The Deacon's Masterpiece; or, The Wonderful One-Hoss Shay

Oliver Wendell Holmes (1809–1894) · 1858

iambic pentameter · heroic couplets · 120 lines · from Poems from the Breakfast-Table Series

HAVE you heard of the wonderful one-hoss shay,That was built in such a logical wayIt ran a hundred years to a day,And then, of a sudden, it--ah, but stay,I 'll tell you what happened without delay,Scaring the parson into fits,Frightening people out of their wits,--Have you ever heard of that, I say?

Seventeen hundred and fifty-five.Georgius Secundus was then alive,--Snuffy old drone from the German hive.That was the year when Lisbon-townSaw the earth open and gulp her down,And Braddock's army was done so brown,Left without a scalp to its crown.It was on the terrible Earthquake-dayThat the Deacon finished the one-hoss shay.

Now in building of chaises, I tell you what,There is always somewhere a weakest spot,--In hub, tire, felloe, in spring or thill,In panel, or crossbar, or floor, or sill,In screw, bolt, thoroughbrace,--lurking still,Find it somewhere you must and will,--Above or below, or within or without,--And that 's the reason, beyond a doubt,That a chaise breaks down, but does n't wear out.

But the Deacon swore (as Deacons do,With an "I dew vum," or an "I tell yeou ")He would build one shay to beat the taown'n' the keounty 'n' all the kentry raoun';It should be so built that it couldn' break daown"Fur," said the Deacon, "'t 's mighty plainThut the weakes' place mus' stan' the strain;'n' the way t' fix it, uz I maintain,Is only jestT' make that place uz strong uz the rest."

So the Deacon inquired of the village folkWhere he could find the strongest oak,That couldn't be split nor bent nor broke,--That was for spokes and floor and sills;He sent for lancewood to make the thills;The crossbars were ash, from the straightest trees,The panels of white-wood, that cuts like cheese,But lasts like iron for things like these;The hubs of logs from the "Settler's ellum,"--Last of its timber,--they could n't sell 'em,Never an axe had seen their chips,And the wedges flew from between their lips,Their blunt ends frizzled like celery-tips;Step and prop-iron, bolt and screw,Spring, tire, axle, and linchpin too,Steel of the finest, bright and blue;Thoroughbrace bison-skin, thick and wide;Boot, top, dasher, from tough old hideFound in the pit when the tanner died.That was the way he "put her through.""There!" said the Deacon, "naow she 'll dew!"

Do! I tell you, I rather guessShe was a wonder, and nothing less!Colts grew horses, beards turned gray,Deacon and deaconess dropped away,Children and grandchildren--where were they?But there stood the stout old one-hoss shayAs fresh as on Lisbon-earthquake-day!

EIGHTEEN HUNDRED;--it came and foundThe Deacon's masterpiece strong and sound.Eighteen hundred increased by ten;--"Hahnsum kerridge" they called it then.Eighteen hundred and twenty came;--Running as usual; much the same.Thirty and forty at last arrive,And then come fifty, and FIFTY-FIVE.First of November, 'Fifty-five!This morning the parson takes a drive.Now, small boys, get out of the way!Here comes the wonderful one-hoss shay,

Little of all we value hereWakes on the morn of its hundredth yearWithout both feeling and looking queer.In fact, there 's nothing that keeps its youth,So far as I know, but a tree and truth.(This is a moral that runs at large;Take it.--You 're welcome.--No extra charge.)

FIRST OF NOVEMBER,--the Earthquake-day,--There are traces of age in the one-hoss shay,A general flavor of mild decay,But nothing local, as one may say.There couldn't be,--for the Deacon's artHad made it so like in every partThat there was n't a chance for one to start.For the wheels were just as strong as the thills,And the floor was just as strong as the sills,And the panels just as strong as the floor,And the whipple-tree neither less nor more,And the back-crossbar as strong as the fore,And spring and axle and hub encore.And yet, as a whole, it is past a doubtIn another hour it will be worn out!

Drawn by a rat-tailed, ewe-necked bay."Huddup!" said the parson.--Off went they.The parson was working his Sunday's text,--Had got to fifthly, and stopped perplexedAt what the--Moses--was coming next.All at once the horse stood still,Close by the meet'n'-house on the hill.First a shiver, and then a thrill,Then something decidedly like a spill,--And the parson was sitting upon a rock,At half past nine by the meet'n'-house clock,--Just the hour of the Earthquake shock!What do you think the parson found,When he got up and stared around?The poor old chaise in a heap or mound,As if it had been to the mill and ground!You see, of course, if you 're not a dunce,How it went to pieces all at once,--All at once, and nothing first,--Just as bubbles do when they burst.

End of the wonderful one-hoss shay.Logic is logic. That's all I say.

Words in this poem 20
seventeen a.
One more than sixteen; ten and seven added; as, seventeen years. [OE. seventene, AS. seofontyne, i. e., seven- ten. Cf. Seventy.]
snuffy a.
Soiled with snuff.
gulp v. t.
To swallow eagerly, or in large draughts; to swallow up; to take down at one swallow. [D. gulpen, cf. OD. golpe gulf.]
somewhere adv.
In some place unknown or not specified; in one place or another.
thill n.
One of the two long pieces of wood, extending before a vehicle, between which a horse is hitched; a shaft. [OE. thille, AS. a board, plank, beam, thill; akin to a plank, D. deel a plank, floor, G. diele, OHG. dili, dilla, Icel. a plank, planking, a thwart, a wainscot,]
chaise n.
A two-wheeled carriage for two persons, with a calash top, and the body hung on leather straps, or thoroughbraces. It is usually drawn by one horse. [F. chaise seat, or chair, chaise or carriage, for chaire, from a peculiar Parisian pronunciation. See Chair.]
jest n.
A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
folk n.
In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
linchpin n.
A pin used to prevent the wheel of a vehicle from sliding off the axletree. [AS. lynis the axletree; akin to D. luns linchpin, OS. lunisa, LG. lunse, G. lünse, OHG. lun peg, bolt.]
dasher n.
That which dashes or agitates; as, the dasher of a churn.
tanner n.
One whose occupation is to tan hides, or convert them into leather by the use of tan.
deaconess n.
A female deacon; as: (a) (Primitive Ch.) One of an order of women whose duties resembled those of deacons. (b) (Ch. of Eng. and Prot. Epis. Ch.)
masterpiece n.
Anything done or made with extraordinary skill; a capital performance; a chef-d'oeuvre; a supreme achievement.
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
encore adv.
Once more; again; -- used by the auditors and spectators of plays, concerts, and other entertainments, to call for a repetition of a particular part. [F. The last part of the word is fr. L. hora hour. See Hour.]
went n.
Course; way; path; journey; direction.
fifthly adv.
In the fifth place; as the fifth in order.
decidedly adv.
In a decided manner; indisputably; clearly; thoroughly.
spill n.
A bit of wood split off; a splinter. [sq. root170. Cf. Spell a splinter.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Deacon's Masterpiece; or, The Wonderful One-Hoss Shay is in the public domain. This text is taken from The Poetical Works of Oliver Wendell Holmes — Volume 06 Poems from the Breakfast Table Series, Project Gutenberg ebook #7393; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Oliver Wendell Holmes, The Deacon's Masterpiece; or, The Wonderful One-Hoss Shay, in Poems from the Breakfast-Table Series (1858), text of Project Gutenberg ebook #7393, Laurel, https://laurelpoetry.com/poem/holmes-breakfast-table-poems/the-deacon-s-masterpiece-or-the-wonderful-one-hoss-shay.html, id L23568.

Form and metre

The Deacon's Masterpiece; or, The Wonderful One-Hoss Shay is 120 lines in 11 verse paragraphs. It is in rhyming couplets, 77% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 76%).

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AAAAABBA shayA · wayA · dayA · stayA · delayA · fitsB · witsB · sayA
  2. 2 AAABBBBCC fiveA · aliveA · hiveA · townB · downB · brownB · crownB · dayC · shayC
  3. 3 --AAAABBB what · spot · thillA · sillA · stillA · willA · withoutB · doubtB · outB
  4. 4 AAB-BCCCDD doA · yeouA · taownB · raoun · daownB · plainC · strainC · maintainC · jestD · restD
  5. 5 AAABBCCC--DDDEEEFFFEE folkA · oakA · brokeA · sillsB · thillsB · treesC · cheeseC · theseC · ellum · em · chipsD · lipsD · tipsD · screwE · tooE · blueE · wideF · hideF · diedF · throughE · dewE
  6. 6 AABBBBB guessA · lessA · grayB · awayB · theyB · shayB · dayB
  7. 7 AABBCCDDDDEE foundA · soundA · tenB · thenB · cameC · sameC · arriveD · fiveD · fiveD · driveD · wayE · shayE
  8. 8 AAABBCC hereA · yearA · queerA · youthB · truthB · largeC · chargeC
  9. 9 AAAABBBCCDDDDEE dayA · shayA · decayA · sayA · artB · partB · startB · thillsC · sillsC · floorD · moreD · foreD · encoreD · doubtE · outE
  10. 10 AABBBCCCCDDDEEEE--FF bayA · theyA · textB · perplexedB · nextB · stillC · hillC · thrillC · spillC · rockD · clockD · shockD · foundE · aroundE · moundE · groundE · dunce · once · firstF · burstF
  11. 11 AA shayA · sayA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
HAVE you heard of the wonderful one-hoss shay,10·····/˘···
That was built in such a logical way10······/˘˘·
It ran a hundred years to a day,10···/˘˘····
And then, of a sudden, it--ah, but stay,10····/˘····
I 'll tell you what happened without delay,11·····/˘··˘/
Scaring the parson into fits,8/˘·/˘···
Frightening people out of their wits,--9/˘˘/˘····
Have you ever heard of that, I say?9··/˘·····
Seventeen hundred and fifty-five.10/˘//˘˘·/˘·
Georgius Secundus was then alive,--9·······˘/
Snuffy old drone from the German hive.9/˘····/˘·
That was the year when Lisbon-town8·····/˘·
Saw the earth open and gulp her down,9···/˘····
And Braddock's army was done so brown,9·/˘/˘····
Left without a scalp to its crown.8········
It was on the terrible Earthquake-day10····/˘˘/··
That the Deacon finished the one-hoss shay.10··/˘/˘····
Now in building of chaises, I tell you what,11··/˘·/˘····
There is always somewhere a weakest spot,--10··/˘/··/˘·
In hub, tire, felloe, in spring or thill,10··/˘/˘····
In panel, or crossbar, or floor, or sill,10·/˘·/˘····
In screw, bolt, thoroughbrace,--lurking still,8···/˘/˘·
Find it somewhere you must and will,--8··/·····
Above or below, or within or without,--11···········
And that 's the reason, beyond a doubt,10····/˘····
That a chaise breaks down, but does n't wear out.10··········
But the Deacon swore (as Deacons do,9··/˘··/˘·
With an "I dew vum," or an "I tell yeou ")10··········
He would build one shay to beat the taown9·········
'n' the keounty 'n' all the kentry raoun';10··········
It should be so built that it couldn' break daown10··········
"Fur," said the Deacon, "'t 's mighty plain10···/˘··/˘·
Thut the weakes' place mus' stan' the strain;8········
'n' the way t' fix it, uz I maintain,10········˘/
Is only jest4·/˘·
T' make that place uz strong uz the rest."9·········
So the Deacon inquired of the village folk11··/˘˘/··/˘·
Where he could find the strongest oak,8·····/˘·
That couldn't be split nor bent nor broke,--9·/˘······
That was for spokes and floor and sills;8········
He sent for lancewood to make the thills;9···/˘····
The crossbars were ash, from the straightest trees,10·······/˘·
The panels of white-wood, that cuts like cheese,10·/˘·······
But lasts like iron for things like these;9···/˘····
The hubs of logs from the "Settler's ellum,"--10······/˘··
Last of its timber,--they could n't sell 'em,10···/˘·····
Never an axe had seen their chips,8/˘······
And the wedges flew from between their lips,10··/˘······
Their blunt ends frizzled like celery-tips;10····˘·/˘˘·
Step and prop-iron, bolt and screw,8···/˘···
Spring, tire, axle, and linchpin too,9·/˘/˘·/··
Steel of the finest, bright and blue;8···/˘···
Thoroughbrace bison-skin, thick and wide;8/˘/˘····
Boot, top, dasher, from tough old hide8··/˘····
Found in the pit when the tanner died.9······/˘·
That was the way he "put her through."8········
"There!" said the Deacon, "naow she 'll dew!"9···/˘····
Do! I tell you, I rather guess8·····/˘·
She was a wonder, and nothing less!9···/˘·/˘·
Colts grew horses, beards turned gray,7··/˘···
Deacon and deaconess dropped away,10/˘·/˘˘·˘˘/
Children and grandchildren--where were they?9/˘·/·˘···
But there stood the stout old one-hoss shay9·········
As fresh as on Lisbon-earthquake-day!9····/˘/··
EIGHTEEN HUNDRED;--it came and found9˘//˘˘····
The Deacon's masterpiece strong and sound.9·/˘/˘····
Eighteen hundred increased by ten;--10///˘˘˘/˘··
"Hahnsum kerridge" they called it then.9··/˘··˘··
Eighteen hundred and twenty came;--9///˘˘·/˘·
Running as usual; much the same.9/˘·/˘˘···
Thirty and forty at last arrive,9/˘·/˘··˘/
And then come fifty, and FIFTY-FIVE.9···/˘·/˘·
First of November, 'Fifty-five!8··˘/˘/˘·
This morning the parson takes a drive.9·/˘·/˘···
Now, small boys, get out of the way!8········
Here comes the wonderful one-hoss shay,9···/˘˘···
Little of all we value here8/˘···/˘·
Wakes on the morn of its hundredth year9······/˘·
Without both feeling and looking queer.9···/˘·/˘·
In fact, there 's nothing that keeps its youth,10····/˘····
So far as I know, but a tree and truth.10··········
(This is a moral that runs at large;9···/˘····
Take it.--You 're welcome.--No extra charge.)10····/˘·/˘·
FIRST OF NOVEMBER,--the Earthquake-day,--9··˘/˘·/··
There are traces of age in the one-hoss shay,11··/˘·······
A general flavor of mild decay,10·/˘˘/˘··˘/
But nothing local, as one may say.9·/˘/˘····
There couldn't be,--for the Deacon's art9·/˘···/˘·
Had made it so like in every part10······/˘˘·
That there was n't a chance for one to start.10··········
For the wheels were just as strong as the thills,10··········
And the floor was just as strong as the sills,10··········
And the panels just as strong as the floor,10··/˘······
And the whipple-tree neither less nor more,10··/˘·/˘···
And the back-crossbar as strong as the fore,10···/˘·····
And spring and axle and hub encore.9···/˘··/·
And yet, as a whole, it is past a doubt10··········
In another hour it will be worn out!10·˘/˘/·····
Drawn by a rat-tailed, ewe-necked bay.10·····˘··˘·
"Huddup!" said the parson.--Off went they.9····/˘···
The parson was working his Sunday's text,--10·/˘·/˘·/··
Had got to fifthly, and stopped perplexed10···/˘··˘˘/
At what the--Moses--was coming next.9···/˘·/˘·
All at once the horse stood still,7·······
Close by the meet'n'-house on the hill.8········
First a shiver, and then a thrill,8··/˘····
Then something decidedly like a spill,--10·/˘˘/˘˘···
And the parson was sitting upon a rock,11··/˘·/˘····
At half past nine by the meet'n'-house clock,--9·········
Just the hour of the Earthquake shock!9··/˘··/··
What do you think the parson found,8·····/˘·
When he got up and stared around?9······˘··
The poor old chaise in a heap or mound,9·········
As if it had been to the mill and ground!10··········
You see, of course, if you 're not a dunce,10··········
How it went to pieces all at once,--9····/˘···
All at once, and nothing first,--7····/˘·
Just as bubbles do when they burst.8··/˘····
End of the wonderful one-hoss shay.9···/˘˘···
Logic is logic. That's all I say.9/˘·/˘····

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