Sympathies
THE snows that glittered on the disk of MarsHave melted, and the planet's fiery orbRolls in the crimson summer of its year;But what to me the summer or the snowOf worlds that throb with life in forms unknown,If life indeed be theirs; I heed not these.My heart is simply human; all my careFor them whose dust is fashioned like mine own;These ache with cold and hunger, live in pain,And shake with fear of worlds more full of woe;There may be others worthier of my love,But such I know not save through these I know.
There are two veils of language, hid beneathWhose sheltering folds, we dare to be ourselves;And not that other self which nods and smilesAnd babbles in our name; the one is Prayer,Lending its licensed freedom to the tongueThat tells our sorrows and our sins to Heaven;The other, Verse, that throws its spangled webAround our naked speech and makes it bold.I, whose best prayer is silence; sitting dumbIn the great temple where I nightly serveHim who is throned in light, have dared to claimThe poet's franchise, though I may not hopeTo wear his garland; hear me while I tellMy story in such form as poets use,But breathed in fitful whispers, as the windSighs and then slumbers, wakes and sighs again.
Thou Vision, floating in the breathless airBetween me and the fairest of the stars,I tell my lonely thoughts as unto thee.Look not for marvels of the scholar's penIn my rude measure; I can only showA slender-margined, unillumined page,And trust its meaning to the flattering eyeThat reads it in the gracious light of love.Ah, wouldst thou clothe thyself in breathing shapeAnd nestle at my side, my voice should lendWhate'er my verse may lack of tender rhythmTo make thee listen.
I have stood entrancedWhen, with her fingers wandering o'er the keys,The white enchantress with the golden hairBreathed all her soul through some unvalued rhyme;Some flower of song that long had lost its bloom;Lo! its dead summer kindled as she sang!The sweet contralto, like the ringdove's coo,Thrilled it with brooding, fond, caressing tones,And the pale minstrel's passion lived again,Tearful and trembling as a dewy roseThe wind has shaken till it fills the airWith light and fragrance. Such the wondrous charmA song can borrow when the bosom throbsThat lends it breath.
So from the poet's lipsHis verse sounds doubly sweet, for none like himFeels every cadence of its wave-like flow;He lives the passion over, while he reads,That shook him as he sang his lofty strain,And pours his life through each resounding line,As ocean, when the stormy winds are hushed,Still rolls and thunders through his billowy caves.
Words in this poem
- throb v. i.
- To beat, or pulsate, with more than usual force or rapidity; to beat in consequence of agitation; to palpitate; -- said of the heart, pulse, etc. [OE. ; of uncertain origin; cf. Russ. trepete a trembling, and E. trepidation.]
- ache n.
- A name given to several species of plants; as, smallage, wild celery, parsley. Holland. [F. ache, L. apium parsley.]
- nightly a.
- Of or pertaining to the night, or to every night; happening or done by night, or every night; as, nightly shades; he kept nightly vigils.
- franchise n.
- Exemption from constraint or oppression; freedom; liberty. [F., fr. franc, fem. franche, free. See Frank, a.]
- fitful a.
- Full of fits; irregularly variable; impulsive and unstable. [From 7th Fit.]
- breathless a.
- Spent with labor or violent action; out of breath.
- nestle v. i.
- To make and occupy a nest; to nest. [AS. nestlian.]
- enchantress n.
- A woman versed in magical arts; a sorceress; also, a woman who fascinates. [Cf. F. enchanteresse.]
- unvalued a.
- Not valued; not appraised; hence, not considered; disregarded; valueless; as, an unvalued estate.
- tearful a.
- Abounding with tears; weeping; shedding tears; as, tearful eyes.
- wondrous adv.
- In a wonderful or surprising manner or degree; wonderfully. [OE. wonders, adv. (later also adj.). See Wonder, n., and cf. -wards.]
- borrow v. t.
- To receive from another as a loan, with the implied or expressed intention of returning the identical article or its equivalent in kind; -- the opposite of lend. [OE. borwen, AS. borgian, fr. borg, borh, pledge; akin to D. borg, G. borg; prob. fr. root of AS. beorgan to protect. Borough.]
- shook v. t.
- To pack, as staves, in a shook.
- billowy a.
- Of or pertaining to billows; swelling or swollen into large waves; full of billows or surges; resembling billows.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Sympathies is in the public domain. This text is taken from The Poetical Works of Oliver Wendell Holmes — Volume 06 Poems from the Breakfast Table Series, Project Gutenberg ebook #7393; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Oliver Wendell Holmes, Sympathies, in Poems from the Breakfast-Table Series (1858), text of Project Gutenberg ebook #7393, Laurel, https://laurelpoetry.com/poem/holmes-breakfast-table-poems/sympathies.html, id L23585.
Form and metre
Sympathies is 62 lines in 5 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 --ABC-AC-B-B mars · orb · yearA · snowB · unknownC · these · careA · ownC · pain · woeB · love · knowB
- 3 --A---A----- air · stars · theeA · pen · show · page · eyeA · love · shape · lend · rhythm · listen
- 4 --A-------A--- entranced · keys · hairA · rhyme · bloom · sang · coo · tones · again · rose · airA · charm · throbs · breath
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| THE snows that glittered on the disk of Mars | 10 | ···/˘····· |
| Have melted, and the planet's fiery orb | 10 | ·/˘··/˘/˘· |
| Rolls in the crimson summer of its year; | 10 | ···/˘/˘··· |
| But what to me the summer or the snow | 10 | ·····/˘··· |
| Of worlds that throb with life in forms unknown, | 10 | ········˘/ |
| If life indeed be theirs; I heed not these. | 10 | ··˘/······ |
| My heart is simply human; all my care | 10 | ···/˘/˘··· |
| For them whose dust is fashioned like mine own; | 10 | ·····/˘··· |
| These ache with cold and hunger, live in pain, | 10 | ·····/˘··· |
| And shake with fear of worlds more full of woe; | 10 | ·········· |
| There may be others worthier of my love, | 10 | ···/˘/˘··· |
| But such I know not save through these I know. | 10 | ·········· |
| There are two veils of language, hid beneath | 10 | ·····/˘··· |
| Whose sheltering folds, we dare to be ourselves; | 10 | ·/˘·····˘/ |
| And not that other self which nods and smiles | 10 | ···/˘····· |
| And babbles in our name; the one is Prayer, | 10 | ·/˘·/····· |
| Lending its licensed freedom to the tongue | 10 | /˘·/˘/˘··· |
| That tells our sorrows and our sins to Heaven; | 11 | ··//˘·/··/˘ |
| The other, Verse, that throws its spangled web | 10 | ·/˘····/˘· |
| Around our naked speech and makes it bold. | 10 | ··//˘····· |
| I, whose best prayer is silence; sitting dumb | 10 | ·····/˘/˘· |
| In the great temple where I nightly serve | 10 | ···/˘··/˘· |
| Him who is throned in light, have dared to claim | 10 | ·········· |
| The poet's franchise, though I may not hope | 10 | ·/˘/······ |
| To wear his garland; hear me while I tell | 10 | ···/˘····· |
| My story in such form as poets use, | 10 | ·/˘····/˘· |
| But breathed in fitful whispers, as the wind | 10 | ···/˘/˘··· |
| Sighs and then slumbers, wakes and sighs again. | 10 | ···/˘···˘/ |
| Thou Vision, floating in the breathless air | 10 | ·/˘/˘··/˘· |
| Between me and the fairest of the stars, | 10 | ·····/˘··· |
| I tell my lonely thoughts as unto thee. | 10 | ···/˘····· |
| Look not for marvels of the scholar's pen | 10 | ···/˘··/˘· |
| In my rude measure; I can only show | 10 | ···/˘··/˘· |
| A slender-margined, unillumined page, | 10 | ·/˘/˘····· |
| And trust its meaning to the flattering eye | 10 | ···/˘··/˘· |
| That reads it in the gracious light of love. | 10 | ·····/˘··· |
| Ah, wouldst thou clothe thyself in breathing shape | 10 | ····˘/·/˘· |
| And nestle at my side, my voice should lend | 10 | ·/˘······· |
| Whate'er my verse may lack of tender rhythm | 12 | ˘˘/·····/˘/˘ |
| To make thee listen. | 5 | ···/˘ |
| I have stood entranced | 5 | ···˘/ |
| When, with her fingers wandering o'er the keys, | 10 | ···/˘/˘··· |
| The white enchantress with the golden hair | 10 | ··˘/˘··/˘· |
| Breathed all her soul through some unvalued rhyme; | 10 | ······˘/˘· |
| Some flower of song that long had lost its bloom; | 10 | ·/········ |
| Lo! its dead summer kindled as she sang! | 10 | ···/˘/˘··· |
| The sweet contralto, like the ringdove's coo, | 10 | ··˘/˘····· |
| Thrilled it with brooding, fond, caressing tones, | 10 | ···/˘·˘/˘· |
| And the pale minstrel's passion lived again, | 10 | ···/˘/˘·˘/ |
| Tearful and trembling as a dewy rose | 10 | /˘·/˘··/˘· |
| The wind has shaken till it fills the air | 10 | ···/˘····· |
| With light and fragrance. Such the wondrous charm | 10 | ···/˘··/˘· |
| A song can borrow when the bosom throbs | 10 | ···/···/˘· |
| That lends it breath. | 4 | ···· |
| So from the poet's lips | 6 | ···/˘· |
| His verse sounds doubly sweet, for none like him | 10 | ···/˘····· |
| Feels every cadence of its wave-like flow; | 10 | ·/˘/˘····· |
| He lives the passion over, while he reads, | 10 | ···/˘····· |
| That shook him as he sang his lofty strain, | 10 | ·······/˘· |
| And pours his life through each resounding line, | 10 | ······˘/˘· |
| As ocean, when the stormy winds are hushed, | 10 | ·/˘··/˘··· |
| Still rolls and thunders through his billowy caves. | 11 | ···/˘··/˘˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.