Musa
O MY lost beauty!--hast thou folded quiteThy wings of morning lightBeyond those iron gatesWhere Life crowds hurrying to the haggard Fates,And Age upon his mound of ashes waitsTo chill our fiery dreams,Hot from the heart of youth plunged in his icy streams?
Leave me not fading in these weeds of care,Whose flowers are silvered hair!Have I not loved thee long,Though my young lips have often done thee wrong,And vexed thy heaven-tuned ear with careless song?Ah, wilt thou yet return,Bearing thy rose-hued torch, and bid thine altar burn?
Come to me!--I will flood thy silent shrineWith my soul's sacred wine,And heap thy marble floorsAs the wild spice-trees waste their fragrant stores,In leafy islands walled with madreporesAnd lapped in Orient seas,When all their feathery palms toss, plume-like, in the breeze.
Come to me!--thou shalt feed on honeyed words,Sweeter than song of birds;--No wailing bulbul's throat,No melting dulcimer's melodious noteWhen o'er the midnight wave its murmurs float,Thy ravished sense might sootheWith flow so liquid-soft, with strain so velvet-smooth.
Thou shalt be decked with jewels, like a queen,Sought in those bowers of greenWhere loop the clustered vinesAnd the close-clinging dulcamara twines,--Pure pearls of Maydew where the moonlight shines,And Summer's fruited gems,And coral pendants shorn from Autumn's berried stems.
Sit by me drifting on the sleepy waves,--Or stretched by grass-grown graves,Whose gray, high-shouldered stones,Carved with old names Life's time-worn roll disowns,Lean, lichen-spotted, o'er the crumbled bonesStill slumbering where they layWhile the sad Pilgrim watched to scare the wolf away.
Spread o'er my couch thy visionary wing!Still let me dream and sing,--Dream of that winding shoreWhere scarlet cardinals bloom-for me no more,--The stream with heaven beneath its liquid floor,And clustering nenupharsSprinkling its mirrored blue like golden-chaliced stars!
Come while their balms the linden-blossoms shed!--Come while the rose is red,--While blue-eyed Summer smilesOn the green ripples round yon sunken pilesWashed by the moon-wave warm from Indian isles,And on the sultry airThe chestnuts spread their palms like holy men in prayer!
Oh for thy burning lips to fire my brainWith thrills of wild, sweet pain!--On life's autumnal blast,Like shrivelled leaves, youth's passion-flowers are cast,--Once loving thee, we love thee to the last!--Behold thy new-decked shrine,And hear once more the voice that breathed "Forever thine!"
Words in this poem
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- haggard a.
- Wild or intractable; disposed to break away from duty; untamed; as, a haggard or refractory hawk. Shak [F. hagard; of German origin, and prop. meaning, of the hegde or woods, wild, untamed. See Hedge, 1st Haw, and -ard.]
- fading n.
- An Irish dance; also, the burden of a song.
- shalt
- 2d per. sing. of Shall.
- honeyed a.
- Covered with honey.
- soothe v. t.
- To assent to as true. Testament of Love. [Originally, to assent to as true; OE. so to verify, AS. ges to prove the truth of, to bear witness. See Sooth, a.]
- dulcamara n.
- A plant (Solanum Dulcamara). See Bittersweet, n., [NL., fr. L. dulcis sweet + amarus bitter.]
- berried a.
- Furnished with berries; consisting of a berry; baccate; as, a berried shrub.
- scare v. t.
- To frighten; to strike with sudden fear; to alarm. [OE. skerren, skeren, Icel. skirra to bar, prevent, skirrask to shun , shrink from; or fr. OE. skerre, adj., scared, Icel. skjarr; both perhaps akin to E. sheer ]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Musa is in the public domain. This text is taken from The Poetical Works of Oliver Wendell Holmes — Volume 06 Poems from the Breakfast Table Series, Project Gutenberg ebook #7393; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Oliver Wendell Holmes, Musa, in Poems from the Breakfast-Table Series (1858), text of Project Gutenberg ebook #7393, Laurel, https://laurelpoetry.com/poem/holmes-breakfast-table-poems/musa.html, id L23557.
Form and metre
Musa is 63 lines in 9 stanzas of 7 lines each. The rhyme scheme is AABBBCC, complete in 8 of its 9 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBBCC quiteA · lightA · gatesB · fatesB · waitsB · dreamsC · streamsC
- 2 AABBBCC careA · hairA · longB · wrongB · songB · returnC · burnC
- 3 AABBBCC shrineA · wineA · floorsB · storesB · madreporesB · seasC · breezeC
- 4 AABBBCC wordsA · birdsA · throatB · noteB · floatB · sootheC · smoothC
- 5 AAB-BCC queenA · greenA · vinesB · twines · shinesB · gemsC · stemsC
- 6 AABBBCC wavesA · gravesA · stonesB · disownsB · bonesB · layC · awayC
- 7 AABBBCC wingA · singA · shoreB · moreB · floorB · nenupharsC · starsC
- 8 AABBBCC shedA · redA · smilesB · pilesB · islesB · airC · prayerC
- 9 AABBBCC brainA · painA · blastB · castB · lastB · shrineC · thineC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| O MY lost beauty!--hast thou folded quite | 10 | ···/˘··/˘· |
| Thy wings of morning light | 6 | ···/˘· |
| Beyond those iron gates | 6 | ···/˘· |
| Where Life crowds hurrying to the haggard Fates, | 10 | ···/˘··/˘· |
| And Age upon his mound of ashes waits | 10 | ·······/˘· |
| To chill our fiery dreams, | 8 | ··/˘/˘˘· |
| Hot from the heart of youth plunged in his icy streams? | 12 | ·········/˘· |
| Leave me not fading in these weeds of care, | 10 | ···/˘····· |
| Whose flowers are silvered hair! | 7 | ·/˘·/˘· |
| Have I not loved thee long, | 6 | ······ |
| Though my young lips have often done thee wrong, | 10 | ·····/˘··· |
| And vexed thy heaven-tuned ear with careless song? | 10 | ···/···/˘· |
| Ah, wilt thou yet return, | 6 | ····˘/ |
| Bearing thy rose-hued torch, and bid thine altar burn? | 12 | /˘·······/˘· |
| Come to me!--I will flood thy silent shrine | 10 | ·······/˘· |
| With my soul's sacred wine, | 6 | ···/˘· |
| And heap thy marble floors | 6 | ···/˘· |
| As the wild spice-trees waste their fragrant stores, | 10 | ·······/˘· |
| In leafy islands walled with madrepores | 10 | ·/˘/˘····· |
| And lapped in Orient seas, | 7 | ···/˘·· |
| When all their feathery palms toss, plume-like, in the breeze. | 12 | ···/˘······· |
| Come to me!--thou shalt feed on honeyed words, | 10 | ·······/˘· |
| Sweeter than song of birds;-- | 6 | /˘···· |
| No wailing bulbul's throat, | 6 | ·/˘··· |
| No melting dulcimer's melodious note | 10 | ·/˘/˘˘/˘˘· |
| When o'er the midnight wave its murmurs float, | 10 | ···/···/˘· |
| Thy ravished sense might soothe | 6 | ······ |
| With flow so liquid-soft, with strain so velvet-smooth. | 12 | ···/˘····/˘· |
| Thou shalt be decked with jewels, like a queen, | 10 | ·····/˘··· |
| Sought in those bowers of green | 7 | ···/˘·· |
| Where loop the clustered vines | 6 | ···/˘· |
| And the close-clinging dulcamara twines,-- | 10 | ···/˘····· |
| Pure pearls of Maydew where the moonlight shines, | 10 | ·······/·· |
| And Summer's fruited gems, | 6 | ·/˘/˘· |
| And coral pendants shorn from Autumn's berried stems. | 12 | ·/˘/˘··/˘/˘· |
| Sit by me drifting on the sleepy waves,-- | 10 | ···/˘··/˘· |
| Or stretched by grass-grown graves, | 6 | ······ |
| Whose gray, high-shouldered stones, | 6 | ···/˘· |
| Carved with old names Life's time-worn roll disowns, | 10 | ········˘/ |
| Lean, lichen-spotted, o'er the crumbled bones | 10 | ·/˘/˘··/˘· |
| Still slumbering where they lay | 7 | ·/˘˘··· |
| While the sad Pilgrim watched to scare the wolf away. | 12 | ···/˘·····˘/ |
| Spread o'er my couch thy visionary wing! | 10 | ·····/˘·˘· |
| Still let me dream and sing,-- | 6 | ······ |
| Dream of that winding shore | 6 | ···/˘· |
| Where scarlet cardinals bloom-for me no more,-- | 10 | ·/˘/˘····· |
| The stream with heaven beneath its liquid floor, | 10 | ···/···/˘· |
| And clustering nenuphars | 7 | ·/˘˘··· |
| Sprinkling its mirrored blue like golden-chaliced stars! | 12 | /˘·/˘··/˘/˘· |
| Come while their balms the linden-blossoms shed!-- | 10 | ·····/˘/˘· |
| Come while the rose is red,-- | 6 | ······ |
| While blue-eyed Summer smiles | 6 | ···/˘· |
| On the green ripples round yon sunken piles | 10 | ···/˘··/˘· |
| Washed by the moon-wave warm from Indian isles, | 10 | ·······/˘· |
| And on the sultry air | 6 | ···/˘· |
| The chestnuts spread their palms like holy men in prayer! | 12 | ·/˘····/˘··· |
| Oh for thy burning lips to fire my brain | 10 | ···/˘··/·· |
| With thrills of wild, sweet pain!-- | 6 | ······ |
| On life's autumnal blast, | 6 | ··˘/˘· |
| Like shrivelled leaves, youth's passion-flowers are cast,-- | 10 | ·/˘··/˘/·· |
| Once loving thee, we love thee to the last!-- | 10 | ·/˘······· |
| Behold thy new-decked shrine, | 6 | ˘/···· |
| And hear once more the voice that breathed "Forever thine!" | 12 | ········˘/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.