The Sea of Death: A Fragment
----Methought I sawLife swiftly treading over endless space;And, at her foot-print, but a bygone pace,The ocean-past, which, with increasing wave,Swallow'd her steps like a pursuing grave.
Sad were my thoughts that anchor'd silentlyOn the dead waters of that passionless sea,Unstirr'd by any touch of living breath:Silence hung over it, and drowsy Death,Like a gorged sea-bird, slept with folded wingsOn crowded carcases--sad passive thingsThat wore the thin gray surface, like a veilOver the calmness of their features pale.
And there were spring-faced cherubs that did sleepLike water-lilies on that motionless deep,How beautiful! with bright unruffled hairOn sleek unfretted brows, and eyes that wereBuried in marble tombs, a pale eclipse!And smile-bedimpled cheeks, and pleasant lips,Meekly apart, as if the soul intenseSpake out in dreams of its own innocence:And so they lay in loveliness, and keptThe birth-night of their peace, that Life e'en weptWith very envy of their happy fronts;For there were neighbor brows scarr'd by the bruntsOf strife and sorrowing--where Care had setHis crooked autograph, and marr'd the jetOf glassy locks, with hollow eyes forlorn,And lips that curl'd in bitterness and scorn--Wretched,--as they had breathed of this world's pain,And so bequeathed it to the world again,Through the beholder's heart in heavy sighs.
So lay they garmented in torpid light,Under the pall of a transparent night,Like solemn apparitions lull'd sublimeTo everlasting rest,--and with them TimeSlept, as he sleeps upon the silent faceOf a dark dial in a sunless place.
Words in this poem
- bygone n.
- Something gone by or past; a past event.
- passionless a.
- Void of passion; without anger or emotion; not easily excited; calm.
- gorged a.
- Having a gorge or throat.
- unruffled a.
- Not ruffled or agitated; smooth; calm; tranquil; quiet. [Pref. un- not + ruffled.]
- meekly adv.
- In a meek manner.
- loveliness n.
- The state or quality of being lovely. [From Lovely.]
- strife n.
- The act of striving; earnest endeavor. [OF. estrif. See Strive.]
- forlorn a.
- Deserted abandoned; lost. [OE., p.p. of forlesen to lose utterly, AS. forleósan (p.p. forloren); pref. for- + leósan (in comp.) to lose; cf. D. verliezen to lose, G. verlieren, Sw. förlor]
- garmented p. a.
- Having on a garment; attired; enveloped, as with a garment.
- sunless a.
- Destitute or deprived of the sun or its rays; shaded; shadowed.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Sea of Death: A Fragment is in the public domain. This text is taken from The Poetical Works of Thomas Hood, Project Gutenberg ebook #15652; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Thomas Hood, The Sea of Death: A Fragment, in The Song of the Shirt, and Other Poems (1826–1845), text of Project Gutenberg ebook #15652, Laurel, https://laurelpoetry.com/poem/hood-poetical-works/a-fragment.html, id L20045.
Form and metre
The Sea of Death: A Fragment is 38 lines in 4 verse paragraphs. It is in rhyming couplets, 79% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%).
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -AABB saw · spaceA · paceA · waveB · graveB
- 2 --AABBCC silently · sea · breathA · deathA · wingsB · thingsB · veilC · paleC
- 3 AA--BBCCDD--EEFFGG- sleepA · deepA · hair · were · eclipseB · lipsB · intenseC · innocenceC · keptD · weptD · fronts · brunts · setE · jetE · forlornF · scornF · painG · againG · sighs
- 4 AABBCC lightA · nightA · sublimeB · timeB · faceC · placeC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| ----Methought I saw | 4 | ˘/·· |
| Life swiftly treading over endless space; | 10 | ·/˘/˘··/˘· |
| And, at her foot-print, but a bygone pace, | 10 | ·······/·· |
| The ocean-past, which, with increasing wave, | 10 | ·/˘···˘/˘· |
| Swallow'd her steps like a pursuing grave. | 10 | /˘····˘/˘· |
| Sad were my thoughts that anchor'd silently | 10 | ·····/˘/˘˘ |
| On the dead waters of that passionless sea, | 11 | ···/˘··/˘˘· |
| Unstirr'd by any touch of living breath: | 10 | ···/˘··/˘· |
| Silence hung over it, and drowsy Death, | 10 | /˘·····/˘· |
| Like a gorged sea-bird, slept with folded wings | 10 | ·······/˘· |
| On crowded carcases--sad passive things | 10 | ·/˘····/˘· |
| That wore the thin gray surface, like a veil | 10 | ·····/˘··· |
| Over the calmness of their features pale. | 10 | ···/˘··/˘· |
| And there were spring-faced cherubs that did sleep | 10 | ·····/˘··· |
| Like water-lilies on that motionless deep, | 10 | ·/˘/˘··/˘· |
| How beautiful! with bright unruffled hair | 10 | ·/˘˘··˘/˘· |
| On sleek unfretted brows, and eyes that were | 10 | ·········· |
| Buried in marble tombs, a pale eclipse! | 10 | /˘·/˘···˘/ |
| And smile-bedimpled cheeks, and pleasant lips, | 10 | ····˘··/˘· |
| Meekly apart, as if the soul intense | 10 | /˘˘/····˘/ |
| Spake out in dreams of its own innocence: | 10 | ·······/˘˘ |
| And so they lay in loveliness, and kept | 10 | ·····/˘˘·· |
| The birth-night of their peace, that Life e'en wept | 10 | ·········· |
| With very envy of their happy fronts; | 10 | ·/˘/˘··/˘· |
| For there were neighbor brows scarr'd by the brunts | 10 | ···/˘····· |
| Of strife and sorrowing--where Care had set | 10 | ···/˘˘···· |
| His crooked autograph, and marr'd the jet | 10 | ·/˘/˘····· |
| Of glassy locks, with hollow eyes forlorn, | 10 | ·/˘··/˘·˘/ |
| And lips that curl'd in bitterness and scorn-- | 10 | ·····/˘˘·· |
| Wretched,--as they had breathed of this world's pain, | 10 | /˘········ |
| And so bequeathed it to the world again, | 10 | ··˘/····˘/ |
| Through the beholder's heart in heavy sighs. | 10 | ··˘/˘··/˘· |
| So lay they garmented in torpid light, | 10 | ···/˘˘·/˘· |
| Under the pall of a transparent night, | 10 | ······˘/˘· |
| Like solemn apparitions lull'd sublime | 10 | ·/˘·˘/˘·˘/ |
| To everlasting rest,--and with them Time | 10 | ··˘/˘····· |
| Slept, as he sleeps upon the silent face | 10 | ·······/˘· |
| Of a dark dial in a sunless place. | 10 | ···/˘··/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.