Poetry
SCENES of my youth! awake its slumbering fire!Ye winds of Memory, sweep the silent lyre!Ray of the past, if yet thou canst appear,Break through the clouds of Fancy's waning year;Chase from her breast the thin autumnal snow,If leaf or blossom still is fresh below!
Long have I wandered; the returning tideBrought back an exile to his cradle's side;And as my bark her time-worn flag unrolled,To greet the land-breeze with its faded fold,So, in remembrance of my boyhood's time,I lift these ensigns of neglected rhyme;Oh, more than blest, that, all my wanderings through,My anchor falls where first my pennons flew!
The morning light, which rains its quivering beamsWide o'er the plains, the summits, and the streams,In one broad blaze expands its golden glowOn all that answers to its glance below;Yet, changed on earth, each far reflected rayBraids with fresh hues the shining brow of day;Now, clothed in blushes by the painted flowers,Tracks on their cheeks the rosy-fingered hours;Now, lost in shades, whose dark entangled leavesDrip at the noontide from their pendent eaves,Fades into gloom, or gleams in light againFrom every dew-drop on the jewelled plain.
We, like the leaf, the summit, or the wave,Reflect the light our common nature gave,But every sunbeam, falling from her throne,Wears on our hearts some coloring of our ownChilled in the slave, and burning in the free,Like the sealed cavern by the sparkling sea;Lost, like the lightning in the sullen clod,Or shedding radiance, like the smiles of God;Pure, pale in Virtue, as the star above,Or quivering roseate on the leaves of Love;Glaring like noontide, where it glows uponAmbition's sands,--the desert in the sun,--Or soft suffusing o'er the varied sceneLife's common coloring,--intellectual green.
Thus Heaven, repeating its material plan,Arched over all the rainbow mind of man;But he who, blind to universal laws,Sees but effects, unconscious of their cause,--Believes each image in itself is bright,Not robed in drapery of reflected light,--Is like the rustic who, amidst his toil,Has found some crystal in his meagre soil,And, lost in rapture, thinks for him aloneEarth worked her wonders on the sparkling stone,Nor dreams that Nature, with as nice a line,Carved countless angles through the boundless mine.
Thus err the many, who, entranced to findUnwonted lustre in some clearer mind,Believe that Genius sets the laws at naughtWhich chain the pinions of our wildest thought;Untaught to measure, with the eye of art,The wandering fancy or the wayward heart;Who match the little only with the less,And gaze in rapture at its slight excess,Proud of a pebble, as the brightest gemWhose light might crown an emperor's diadem.
And, most of all, the pure ethereal fireWhich seems to radiate from the poet's lyreIs to the world a mystery and a charm,An AEgis wielded on a mortal's arm,While Reason turns her dazzled eye away,And bows her sceptre to her subject's sway;And thus the poet, clothed with godlike state,Usurped his Maker's title--to create;He, whose thoughts differing not in shape, but dress,What others feel more fitly can express,Sits like the maniac on his fancied throne,Peeps through the bars, and calls the world his own.
There breathes no being but has some pretenceTo that fine instinct called poetic senseThe rudest savage, roaming through the wild;The simplest rustic, bending o'er his child;The infant, listening to the warbling bird;The mother, smiling at its half-formed word;The boy uncaged, who tracks the fields at large;The girl, turned matron to her babe-like charge;The freeman, casting with unpurchased handThe vote that shakes the turret of the land;The slave, who, slumbering on his rusted chain,Dreams of the palm-trees on his burning plain;The hot-cheeked reveller, tossing down the wine,To join the chorus pealing "Auld lang syne";The gentle maid, whose azure eye grows dim,While Heaven is listening to her evening hymn;The jewelled beauty, when her steps draw nearThe circling dance and dazzling chandelier;E'en trembling age, when Spring's renewing airWaves the thin ringlets of his silvered hair;--All, all are glowing with the inward flame,Whose wider halo wreathes the poet's name,While, unenbalmed, the silent dreamer dies,His memory passing with his smiles and sighs!
If glorious visions, born for all mankind,The bright auroras of our twilight mind;If fancies, varying as the shapes that lieStained on the windows of the sunset sky;If hopes, that beckon with delusive gleams,Till the eye dances in the void of dreams;If passions, following with the winds that urgeEarth's wildest wanderer to her farthest verge;--If these on all some transient hours bestowOf rapture tingling with its hectic glow,Then all are poets; and if earth had rolledHer myriad centuries, and her doom were told,Each moaning billow of her shoreless waveWould wail its requiem o'er a poet's grave!
If to embody in a breathing wordTones that the spirit trembled when it heard;To fix the image all unveiled and warm,And carve in language its ethereal form,So pure, so perfect, that the lines expressNo meagre shrinking, no unlaced excess;To feel that art, in living truth, has taughtOurselves, reflected in the sculptured thought;--If this alone bestow the right to claimThe deathless garland and the sacred name,Then none are poets save the saints on high,Whose harps can murmur all that words deny!
But though to none is granted to revealIn perfect semblance all that each may feel,As withered flowers recall forgotten love,So, warmed to life, our faded passions moveIn every line, where kindling fancy throwsThe gleam of pleasures or the shade of woes.
When, schooled by time, the stately queen of artHad smoothed the pathways leading to the heart,Assumed her measured tread, her solemn tone,And round her courts the clouds of fable thrown,The wreaths of heaven descended on her shrine,And wondering earth proclaimed the Muse divine.Yet if her votaries had but dared profaneThe mystic symbols of her sacred reign,How had they smiled beneath the veil to findWhat slender threads can chain the mighty mind!
Poets, like painters, their machinery claim,And verse bestows the varnish and the frame;Our grating English, whose Teutonic jarShakes the racked axle of Art's rattling car,Fits like mosaic in the lines that girdFast in its place each many-angled word;From Saxon lips Anacreon's numbers glide,As once they melted on the Teian tide,And, fresh transfused, the Iliad thrills againFrom Albion's cliffs as o'er Achaia's plainThe proud heroic, with, its pulse-like beat,Rings like the cymbals clashing as they meet;The sweet Spenserian, gathering as it flows,Sweeps gently onward to its dying close,Where waves on waves in long succession pour,Till the ninth billow melts along the shore;The lonely spirit of the mournful lay,Which lives immortal as the verse of Gray,In sable plumage slowly drifts along,On eagle pinion, through the air of song;The glittering lyric bounds elastic by,With flashing ringlets and exulting eye,While every image, in her airy whirl,Gleams like a diamond on a dancing girl!
Born with mankind, with man's expanded rangeAnd varying fates the poet's numbers change;Thus in his history may we hope to findSome clearer epochs of the poet's mind,As from the cradle of its birth we trace,Slow wandering forth, the patriarchal race.
Words in this poem 35
- waning n.
- The act or process of waning, or decreasing.
- drip v. i.
- To fall in drops; as, water drips from the eaves. [Akin to LG. drippen, Dan. dryppe, from a noun. See Drop.]
- noontide n.
- The time of noon; midday. [From noon + tide time; cf. AS. n the ninth hour.]
- sunbeam n.
- A beam or ray of the sun. [AS. sunnebeam.]
- chilled a.
- Hardened on the surface or edge by chilling; as, chilled iron; a chilled wheel.
- sullen a.
- Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
- clod n.
- A lump or mass, especially of earth, turf, or clay. [OE. clodde, latter form of clot. See Clot.]
- roseate a.
- Full of roses; rosy; as, roseate bowers. [Cf. L. roseus, rosatus, prepared from roses. See Roseal, Rose.]
- glaring a.
- Clear; notorious; open and bold; barefaced; as, a glaring crime.
- amidst prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- meagre a.
- Destitue of, or having little, flesh; lean. [OE. merge, F. maigre, L. macer; akin to D. & G. mager, Icel. magr, and prob. to Gr. Emaciate, Maigre.]
- countless a.
- Incapable of being counted; not ascertainable; innumerable.
- unwonted a.
- Not wonted; unaccustomed; unused; not made familiar by practice; as, a child unwonted to strangers.
- lustre n.
- A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
- clearer n.
- One who, or that which, clears.
- wayward a.
- Taking one's own way; disobedient; froward; perverse; willful. [OE. weiward, for aweiward, i. e., turned away. See Away, and -ward.]
- sceptre n.
- A staff or baton borne by a sovereign, as a ceremonial badge or emblem of authority; a royal mace. [F. sceptre, L. sceptrum, from Gr. shaft. See Shaft, and cf. Scape a stem, shaft.]
- maniac a.
- Raving with madness; raging with disordered intellect; affected with mania; mad. [F. maniaque. See Mania.]
- pretence n.
- The act of laying claim; the claim laid; assumption; pretension. [LL. praetensus, for L. praetentus, p. p. of praetendere. See Pretend, and cf. Tension.]
- auld a.
- Old; as, Auld Reekie (old smoky), i. e., Edinburgh. [See Old.]
- syne adv.
- Afterwards; since; ago. R. of Brunne. [See Since.]
- chandelier n.
- A candlestick, lamp, stand, gas fixture, or the like, having several branches; esp., one hanging from the ceiling. [F. See Chandler.]
- dreamer n.
- One who dreams.
- glorious a.
- Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
- beckon v. t.
- To make a significant sign to; hence, to summon, as by a motion of the hand.
- hectic a.
- Habitual; constitutional; pertaining especially to slow waste of animal tissue, as in consumption; as, a hectic type in disease; a hectic flush. [F. hectique, Gr. sah to overpower, endure; cf. AS. sige, sigor, victory, G. sieg, Goth. sigis. Cf. Scheme.]
- myriad n.
- The number of ten thousand; ten thousand persons or things. [Gr. myriade.]
- billow n.
- A great wave or surge of the sea or other water, caused usually by violent wind. [Cf. Icel. bylgja billow, Dan. bölge, Sw. bölja; akin to MHG. bulge billow, bag, and to E. bulge. See Bulge.]
- shoreless a.
- Having no shore or coast; of indefinite or unlimited extent; as, a shoreless ocean. Young.
- requiem n.
- A mass said or sung for the repose of a departed soul. [Acc. of L. requies rest, the first words of the Mass being "Requiem aeternam dona eis, Domine," give eternal rest to them, O lord; pref. re- re + quies quiet. S]
- deathless a.
- Not subject to death, destruction, or extinction; immortal; undying; imperishable; as, deathless beings; deathless fame.
- spenserian a.
- Of or pertaining to the English poet Spenser; -- specifically applied to the stanza used in his poem
- sable n.
- A carnivorous animal of the Weasel family (Mustela zibellina) native of the northern latitudes of Europe, Asia, and America, -- noted for its fine, soft, and valuable fur. [OF. sable, F. zibeline sable (in sense 4), LL. sabellum; cf. D. sabel, Dan. sabel, zobel, Sw. sabel, sobel, G. zobel; all fr. Russ. sóbole.]
- pinion n.
- A moth of the genus Lithophane, as L. antennata, whose larva bores large holes in young peaches and apples.
- exulting a.
- Rejoicing triumphantly or exceedingly; exultant.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Poetry is in the public domain. This text is taken from The Poetical Works of Oliver Wendell Holmes — Volume 01: Earlier Poems (1830-1836), Project Gutenberg ebook #7388; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Oliver Wendell Holmes, Poetry, in Poetical Works, Volume I (1830–1848), text of Project Gutenberg ebook #7388, Laurel, https://laurelpoetry.com/poem/holmes-poems/poetry.html, id L00474.
Form and metre
Poetry is 170 lines in 14 verse paragraphs. It is in rhyming couplets: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 2 lines end on an unstressed syllable, a feminine ending. 24% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCC fireA · lyreA · appearB · yearB · snowC · belowC
- 2 AABBCCDD tideA · sideA · unrolledB · foldB · timeC · rhymeC · throughD · flewD
- 3 AABBCCDDEEFF beamsA · streamsA · glowB · belowB · rayC · dayC · flowersD · hoursD · leavesE · eavesE · againF · plainF
- 4 AABBCCDDEE--FF waveA · gaveA · throneB · ownB · freeC · seaC · clodD · godD · aboveE · loveE · upon · sun · sceneF · greenF
- 5 AABBCCDDEEFF planA · manA · lawsB · causeB · brightC · lightC · toilD · soilD · aloneE · stoneE · lineF · mineF
- 6 AABBCCDDEE findA · mindA · naughtB · thoughtB · artC · heartC · lessD · excessD · gemE · diademE
- 7 AABBCCDDEEFF fireA · lyreA · charmB · armB · awayC · swayC · stateD · createD · dressE · expressE · throneF · ownF
- 8 --AABBCCDDEEFFGGHHIIJJKK pretence · sense · wildA · childA · birdB · wordB · largeC · chargeC · handD · landD · chainE · plainE · wineF · syneF · dimG · hymnG · nearH · chandelierH · airI · hairI · flameJ · nameJ · diesK · sighsK
- 9 AABBCCDDEEFFGG mankindA · mindA · lieB · skyB · gleamsC · dreamsC · urgeD · vergeD · bestowE · glowE · rolledF · toldF · waveG · graveG
- 10 AABBCCDDEEFF wordA · heardA · warmB · formB · expressC · excessC · taughtD · thoughtD · claimE · nameE · highF · denyF
- 11 AABBCC revealA · feelA · loveB · moveB · throwsC · woesC
- 12 AABBCCDDEE artA · heartA · toneB · thrownB · shrineC · divineC · profaneD · reignD · findE · mindE
- 13 AABBCCDDEEFFGGHHIIJJKKLL claimA · frameA · jarB · carB · girdC · wordC · glideD · tideD · againE · plainE · beatF · meetF · flowsG · closeG · pourH · shoreH · layI · grayI · alongJ · songJ · byK · eyeK · whirlL · girlL
- 14 AABBCC rangeA · changeA · findB · mindB · traceC · raceC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| SCENES of my youth! awake its slumbering fire! | 10 | ····˘/·/˘/ |
| Ye winds of Memory, sweep the silent lyre! | 10 | ···/˘··/˘· |
| Ray of the past, if yet thou canst appear, | 10 | ········˘/ |
| Break through the clouds of Fancy's waning year; | 10 | ·····/˘/˘· |
| Chase from her breast the thin autumnal snow, | 10 | ······˘/˘· |
| If leaf or blossom still is fresh below! | 10 | ···/˘····· |
| Long have I wandered; the returning tide | 10 | ···/˘·˘/˘· |
| Brought back an exile to his cradle's side; | 10 | ···/···/˘· |
| And as my bark her time-worn flag unrolled, | 10 | ·········· |
| To greet the land-breeze with its faded fold, | 10 | ·······/˘· |
| So, in remembrance of my boyhood's time, | 10 | ··˘/˘··/·· |
| I lift these ensigns of neglected rhyme; | 10 | ···/˘·˘/˘· |
| Oh, more than blest, that, all my wanderings through, | 10 | ·······/˘· |
| My anchor falls where first my pennons flew! | 10 | ·/˘······· |
| The morning light, which rains its quivering beams | 10 | ·/˘····/˘· |
| Wide o'er the plains, the summits, and the streams, | 10 | ·····/˘··· |
| In one broad blaze expands its golden glow | 10 | ····˘/·/˘· |
| On all that answers to its glance below; | 10 | ···/˘····· |
| Yet, changed on earth, each far reflected ray | 10 | ······˘/˘· |
| Braids with fresh hues the shining brow of day; | 10 | ·····/˘··· |
| Now, clothed in blushes by the painted flowers, | 11 | ···/˘··/˘/˘ |
| Tracks on their cheeks the rosy-fingered hours; | 11 | ·····/˘/˘/˘ |
| Now, lost in shades, whose dark entangled leaves | 10 | ······˘/˘· |
| Drip at the noontide from their pendent eaves, | 10 | ···/˘··/˘· |
| Fades into gloom, or gleams in light again | 10 | ········˘/ |
| From every dew-drop on the jewelled plain. | 10 | ·/˘····/˘· |
| We, like the leaf, the summit, or the wave, | 10 | ·····/˘··· |
| Reflect the light our common nature gave, | 10 | ˘/··//˘/˘· |
| But every sunbeam, falling from her throne, | 10 | ·/˘/·/˘··· |
| Wears on our hearts some coloring of our own | 10 | ··/··/˘·/· |
| Chilled in the slave, and burning in the free, | 10 | ·····/˘··· |
| Like the sealed cavern by the sparkling sea; | 10 | ···/˘··/˘· |
| Lost, like the lightning in the sullen clod, | 10 | ···/˘··/˘· |
| Or shedding radiance, like the smiles of God; | 10 | ·/˘/˘····· |
| Pure, pale in Virtue, as the star above, | 10 | ···/˘····· |
| Or quivering roseate on the leaves of Love; | 10 | ·/˘/˘····· |
| Glaring like noontide, where it glows upon | 10 | /˘·/˘····· |
| Ambition's sands,--the desert in the sun,-- | 10 | ˘/˘··/˘··· |
| Or soft suffusing o'er the varied scene | 10 | ··˘/˘··/˘· |
| Life's common coloring,--intellectual green. | 10 | ·/˘/˘·˘/˘· |
| Thus Heaven, repeating its material plan, | 10 | ·/˘/˘·˘/˘· |
| Arched over all the rainbow mind of man; | 10 | ·····/···· |
| But he who, blind to universal laws, | 10 | ······˘/˘· |
| Sees but effects, unconscious of their cause,-- | 10 | ··˘/·/˘··· |
| Believes each image in itself is bright, | 10 | ˘/·/˘·˘/·· |
| Not robed in drapery of reflected light,-- | 10 | ···/˘·˘/˘· |
| Is like the rustic who, amidst his toil, | 10 | ···/˘·˘/·· |
| Has found some crystal in his meagre soil, | 10 | ···/˘··/˘· |
| And, lost in rapture, thinks for him alone | 10 | ···/˘···˘/ |
| Earth worked her wonders on the sparkling stone, | 10 | ···/˘··/˘· |
| Nor dreams that Nature, with as nice a line, | 10 | ···/˘····· |
| Carved countless angles through the boundless mine. | 10 | ·/˘/˘··/˘· |
| Thus err the many, who, entranced to find | 10 | ···/˘·˘/·· |
| Unwonted lustre in some clearer mind, | 10 | ˘/˘/˘··/˘· |
| Believe that Genius sets the laws at naught | 10 | ˘/·/˘····· |
| Which chain the pinions of our wildest thought; | 10 | ···/˘·//˘· |
| Untaught to measure, with the eye of art, | 10 | ···/˘····· |
| The wandering fancy or the wayward heart; | 10 | ·/˘/˘··/˘· |
| Who match the little only with the less, | 10 | ···/˘/˘··· |
| And gaze in rapture at its slight excess, | 10 | ···/˘···˘/ |
| Proud of a pebble, as the brightest gem | 10 | ···/˘··/˘· |
| Whose light might crown an emperor's diadem. | 10 | ·····/˘/˘· |
| And, most of all, the pure ethereal fire | 10 | ······˘/˘/ |
| Which seems to radiate from the poet's lyre | 10 | ···/˘··/˘· |
| Is to the world a mystery and a charm, | 10 | ·····/˘··· |
| An AEgis wielded on a mortal's arm, | 10 | ·/˘/˘··/˘· |
| While Reason turns her dazzled eye away, | 10 | ·/˘··/˘·˘/ |
| And bows her sceptre to her subject's sway; | 10 | ···/˘··/˘· |
| And thus the poet, clothed with godlike state, | 10 | ···/˘··/˘· |
| Usurped his Maker's title--to create; | 10 | ·/·/˘/˘·˘/ |
| He, whose thoughts differing not in shape, but dress, | 10 | ···/˘····· |
| What others feel more fitly can express, | 10 | ·/˘··/˘·˘/ |
| Sits like the maniac on his fancied throne, | 11 | ···/˘···/˘· |
| Peeps through the bars, and calls the world his own. | 10 | ·········· |
| There breathes no being but has some pretence | 10 | ···/˘····· |
| To that fine instinct called poetic sense | 10 | ···/˘·˘/˘· |
| The rudest savage, roaming through the wild; | 10 | ·/˘/˘/˘··· |
| The simplest rustic, bending o'er his child; | 10 | ·/˘/˘/˘··· |
| The infant, listening to the warbling bird; | 10 | ·/˘/˘··/˘· |
| The mother, smiling at its half-formed word; | 10 | ·/˘/˘····· |
| The boy uncaged, who tracks the fields at large; | 10 | ·········· |
| The girl, turned matron to her babe-like charge; | 10 | ···/˘····· |
| The freeman, casting with unpurchased hand | 10 | ·/˘/˘····· |
| The vote that shakes the turret of the land; | 10 | ·····/˘··· |
| The slave, who, slumbering on his rusted chain, | 10 | ···/˘··/˘· |
| Dreams of the palm-trees on his burning plain; | 10 | ·······/˘· |
| The hot-cheeked reveller, tossing down the wine, | 10 | ···/˘/˘··· |
| To join the chorus pealing "Auld lang syne"; | 10 | ···/˘/˘··· |
| The gentle maid, whose azure eye grows dim, | 10 | ·/˘··/˘··· |
| While Heaven is listening to her evening hymn; | 10 | ·/·/˘··/˘· |
| The jewelled beauty, when her steps draw near | 10 | ·/˘/˘····· |
| The circling dance and dazzling chandelier; | 10 | ·/˘··/˘˘˘/ |
| E'en trembling age, when Spring's renewing air | 10 | ·/˘···˘/˘· |
| Waves the thin ringlets of his silvered hair;-- | 10 | ·······/˘· |
| All, all are glowing with the inward flame, | 10 | ···/˘··/˘· |
| Whose wider halo wreathes the poet's name, | 10 | ·/˘/˘··/˘· |
| While, unenbalmed, the silent dreamer dies, | 10 | ·····/˘/˘· |
| His memory passing with his smiles and sighs! | 10 | ·/˘/˘····· |
| If glorious visions, born for all mankind, | 10 | ·/˘/˘···// |
| The bright auroras of our twilight mind; | 10 | ··˘/˘·//·· |
| If fancies, varying as the shapes that lie | 10 | ·/˘/˘····· |
| Stained on the windows of the sunset sky; | 10 | ···/˘··/·· |
| If hopes, that beckon with delusive gleams, | 10 | ···/˘·˘/˘· |
| Till the eye dances in the void of dreams; | 10 | ···/˘····· |
| If passions, following with the winds that urge | 10 | ·/˘/˘····· |
| Earth's wildest wanderer to her farthest verge;-- | 10 | ·/˘/˘··/˘· |
| If these on all some transient hours bestow | 10 | ·····/˘/˘/ |
| Of rapture tingling with its hectic glow, | 10 | ·/˘/˘··/˘· |
| Then all are poets; and if earth had rolled | 10 | ···/˘····· |
| Her myriad centuries, and her doom were told, | 10 | ·/˘/˘····· |
| Each moaning billow of her shoreless wave | 10 | ·/˘/˘··/˘· |
| Would wail its requiem o'er a poet's grave! | 10 | ···/˘··/˘· |
| If to embody in a breathing word | 10 | ··˘/˘··/˘· |
| Tones that the spirit trembled when it heard; | 10 | ···/˘/˘··· |
| To fix the image all unveiled and warm, | 10 | ···/˘·˘/·· |
| And carve in language its ethereal form, | 10 | ···/˘·˘/˘· |
| So pure, so perfect, that the lines express | 10 | ···/····˘/ |
| No meagre shrinking, no unlaced excess; | 10 | ·/˘/˘···˘/ |
| To feel that art, in living truth, has taught | 10 | ·····/˘··· |
| Ourselves, reflected in the sculptured thought;-- | 10 | ˘/˘/˘··/˘· |
| If this alone bestow the right to claim | 10 | ··˘/˘/···· |
| The deathless garland and the sacred name, | 10 | ·/˘/˘··/˘· |
| Then none are poets save the saints on high, | 10 | ···/˘····· |
| Whose harps can murmur all that words deny! | 10 | ···/˘···˘/ |
| But though to none is granted to reveal | 10 | ·····/˘·˘/ |
| In perfect semblance all that each may feel, | 10 | ·/·/˘····· |
| As withered flowers recall forgotten love, | 10 | ·/˘/˘/˘/˘· |
| So, warmed to life, our faded passions move | 10 | ····//˘/˘· |
| In every line, where kindling fancy throws | 10 | ·/˘··/˘/˘· |
| The gleam of pleasures or the shade of woes. | 10 | ···/˘····· |
| When, schooled by time, the stately queen of art | 10 | ·····/˘··· |
| Had smoothed the pathways leading to the heart, | 10 | ···/·/˘··· |
| Assumed her measured tread, her solemn tone, | 10 | ˘/·/˘··/˘· |
| And round her courts the clouds of fable thrown, | 10 | ·······/˘· |
| The wreaths of heaven descended on her shrine, | 10 | ···/˘/˘··· |
| And wondering earth proclaimed the Muse divine. | 10 | ·/˘·˘/··˘/ |
| Yet if her votaries had but dared profane | 10 | ········˘/ |
| The mystic symbols of her sacred reign, | 10 | ·/˘/˘··/˘· |
| How had they smiled beneath the veil to find | 10 | ·········· |
| What slender threads can chain the mighty mind! | 10 | ·/˘····/˘· |
| Poets, like painters, their machinery claim, | 10 | /˘·/˘·˘/˘· |
| And verse bestows the varnish and the frame; | 10 | ··˘/·/˘··· |
| Our grating English, whose Teutonic jar | 10 | //˘/˘·˘/˘· |
| Shakes the racked axle of Art's rattling car, | 10 | ···/˘··/˘· |
| Fits like mosaic in the lines that gird | 10 | ··˘/˘····· |
| Fast in its place each many-angled word; | 10 | ·····/˘/˘· |
| From Saxon lips Anacreon's numbers glide, | 10 | ·/˘····/˘· |
| As once they melted on the Teian tide, | 9 | ···/˘···· |
| And, fresh transfused, the Iliad thrills again | 10 | ··˘/·/˘·˘/ |
| From Albion's cliffs as o'er Achaia's plain | 10 | ·/˘˘······ |
| The proud heroic, with, its pulse-like beat, | 10 | ··˘/˘····· |
| Rings like the cymbals clashing as they meet; | 10 | ···/˘/˘··· |
| The sweet Spenserian, gathering as it flows, | 11 | ··˘/˘˘/˘··· |
| Sweeps gently onward to its dying close, | 10 | ·/˘/˘··/˘· |
| Where waves on waves in long succession pour, | 10 | ······˘/˘· |
| Till the ninth billow melts along the shore; | 10 | ···/˘·˘/·· |
| The lonely spirit of the mournful lay, | 10 | ·/˘/˘··/˘· |
| Which lives immortal as the verse of Gray, | 10 | ··˘/˘····· |
| In sable plumage slowly drifts along, | 10 | ·/˘/˘/˘·˘/ |
| On eagle pinion, through the air of song; | 10 | ·/˘/˘····· |
| The glittering lyric bounds elastic by, | 10 | ·/˘/˘·˘/˘· |
| With flashing ringlets and exulting eye, | 10 | ·/˘···˘/˘· |
| While every image, in her airy whirl, | 10 | ·/˘/˘··/˘· |
| Gleams like a diamond on a dancing girl! | 10 | ···/˘··/˘· |
| Born with mankind, with man's expanded range | 10 | ··//··˘/˘· |
| And varying fates the poet's numbers change; | 10 | ·/˘··/˘/˘· |
| Thus in his history may we hope to find | 10 | ···/˘····· |
| Some clearer epochs of the poet's mind, | 10 | ·/˘/˘··/˘· |
| As from the cradle of its birth we trace, | 10 | ···/˘····· |
| Slow wandering forth, the patriarchal race. | 10 | ·/˘···˘/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.