The Widow
One widow at a grave will sobA little while, and weep, and sigh!If two should meet on such a job,They’ll have a gossip by and by.If three should come together--why,Three widows are good company!If four should meet by any chance,Four is a number very nice,To have a rubber in a trice--But five will up and have a dance!
Poor Mrs. C---- (why should I notDeclare her name!--her name was Cross)Was one of those the “common lot”Had left to weep “no common loss;”--For she had lately buried thenA man, the “very best of men,”A lingering truth, discover’d firstWhenever men “are at the worst.”To take the measure of her woe,It was some dozen inches deep--I mean in crape, and hung so low,It hid the drops she did not weep:In fact, what human life appears,It was a perfect “veil of tears.”Though ever since she lost “her propAnd stay,”--alas! he wouldn’t stay--She never had a tear to mop,Except one little angry drop,From Passion’s eye, as Moore would say;Because, when Mister Cross took flight,It looked so very like a spite--He died upon a washing-day!
Still Widow Cross went twice a week,As if “to wet a widow’s cheek,”And soothe his grave with sorrow’s gravy,--’Twas nothing but a make-believe,She might as well have hoped to grieveEnough of brine to float a navy;And yet she often seem’d to raiseA cambric kerchief to her eye--A duster ought to be the phrase,Its work was all so very dry.The springs were lock’d that ought to flow--In England or in widow-woman--As those that watch the weather know,Such “backward Springs” are not uncommon.
But why did Widow Cross take pains,To call upon the “dear remains,”--Remains that could not tell a jot,Whether she ever wept or not,Or how his relict took her losses?Oh! my black ink turns red for shame--But still the naughty world must learn,There was a little German cameTo shed a tear in “Anna’s Urn,”At the next grave to Mr. Cross’s!For there an angel’s virtues slept,“Too soon did Heaven assert its claim!”But still her painted face he kept,“Encompass’d in an angel’s frame.”
He look’d quite sad and quite deprived,His head was nothing but a hat-band;He look’d so lone, and so unwived,That soon the Widow Cross contrivedTo fall in love with even that band;And all at once the brackish juicesCame gushing out thro’ sorrow’s sluices--Tear after tear too fast to wipe,Tho’ sopp’d, and sopp’d, and sopp’d again--No leak in sorrow’s private pipe,But like a bursting on the main!Whoe’er has watch’d the window-pane--I mean to say in showery weather--Has seen two little drops of rain,Like lovers very fond and fain,At one another creeping, creeping,Till both, at last, embrace together:So far’d it with that couple’s weeping!The principle was quite as active--Tear unto tear,Kept drawing near,Their very blacks became attractive.To cut a shortish story shorter,Conceive them sitting tête à tête--Two cups,--hot muffins on a plate,--With “Anna’s Urn” to hold hot water!
The brazen vessel for a while,Had lectured in an easy song,Like Abernethy--on the bile--The scalded herb was getting strong;All seem’d as smooth as smooth could be,To have a cosey cup of tea;Alas! how often human sippersWith unexpected bitters meet,And buds, the sweetest of the sweet,Like sugar, only meet the nippers!
The Widow Cross, I should have told,Had seen three husbands to the mould;She never sought an Indian pyre,Like Hindoo wives that lose their loves,But with a proper sense of fire,Put up, instead, with “three removes:”Thus, when with any tender wordsOr tears she spoke about her loss,The dear departed, Mr. Cross,Came in for nothing but his thirds;For, as all widows love too well,She liked upon the list to dwell,And oft ripp’d up the old disasters--She might, indeed, have been supposedA great ship owner, for she prosedEternally of her Three Masters!
Thus, foolish woman! while she nursedHer mild souchong, she talk’d and reckon’dWhat had been left her by her first,And by her last, and by her second.Alas! not all her annual rentsCould then entice the little German,--Not Mr. Cross’s Three Per Cents,Or Consols, ever make him her man;He liked her cash, he liked her houses,But not that dismal bit of landShe always settled on her spouses.So taking up his hat and band,Said he “You’ll think my conduct odd--But here my hopes no more may linger;I thought you had a wedding-finger,But oh!--it is a curtain-rod!”
Words in this poem 26
- trice v. t.
- To pull; to haul; to drag; to pull away. [OE. trisen; of Scand. or Low German origin; cf. Sw. trissa a sheave, pulley, triss a spritsail brace, Dan. tridse a pulley, tridse to haul by means of a pulley,]
- discover v. i.
- To discover or show one's self.
- angry a.
- Troublesome; vexatious; rigorous. [See Anger.]
- mister n.
- A trade, art, or occupation. [OF. mistier trade, office, ministry, need, F. métier trade, fr. L. ministerium service, office, ministry. See Ministry, Mystery trade.]
- went n.
- Course; way; path; journey; direction.
- soothe v. t.
- To assent to as true. Testament of Love. [Originally, to assent to as true; OE. so to verify, AS. ges to prove the truth of, to bear witness. See Sooth, a.]
- duster n.
- One who, or that which, dusts; a utensil that frees from dust.
- ought p. p.
- Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]
- relict n.
- A woman whose husband is dead; a widow. [L. relicta, fr. of relictus, p. p. of relinquere to leave behind. See Relinquish.]
- naughty a.
- Having little or nothing.
- anna n.
- An East Indian money of account, the sixteenth of a rupee, or about 2 [Hindi ana.]
- lone n.
- A lane. See Loanin.
- pane n.
- The narrow edge of a hammer head. See Peen. [F. panne.]
- showery a.
- Raining in showers; abounding with frequent showers of rain.
- fain v. t.
- To be glad ; to wish or desire.
- blacks n.
- The name of a kind of in used in copperplate printing, prepared from the charred husks of the grape, and residue of the wine press.
- bitters n.
- A liquor, generally spirituous in which a bitter herb, leaf, or root is steeped.
- nippers n.
- Small pinchers for holding, breaking, or cutting. [From 2d Nip.]
- mould n.
- Crumbling, soft, friable earth; esp., earth containing the remains or constituents of organic matter, and suited to the growth of plants; soil. [OE. molde, AS. molde; akin to D. mul, G. mull, mulm, OHG. molt, molta, Icel. mold, Dan. muld, Sw. mull, Goth. mulda, and E. meal flour. See Meal, and cf. Mole a]
- pyre n.
- A funeral pile; a combustible heap on which the dead are burned; hence, any pile to be burnt. [L. pure, Gr. Fire.]
- spoke n.
- The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- eternally adv.
- In an eternal manner.
- souchong n.
- A kind of black tea of a fine quality. [Chin. seou chong little plant or sort.]
- consols n.
- The leading British funded government security. [A contraction of consolidated (annuities).]
- dismal a.
- Fatal; ill-omened; unlucky. [Formerly a noun; e. g., "I trow it was in the dismalle." Chaucer. Of uncertain origin; but perh. (as suggested by Skeat) from OF. disme, F. dîme, tithe, the phr]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Widow is in the public domain. This text is taken from The Comic Poems of Thomas Hood A New and Complete Edition, Project Gutenberg ebook #56712; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Thomas Hood, The Widow, in Poems (1827–1845), text of Project Gutenberg ebook #56712, Laurel, https://laurelpoetry.com/poem/hood-poems/the-widow.html, id L06860.
Form and metre
The Widow is 128 lines in 8 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 94%). 99% of its stressed syllables fall where the metre puts the beat. The lines average 8.2 syllables. 29 lines end on an unstressed syllable, a feminine ending. 14% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABB-CDDC sobA · sighB · jobA · byB · whyB · company · chanceC · niceD · triceD · danceC
- 2 ABABCCDDEFEFGGHIHHIJJI notA · crossB · lotA · lossB · thenC · menC · firstD · worstD · woeE · deepF · lowE · weepF · appearsG · tearsG · propH · stayI · mopH · dropH · sayI · flightJ · spiteJ · dayI
- 3 AABCCBDEDEF-F- weekA · cheekA · gravyB · believeC · grieveC · navyB · raiseD · eyeE · phraseD · dryE · flowF · woman · knowF · uncommon
- 4 AABBCDEDECFDFD painsA · remainsA · jotB · notB · lossesC · shameD · learnE · cameD · urnE · cross'sC · sleptF · claimD · keptF · frameD
- 5 ABAABCCDEDEEFEEGFGHIIH---- deprivedA · bandB · unwivedA · contrivedA · bandB · juicesC · sluicesC · wipeD · againE · pipeD · mainE · paneE · weatherF · rainE · fainE · creepingG · togetherF · weepingG · activeH · tearI · nearI · attractiveH · shorter · tête · plate · water
- 6 ABABCCDEED whileA · songB · bileA · strongB · beC · teaC · sippersD · meetE · sweetE · nippersD
- 7 AAB-B-CDDCEEFGGF toldA · mouldA · pyreB · loves · fireB · removes · wordsC · lossD · crossD · thirdsC · wellE · dwellE · disastersF · supposedG · prosedG · mastersF
- 8 ABABCDCDEFEFGHHG nursedA · reckon'dB · firstA · secondB · rentsC · germanD · centsC · manD · housesE · landF · spousesE · bandF · oddG · lingerH · fingerH · rodG
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| One widow at a grave will sob | 8 | ·/˘····· |
| A little while, and weep, and sigh! | 8 | ·/˘····· |
| If two should meet on such a job, | 8 | ········ |
| They’ll have a gossip by and by. | 8 | ···/˘··· |
| If three should come together--why, | 8 | ····˘/˘· |
| Three widows are good company! | 8 | ·/˘··/˘˘ |
| If four should meet by any chance, | 8 | ·····/˘· |
| Four is a number very nice, | 8 | ···/˘/˘· |
| To have a rubber in a trice-- | 8 | ···/˘··· |
| But five will up and have a dance! | 8 | ········ |
| Poor Mrs. C---- (why should I not | 8 | ·/˘····· |
| Declare her name!--her name was Cross) | 8 | ˘/······ |
| Was one of those the “common lot” | 8 | ·····/˘· |
| Had left to weep “no common loss;”-- | 8 | ·····/˘· |
| For she had lately buried then | 8 | ···/˘/˘· |
| A man, the “very best of men,” | 8 | ···/˘··· |
| A lingering truth, discover’d first | 8 | ·/˘·˘/˘· |
| Whenever men “are at the worst.” | 8 | ˘/˘····· |
| To take the measure of her woe, | 8 | ···/˘··· |
| It was some dozen inches deep-- | 8 | ···/˘/˘· |
| I mean in crape, and hung so low, | 8 | ········ |
| It hid the drops she did not weep: | 8 | ········ |
| In fact, what human life appears, | 8 | ···/˘·˘/ |
| It was a perfect “veil of tears.” | 8 | ···˘/··· |
| Though ever since she lost “her prop | 8 | ·/˘····· |
| And stay,”--alas! he wouldn’t stay-- | 8 | ··˘/·/˘· |
| She never had a tear to mop, | 8 | ·/˘····· |
| Except one little angry drop, | 8 | ···/˘/˘· |
| From Passion’s eye, as Moore would say; | 8 | ·/˘····· |
| Because, when Mister Cross took flight, | 8 | ···/˘··· |
| It looked so very like a spite-- | 8 | ···/˘··· |
| He died upon a washing-day! | 8 | ·····/˘· |
| Still Widow Cross went twice a week, | 8 | ·/˘····· |
| As if “to wet a widow’s cheek,” | 8 | ·····/˘· |
| And soothe his grave with sorrow’s gravy,-- | 9 | ·····/˘/˘ |
| ’Twas nothing but a make-believe, | 8 | ·/˘···˘/ |
| She might as well have hoped to grieve | 8 | ········ |
| Enough of brine to float a navy; | 9 | ˘/·····/˘ |
| And yet she often seem’d to raise | 8 | ···/˘··· |
| A cambric kerchief to her eye-- | 8 | ·/˘/˘··· |
| A duster ought to be the phrase, | 8 | ·/˘····· |
| Its work was all so very dry. | 8 | ·····/˘· |
| The springs were lock’d that ought to flow-- | 8 | ········ |
| In England or in widow-woman-- | 9 | ·/˘··/˘/˘ |
| As those that watch the weather know, | 8 | ·····/˘· |
| Such “backward Springs” are not uncommon. | 9 | ·/˘···˘/˘ |
| But why did Widow Cross take pains, | 8 | ···/˘··· |
| To call upon the “dear remains,”-- | 8 | ······˘/ |
| Remains that could not tell a jot, | 8 | ˘/······ |
| Whether she ever wept or not, | 8 | ···/˘··· |
| Or how his relict took her losses? | 9 | ···/˘··/˘ |
| Oh! my black ink turns red for shame-- | 8 | ········ |
| But still the naughty world must learn, | 8 | ···/˘··· |
| There was a little German came | 8 | ···/˘/˘· |
| To shed a tear in “Anna’s Urn,” | 8 | ·····/˘· |
| At the next grave to Mr. Cross’s! | 9 | ·····/˘/˘ |
| For there an angel’s virtues slept, | 8 | ···/˘/˘· |
| “Too soon did Heaven assert its claim!” | 8 | ···/˘/·· |
| But still her painted face he kept, | 8 | ···/˘··· |
| “Encompass’d in an angel’s frame.” | 8 | ˘/˘··/˘· |
| He look’d quite sad and quite deprived, | 8 | ······˘/ |
| His head was nothing but a hat-band; | 9 | ···/˘···· |
| He look’d so lone, and so unwived, | 8 | ········ |
| That soon the Widow Cross contrived | 8 | ···/˘·˘/ |
| To fall in love with even that band; | 8 | ·····/·· |
| And all at once the brackish juices | 9 | ·····/˘/˘ |
| Came gushing out thro’ sorrow’s sluices-- | 9 | ·/˘··/˘/˘ |
| Tear after tear too fast to wipe, | 8 | ········ |
| Tho’ sopp’d, and sopp’d, and sopp’d again-- | 8 | ······˘/ |
| No leak in sorrow’s private pipe, | 8 | ···/˘/˘· |
| But like a bursting on the main! | 8 | ···/˘··· |
| Whoe’er has watch’d the window-pane-- | 7 | ····/˘· |
| I mean to say in showery weather-- | 10 | ·····/˘˘/˘ |
| Has seen two little drops of rain, | 8 | ···/˘··· |
| Like lovers very fond and fain, | 8 | ·/˘/˘··· |
| At one another creeping, creeping, | 9 | ··˘/˘/˘/˘ |
| Till both, at last, embrace together: | 9 | ····˘/˘/˘ |
| So far’d it with that couple’s weeping! | 9 | ·····/˘/˘ |
| The principle was quite as active-- | 9 | ·/˘˘···/˘ |
| Tear unto tear, | 4 | ···· |
| Kept drawing near, | 4 | ·/˘· |
| Their very blacks became attractive. | 9 | ·/˘·˘/˘/˘ |
| To cut a shortish story shorter, | 9 | ·····/˘/˘ |
| Conceive them sitting tête à tête-- | 7 | ˘/·/˘·· |
| Two cups,--hot muffins on a plate,-- | 8 | ···/˘··· |
| With “Anna’s Urn” to hold hot water! | 9 | ·/˘····/˘ |
| The brazen vessel for a while, | 8 | ·/˘/˘··· |
| Had lectured in an easy song, | 8 | ·/˘··/˘· |
| Like Abernethy--on the bile-- | 8 | ·/˘·˘··· |
| The scalded herb was getting strong; | 8 | ·/˘··/˘· |
| All seem’d as smooth as smooth could be, | 8 | ········ |
| To have a cosey cup of tea; | 8 | ···/˘··· |
| Alas! how often human sippers | 9 | ˘/·/˘/˘·· |
| With unexpected bitters meet, | 8 | ··˘/˘/˘· |
| And buds, the sweetest of the sweet, | 8 | ···/˘··· |
| Like sugar, only meet the nippers! | 9 | ·/˘/˘··/˘ |
| The Widow Cross, I should have told, | 8 | ·/˘····· |
| Had seen three husbands to the mould; | 8 | ···/˘··· |
| She never sought an Indian pyre, | 9 | ·/··/˘˘/˘ |
| Like Hindoo wives that lose their loves, | 8 | ········ |
| But with a proper sense of fire, | 9 | ···/˘··/˘ |
| Put up, instead, with “three removes:” | 8 | ··˘/··˘/ |
| Thus, when with any tender words | 8 | ···/˘/˘· |
| Or tears she spoke about her loss, | 8 | ········ |
| The dear departed, Mr. Cross, | 8 | ··˘/˘/˘· |
| Came in for nothing but his thirds; | 8 | ···/˘··· |
| For, as all widows love too well, | 8 | ···/˘··· |
| She liked upon the list to dwell, | 8 | ········ |
| And oft ripp’d up the old disasters-- | 9 | ······˘/˘ |
| She might, indeed, have been supposed | 8 | ··˘/··˘/ |
| A great ship owner, for she prosed | 8 | ···/˘··· |
| Eternally of her Three Masters! | 9 | ˘/˘˘···/˘ |
| Thus, foolish woman! while she nursed | 8 | ·/˘/˘··· |
| Her mild souchong, she talk’d and reckon’d | 9 | ··˘/···/˘ |
| What had been left her by her first, | 8 | ········ |
| And by her last, and by her second. | 9 | ·······/˘ |
| Alas! not all her annual rents | 8 | ˘/···/˘· |
| Could then entice the little German,-- | 9 | ··˘/·/˘/˘ |
| Not Mr. Cross’s Three Per Cents, | 8 | ·/˘/˘··· |
| Or Consols, ever make him her man; | 8 | ·/˘/···· |
| He liked her cash, he liked her houses, | 9 | ·······/˘ |
| But not that dismal bit of land | 8 | ···/˘··· |
| She always settled on her spouses. | 9 | ·/·/˘··/˘ |
| So taking up his hat and band, | 8 | ·/˘····· |
| Said he “You’ll think my conduct odd-- | 8 | ·····˘/· |
| But here my hopes no more may linger; | 9 | ·······/˘ |
| I thought you had a wedding-finger, | 9 | ·····/˘/˘ |
| But oh!--it is a curtain-rod!” | 8 | ·····/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.