deserving a curse; execrable; hateful; detestable; abominable.
- tenderly adv.
- In a tender manner; with tenderness; mildly; gently; softly; in a manner not to injure or give pain; with pity or affection; kindly.
- needless a.
- Having no need.
- howbeit conj.
- Be it as it may; nevertheless; notwithstanding; although; albeit; yet; but; however. [How + be + it.]
- amongst prep.
- Mixed or mingled; surrounded by. [OE. amongist, amonges, amonge, among, AS. onmang, ongemang, gemang, in a crowd or mixture. For the ending -st see Amidst. See Mingle.]
- jailer n.
- The keeper of a jail or prison. [OE. jailer, gailer, OF. geolier, F. geôlier. See Jail.]
- hapless a.
- Without hap or luck; luckless; unfortunate; unlucky; unhappy; as, hapless youth; hapless maid.
- hatter v. t.
- To tire or worry; -- out. [Prov. E., to entangle; cf. LG. verhaddern, verheddern, verhiddern.]
- went n.
- Course; way; path; journey; direction.
- haunted a.
- Inhabited by, or subject to the visits of, apparitions; frequented by a ghost.
- tuneful a.
- Harmonious; melodious; musical; as, tuneful notes.
- vesper n.
- The evening star; Hesper; Venus, when seen after sunset; hence, the evening. [L., the evening, the evening star, the west; akin to Gr. west. Cf. Hesperian, Vespers.]
- despairing a.
- Feeling or expressing despair; hopeless.
- coldly adv.
- In a cold manner; without warmth, animation, or feeling; with indifference; calmly.
- frosted a.
- Covered with hoarfrost or anything resembling hoarfrost; ornamented with frosting; also, frost-bitten; as, a frosted cake; frosted glass.
- crater n.
- The basinlike opening or mouth of a volcano, through which the chief eruption comes; similarly, the mouth of a gevser, about which a cone of silica is often built up. [L. crater, cratera, a mixing vessel, the mouth of a volcano, Gr. ir to cook, Crail, in Holy Grail.]
- meanwhile n.
- The intervening time; as, in the meantime (or mean time).
- drank n.
- Wild oats, or darnel grass. See Drake a plant. [Cf. 3d Drake.]
- dearth n.
- Scarcity which renders dear; want; lack; specifically, lack of food on account of failure of crops; famine. [OE. derthe, fr. dere. See Dear.]
- sappho n.
- Any one of several species of brilliant South American humming birds of the genus Sappho, having very bright-colored and deeply forked tails; -- called also firetail. [See Sapphic.]
- salter n.
- One who makes, sells, or applies salt; one who salts meat or fish.
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- query n.
- A question; an inquiry to be answered or solved. [L. quaere, imperative sing. of quaerere, quaesitum to seek or search for, to ask, inquire. Cf. Acquire, Conquer, Exquisite, Quest, Require.]
- tether n.
- A long rope or chain by which an animal is fastened, as to a stake, so that it can range or feed only within certain limits. [Formerly tedder, OE. tedir; akin to LG. tider, tier, Icel. tjo, Dan. töir. *64.]
- dreary a.
- Sorrowful; distressful. [OE. dreori, dreri, AS. dreórig, sad; akin to G. traurig, and prob. to AS. dreósan to fall, Goth. driusan. Cf. Dross, Drear, Drizzle, Drowse.]
- hottentot n.
- One of a degraded and savage race of South Africa, with yellowish brown complexion, high cheek bones, and wooly hair growing in tufts. [D. Hottentot; -- so called from hot and tot, two syllables of frequent occurrence in their language. Wedgwood.]
- zephyr n.
- The west wind; poetically, any soft, gentle breeze. [L. zephyrus, Gr. zéphyr.]
- lone n.
- A lane. See Loanin.
- sate v. t.
- To satisfy the desire or appetite of; to satiate; to glut; to surfeit. [Probably shortened fr. satiate: cf. L. satus full. See Satiate.]
- wherewith adv.
- With which; -- used relatively.
- overcharge v. t.
- To charge or load too heavily; to burden; to oppress; to cloy. Sir W. Raleigh. [Cf. Supercharge, Surcharge.]
- cupid
- The god of love, son of Venus; usually represented as a naked, winged boy with bow and arrow. [L.Cupido, fr. cupido desire, desire of love, fr. cupidus. See Cupidity.]
- listing n.
- The act or process of one who lists (in any sense of the verb); as, the listing of a door; the listing of a stock at the Stock Exchange.
- insensibly adv.
- In a manner not to be felt or perceived; imperceptibly; gradually.
- milestone n.
- A stone serving the same purpose as a milepost.
- reposed a.
- Composed; calm; tranquil; at rest.
- resigned a.
- Submissive; yielding; not disposed to resist or murmur.
- besieging a.
- That besieges; laying siege to.
- backs n.
- Among leather dealers, the thickest and stoutest tanned hides.
- rater n.
- One who rates or estimates.
- quaintly adv.
- In a quaint manner.
- unbend v. t.
- To free from flexure; to make, or allow to become, straight; to loosen; as, to unbend a bow. [1st pref. un- + bend.]
- winsome a.
- Cheerful; merry; gay; light-hearted. [AS. wynsum, fr. wynn joy; akin to OS. wunnia, OHG. wunna, wunni, G. wonne, Goth. wunan to rejoice (in unwunands sad), AS. wunian to dwell. Win, v. t., Wont, a.]
- glassite n.
- A member of a Scottish sect, founded in the 18th century by John Glass, a minister of the Established Church of Scotland, who taught that justifying faith is
- quaker n.
- One who quakes.
- singleness n.
- The quality or state of being single, or separate from all others; the opposite of doubleness, complication, or multiplicity.
- bigger a.
- , compar. of Big.
- soapsuds n.
- Suds made with soap.
- doubtless a.
- Free from fear or suspicion.
- blessedness n.
- The state of being blessed; happiness; felicity; bliss; heavenly joys; the favor of God.
- gondolier n.
- A man who rows a gondola. [It. gondoliere: cf. F. gondolier.]
- chandelier n.
- A candlestick, lamp, stand, gas fixture, or the like, having several branches; esp., one hanging from the ceiling. [F. See Chandler.]
- cote n.
- A cottage or hut. [See 1st Cot.]
- hesperus n.
- Venus when she is the evening star; Hesper. [L. See Hesper.]
- remindful a.
- Tending or adapted to remind; careful to remind. Southey.
- meetness n.
- Fitness; suitableness; propriety.
- ambrosial a.
- Consisting of, or partaking of the nature of, ambrosia; delighting the taste or smell; delicious.
- anon adv.
- Straightway; at once. [OE. anoon, anon, anan, lit., in one (moment), fr. AS. on in + an one. See On and One.]
- outrun v. t.
- To exceed, or leave behind, in running; to run faster than; to outstrip; to go beyond.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Venetian Story is in the public domain. This text is taken from The Poetical Works of Thomas Hood, Project Gutenberg ebook #15652; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Thomas Hood, A Venetian Story, in The Song of the Shirt, and Other Poems (1826–1845), text of Project Gutenberg ebook #15652, Laurel, https://laurelpoetry.com/poem/hood-poetical-works/a-venetian-story.html, id L20137.
Form and metre
A Venetian Story is 272 lines in 34 stanzas of 8 lines each. The rhyme scheme is ABABABCC, complete in 22 of its 34 stanzas; the stanza is the Ottava rima. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%).
See other poems in ottava rima, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABABCC dwellA · gazeB · spellA · daysB · swellA · blazeB · itC · minuteC
- 2 ABABABCC shoneA · flameB · ownA · cameB · ownA · tameB · hintsC · flintsC
- 3 ABAB-BCC sexA · brownB · vexA · frownB · pecks · downB · kindC · blindC
- 4 ABABA-CC taughtA · jailerB · soughtA · tailorB · boughtA · her · smartC · heartC
- 5 ABABABCC parkA · cameB · markA · nameB · barkA · flameB · growC · embryoC
- 6 ABABABCC writA · grieveB · splitA · eveB · witA · sleeveB · starC · guitarC
- 7 -ABABACC o'er · sheetA · coreB · heatA · pourB · feetA · spoutC · outC
- 8 ABABABCC menA · keyB · thenA · treeB · tenA · threeB · strongerC · longerC
- 9 ABABA-CC fedA · belowB · headA · foeB · bedA · julio · dearthC · girthC
- 10 ABABABCC oldA · cudB · toldA · bloodB · coldA · floodB · pastC · lastC
- 11 ABABABCC dullA · bathB · skullA · wrathB · annulA · lathB · whetherC · tetherC
- 12 ABABABCC thrustA · dieB · dustA · satisfyB · mustA · lieB · goC · oweC
- 13 ABABABCC petA · spiteB · getA · brightB · yetA · lightB · doubtC · outC
- 14 ABABABCC nightA · creepB · brightA · sweepB · lightA · sleepB · headsC · bedsC
- 15 ABABABCC maidA · pray'rsB · serenadeA · sharesB · play'dA · airsB · skiesC · sighsC
- 16 ABABABCC sweeterA · hairB · metreA · fairB · completerA · compareB · sagittariusC · aquariusC
- 17 AB-BABCC rareA · goB · pray'r · soB · wearA · toeB · trackC · backC
- 18 ABABABCC thrallA · readsB · allA · beadsB · fallA · breedsB · unawaresC · pray'rsC
- 19 ABABABCC sheA · reposedB · seeA · closedB · beA · dozedB · sayC · dayC
- 20 ABABA-CC sameA · assumeB · cameA · bloomB · sameA · rheum · withinC · chinC
- 21 -ABABA-- brow · ageA · showB · stageA · flowB · rageA · shady · braidy
- 22 ABABABCC wrecksA · aboutB · necksA · snoutB · convexA · outB · raterC · straighterC
- 23 ABABAB-- madeA · arrowB · laidA · marrowB · obey'dA · narrowB · her · quaker
- 24 ABABABCC extremeA · troubleB · seemA · doubleB · dreamA · bubbleB · sizeC · eyesC
- 25 ABABABCC heedA · scoreB · breedA · fourB · needA · moreB · fearsC · yearsC
- 26 ABABAB-- nunA · veilB · oneA · paleB · runA · failB · her · gloster
- 27 -A-A-A-- even · barkA · eleven · markA · heav'n · darkA · her · water
- 28 ABABABCC mindA · thickB · disinclin'dA · stickB · kindA · pickB · corkC · forkC
- 29 ABABA--- readersA · profuseB · pleadersA · useB · intercedersA · choose · facility · agility
- 30 ABABABCC dearA · quoteB · gondolierA · noteB · chandelierA · coteB · riverC · liverC
- 31 ABABABCC kindA · earB · inclin'dA · sphereB · behindA · nearB · paleC · veilC
- 32 ABABABCC starsA · trainB · marsA · againB · barsA · vainB · eclipseC · lipsC
- 33 ABABABCC back'dA · meetnessB · smack'dA · sweetnessB · lack'dA · completenessB · feelC · vealC
- 34 ABABAB-- wringA · oneB · clingA · noneB · singA · outrunB · pow'r · hour
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Bianca!--fair Bianca!--who could dwell | 10 | ˘/˘·˘/˘··· |
| With safety on her dark and hazel gaze, | 10 | ·/˘····/˘· |
| Nor find there lurk'd in it a witching spell, | 10 | ·······/˘· |
| Fatal to balmy nights and blessed days? | 10 | /˘·/˘···˘· |
| The peaceful breath that made the bosom swell, | 10 | ·/˘····/˘· |
| She turn'd to gas, and set it in a blaze; | 10 | ·········· |
| Each eye of hers had Love's Eupyrion in it, | 11 | ··········· |
| That he could light his link at in a minute. | 11 | ·········/˘ |
| So that, wherever in her charms she shone, | 10 | ··˘/˘····· |
| A thousand breasts were kindled into flame; | 10 | ·/˘··/˘··· |
| Maidens who cursed her looks forgot their own, | 10 | /˘····˘/·· |
| And beaux were turn'd to flambeaux where she came; | 10 | ·········· |
| All hearts indeed were conquer'd but her own, | 10 | ··˘/·/˘··· |
| Which none could ever temper down or tame: | 10 | ···/˘/˘··· |
| In short, to take our haberdasher's hints, | 10 | ····/····· |
| She might have written over it,--"from Flints." | 10 | ···/˘····· |
| She was, in truth, the wonder of her sex, | 10 | ·····/˘··· |
| At least in Venice--where with eyes of brown | 10 | ···/˘····· |
| Tenderly languid, ladies seldom vex | 10 | /˘˘/˘/˘/˘· |
| An amorous gentle with a needless frown; | 10 | ·/˘/˘··/˘· |
| Where gondolas convey guitars by pecks, | 10 | ·/˘˘˘/˘/·· |
| And Love at casements climbeth up and down, | 11 | ······/˘··· |
| Whom for his tricks and custom in that kind, | 10 | ·····/˘··· |
| Some have considered a Venetian blind. | 10 | ··˘/˘·˘/˘· |
| Howbeit, this difference was quickly taught, | 10 | ˘/˘·/˘·/˘· |
| Amongst more youths who had this cruel jailer, | 11 | ·······/˘/˘ |
| To hapless Julio--all in vain he sought | 10 | ·/˘/˘····· |
| With each new moon his hatter and his tailor; | 11 | ·····/˘··/˘ |
| In vain the richest padusoy he bought, | 10 | ···/˘····· |
| And went in bran new beaver to assail her-- | 11 | ·····/˘·˘/· |
| As if to show that Love had made him smart | 10 | ·········· |
| All over--and not merely round his heart. | 10 | ·····/˘··· |
| In vain he labor'd thro' the sylvan park | 10 | ···/˘··/˘· |
| Bianca haunted in--that where she came, | 10 | ˘/˘/˘····· |
| Her learned eyes in wandering might mark | 10 | ··˘··/˘˘·· |
| The twisted cypher of her maiden name, | 10 | ·/˘/˘··/˘· |
| Wholesomely going thro' a course of bark: | 11 | ·····/····· |
| No one was touched or troubled by his flame, | 10 | ·····/˘··· |
| Except the Dryads, those old maids that grow | 9 | ········· |
| In trees,--like wooden dolls in embryo. | 10 | ···/˘··/˘· |
| In vain complaining elegies he writ, | 10 | ··˘/˘/˘˘·· |
| And taught his tuneful instrument to grieve, | 10 | ···/˘/˘˘·· |
| And sang in quavers how his heart was split, | 10 | ···/˘····· |
| Constant beneath her lattice with each eve; | 10 | /˘···/˘··· |
| She mock'd his wooing with her wicked wit, | 10 | ···/˘··/˘· |
| And slash'd his suit so that it matched his sleeve, | 10 | ·········· |
| Till he grew silent at the vesper star, | 10 | ···/˘··/˘· |
| And, quite despairing, hamstring'd his guitar. | 10 | ··˘/˘···˘/ |
| Bianca's heart was coldly frosted o'er | 10 | ˘/˘··/˘/˘· |
| With snows unmelting--an eternal sheet, | 10 | ······˘/˘· |
| But his was red within him, like the core | 10 | ·········· |
| Of old Vesuvius, with perpetual heat; | 10 | ··˘/˘·˘/˘· |
| And oft he longed internally to pour | 10 | ····˘/˘˘·· |
| His flames and glowing lava at her feet, | 10 | ···/˘/˘··· |
| But when his burnings he began to spout. | 10 | ···/˘·˘/·· |
| She stopp'd his mouth, and put the crater out. | 10 | ·······/˘· |
| Meanwhile he wasted in the eyes of men, | 10 | /··/˘····· |
| So thin, he seem'd a sort of skeleton-key | 10 | ·······/˘· |
| Suspended at death's door--so pale--and then | 10 | ˘/˘······· |
| He turn'd as nervous as an aspen tree; | 10 | ···/˘··/˘· |
| The life of man is three score years and ten, | 10 | ·········· |
| But he was perishing at twenty-three, | 10 | ···/˘˘·/˘· |
| For people truly said, as grief grew stronger, | 11 | ·/˘/˘····/˘ |
| "It could not shorten his poor life--much longer." | 11 | ···/˘····/˘ |
| For why, he neither slept, nor drank, nor fed, | 10 | ···/˘····· |
| Nor relished any kind of mirth below; | 10 | ·/˘/˘····· |
| Fire in his heart, and frenzy in his head, | 10 | /····/˘··· |
| Love had become his universal foe, | 10 | ··˘/··˘/˘· |
| Salt in his sugar--nightmare in his bed, | 10 | ···/˘/···· |
| At last, no wonder wretched Julio, | 10 | ···/˘/˘/˘˘ |
| A sorrow-ridden thing, in utter dearth | 10 | ·/˘/˘··/˘· |
| Of hope,--made up his mind to cut her girth! | 10 | ·········· |
| For hapless lovers always died of old, | 10 | ·/˘/˘/···· |
| Sooner than chew reflection's bitter cud; | 10 | /˘··˘/˘/˘· |
| So Thisbe stuck herself, what time 'tis told, | 9 | ···˘/···· |
| The tender-hearted mulberries wept blood; | 10 | ·/˘/˘/·˘·· |
| And so poor Sappho when her boy was cold, | 10 | ···/˘····· |
| Drown'd her salt tear drops in a salter flood, | 10 | ·······/˘· |
| Their fame still breathing, tho' their breath be past, | 10 | ···/˘····· |
| For those old suitors lived beyond their last. | 10 | ···/˘····· |
| So Julio went to drown,--when life was dull, | 10 | ·/˘······· |
| But took his corks, and merely had a bath; | 10 | ·····/˘··· |
| And once he pull'd a trigger at his skull, | 10 | ·····/˘··· |
| But merely broke a window in his wrath; | 10 | ·/˘··/˘··· |
| And once, his hopeless being to annul, | 10 | ···/˘/˘·/˘ |
| He tied a pack-thread to a beam of lath, | 10 | ·········· |
| A line so ample, 'twas a query whether | 11 | ···/˘··/˘·· |
| 'Twas meant to be a halter or a tether. | 11 | ·····/˘··/˘ |
| Smile not in scorn, that Julio did not thrust | 10 | ·····/˘··· |
| His sorrows thro'--'tis horrible to die! | 10 | ·/˘··/˘˘·· |
| And come down, with our little all of dust, | 10 | ····//˘··· |
| That dun of all the duns to satisfy: | 10 | ·······/˘· |
| To leave life's pleasant city as we must, | 10 | ···/˘/˘··· |
| In Death's most dreary spunging-house to lie, | 10 | ···/˘····· |
| Where even all our personals must go | 10 | ·/·/˘/˘˘·· |
| To pay the debt of nature that we owe! | 10 | ·····/˘··· |
| So Julio liv'd:--'twas nothing but a pet | 10 | ·/˘··/˘··· |
| He took at life--a momentary spite; | 10 | ·····/˘·˘· |
| Besides, he hoped that time would some day get | 10 | ˘/········ |
| The better of love's flame, howover bright; | 10 | ·/˘······· |
| A thing that time has never compass'd yet, | 10 | ·····/˘··· |
| For love, we know, is an immortal light. | 10 | ······˘/˘· |
| Like that old fire, that, quite beyond a doubt, | 10 | ···/······ |
| Was always in,--for none have found it out. | 10 | ·/········ |
| Meanwhile, Bianca dream'd--'twas once when Night | 10 | /·˘/˘····· |
| Along the darken'd plain began to creep, | 10 | ˘/·/˘·˘/·· |
| Like a young Hottentot, whose eyes are bright, | 10 | ···/˘˘···· |
| Altho' in skin as sooty as a sweep: | 10 | ˘/···/˘··· |
| The flow'rs had shut their eyes--the zephyr light | 10 | ·······/˘· |
| Was gone, for it had rock'd the leaves to sleep. | 10 | ·········· |
| And all the little birds had laid their heads | 10 | ···/˘····· |
| Under their wings--sleeping in feather beds. | 10 | ····/˘·/˘· |
| Lone in her chamber sate the dark-ey'd maid, | 10 | ···/˘····· |
| By easy stages jaunting thro' her pray'rs, | 10 | ·/˘/˘/˘··· |
| But list'ning side-long to a serenade, | 10 | ········˘/ |
| That robb'd the saints a little of their shares; | 10 | ·····/˘··· |
| For Julio underneath the lattice play'd | 10 | ·/˘·˘/·/˘· |
| His Deh Vieni, and such amorous airs, | 10 | ······/˘˘· |
| Born only underneath Italian skies, | 10 | ·/˘·˘/˘/˘· |
| Where every fiddle has a Bridge of Sighs. | 10 | ·/˘/˘····· |
| Sweet was the tune--the words were even sweeter-- | 11 | ·······/˘/˘ |
| Praising her eyes, her lips, her nose, her hair, | 10 | /˘········ |
| With all the common tropes wherewith in metre | 11 | ···/˘·˘/·/˘ |
| The hackney poets overcharge their fair. | 10 | ·/˘/˘/˘··· |
| Her shape was like Diana's, but completer; | 11 | ····˘/˘···· |
| Her brow with Grecian Helen's might compare: | 10 | ···/˘/˘·˘/ |
| Cupid, alas! was cruel Sagittarius, | 10 | /˘˘/·/···· |
| Julio--the weeping water-man Aquarius. | 11 | /˘·/˘/˘·˘/˘ |
| Now, after listing to such laudings rare, | 10 | ···/˘··/˘· |
| 'Twas very natural indeed to go-- | 10 | ·/˘/˘˘˘/·· |
| What if she did postpone one little pray'r-- | 10 | ····˘/·/˘· |
| To ask her mirror "if it was not so?" | 10 | ···/˘····· |
| 'Twas a large mirror, none the worse for wear, | 10 | ···/˘····· |
| Reflecting her at once from top to toe: | 10 | ˘/˘······· |
| And there she gazed upon that glossy track, | 10 | ·······/˘· |
| That show'd her front face tho' it "gave her back." | 10 | ·········· |
| And long her lovely eyes were held in thrall, | 10 | ···/˘····· |
| By that dear page where first the woman reads: | 10 | ·······/˘· |
| That Julio was no flatt'rer, none at all, | 10 | ·/˘······· |
| She told herself--and then she told her beads; | 10 | ··˘/······ |
| Meanwhile, the nerves insensibly let fall | 10 | /···˘/˘˘·· |
| Two curtains fairer than the lily breeds; | 10 | ·/˘/˘··/˘· |
| For Sleep had crept and kiss'd her unawares, | 10 | ········˘/ |
| Just at the half-way milestone of her pray'rs. | 10 | ·····/···· |
| Then like a drooping rose so bended she, | 10 | ···/˘··/˘· |
| Till her bow'd head upon her hand reposed; | 10 | ········/· |
| But still she plainly saw, or seem'd to see, | 10 | ···/˘····· |
| That fair reflection, tho' her eyes were closed, | 10 | ··˘/˘····· |
| A beauty-bright as it was wont to be, | 10 | ·/˘······· |
| A portrait Fancy painted while she dozed: | 10 | ·/˘/˘/˘··· |
| 'Tis very natural some people say, | 10 | ·/˘/˘˘·/˘· |
| To dream of what we dwell on in the day. | 10 | ·········· |
| Still shone her face--yet not, alas! the same, | 10 | ······˘/·· |
| But 'gan some dreary touches to assume, | 10 | ···/˘/˘·˘/ |
| And sadder thoughts, with sadder changes came-- | 10 | ·/˘··/˘/˘· |
| Her eyes resigned their light, her lips their bloom, | 10 | ··˘/······ |
| Her teeth fell out, her tresses did the same, | 10 | ·····/˘··· |
| Her cheeks were tinged with bile, her eyes with rheum: | 11 | ·········/˘ |
| There was a throbbing at her heart within, | 10 | ···/˘····· |
| For, oh! there was a shooting in her chin. | 10 | ·····/˘··· |
| And lo! upon her sad desponding brow, | 10 | ·········· |
| The cruel trenches of besieging age, | 10 | ·/˘/˘·˘/˘· |
| With seams, but most unseemly, 'gan to show | 10 | ····˘/˘··· |
| Her place was booking for the seventh stage; | 10 | ···/˘··/˘· |
| And where her raven tresses used to flow, | 10 | ···/˘/˘··· |
| Some locks that Time had left her in his rage. | 10 | ·········· |
| And some mock ringlets, made her forehead shady, | 11 | ·······/˘/˘ |
| A compound (like our Psalms) of tete and braidy. | 11 | ·˘/·/······ |
| Then for her shape--alas! how Saturn wrecks, | 10 | ····˘/·/˘· |
| And bends, and corkscrews all the frame about, | 10 | ···/······ |
| Doubles the hams, and crooks the straightest necks, | 10 | /˘·····/˘· |
| Draws in the nape, and pushes forth the snout, | 10 | ·····/˘··· |
| Makes backs and stomachs concave or convex: | 10 | ···/˘/˘·˘/ |
| Witness those pensioners called In and Out, | 10 | /˘·/˘˘···· |
| Who all day watching first and second rater, | 11 | ···/˘··/˘/˘ |
| Quaintly unbend themselves--but grow no straighter. | 11 | /˘·/˘/···/˘ |
| So Time with fair Bianca dealt, and made | 10 | ····˘/˘··· |
| Her shape a bow, that once was like an arrow; | 11 | ·········/˘ |
| His iron hand upon her spine he laid, | 10 | ·/˘······· |
| And twisted all awry her "winsome marrow." | 11 | ·/˘·˘/·/˘/˘ |
| In truth it was a change!--she had obey'd | 10 | ········˘/ |
| The holy Pope before her chest grew narrow, | 11 | ·/˘······/˘ |
| But spectacles and palsy seem'd to make her | 10 | ·/˘·/˘···· |
| Something between a Glassite and a Quaker. | 11 | /˘···/˘··/˘ |
| Her grief and gall meanwhile were quite extreme, | 10 | ····/···˘/ |
| And she had ample reason for her trouble; | 11 | ···/˘/˘··/˘ |
| For what sad maiden can endure to seem | 10 | ···/˘·˘/·· |
| Set in for singleness, tho' growing double. | 11 | ···/˘˘·/˘/˘ |
| The fancy madden'd her; but now the dream, | 10 | ·/˘······· |
| Grown thin by getting bigger, like a bubble, | 11 | ···/˘/˘··/˘ |
| Burst,--but still left some fragments of its size, | 10 | ·····/˘··· |
| That, like the soapsuds, smarted in her eyes. | 10 | ···/˘/˘··· |
| And here--just here--as she began to heed | 10 | ······˘/·· |
| The real world, her clock chimed out its score; | 10 | ······˘··· |
| A clock it was of the Venetian breed, | 10 | ······˘/˘· |
| That cried the hour from one to twenty-four; | 10 | ···/···/˘· |
| The works moreover standing in some need | 10 | ··˘/˘/˘··· |
| Of workmanship, it struck some dozens more; | 10 | ·/˘····/˘· |
| A warning voice that clench'd Bianca's fears, | 10 | ·/˘···˘/˘· |
| Such strokes referring doubtless to her years. | 10 | ··˘/˘/˘··· |
| At fifteen chimes she was but half a nun, | 10 | ·˘/······· |
| By twenty she had quite renounced the veil; | 10 | ·/˘···˘/·· |
| She thought of Julio just at twenty-one, | 10 | ···/˘··/˘· |
| And thirty made her very sad and pale, | 10 | ·/˘··/˘··· |
| To paint that ruin where her charms would run; | 10 | ···/˘····· |
| At forty all the maid began to fail, | 10 | ·/˘···˘/·· |
| And thought no higher, as the late dream cross'd her, | 10 | ···/······ |
| Of single blessedness, than single Gloster. | 11 | ·/˘/˘˘·/˘/˘ |
| And so Bianca changed;--the next sweet even, | 11 | ··˘/˘····/˘ |
| With Julio in a black Venetian bark, | 10 | ·/˘···˘/˘· |
| Row'd slow and stealthily--the hour, eleven, | 11 | ···/˘˘·/˘/˘ |
| Just sounding from the tow'r of old St. Mark; | 10 | ·/˘······· |
| She sate with eyes turn'd quietly to heav'n, | 10 | ·····/˘˘·· |
| Perchance rejoicing in the grateful dark | 10 | ˘/˘/˘··/˘· |
| That veil'd her blushing cheek,--for Julio brought her | 11 | ···/˘··/˘·· |
| Of course--to break the ice upon the water. | 11 | ·········/˘ |
| But what a puzzle is one's serious mind | 10 | ···/˘··/˘· |
| To open;--oysters, when the ice is thick, | 10 | ·/˘/˘····· |
| Are not so difficult and disinclin'd; | 10 | ···/˘˘··˘/ |
| And Julio felt the declaration stick | 10 | ·/˘···˘/˘· |
| About his throat in a most awful kind; | 10 | ·······/˘· |
| However, he contrived by bits to pick | 10 | ·/˘·˘/···· |
| His trouble forth,--much like a rotten cork | 10 | ·/˘····/˘· |
| Grop'd from a long-necked bottle with a fork. | 10 | ·····/˘··· |
| But love is still the quickest of all readers; | 11 | ·····/˘··/˘ |
| And Julio spent besides those signs profuse | 10 | ·/˘·˘/··˘/ |
| That English telegraphs and foreign pleaders, | 11 | ·/˘/˘··/˘·· |
| In help of language, are so apt to use, | 10 | ···/˘····· |
| Arms, shoulders, fingers, all were interceders, | 11 | ·/˘/˘······ |
| Nods, shrugs, and bends,--Bianca could not choose | 10 | ····˘/˘··· |
| But soften to his suit with more facility, | 11 | ·/˘·····˘/˘ |
| He told his story with so much agility. | 11 | ···/˘···˘/˘ |
| "Be thou my park, and I will be thy dear, | 10 | ·········· |
| (So he began at last to speak or quote;) | 10 | ··˘/······ |
| Be thou my bark, and I thy gondolier, | 10 | ········˘/ |
| (For passion takes this figurative note;) | 10 | ·/˘··/˘˘˘· |
| Be thou my light, and I thy chandelier; | 10 | ·······˘˘/ |
| Be thou my dove, and I will be thy cote: | 10 | ·········· |
| My lily be, and I will be thy river; | 11 | ·/˘······/˘ |
| Be thou my life--and I will be thy liver." | 11 | ·········/˘ |
| This, with more tender logic of the kind, | 10 | ···/˘/˘··· |
| He pour'd into her small and shell-like ear, | 10 | ·········· |
| That timidly against his lips inclin'd; | 10 | ·/˘˘····˘/ |
| Meanwhile her eyes glanced on the silver sphere | 10 | /······/˘· |
| That even now began to steal behind | 10 | ·/˘·˘/···· |
| A dewy vapor, which was lingering near, | 10 | ·/˘/˘··/˘· |
| Wherein the dull moon crept all dim and pale, | 10 | ·········· |
| Just like a virgin putting on the veil:-- | 10 | ···/˘/˘··· |
| Bidding adieu to all her sparks--the stars, | 10 | /˘˘/······ |
| That erst had woo'd and worshipp'd in her train, | 10 | ·····/˘··· |
| Saturn and Hesperus, and gallant Mars-- | 10 | /˘·/˘˘·/˘· |
| Never to flirt with heavenly eyes again. | 10 | /···/˘˘·˘/ |
| Meanwhile, remindful of the convent bars, | 10 | /·˘/˘··/˘· |
| Bianca did not watch these signs in vain, | 10 | ˘/˘······· |
| But turn'd to Julio at the dark eclipse, | 10 | ···/˘···˘/ |
| With words, like verbal kisses, on her lips. | 10 | ···/˘/˘··· |
| He took the hint full speedily, and, back'd | 10 | ·····/˘˘·· |
| By love, and night, and the occasion's meetness, | 11 | ······˘/˘/˘ |
| Bestow'd a something on her cheek that smack'd | 10 | ˘/·/˘····· |
| (Tho' quite in silence) of ambrosial sweetness; | 11 | ···/˘·˘/˘/˘ |
| That made her think all other kisses lack'd | 10 | ·····/˘/˘· |
| Till then, but what she knew not, of completeness; | 11 | ········˘/˘ |
| Being used but sisterly salutes to feel, | 10 | /··/˘˘˘/·· |
| Insipid things--like sandwiches of veal. | 10 | ˘/˘··/˘˘·· |
| He took her hand, and soon she felt him wring | 10 | ·········· |
| The pretty fingers all instead of one; | 10 | ·/˘/˘·˘/·· |
| Anon his stealthy arm began to cling | 10 | ˘/·/˘·˘/·· |
| About her waist that had been clasp'd by none, | 10 | ·········· |
| Their dear confessions I forbear to sing, | 10 | ··˘/˘·˘/·· |
| Since cold description would but be outrun; | 10 | ··˘/˘···˘/ |
| For bliss and Irish watches have the pow'r, | 10 | ···/˘/˘··· |
| In twenty minutes, to lose half an hour! | 11 | ·/˘/˘····/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.